This institute provides the opportunity to analyze and investigate the material culture and decorative arts of the early South. Each summer the institute focuses on one region of the early South, rotating its concentration from the Chesapeake to the Carolina Low Country to the southern Backcountry.

The 2009 Institute emphasizes the material culture of the early southern Backcountry, including the piedmont and western regions of Maryland, Virginia, North and South Carolina and Georgia, as well as Tennessee and Kentucky. The program curriculum includes lectures, discussions, work­shops, artifact studies, research projects, and study trips.

Participants in this course will examine African American history in the contexts of United States, North Carolina, and world history. They will begin by connecting the experiences of African Americans in early U.S. history to the histories and cultures of the African communities of their ancestors and will follow those cultural connections between Africa and the United States throughout the course.

Course topics include African Americans in the colonies and the early Republic, the Middle Passage, American slavery and the experiences of free African Americans in the antebellum period, the abolition movement, the Civil War and Reconstruction, Jim Crow, the Great Migration, the Harlem Renaissance, and the experiences of African Americans during World War I, the Great Depression, and World War II. Throughout the course, participants will discuss African American activism through churches, political organizations, and communities and discover African American culture through art, music, and other cultural forms.

Scholarship on American art of the 18th and 19th centuries has proliferated dramatically in the last decade and yet very little has been written on the materials, methods, and settings of painting. This one-day event will delve into some of the workshops, studios, schoolrooms, and parlors where New Englanders of all kinds used a wide variety of materials, such as pencil and pigments on canvas, silk, glass, wood, and tin to create painted images and decorations for themselves, for sale, and for public display. Participants will learn about the daily lives of New England's diverse artists and artisans and the painted objects—from studio art to school girl art and painted decorative arts—that they produced and distributed between 1700 and 1850.

Participants in this workshop will learn about the role of chocolate in colonial America. Topics include cacao and rainforest ecology, world trade, the role of chocolate in the colonial diet, and military uses of chocolate. The day includes a presentation of the new exhibition "Stimulating Beverages: Tea, Coffee, and Chocolate Wares at Historic Deerfield," an open-hearth cooking demonstration, and a tasting of American Heritage Chocolate® Finely Grated Chocolate Drink, which captures the form and flavor of historic chocolate.

Today a common beverage worldwide, tea was once a precious imported commodity. This presentation will introduce the geographic and botanical origins of tea, the role of trade in bringing tea from China to Western consumers, the social and cultural role of tea in 18th-century New England, and the period equipment and furnishings commonly used to prepare and serve tea in a place such as Deerfield, Massachusetts. The day includes a presentation, a tour of the new exhibition "Stimulating Beverages: Tea, Coffee, and Chocolate Wares at Historic Deerfield," a house tour, and a serving of tea.

This final session in the series features a talk from University of California, Davis historian Clarence Walker and lessons presented by three teachers.

Participants will learn to think like a historian and encounter Native Americans and explorers through primary sources, legends, storytelling, and expository and narrative writing. Participants will each receive instructional materials such as model lessons, maps, primary source materials, and literature.

Participants will learn to think like a historian and encounter Native Americans and explorers through primary sources, legends, storytelling, and expository and narrative writing. Participants will each receive instructional materials such as model lessons, maps, primary source materials, and literature.

Participants will learn to think like a historian and encounter Native Americans and explorers through primary sources, legends, storytelling, and expository and narrative writing. Participants will each receive instructional materials such as model lessons, maps, primary source materials, and literature.

This session features a talk from Pulitzer-Prize-winning historian Alan Taylor and lessons created and demonstrated by three teachers.