Cultural resources manager of the Anacostia Museum Portia James displays and discusses a tool box painted in 1891, depicting a plantation owner and his family riding down into Hell and their slaves ascending to Heaven.
To view this video, select "Scholars," followed by "Portia James." From there, select one of the Windows Media viewing options.
Curator Richard Murray examines Emanuel Leutze's painting Westward the Course of Empire Takes Its Way, looking at the mythological view of U.S. westward expansion it represents and how the painting's composition and individual elements justify Manifest Destiny.
The Birthplace serves as a showplace for reproductions of the works of one of America's foremost portrait painters and as an authentically restored and furnished workingman's home and the site of the first snuff mill in America. The wooded homestead on the banks of the Mattatuxet Brook also features a partially restored grist mill and a fish ladder. In spring the ladder is packed with migrating herring, swimming furiously to reach the pond above the mill dam. The grist mill houses the original fine-grained granite stones used to grind corn for the famous Rhode Island Johnny Cakes.
The site offers tours and occasional recreational and educational events.
Olana was created as a singular work of art by Fredrick Edwin Church (18261900), one of the foremost artists of the Hudson River School. Church's estate unites picturesque landscapes, romantic architecture, and scenic vistas of the Hudson River Valley. The house is restored to its 1890s appearence with original furnishings and paintings.
A second website for the site can be found here.
The site offers tours, workshops, educational programs, and occasional recreational and educational events.
The Manship House Museum preserves the Gothic Revival "cottage villa" of Charles Henry Manship (1812-1895), mayor of Jackson, Mississippi during the Civil War and ornamental painter by trade. Restored to period, the residence serves as a site to share the history of the Manship family. The museum offers annual exhibits about weddings and mourning customs circa 1888.
The museum offers exhibits and period rooms.
The T.C. Steele State Historic Site preserves the home of American Impressionist and portraitist Theodore Clement Steele (1847-1926) and his wife Selma Neubacher Steele (1870-1945). As such, the site was once privy to visits from a wide range of U.S. artists. The grounds include the 1907 "House of the Singing Winds," two studios, a garage, guest cottages, and remote painting shacks to permit outdoor painting in a wide range of weather conditions.
The site offers guided building tours, a summer camp, educational programs which meet state standards, educational outreach programs, trails, gardens, and a nature preserve.
Although not open to the public, visitors are welcome to view the house from the outside as Grant Wood did in 1930 when he was inspired by its unusual Gothic window. Visitors can enjoy the collection of American Gothic parodies, an educational exhibit, and videos on Grant Wood's life.
A second website for the site can be found here.
The site offers short films, exhibits, and tours (of the visitor center, not the house itself).
Heroes, kings, popes, and saints are but a few of the roles mankind uses to depict figures possessing power. How have artists portrayed this power? Museum Educator Joseph Covington provides some answers as he leads you through the Museum's European and American collections.
Scholarship on American art of the 18th and 19th centuries has proliferated dramatically in the last decade and yet very little has been written on the materials, methods, and settings of painting. This one-day event will delve into some of the workshops, studios, schoolrooms, and parlors where New Englanders of all kinds used a wide variety of materials, such as pencil and pigments on canvas, silk, glass, wood, and tin to create painted images and decorations for themselves, for sale, and for public display. Participants will learn about the daily lives of New England's diverse artists and artisans and the painted objects—from studio art to school girl art and painted decorative arts—that they produced and distributed between 1700 and 1850.
"The Highwaymen were a group of self-taught African American artists from Fort Pierce who painted their way out of poverty in the 1950s. While they have burst into Floridians' consciousness in recent years, Harold Newton-leader of the Highwaymen and major Florida landscape painter-will help bring them to national acclaim. Photographer/author Gary Monroe tells the story of Newton and the Highwaymen by providing an overview of quintessential paintings, featuring some of Newton's finest creations."