One way citizens of large republics are educated in the principles of government is through novels. With this in mind, this course examines selections from the work of Mark Twain. Not only is Twain America's most enduringly popular author, but his novels depict important aspects of the American character and have much to say about such themes as equality, slavery, freedom, modern science, Christianity, and democratic leadership, all of which are crucial for understanding American history and politics. The main texts will be Adventures of Huckleberry Finn and A Connecticut Yankee in King Arthur's Court; if time permits, participants will also consider The Adventures of Tom Sawyer or The Tragedy of Pudd'nhead Wilson.

The workshop features the presentations of several preeminent Twain and Gilded Age scholars. The combined expertise of this distinguished faculty affords teachers an outstanding opportunity to enhance their understanding of Mark Twain's legacy. The culmination of participants' work with this exceptional slate of scholars will be their creation of Twain-related lesson plans that they can use in their classrooms.

During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

Ahimsa Center's 2009 Summer Institute for K–12 teachers—the third one in a series on Education about Nonviolence—will focus on Mohandas K. Gandhi (1869–1948) and Martin Luther King, Jr. (1929–68), the pioneers of nonviolent action for social transformation. Participants will work with expert faculty and scholars to learn, reflect, and critically assess the significance of Gandhi and King in their own times and their continuing relevance in our times as leaders of nonviolent mass movements, and also as thought-leaders who seem to have anticipated so many of today's critical issues and vexing problems. Themes and topics covered in the institute will provide a solid foundation for curricular innovations that will help students gain critical insights into the relevance of Gandhi, King, and their respective journeys of nonviolence.

The America's Industrial Revolution workshop at the Henry Ford will draw together K–12 educators with leading humanities scholars and museum staff for unique enrichment exercises centered on the impact of industrialization. The workshop is designed to encourage participant curiosity and deepen knowledge on the subject, engage participants with innovative methods of transmitting enthusiasm and content to students, and empower participants to use cultural resources to enliven the teaching and learning of history. Participants will explore the diverse ways that Americans experienced social change between the 1760s and the 1920s through lecture/discussions and by visiting with museum curators at 12 of the 80 historic sites interpreted in Greenfield Village, including Thomas Edison's Menlo Park Laboratory, Hermitage Plantation Slave Quarters, 1760s Daggett Farm, 1880s Firestone Farm, a railroad roundhouse, and a 19th-century grist mill. In addition, time is set aside each day for exploration of archival sources in the Benson Ford Research Center and to work on individual lesson plans for implementation back home. The week's activities will culminate with a visit to a related National Historic Landmark, the Ford Motor Company's Rouge Industrial Complex.

This weeklong seminar will bring together a distinguished team of humanities scholars who will provide an interdisciplinary exploration of Zora Neale Hurston's life and work. Participants will examine Hurston's accomplishments within the context of the historical and cultural development of the Eatonville community. They will grapple with compelling questions about how this unique black enclave fueled Hurston's appreciation of folk culture, inspired her literary works, created her racial identity, and formed her sometimes controversial views on race.

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From the North Carolina Museum of History website:

"Explore the history of civil rights in the state from 1830 to the present. An interactive time line, a Web quest, and tips on teaching with primary sources enhance the in-depth text and historic images."

This institute explores the primary pictorial forms in American art from the British colonial settlement to the aftermath of the Civil War. The three units—portraiture, history painting, and landscape—will include a particular focus on works drawn from the National Endowment for the Humanities' new initiative "Picturing America." This NEH poster series, which has already been distributed to thousands of schools, captures 40 canonical works of American art that reflect the artistic and cultural history of the United States. Through the institute, participants will come to a deeper understanding of these works in their historical contexts and explore different methods of visual analysis. They will develop strategies and tools to use the "Picturing America" series in their classrooms.