Battle and Memory: The Civil War in Art

Description

The Civil War destroyed the institution of slavery and transformed the U.S. socially, politically, and economically, all at great cost to human life: more Americans died in this war than in any other in the nation's history. The War's impact on art was almost as profound and long-lasting. Not only did the subject inspire some of the nation's best painters, sculptors, photographers, and illustrators, it also changed the face of town and countryside as monuments to soldiers and statesmen of the Civil War era spread across the landscape. This seminar will examine the far-reaching impact of the war on American art, both during the conflict and afterward, as it moved from current event into the realm of memory. The seminar will pay close attention not only to the imagery of battle but also to the social and political issues which shaped the image of the war and which in many respects continue to shape the U.S. today.

The seminar will consist of three sessions. The first two, featuring lecture and discussion, will focus on the close analysis of images and primary documents. The third will concentrate on the integration of seminar ideas and material into lesson plans using the Center's Seminar-to-Classroom Guide.

Registration Deadline
Sponsoring Organization
National Humanities Center
Target Audience
K-12
Start Date
Cost
$75
Course Credit
The National Humanities Center does not award recertification credit. However, it will provide documentation of participation that teachers can present to their local certifying agencies.
Duration
Four hours

Walt Whitman

Description

David S. Reynolds, author of Walt Whitman's America, says that Whitman had an almost utopian hope that his poetry could unite a country torn apart by the conflict over slavery.

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The Radical Middle Class in American History: John Brown, Martin Luther King and . . . Harry Lane

Description

Professor Robert D. Johnston explores the issue of class in the United States, focusing particularly on the middle class. He argues for the middle class as a respectable, valuable social class, capable of radical social action; he uses the figures Martin Luther King, Jr., John Brown, and politician and physician Harry Lane (1855-1917) as examples.

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