From the Facing History and Ourselves website:

"How can educators use history to help inform students about the treatment of gays and lesbians in the past and today, and how are schools responding to name-calling, bullying, ostracism, and outright violence against this community? In this session, participants will look at examples from history, including the treatment of homosexuals under the Nazi regime and during the civil rights movement."

From Facing History and Ourselves:

"We invite you to examine Facing History's new resource book on Eleanor Roosevelt and her role in the establishment of the Universal Declaration of Human Rights. This book is part of Facing History's Making History series, a collection of case studies that illustrate how individuals and groups across the world can choose to make a difference in society, using tools available to anyone seeking to fight hatred, prevent genocide, and strengthen democracy. Civic education, often limited to instruction about the basic foundations of democratic governance, is enriched and deepened through these case studies, which reveal how the structures of civil society can be strengthened by individual action."

From the National Humanities Center website:

"The Cult of Domesticity was a societal ideal promoted especially during the mid- and late nineteenth century. It provided a behavioral handbook, a 'code,' for middle-class white women in America that served as a way to value, to judge, and to control how they would both see themselves and be understood by others. Women who questioned the social, economic, and artistic limitations that this code imposed learned to challenge it from within the 'sphere' of influence that it prescribed. This workshop will explore how the cult of domesticity constrained women, and how some women transformed it into a tool of empowerment."

Participants celebrate Women's History Month at the National Museum of Women in the Arts by discovering ways its collection can be a resource for integrating the arts—and women artists—into the classroom. Through interactive gallery discussions and activities, participants will explore techniques for discussing and interpreting art with their students.

This seminar focuses on North Carolina's rich textile heritage as told through the stories, songs, and images of the people who worked in the mills. Using the backdrop of the Louis Hine's National Child Labor Committee Photography, Gaston County, 1908, "Standing on a Box," seminar participants will explore the experiences of mill workers in communities across North Carolina with particular attention to the life and work of families and children. In addition, participants will learn about notable individuals in the North Carolina textile story, such as union songstress and mill worker Ella May Wiggins, who was murdered for her organizing efforts during the Gastonia mill strike of 1929.

Viewed as everything from an extension of frontier ideology to the expression of counter culture, the road narrative genre has been an enduring and popular American cultural form. Whether mainstream or marginal, road narratives feature a protagonist (or pair) who embraces the geographical freedom represented by the automobile in order to attain a range of other mobilities—from the psychological and sexual to the social and economic. In this seminar, participants will examine this genre in relation to an American ideology of both spatial and social mobility. Beginning with the first transcontinental road novel, published in 1912, participants will look at a range of texts that feature protagonists whose identities vary in relation to class, gender, and race in order to understand how road narratives illuminate an issue of mobility central to their larger historical and cultural moments. To enhance our discussion of the primary sources, participants will view a selection of maps, advertisements, and photographs from the Newberry collections related to road travel.

Attendees at this lecture will join two Chicago-area archivists, a public historian, and an historian of women in a conversation about collecting, preserving, accessing, and using papers of African Americans and women. Following 10–15 minute presentations by the speakers, drawn from their own projects and institution's missions, they will engage in a panel discussion with each other and audience members on what local research institutions and community organizations are doing to collect and make accessible manuscripts and other primary sources that will fuel future historical narratives.

Asian-American studies scholar Greg Robinson will speak about Mine Okubo: Following Her Own Road, a new book about the pioneering Nisei artist, co-edited with Elena Tajima Creef. Okubo's landmark Citizen 13660 (1946) is the first and perhaps best-known autobiography of the wartime confinement experience. The book is richly illustrated with Okubo's artwork and contains essays that illuminate the importance of her contributions to American arts and letters.

No specifics available.