Call Forth the Militia

Description

Colonial Williamsburg's Harmony Hunter interviews milita expert John Hill to discover how local militas participated in the war effort during the Revolutionary War.

To learn more about the militia in Colonial Williamsburg, click here to read about the Power Magazine.

The Joy of Discovery

Description

Colonial Williamsburg's Director of Historic Trades, Jay Gaynor, sits down with interviewer Harmony Hunter to describe the the process of recreating an 18th-century cannon. According to Gaynor, the cannon "is a reproduction of a British light three-pounder, which was a gun that was developed about the time of the American Revolution and saw deployment over here during the Revolution."

The Colonial Williamsburg site also offers resources for interested readers to learn more about gunsmiths and all of Williamsburg's attempts to recreate historic trades.

Zooarchaeology

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Colonial Williamsburg's curator of zooarcheaology, Joanne Bowen, talks about how the bones left behind from kitchen waste can reveal information about the foodways of people from colonial days through the 19th century.

Freedom Bound

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When slavery was introduced to the colonies in 1600, the reaction was a struggle to become free. Writer Christy Coleman discusses the efforts of slaves to secure freedom and the creation of an Electronic Field Trip on the subject for Colonial Williamsburg.

Interested in learning more about Electronic Field Trips? Click here!

Pounds, Pence, and Pistareens

Description

Erik Goldstein, Curator of Mechanical Arts and Numismatics at Colonial Williamsburg, discusses an exhibit at the DeWitt Wallace Decorative Arts Museum, "Pounds, Pence, and Pistareens: Coins and Currency in Colonial America," outlining the place of currency in the colonial economy and discussing the choices made in putting together the exhibit.

A Rarity Restored

Description

Colonial Williamsburg curator Barbara Luck and conservator Pam Young discuss the restoration and preservation of an 1830 watercolor of a young slave girl, done by Mary Custis (who married Robert E. Lee in the same year).