Boston's 19th-century African-American Communities
This lecture discusses African-American social organization and antislavery activism in Antebellum Boston.
This lecture discusses African-American social organization and antislavery activism in Antebellum Boston.
According to the WGBH website:
"Charles Hammond Gibson, Jr. (1874-1954) was a Boston writer and bachelor bon vivant, best known for having preserved his family's Beacon Street home as a museum of Victorian style and taste. The Wounded Eros, a short documentary film by Todd Gernes, explores the aesthetic relationship between Gibson's literary production and the material culture contexts of his museum and library, set within the social history of turn-of-the-century gay Boston. Following the film, a dramatic reading, These Four Walls: A History of a Romantic Friendship, directed by Jacqueline Romeo and featuring John Anderson and Aleksander Feliks Wierzbicki, will extend the exploration of Gibson's life by depicting his enduring relationship with the eccentric self-styled "Count" Maurice de Mauny Talvande."
Biographer and history professor James O'Toole describes the lives of the Healy brothers, children of a multiracial slave couple, in mid-19th-century East Coast society. Three of the brothers successfully passed as white and gained prominent social positions: one as a a bishop; one as Georgetown University's president; and one as a priest, rector, and seminary director.
John Fish, director of the Historical Maritime Group, outlines the 1898 sinking of the New England passenger steamer Portland and his group's modern-day search for its remains. The lecture is accompanied by slides.
Audio and video options are available.
Professor Eli C. Bortman describes the case and trials of Ferdinand Sacco (1891-1927) and Bartolomeo Vanzetti (1888-1927), Italian-born anarchists charged with the armed robbery and murder of two Massachusetts payroll clerks in 1920. The case, which ended in Sacco and Vanzetti's execution in 1927, drew worldwide attention and criticism, for the alleged anti-immigrant, anti-Italian, and anti-anarchist sentiments that colored it and the uncertain guilt of the men. Bortman looks at the case from both sides—considering the men as both guilty and innocent.
Audio and video options are available.
Curator Sally Pierce and associate curator Catharina Slautterback review the history of the Boston Atheneaum's collections of prints and photographs, beginning with the Atheneaum's founding in 1807. They look at the contents of the collections; how the items were obtained, collected, and exhibited; and what they indicate about changes in tastes and available materials over time. The presentation includes slides.
The lecture's audio is also available for download.
Professor Robert J. Allison reviews the political and economic context surrounding the Boston Tea Party and the details of the event itself. The lecture occurs in the Old South Meeting House, where the meeting preceding the Tea Party took place.
Audio and video options are available. The video can be viewed with or without captions.
Curator Erica Hirshler introduces the Bostonians who collected and supported the work of French Impressionist painters including Jean-Francois Millet, Jean-Baptiste Corot, and Claude Monet. Hirshler examines the basis for this enthusiasm for Impressionism. Her presentation includes slides.
Audio and video options are available.
Biographer Charles Calhoun looks at the life of Henry Wadsworth Longfellow and the society he encouraged and kept at his Craigie House, which included many major writers and intellectuals of the day.
The audio of this lecture is available independently as an mp3 file.
Author Bruce Watson describes the lives and trials of Ferdinand Sacco (1891-1927) and Bartolomeo Vanzetti (1888-1927), Italian-born anarchists charged with the armed robbery and murder of two Massachusetts payroll clerks in 1920. The case, which ended in Sacco and Vanzetti's execution in 1927, drew worldwide attention and criticism, for the alleged anti-immigrant, anti-Italian, and anti-anarchist sentiments that colored it and the uncertain guilt of the men. The presentation includes slides.