This presentation, narrated partially from the perspective of cowboy and rancher Teddy Blue Abbott, describes the life of the cowboy driving cattle along the Cattle Trail and the end of the cowboy's way of life as settlers occupied the American West.
This presentation, told partially from the perspective of a prospector's wife, Annie Tallent, looks at the push of prospectors into the American West to find gold, focusing on the expedition of Tallent, her husband, and several other prospectors into the South Dakota Black Hills and on the tension between prospectors, the military, and Native Americans.
Dr. Tom Costa, of the University of Virginia-Wise, discusses The Geography of Slavery, an online database compiling advertisements for the capture of runaway slaves from 1736 to 1803.
To listen to this lecture, select "Part 2" under the October 12th listing.
Dr. Tom Costa, of the University of Virginia-Wise, discusses The Geography of Slavery, an online database compiling advertisements for the capture of runaway slaves from 1736 to 1803.
To listen to this lecture, select "Podcast Part 1" under the October 12th listing.
According to the lecture's page on the Library of Congress website, "The "New Deal" Franklin Delano Roosevelt had promised the American people began to take shape immediately after his inauguration on March 4, 1933. The multifaceted social, cultural, and fiscal recovery program aimed to reform and reinvigorate national life, and to end the Great Depression. Many New Deal administrators believed that art could be a part of the daily lives of all Americans, not just the elite, and could enrich the lives of all who came in contact with it. [. . . ]
Leading scholars present recent research based on New Deal materials, showcasing how innovative interpretation of the Library of Congress's archival holdings continues to inspire new revelations and reassessments of 20th-century American culture. Speakers include human rights activist Stetson Kennedy, who presents "Working for the New Deal: A Voice from the Era"; historian Michael Kazin from Georgetown University, who presents the keynote address; and Christopher Brieseth, from the Franklin and Eleanor Roosevelt Institute at Hyde Park, N.Y., who provides a summation of the two days in his presentation on "Lessons from the New Deal for the 21st Century." Other scholars discuss topics as varied as the Native American contributions to the Federal Writers Project, WPA marionette theaters, and how New Deal researchers documented topics as diverse as traditional music, religion, and Puerto Rican culture."
The "New Deal" Franklin Delano Roosevelt had promised the American people began to take shape immediately after his inauguration on March 4, 1933. The multifaceted social, cultural, and fiscal recovery program aimed to reform and reinvigorate national life, and to end the Great Depression. Many New Deal administrators believed that art could be a part of the daily lives of all Americans, not just the elite, and could enrich the lives of all who came in contact with it.
Leading scholars present recent research based on New Deal materials, showcasing how innovative interpretation of the Library of Congress's archival holdings continues to inspire new revelations and reassessments of 20th-century American culture. Speakers include human rights activist Stetson Kennedy, who presents "Working for the New Deal: A Voice from the Era"; historian Michael Kazin from Georgetown University, who presents the keynote address; and Christopher Brieseth, from the Franklin and Eleanor Roosevelt Institute at Hyde Park, N.Y., who provides a summation of the two days in his presentation on "Lessons from the New Deal for the 21st Century." Other scholars discuss topics as varied as the Native American contributions to the Federal Writers Project, WPA marionette theaters, and how New Deal researchers documented topics as diverse as traditional music, religion, and Puerto Rican culture.
The "New Deal" Franklin Delano Roosevelt had promised the American people began to take shape immediately after his inauguration on March 4, 1933. The multifaceted social, cultural, and fiscal recovery program aimed to reform and reinvigorate national life, and to end the Great Depression. Many New Deal administrators believed that art could be a part of the daily lives of all Americans, not just the elite, and could enrich the lives of all who came in contact with it.
In this presentation, representatives from the National Archives and Records Administration and the Franklin Delano Roosevelt Presidential Library and Museum join staff from several Library of Congress divisions to discuss and display a selection of materials from their New Deal holdings.
The "New Deal" Franklin Delano Roosevelt had promised the American people began to take shape immediately after his inauguration on March 4, 1933. The multifaceted social, cultural, and fiscal recovery program aimed to reform and reinvigorate national life, and to end the Great Depression. Many New Deal administrators believed that art could be a part of the daily lives of all Americans, not just the elite, and could enrich the lives of all who came in contact with it.
In this presentation, representatives from the National Archives and Records Administration and the Franklin Delano Roosevelt Presidential Library and Museum join staff from several Library of Congress divisions to discuss and display a selection of materials from their New Deal holdings.
This 20-minute video shows Penn State University's experimental iron smelting and how a small two-foot chimney can replicate a medieval/colonial iron furnace.
The video can be viewed as one file or as six separate smaller sections.
According to Penn State, "In 1974, in preparation for the American Bicentennial, the American Iron and Steel Institute made a half-hour film in cooperation with Walt Disney to promote an understanding of industrial society. The film told the story of American steel making from its primitive beginnings to recent practices and future needs. Scenes of colonial iron manufacture, modern steel plants, and steel products are interspersed with scenes of Donald Duck doing what he does best: being a good worker, getting run over by wheelbarrows, and getting frustrated. This scene, about 10 minutes into the film, explains how iron is mined and smelted in the Middle Ages—and it ends with Donald's literal transformation into a colonial ironmaster."