From the University of Missouri-Kansas City website:

"Crossroads of Conflict: Contested Visions of Freedom and the Missouri-Kansas Border Wars is a Landmarks of American History and Culture Workshop for Teachers that explores historic homes and public buildings, townscapes and museum collections in light of recent research to understand the clash of cultures and differing definitions of 'freedom' that played out on the Missouri-Kansas border. Workshop participants will consider the forces and events that led to the abandonment of the understandings reached in the Missouri Compromise, the rejection of popular sovereignty in the Kansas Territory and the establishment of the shadow 'Free State' government. They will examine the nature and intensity of the struggles between the Kansas Jayhawkers and Missouri Bushwhackers and the general mayhem these vicious disputes engendered along the Missouri-Kansas border during Bleeding Kansas and the Civil War.

"The Crossroads of Conflict workshop will give K-12 teachers fresh tools for using historical settings, architecture, material culture, art and drama, along with historical documents and records to enable students to engage the past and gain a better understanding of the forces that shaped and continue to influence national and regional history."

From the University of New Mexico website:

"The intended impact of the Contested Homelands workshop is to strengthen teacher content knowledge about Pre-colonial America and to stretch understandings about the scope of European Colonial America. The sessions will take place on the road, in museums, in historic buildings, and in classrooms.

The workshop will consist of lectures from distinguished scholars, site visits to: the Camino Real Trail, the Palace of the Governors, Taos Pueblo, and area museums. Curriculum work sessions will be incorporated into the workshop agenda. A special art experience will also be part of the workshop itinerary. An award winning artist from the Santa Fe Market will lead participants in an art creation experience related to a traditional Spanish New Mexican art form. All parts of the workshop will build on the concept of homelands."

From the University of New Mexico website:

"The intended impact of the Contested Homelands workshop is to strengthen teacher content knowledge about Pre-colonial America and to stretch understandings about the scope of European Colonial America. The sessions will take place on the road, in museums, in historic buildings, and in classrooms.

The workshop will consist of lectures from distinguished scholars, site visits to: the Camino Real Trail, the Palace of the Governors, Taos Pueblo, and area museums. Curriculum work sessions will be incorporated into the workshop agenda. A special art experience will also be part of the workshop itinerary. An award winning artist from the Santa Fe Market will lead participants in an art creation experience related to a traditional Spanish New Mexican art form. All parts of the workshop will build on the concept of homelands."

From the Minnesota Humanities Center website:

"How would you like to spend a week discussing your passion for American history with distinguished university professors, traversing Minnesota's historic Iron Range, and planning activities for your students? Would you like to experience the geography, geology, the mines and their contributions to American history, as well as the differing ethnic and immigrant populations in order to bring the learning out of the books and into living history?

"The story of Minnesota's Iron Range is rarely, if ever told. It is absent from general treatments of American history, absent from examinations of industrial America, and absent from studies of the U.S. military build-ups in the first and second World Wars; the Iron Range appears as only a footnote in historical treatments of the American steel industry. The history of the people who came to work these mines is part of the history of Americans; it is the story of immigrants, of conflict and assimilation, of people creating lives for themselves, their families, and for others.

"School teachers, university scholars, and museum curators will explore this story during [this] week-long teacher workshop developed by the Minnesota Humanities Center."

From the Minnesota Humanities Center website:

"How would you like to spend a week discussing your passion for American history with distinguished university professors, traversing Minnesota's historic Iron Range, and planning activities for your students? Would you like to experience the geography, geology, the mines and their contributions to American history, as well as the differing ethnic and immigrant populations in order to bring the learning out of the books and into living history?

"The story of Minnesota's Iron Range is rarely, if ever told. It is absent from general treatments of American history, absent from examinations of industrial America, and absent from studies of the U.S. military build-ups in the first and second World Wars; the Iron Range appears as only a footnote in historical treatments of the American steel industry. The history of the people who came to work these mines is part of the history of Americans; it is the story of immigrants, of conflict and assimilation, of people creating lives for themselves, their families, and for others.

"School teachers, university scholars, and museum curators will explore this story during [this] week-long teacher workshop developed by the Minnesota Humanities Center."

From the Salem State College website:

"Picturing Early America explores the primary pictorial forms in American visual art from the British colonial settlement to the aftermath of the Civil War.

The three units—portraiture, history painting, and landscape—will include a particular focus on works drawn from NEH's initiative Picturing America. This NEH poster series, which has already been distributed to thousands of schools, captures forty canonical works of American art that reflect the artistic and cultural history of the United States. Through the institute you will come to a deeper understanding of these works in their historical contexts and explore different methods of visual analysis. You will develop strategies and tools to use the Picturing America series and other examples of American art in your classrooms."

From the Crow Canyon Archaeological Center website:

"This three-week institute provides educators with an unequaled opportunity to trace the history of one of the continent's most enduring cultural groups—Pueblo Indians—from the deep past into the twenty-first century."

From the Washington University website:

This institute will "offer participants an exciting opportunity to learn about one of the most extraordinary cultural periods in American history. This institute will teach you about the complex urban world that black Americans made between World War I and World War II, during the years of the Great Migration out of the south."

From the Indiana University-Purdue University Indianapolis website:

"This institute will support the studies of twenty-five talented teachers from across the nation as they join with nationally renowned scholars to explore how religion has shaped, and been shaped by, the American experience. The Institute directors, Philip Goff, Arthur Farnsley, and Rachel Wheeler, are all noted scholars in their field, whose work encompasses a wide range of subject matter and methodologies.

The Institute will enable participants from many different fields to develop new materials on American religion that can be incorporated into their current curricula. An English teacher introducing Uncle Tom's Cabin, or The Adventures of Huckleberry Finn, for instance, will be better prepared to discuss the nexus of religion and race in the context of nineteenth-century America. A civics teacher focusing on the origins of the American government will be able to incorporate discussion about the religion of the founders and the ways in which the First Amendment has shaped American society."

From the National Gallery of Art website:

"This seminar will explore American art of the eighteenth and nineteenth centuries, emphasizing the country's rich and diverse visual heritage. Instruction will focus on the Gallery's collection of American paintings, which are closely allied to European traditions of fine art.

Through lectures, gallery talks, discussion groups, and hands-on activities, participants will study portraiture, historical and commemorative art, scenes of everyday life, still life, and landscape, including works from the uniquely American Hudson River school. John Singleton Copley, Benjamin West, Thomas Cole, George Catlin, Winslow Homer, and Augustus Saint-Gaudens are among the artists in the Gallery's collection whose work will be considered.

Supplementing the study of American paintings will be an examination of ceremonial and utilitarian art objects. Textiles, pottery, and furniture—including pieces created by enslaved and free blacks—will highlight regional preferences in design and material, while performance of Native American stories will emphasize the importance of the oral tradition across tribal boundaries.

The seminar highlights the social and cultural context of art and demonstrates interdisciplinary teaching strategies. Participants will explore connections to literature and music and visit other local cultural institutions. Activities are designed to meet teachers' personal and professional enrichment needs."