Maritime America in the Age of Winslow Homer

Description

This four-week institute will use Winslow Homer's paintings as the point of departure for a voyage of discovery about maritime history in the 19th and early 20th centuries. The goal is not only to understand the period historically and culturally, but also to explore multiple source materials for discovering the past, including works of art and literature, objects, landscapes, the built environment, descendant communities and a range of historical documents in order to synthesize these various perspectives. Participants will develop cross-disciplinary lessons and teaching materials for classrooms.

Contact name
Mollo, Arlene
Contact email
Registration Deadline
Sponsoring Organization
University of Massachusetts Dartmouth
Phone number
508-999-9204
Target Audience
K-12
Start Date
Cost
Free; $3,200 stipend
Course Credit
UMass Dartmouth is willing to grant continuing education units (CEU) to participants and the Institute Directors will convey proper letters of documentation to participants' districts or school boards on university letterhead.
Duration
Twenty-eight days
End Date

Slavery in the Rise of New England Commerce, Industry, and Culture to 1860

Description

In this institute, K–12 teachers, in conjunction with a group of leading scholars and public historians, will explore a neglected but crucially important aspect of early American history—the two-and-a-half-century web of connections between the rise of New England as a commercial and industrial center and the enslavement of Africans. New England's extensive and complicated relationship with slavery is a crucial part of the American story that almost never is clearly and comprehensively discussed in American history textbooks. But this is an important story, and there is no better place to explore it, and learn how to teach about it, than in Rhode Island, not only the center of the American slave and provisioning trades, but also the birthplace of the American industrial revolution. The two-week institute will include lectures by experts, tours of historic sites associated with these key developments, and guided explorations of original 18th- and 19th-century print and graphic sources that document this fascinating, often painful history. Teachers will be able to bring back to their classrooms and departments new knowledge, new primary documents and images, and fresh ideas and strategies for teaching this sensitive material, including shared lesson plans.

Contact name
Parys, Marie
Contact email
Registration Deadline
Sponsoring Organization
Rhode Island Historical Society
Phone number
401-331-8575
Target Audience
K-12
Start Date
Cost
Free; $2,000 stipend
Course Credit
For Rhode Island teachers, the institute can yield Continuing Education Units (CEUs). For all other participants, the project team will provide a letter of equivalency that states the content of the two-week program and the hours spent at the institute. Participants should determine the requirements for receiving CEUs from their state departments of education and should plan to bring all necessary documentation to the institute so that staff can fill out any additional paperwork.
Duration
Twelve days
End Date

The Era of George Washington

Description

Professor Gordon Wood investigates George Washington's contributions to the creation of the American republic. The bicentennial of his death in 1999 sparked a reassessment of this extraordinary man and his times. He was commander in chief of the revolutionary army, a leader in the formation of the Constitution of 1787, and the first president of the new United States. Despite these great accomplishments, he remains strangely distant and inaccessible to us in the early 21st century. This brief but intensive course helps explain the sources and meaning of Washington's greatness.

Registration Deadline
Sponsoring Organization
Gilder Lehrman Institute of American History
Phone number
646-366-9666
Target Audience
Middle and high school
Start Date
Cost
Free; $400 stipend granted
Course Credit
Pittsburg State University (PSU) is pleased to offer graduate credit to workshop participants at a tuition fee of $199 per credit hour. Participants can receive three graduate credit hours for the duration of the week.
Duration
Six days
End Date
Picturing Early America: People, Places, and Events, 1770-1870 Anonymous (not verified) Sun, 11/23/2008 - 21:24
Description

This institute explores the primary pictorial forms in American art from the British colonial settlement to the aftermath of the Civil War. The three units—portraiture, history painting, and landscape—will include a particular focus on works drawn from the National Endowment for the Humanities' new initiative "Picturing America." This NEH poster series, which has already been distributed to thousands of schools, captures 40 canonical works of American art that reflect the artistic and cultural history of the United States. Through the institute, participants will come to a deeper understanding of these works in their historical contexts and explore different methods of visual analysis. They will develop strategies and tools to use the "Picturing America" series in their classrooms.

Contact name
Poppe, Pamela
Registration Deadline
Sponsoring Organization
Salem State College
Phone number
978-542-7225
Target Audience
K-12
Start Date
Cost
Free; $3,200 stipend
Course Credit
Teachers will receive professional development points according to the guidelines of their school districts. Participants can also choose to earn graduate credit from Salem State College.
Duration
Twenty-seven days
End Date

The Salem Witch Trials

Description

This iCue Mini-Documentary describes the fear of witchcraft that grew rapidly throughout the colonies, especially in New England. Nineteen people were wrongfully convicted of witchcraft in Salem, MA, and were executed.

This feature is no longer available.

The Half-Way Convenant

Description

This iCue Mini-Documentary describes the Half-Way Covenant the church in Puritan New England offered to those members who had not yet experienced a religious conversion, in order to increase church membership.

This feature is no longer available.

Going to Town: Shopping in Downtown Boston

Description

Historian Anthony Sammarco follows the development of downtown Boston from the city's early years to the present day. He focuses on the area called Downtown Crossing, following the Great Boston Fire of 1872, and examines the commercial shopping establishments that replaced pre-fire residences and churches. His presentation includes slides.

This feature is no longer available at WGBH.

Puritans and Indians

Description

This iCue Mini-Documentary describes how the Wampanoag Indians helped the English Puritans survive at their new colony at Plymouth, MA. Chief Massasoit and Plymouth Governor William Bradford signed a treaty of peace that lasts more than 50 years and resulted in the first Thanksgiving.

This feature is no longer available.

Women's Rights: Sarah Bagley Letters

Video Overview

When you write a letter (or an email), what language do you choose? How does it change if you're writing to your parents, a coworker, or a friend? Historian Teresa Murphy considers the choices labor activist Sarah Bagley made in writing letters to reformer Angelique Martin. Was she formal? Familiar? Passionate? What did she choose to tell Martin?

Video Clip Name
Murphy1.mov
Murphy2.mov
Murphy3.mov
Video Clip Title
What interests you in these documents?
How do you analyze letters from the past?
What advice would you give to a student reading these?
Video Clip Duration
3:08
3:18
2:36
Transcript Text

These are letters that were written by Sarah Bagley Durnough. Sarah Bagley was a famous labor leader in Lowell during the 1840s. And she—as a labor leader, she at one point published the Voice of Industry, which was an important newspaper in that labor movement. She corresponded with a lot of important political figures and reformers. And this is part of her correspondence. This is one of the people she corresponded with—Angelique Martin. Angelique Martin was a Fourierist, that's a social utopian reform movement. And Angelique Martin had taken an interest in the Lowell factory women who were struggling to get a 10-hour workday in the factories.

So what I have here are three letters between Sarah and Mrs. Martin, thanking Mrs. Martin for her support at one point, and also discussing some pretty important ideas with her. I find the letters particularly important because Mrs. Martin had really encouraged these young women to start thinking about issues of women's rights. And in this letter it becomes clear, that it's from this correspondence and that encouragement that there is a definite interests in women's rights that starts to develop among these factory workers. And eventually, in Sarah's case, is leading to a critique of both the labor movement and eventually the labor newspaper that she's involved in because some of her colleagues and co-workers are not so sensitive to the issue of women's rights.

Well, first of all these letters became fascinating because they helped us to find Sarah. Like most women, once she got married she had disappeared from the historic record. And it's in this set of letters that we find out what her married name is—Dornough—and that opened up a whole new area of research for us, because once we had a married name we could start tracing her again, and we were able to do that.

But secondly the other thing I found so fascinating about these letters is that they're really extremely powerful. And it is one thing to write a book or an article where you talk about the way in which people in the labor movement may or may not have been sensitive or interested in other reform movements going on around them, whether it be anti-slavery or women's rights or whatever. It's quite another thing to actually look at the document and—particularly when the letters are very powerful—get a sense of just how important those ideas were to the person.

So I find these letters in particular to be very powerful expressions of Sarah's ideas. Although I think when I look at her life, and I think about the way in which she goes off to these factories. She uses the money to buy her parents' home. She gets involved in these labor struggles. She goes to work with reform prostitutes. She becomes a doctor. She becomes a successful snuff manufacturer. You know this is a very powerful woman, so it doesn't surprise me that her letters are so moving.

Make sure first of all, that you pretty much understand what the person is saying. And if there are things that don't quite makes sense I think, the important thing to realize is that it's probably a good thing, not a bad thing. It's an interesting—it probably means the person is saying something a little surprising and unusual, and that's usually a good thing to write about. So one of the things I always tell my students is if something doesn't make sense, they should not panic, it's not them. It may actually be that they've got a good historical problem to write about.

So, if there are things that make you uncomfortable, or surprise you, or don't make sense, those are the things to go back and focus in on. Look at them more carefully. See if there are contradictions. Maybe the person who's writing is living with contradictions that we don't necessarily live with today. Maybe they're living with contradictions that we do live with today. But to go back and look at that closely, make sure you really understand that—whether it's a critique of the anti-slavery movement or a discussion of women's rights—whatever you find.

So, in addition to just looking very closely at the textual material, when you look at these letters you want to think, what is the nature of this exchange? Are you writing home to your mom? Do you want your mom maybe not to be worried about you, cause you're off at the factory? Are you writing home because you need help? I mean that kind of personal letter is going to set up one set of conventions of the kinds of things you say. And all you have to think about is the things you say or don't say to your mom and dad today, to realize that was probably true back in the 19th century, too. So you want to ask that. Certainly, if you're writing a formal letter to someone you don't know to say, ask them to come address your organization, that letter might not contain much interesting information one way or the other. It's certainly going to be a very formal letter, and you shouldn't be surprised if some kinds of emotional expressions don't show up.

This kind of letter here is somewhere in between because Angelique Martin has clearly befriended Sarah and some of her friends. On the other hand, it's a professional relationship. Mrs. Martin is an important social reformer. She clearly is a woman of some means. She's offered to help them pay for their printing press for the Voice of Industry. They're hoping she will do that. They have an important intellectual relationship because she's been introducing them to ideas about women's rights. And they've talked pretty passionately about some of these issues.

So Sarah regards her as a friend, in a way that she probably doesn't regard her sister as a friend. But she also regards her as a kind of mentor, and as someone who has—in some ways—some power over her. She wants to impress her, but she's also going to talk about the issues that they care about together; such as women's rights. But when she talks about women's rights she's going to talk passionately about it. So I think there is a sort of a way in which you need to think about what the relationship is between these two people. And we can certainly see from the letters that there are a lot of complications in this relationship. That are going to—I don't want to say necessarily shape what gets said, but they're going to put constraints or they're going to dictate a little bit how things get said. And I think that's always an important thing to keep in mind.

I would want a student to look at these letters and try to understand all of the different concerns that Sarah—and someone like Sarah—was trying to piece together. That is, to see her as more than a one-dimensional person. We know her mostly as a labor leader, but she's clearly got a much more complicated life and a lot of other demands that were being made upon her. She's being drawn in other directions with her interest in women's rights. She has demands that are being placed upon her by her family.

And I think trying to understand those issues are important, not only for understanding an individual who is involved in the movement, but also for understanding the way in which so many of these issues do overlap and intersect. We tend to treat them separately; we tend to talk about the labor movement or the women's rights movement. Or actually in one of these other letters she brings up anti-slavery. And she brings it up in a way that I think is quite important. Some historians have alluded to this, but we don't have as many sort of direct comments on it as I would like. This is in the first letter from Jan 1, 1846. And while she mentions that she's opposed to slavery, she is completely disgusted with the abolitionists—because many of the factory owners are abolitionists, but they are not at all sympathetic to their own operatives.

I think the first question I would ask them to think about is: Well, what is she really angry about here? Is she angry at slaves? Is she really secretly a racist? Is she angry at the abolitionists? If so, why? What sort of complications are being expressed here? Particularly because she starts off the letter by mentioning that when they started their labor reform association she said, they originally met in Anti-Slavery Hall. So, these are people who could have been in some ways comfortable with the anti-slavery movement. Now maybe Anti-Slavery Hall was just a sort of general public building that people used for all sorts of things. But on the other hand, I think what I would encourage the student to think about is, what precisely is her criticism here and why is she leveling that criticism.

1775 Colonial Newspaper Article

Bibliography
Image Credits

Video 1:

  • Newspaper. Providence Gazette, March 17, 1770.
  • Newspaper. Article as reprinted in the Virginia Gazette, April 7, 1774. Accessible Archives.
  • Page. Force, Peter. American Archives: Consisting of a Collection of Authentick Records, State Papers, Debates, and Letters and Other Notices of Publick Affairs, the Whole Forming a Documentary History of the Origin and Progress of the North American Colonies. Washington, DC: 1848–1853.
  • Newspaper. Dunlap's Pennsylvania Packet, July 8, 1776.
  • Map. "Bowles's map of the seat of war in New England, 1776."
  • Engraving. New Hampshire crowd hoisting stamp distributor in effigy.
  • Print. McRae, John C. "Raising the Liberty Pole, 1776." c.1875. Library of Congress, Prints and Photographs Collection.

Video 2:

Video 3:

Video 4:

  • Letter. From Chief Justice Horsmanden to the Earl of Dartmouth. February 20, 1773.
  • Newspaper. The Gentleman's Magazine, May 1775.
  • Map. East coast with colonies.
  • Drawing. "Travis House good eating." Elizabeth O'Neill Verner. 1936. Library of Congress, Prints and Photographs Collection.
  • Print. Making a speech to a crowd.
  • Title page. West, Benjamin. The New-England Almanack . . . 1776.
  • Image. "Tea destroyed by Indians." 1773. An American Time Capsule: Three Centuries of Broadsides and Other Printed Ephemera. Library of Congress.
  • Map. Boston Harbor, 1775.
  • Broadside. Excerpt from the minutes of the Declaration and Resolves of the First Continental Congress. 1774.
  • Print. Earl, Ralph. Battle of Lexington. 1775. New York Public Library Digital Gallery.
Video Overview

In 1775, a colonial newspaper reported on Patriots burning tea in Providence, RI. How much can you learn from this newspaper article? Whose point of view is it written from? What does it include and what does it leave out? Barbara Clark Smith reveals the questions she would ask to get the most from this primary source.

Video Clip Name
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csmith8.mov
Video Clip Title
What interests you about this newspaper article?
What do you notice when you read this article closely?
What questions aren't answered by the document?
What would help you understand the context of this article?
Video Clip Duration
2:28
4:28
3:35
3:28
Transcript Text

This is an article that was in the newspapers, the Patriot press in the 18th century. I tend to find these normally by looking through newspapers, which are generally on microfilm or in special collections. This one, however, I found in a specific collection, which is called the American Archives, edited by Peter Force. And what Peter Force did, in the early 19th century, was go and collect records from newspapers, from state papers, committee papers, and gather them together in several volumes and publish them as part of forming a documentary history of the American Revolution. So, this is a report that appeared in the colonial press. I'm not sure exactly where, but my guess is Boston or Hartford. Possibly more than one press because they tended to copy reports from each other. That's how they got their news, from other newspapers. And it's a report from Providence, RI.

The reason I'm interested in this sort of document is that I'm trying to get a kind of "close to the ground" look at the American Revolution. I want to know what the Patriot movement was like. The movement from, say, 1765 through the Revolution of people protesting parliamentary taxation and legislation. And I want to know less about the leading men who met in conventions and congresses, and who petitioned the King. I know a fair amount about them. I want to know about people on the local ground, ordinary people, women as well as men, and I want to know what was it like for them to become Patriots. And the questions I would bring to looking at these reports and newspapers would include: What is this telling me about ordinary people's participation? Not just what ideas might they bring to joining the revolution, or becoming a Patriot. But also what practices, what things did they have to do to be a Patriot? How do you practice being a Patriot? What does it really mean to join this movement? And what's it like, again, not in the official bodies that we think of as Patriot leaders, but kind of on the local ground, in this case in Providence, RI.

The first thing I was struck by was actually the last sentence, this image of this "Son of Liberty" going around the shops with his lampblack, which is the soot from oil lamps, a kind of black carbon soot. And unpainting the word "tea." It certainly makes me think of more famous events, like the Boston Tea Party. Although that's a real destruction of other people's property, they throw tea that doesn't belong to them into the harbor in Boston. But this seems sort of a smaller offering of one's own tea. But nonetheless, something of a gathering, a really dramatic gathering, where Patriots are expressing their political views.

Elsewhere in the second paragraph it says a great number of inhabitants—you'd really like to know, how many, how many that is compared to all of the inhabitants of Providence. They mention specifically some worthy women. So we know in this case the word "inhabitants" includes women, which sometimes it might or sometimes it doesn't. It doesn't specifically mention anyone else. We get the impression though that this is not limited to people who were qualified to vote. Certainly if women are there, it's not limited to qualified town voters. And possibly therefore there were men and boys present—apprentices, servants, slaves, sailors, any number of people who would normally not be voting and acting politically in that way, even in a town meeting. But who could attend a marketplace to purchase things, or in this case to refuse to purchase or to give up things or to observe.

One thing that I think is intriguing too is there's an argument about tea in this. It's not just a description saying people came to burn their tea. It describes tea for you. That it's needless, we don't need it. It's been detrimental to our liberty and interest and health. And that's intriguing because you can see the logic by which it's detrimental to Patriots' liberty and interest. They don't want to pay taxes on it. They don't think Parliament should be taxing this. Health is another question, and it's interesting that the Patriots raised this issue of how its supposed to be unhealthy just when Britain puts a tax on it, that's not really a common thought in the 18th century—that tea is unhealthy. In fact, people take it in part for medicinal purposes.

There's other information here that you can begin to pick up. That in addition to throwing the tea in the fire, they throw in some newspapers and a printed copy of a speech by Lord North that they disapprove of. And you can go and track down what was Lord North probably speaking about. Rivington's paper, a New York paper, Rivington's a Loyalist, and he's arguing on behalf of parliamentary power. So it's interesting they throw those newspapers in the fire as well. So it's not merely getting rid of the tea. It's all that English stuff.

I think one thing to notice about it is this isn't the kind of newspaper report we would expect, that we would get, of this happening. Even though it's written in the third person by someone describing it as if he or she was there, very authoritative, "this happened." It offers opinions in places where we might expect that you'd interview someone. It doesn't interview Jane Doe and have her say, "Well, I'm really cheerful to be throwing my tea in the fire, because I don't need this noxious weed." It's the reporter telling you and the reporter using language which testifies to his, and I think we can probably use the male pronoun here, position. In reading these it's tricky you will sometimes read pieces like this which talk about true friends of the country and lovers of freedom. And you'll discover the writer is talking about the Loyalists, the Tories, because, of course, they think too that they're the true lovers of America and freedom. So you have to sometimes read for a while to figure that out. In this case it's pretty straight forward, since they're burning Tory newspapers and throwing away tea and supporting the Sons of Liberty.

I'd really like to know more. What happened in organizing this? How did this come about? Who planned it and what was it like to attend and to observe? For example, all right, at noon you hear that you were invited to testify your good disposition to the Patriot cause by bringing your tea. Well, what does it mean if you don't feel like doing it? Does that mean if I don't bring my tea, my neighbors will, from here on out, know that I don't have a good disposition towards the Patriot cause. Does that label me a Tory who is sympathetic to Britain or to parliamentary power?

Similarly, this point that there appeared great cheerfulness in destroying the tea. And that these worthy women made free will offerings of their stocks of the tea. Well, that's a nice description, but you do wonder about those women who maybe didn't want to burn their tea. None of that is covered. If there are women who said, "Not me, I'm keeping my tea," you don't find that out here.

And finally, I think the real clue to the question of coercion or not comes in the last sentence describing a spirited "Son of Liberty" going along the street with his brush and lampblack and unpainting the word "tea" on the shop signs. Well, one wonders what the merchants, whose shops those were, where presumably they sold tea, thought about that. And it strikes me, that we don't have any information here, did he get permission from these merchants ahead of time? Or was this an act that put the merchants in a position where they would have to become quite unpopular with the Patriots if they decided to continue selling tea?

One of the first things I'd do is keep by me a dictionary so I could look up words, particularly a dictionary like the Oxford English Dictionary that has 18th-century meanings. Because often there's a word that will have changed in meaning. One example, they use the term, "the true interest of America." The term "interesting" which people in the 18th century would use to describe a situation, they say "that's an interesting situation." It doesn't mean, "I'm kind of interested in it intellectually," it means it involves people's economic interest, okay. They mean "interest" exactly in that sense almost all the time. And there are other examples, so one thing would be, don't be too far away from a good dictionary and preferably one that can tell you how things were used in the 18th century.

I'd certainly look for any references to people or events and make sure I knew what those were. Look in the history book, see if I could find out who's being referred to, who they assume everyone knows about. I'd go real carefully through the sentences, because 18th-century language, often the sentences are very long, with lots of different clauses which is complicated for us to understand today. And, certainly with newspapers at this time period, where they are either Patriot or Tory newspapers, I'd be looking for the point of view of the writer. In this case, the point of view is someone who's in favor the Patriots. So, that gives us the last thing which is I'd look for what isn't here. And in the case of a Patriot point of view, well, we don't hear about anybody in Providence who disagreed with this. And there, we don't know if there was or was not someone. That's simply absent from this.

One is I would try to contextualize the immediate incident that's being described here, this particular event in Providence, RI. And, the way that I might do that is by looking at other events taking place in Providence, by supporting this document with other descriptions of the event. I would hope I could find in letters or diaries, a description of this tea burning that took place in the marketplace. And I might particularly hope I could find a Tory, or a Loyalist, point of view, somebody who was upset that this happened. And I'd go and look in diaries and letters around the time of March 2nd, and following, look for that.

The second is, after looking at that particular incident, look more broadly at other places where this took place. And it turns out if you just follow in the newspapers, and read diaries and letters from the time, tea burnings are not uncommon in 1775. A variety of them take place in New Hampshire and New Haven, certainly in the New England area, and on into the middle colonies, you can find examples of gatherings like this. So this kind of event is a second context.

The third context, I'd look at the kind of document this is, which is a report in a newspaper. And think a little bit about reading other newspapers, reading to see if this is typical or atypical. I think its reasonably typical. There are a variety of these similar reports of Patriot events in different newspapers of this time period. And to know a little something about how people are reading this. We know that newspaper subscriptions are skyrocketing at this time. And also that people are reading them in taverns. The taverns tend to subscribe. And even people who are illiterate or don't read that well, can have it read to them in taverns. So that's one of the ways this kind of document gets dispersed throughout the colonies.

And then finally I'd want to think carefully about the chronology, about the moment that this represents of March 1775. It's clearly a divisive moment and a moment when people are under some pressure, here in Providence and in other places, to take sides. To get out there and not to say, "I agree with this or that position, I agree with these rights." But vote with your feet, or in this case, vote with your tea. To show up publicly, and to denounce tea drinking and tea drinkers, and take a side and get off the fence. And that makes sense. It's March 1775, it's after the Boston Tea party, which is December of [17]73, so there's a precedent, these people know there's been destruction of tea, which has been very controversial. The first Continental Congress has met and has encouraged people not to drink tea, so we know these people are supporting the Continental Congress, even though that that's never mentioned in here. And it's about, let's see, a month and a little bit, before the outbreak of warfare, so it's a very tense time in New England.