From the National Humanities Center website:

"In one lesson plan after another Booker T. Washington and W.E.B. Du Bois forever stand opposed. In the late nineteenth century both sought uplift for African Americans, but one believed it came through accommodation and manual training, while the other urged resistance and the liberal arts. Is that the entire story? Was Washington a narrow, uncreative booster of commercialism or a savvy politician who correctly read what late nineteenth-century America would afford its black citizens? Was Du Bois a heroic intellectual activist or a narrow elitist whose path to uplift was open only to the 'Talented Tenth'?"

From the National Humanities Center website:

"The Cult of Domesticity was a societal ideal promoted especially during the mid- and late nineteenth century. It provided a behavioral handbook, a 'code,' for middle-class white women in America that served as a way to value, to judge, and to control how they would both see themselves and be understood by others. Women who questioned the social, economic, and artistic limitations that this code imposed learned to challenge it from within the 'sphere' of influence that it prescribed. This workshop will explore how the cult of domesticity constrained women, and how some women transformed it into a tool of empowerment."

From the National Humanities Center website:

"The Civil War destroyed the institution of slavery and transformed the United States socially, politically, economically, and artistically. Not only did the subject inspire some of the nation's best painters, sculptors, photographers, and illustrators, it also changed the face of town and countryside as monuments to soldiers and statesmen of the Civil War era spread across the landscape. This workshop will pay close attention not only to the imagery of battle but also to the social and political issues which shaped the image of the war and which in many respects continue to shape us today. How did artists come to grips with the new realities of warfare and the unprecedented scale of death it caused? How did the new media of that era (especially photography) change the way that war was represented and understood? What insights did artists offer into the social and political changes happening both on the homefront and battlefront? Did the memorialization of the war in public art create new understandings of the conflict or perpetuate old myths?"

From the Center for Interactive Learning and Collaboration website:

"Learn about key American photographers and photographic processes and styles, as well as how photography from 1839 to the present day relates to American history. Receive digital images, image guides, and other materials to make connections between photography's history and levels of language arts, science, social studies, and visual art."

Program provided by the Amon Carter Museum.

From the Newberry Library website:

"This course approaches poetry as a force that shapes ideas of citizenship and cultural identity. We will examine the form and content of familiar and less familiar poems from the period of the American Revolution to the present, including works by Longfellow, Whitman, William Carlos Williams, Allen Ginsberg, Adrienne Rich, and Joy Harjo."

From the Newberry Library website:

"This course will explore the social history of Chicago in the years between the Great Fire of 1871 and the modern Civil Rights Movement. Our core texts will be works of historical fiction, including selections from Theodore Dreiser's Sister Carrie, Upton Sinclair's The Jungle, and Richard Wright's Native Son. Using these as windows into the city's vibrant past, we will investigate the changing texture of everyday life amidst vast social, political, and economic change."

Participants in this workshop will travel throughout the Delta as they visit sites where significant events occurred. They will discuss and learn about issues involving civil rights and political leadership, immigrants' experiences in the Delta, the Blues, the great migration, agriculture, and the Mississippi River, among other things. They will sample Delta foods, visit local museums, and listen to the Blues. Field trips will roam as far as Greenville, Greenwood, and Memphis, with stops in between.

This weeklong seminar will bring together a distinguished team of humanities scholars who will provide an interdisciplinary exploration of Zora Neale Hurston's life and work. Participants will examine Hurston's accomplishments within the context of the historical and cultural development of the Eatonville community. They will grapple with compelling questions about how this unique black enclave fueled Hurston's appreciation of folk culture, inspired her literary works, created her racial identity, and formed her sometimes controversial views on race.

This seminar examines legal segregation in the American South from its origin in the 1890s until its demise by the end of the 1960s through the autobiographical writings of the most prominent interpreters of the era, black and white, male and female. Participants will explore the reasons for segregation's rise and fall and its legal, social, and moral aspects.