From the Department of the Interior Museum website:

"Erika Doss will highlight the complexities surrounding government-funded art projects during the 1930s and discuss how American artist Maynard Dixon negotiated with New Deal tastemakers in his depiction of modern American Indians and the American West. In 1937, the Treasury Department's Section of Painting and Sculpture, a New Deal arts program, commissioned a two-panel mural for the Bureau of Indian Affairs offices in the Main Interior Building. Dixon was asked to depict 'themes taken from the activities' of the BIA. Following the lecture, visitors are invited to view Dixon's Indian and Soldier and Indian and Teacher murals in the Main Interior Building."

From the Center for Interactive Learning and Collaboration website:

"Learn about key American photographers and photographic processes and styles, as well as how photography from 1839 to the present day relates to American history. Receive digital images, image guides, and other materials to make connections between photography's history and levels of language arts, science, social studies, and visual art."

Program provided by the Amon Carter Museum.

From the Chicago History Museum website:

"Discover how to incorporate public art into your history instruction. Join James Percoco on a visual journey to see Abraham Lincoln monuments across the country. Percoco compares their meanings when they were unveiled with how we respond to them now, as well as shares tips for analyzing public art with students. See the exhibition 'Abraham Lincoln Transformed' and investigate the Lincoln monument behind the Museum. Fee includes a copy of Percoco's Summers with Lincoln, breakfast refreshments, and classroom resource materials."

From the Chicago History Museum website:

"In this workshop, middle- and high-school students play the role of historians. Facilitated by teacher and author of Summers with Lincoln James Percoco, students investigate the meanings and legacies of Abraham Lincoln in public art. Students explore the exhibition 'Abraham Lincoln Transformed,' analyze the monument in the museum's backyard, and work with a local artist to formulate a creative response to the statue."

From the High Museum of Art website:

"Bring your school ID on July 24 and receive free admission for yourself and a guest. No advance reservation needed!

School Programs and Group Sales staff will be on hand to answer questions and distribute free teacher resources."

How did World War I affect politics in the United States? Why did the prestige and power of American business dramatically increase in the 1920s? What explains the remarkable cultural ferment of this period? What place did religious and spiritual values assume in the United States during the 1920s? How did concepts of citizenship and national identity change in the decade after World War I? How did women and African Americans struggle to advance social equality? How did modernizing and traditional forces clash during the decade?

This institute will explore these and other questions through history, literature, and art. Under the direction of leading scholars, participants will examine such issues as immigration, prohibition, radicalism, changing moral standards, and evolution to discover how the forces of modernity and traditionalism made the 1920s both liberating and repressive. Participants will assist National Humanities Center staff in identifying texts and defining lines of inquiry for a new addition to the Center's Toolbox Library, which provides online resources for teacher professional development and classroom instruction.