SCIM-C: Historical Source Analysis

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In this short video, created by the Historical Inquiry project at Virginia Tech, Education Professor David Hicks describes the five steps of SCIM-C, a model for analyzing historical sources and placing them within a historical narrative. The steps ask students to:

  • Summarize
  • Contextualize
  • Infer
  • Monitor, and
  • Corroborate

For a more detailed explanation of the SCIM-C method, check out this section of Historical Inquiry: Scaffolding Wise Practices in the History Classroom.

Anacostia Community Museum

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The Anacostia Community Museum is one of the nation's Smithsonian museums. According to the museum website, it exists to "to challenge perceptions, broaden perspectives, generate new knowledge, and deepen understanding about the ever-changing concepts and realities of "community.'" Initial goals focused on African American history. However, as of now, the museum endeavors to represent the concept of community from the local to international levels.

In nearly all cases on the website, content loads at the very bottom of the page, so be sure to scroll down.

For those of you not in the DC area, the museum provides two activities—collections search and online exhibits. The exhibit on Adam Francis Plummer, a slave in Maryland, is particularly of note. The exhibit includes a downloadable PDF file of Plummer's diary; essays on the Plummer family and slavery in Maryland; a glossary; and guided reading and worksheets intended for middle and high school students. "Speak to My Heart: Communities of Faith and Contemporary African American Life" includes a series of oral history transcripts.

Naturally, this being a museum, a field trip would be an optimal way to take advantage of the organization's offerings. Take a look at the museum's group tour information, current programs, and library.

History in Every Classroom

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Bringing History Home (BHH), a K-5 curriculum and professional development project, started in 2001 and was part of several TAH grants. Focused on moving history from the margins of the traditional elementary curriculum into the mainstream of the school day, the project prepares all regular K-5 classroom teachers in participating school districts to teach sequential history units.

. . . the project prepares all regular K-5 classroom teachers in participating school districts to teach sequential history units

The BHH curriculum consists of two instructional units per grade level, with lessons that center on trade books, historic images, documents and statistics, and activities to engage students in contextualizing, analyzing and synthesizing the information sources. Seven years after its inception, the BHH program is taught in six Iowa school districts, and elements of the curriculum are spreading to schools in various other states.

With approximately 1,000 student learning assessments collected from more than 120 K-3 classrooms, BHH provides additional evidence for the growing body of research into how children learn history. (See Evaluation of the Teaching American History Project: Bringing History Home II).

History in the K-5 Classroom

So how did history learning become a part of the K-5 classrooms in the project?

By exploring the intersection of our grant components with teacher attitudes and expertise, we begin to understand how and why the project impacts classroom instruction. The intersection of project and teachers includes the following elements:

  • School-wide teacher participation.
  • A longitudinal and sequential professional development design.
  • Teachers learning history through the process of adapting and teaching instructional units.
  • Respecting the reality of teachers’ working conditions.
  • When teachers encounter history as an interpretive, constructivist process, they become excited about teaching it.
  • Incorporating literacy and meta-cognitive strategies into history explorations to enhance student learning in history.
  • When history timelines and maps are transformed from static resources into dynamic construction activities, they are powerful learning tools.
  • Student learning enhances and inspires teachers’ interest in history.
  • When exemplary teachers serve as mentors, they jump-start new teachers’ enthusiasm and preparation to teach history.
Pragmatic Considerations

Our TAH grant proposals centered on preparing all K-5 teachers in participating schools to teach history. In order to secure and inspire the universal participation of teachers, our project design team prioritized pragmatic considerations when designing curricular units and workshop activities.

We knew we had to keep expectations for teacher time commitments to a reasonable level. While we always secure teacher participation through recruitment rather than administrative edict, we can’t count on teacher self-selection arising from a love of history. We found that fairly significant monetary and book stipends seemed to be the most powerful sign-up motivations for the initial participants, while the participants in the second grant were swayed to join the project by the enthusiastic testimony of veteran BHH teachers.

. . . monetary and book stipends seemed to be the most powerful sign-up motivations for the initial participants, while the participants in the second grant were swayed to join the project by the enthusiastic testimony of veteran BHH teachers

Regardless of the motives that led to their involvement, 100% of the regular classroom teachers in BHH schools participated in the program. This is an important element of the sequential model we use. The self-contained nature of most lower and middle elementary classes means that almost every regular classroom teacher conducts lessons in social studies. If only a few teachers in a school participated in the BHH workshops, only a fraction of students in a school would learn history each year. This would completely derail our goal for students to develop increasingly more sophisticated skills and understanding in history from year to year throughout the elementary grades.

While the project probably would not be successful if we didn’t privilege pragmatic choices, our emphasis on the practical also stems from a desire to not take advantage of teachers’ generosity of spirit and time. It is humbling to work with groups of people whose professional lives are already quite taxed, but who are willing to rise to the occasion of learning new skills and perspectives.

Bibliography

Making Connections: Using What's Taught

Video Overview

Mark Tebeau discusses the importance of working with material in a project from more than one angle. As examples, he looks at grant projects in which teachers are taught how to use and analyze oral histories and then sent out to collect oral histories themselves and at project speakers who built out from their lectures into practical engagement with the materials presented.

Video Clip Name
LL_Mark3.mov
LL_Mark1.mov
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Teachers Researching History
Effective Speakers
Video Clip Duration
2:34
1:30
Transcript Text

One of the things we learned early on is that in order to make any program work, and I think this is probably true throughout. If there—it's like creating a course syllabus for a university course or any course, which is you have to make sure you don't try to do too much. You want to mix some breadth and depth, and those are really difficult things to do. But it's also important that the elements of the program relate to one another.

So, if we do something early in the program, it's nice if it can come back, whether it's a skill, let's talk about reading this document, and now revisit reading this document at a later time. Well, that's how we've done oral history really effectively in our program. We've trained teachers in how they might use extant oral histories, on the web, stuff that's in—at the American Folk Life Center, that's widely available. There are a plethora of oral history collections and audio collections you can find in a variety of places. So, we give them a sense of that, and actually the way we do this is with slave narratives. We have them read and listen to slave narratives, and then we interrogate them as historical documents.

. . . if we do something early in the program, it's nice if it can come back, whether it's a skill, let's talk about reading this document, and now revisit reading this document at a later time.
Mixing Your Primary Documents and Educator Research

Well, we do that, and then we've created an oral history project, where our teachers go out and then become interviewers in the context of a larger project. And that works—that makes them into historians, and they do a great job. We've had a lot of trial and error in doing that. One of the things that's worked really well though is that we—it takes a lot of work on our part. We have to create the project, and what we do is then ask the teachers to help us create the project.

Even though we have the outlines created, we ask them to fill in the questions, and they're often, if we give them readings and background information, able to do that. And then we schedule interviews as part of our two-week summer workshop, and they go out and they do that. We have the interviewers actually come to us, the subjects, I should say, and we set the subjects up with our teachers as interviewers. Then we have the teachers do some logging of them, which isn't the same as transcribing. It's less intensive. It's a minute-by-minute log. So, that's what we've done. And then we take that material and pair it with some other primary source materials we have, we've collected in a local collection, and the teachers can create lesson innovations around that.

Bringing It Together

Liette Gidlow came from Wayne State University, and she did—she presented a synthetic talk about American consumerism and she used advertisements. And what made her use of the advertisements so effective is that she used them both in her synthetic talk, and then she came back to them when we got to what we usually include in all of our programs, which is a skills section, some sort of interpreting history. So, she went from the general, this kind of broad approach, to something that was based in research, and the teachers really liked that combination. So, Liette did a brilliant job at what I thought, of bringing those materials together.

We’ve had other speakers who’ve done the same thing. Andrew Hurley has done similar work for us around his book. He does a wonderful job of drawing a synthetic portrait and using images and other materials in it, and then coming back to them during the skills sorts of sections of our workshop. Yeah—that’s—and in fact, with Andrew Hurley's work on consumerism, we include a tour of the suburbs of Cleveland that we've developed to complement it, to kind of build out some of the themes he pulls out in his study of the landscape.

How Teaching American History Grants Changed My Classroom

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Before beginning my first Teaching American History (TAH) grant in 2003, I was a struggling new teacher. Then in my third year of teaching at an affluent high school in Northeastern Kansas, I found myself struggling to get my students to become as enthusiastic about history as I was. I worked every day to get them to see a connection between what we were studying and their own lives. It was not until the lead professor of my TAH grant took us to do research at the nearby National Archives facility that I really caught a vision of how using primary sources could engage my history students.

The archivists at NARA Central Plains pulled the records of the Food Administration. I was thrilled to read through detailed accusations and evidence of hoarding during WWI rationing. I was fascinated by the efforts to hide flour and sugar coupled with the suspicious finger-pointing between neighbors. In one document, a man complained to the Food Administration that he knew his neighbor had hidden a large stash of flour and sugar in a closet. He further claimed that the owner concealed the contents by wallpapering over the opening. There were so many of these examples that it was difficult to choose which ones to use. After selecting several documents to include in my WWI unit, I decided to try something different.

And Now for Something Completely Different

After dividing students into groups, I gave each a laptop and a different document. With no background information, their assignment was to use the document to determine what it was referring to. Once they figured that out, they had to write a response from the addressee based on what they had learned from their quest. During that lesson, there were no students that were not fully engaged. I had no discipline problems, no yawns, and no daydreamers. The groups began to compete to see who would find the answer sooner. This gave me the confidence to try more things.

With no background information, their assignment was to use the document to determine what it was referring to.

Before my TAH grants, step two of lesson planning—the first being reading the curriculum standards—was always the textbook. After having success with using primary sources, step two became a search for them. Besides searching the National Archives and Records Administration (NARA) website, I frequented websites such as Digital History and the archives of different state and presidential libraries. The Internet Modern History Sourcebook and the New York Public Library Digital Gallery were also great websites for digital sources. Regardless, my first stop was always the website of the Library of Congress.

When our TAH grant group was introduced to the holdings of the Library of Congress, the possibilities seemed endless. My students got glimpses of factory life in a Westinghouse factory in 1900. They laughed at early motion pictures like Buster Brown and The Great Train Robbery. I also included early radio broadcasting and advertising to spark discussions of life and pop culture during different times in American history. My students came to know exactly what primary sources were and by the end of my time with them they were finding their own resources.

My students came to know exactly what primary sources were and by the end of my time with them they were finding their own resources.

My TAH grants gave me the opportunity to travel to other regional archives where I found even more treasures. At NARA Pacific Alaska regional archives in Seattle, WA, I explored Chinese exclusion. The case files I searched revealed a lot about the issues of the time. I was able to digitize these case files and turn them into a web quest where my students analyzed accusations and made their own judgments of guilt or innocence. This turned out to be another great lesson that would not have happened without TAH. Those documents would have remained hidden in the miles of paper documents housed at that facility.

Challenging the Concept of Teaching

All the success I enjoyed using primary sources did not come without some difficulties. Because this method of teaching goes against the traditional lecture approach to teaching history, it took some time for my students, their parents, and the school administration to really understand that this was the "meat and potatoes" of the content and not the "dessert." By using primary sources, my class became student-centered. Rarely did I lecture. Instead, my students were engaged in inquiry and research. They were seeking to answer their own questions. Because they did not have lecture notes, many of my military dads—who were avid history buffs—questioned my approach. However, I did not back down and soon my school administrators realized that my students were performing better on state tests than their peers.

By using primary sources, my class became student-centered. Rarely did I lecture. Instead, my students were engaged in inquiry and research. They were seeking to answer their own questions.

It is important to keep expectations high in this type of classroom setting. The teacher must have a strong classroom management system in place and provide clear instructions. It is essential that the teacher roam the room and converse with all groups to gauge the level of understanding and involvement of students. This is where differentiation can really happen and problems can be solved.

It will take time to transform a classroom into this model. Begin by introducing primary sources where possible. Often, the textbook will give a short quote or image from a primary source. Use this information to find the entire document to show your students. Furthermore, there are many great books and websites available that are full of primary sources. For images, color copies are best. Save money by putting all of the primary sources for each unit into a classroom set of folders with sheet protectors. This way, fewer color copies are made and they can be reused year after year.

When I was chosen for the first grant, I thought that I would learn more about history content. Although I did learn so much from the visiting historians, nothing can compare to the radical change that occurred in my teaching. I was fortunate to participate in two TAH grants and to serve as a teacher leader in a third. It is so nice to see others catch the vision of how using primary sources can transform the traditional history classroom.

Evaluation: How are Teachers Changed by TAH?

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The Virginia Experiment Teaching Fellows Program was featured as a keynote panel presentation at the Teaching American History Project Directors' Seminar. Andy Mink, Chris Bunin, and Scott Nesbit present a session to a national audience of project directors, curriculum experts, and educators, considering how historians and educators look at primary and secondary sources and how those perspectives can overlap.

Enhancing Historical Biography Through Digital Storytelling

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Christy Keeler of Clark County School District, NV, discusses the creation and use of digital stories in history classrooms. She presents an example of digital storytelling, "At Lincoln's Hand"; and looks at how students can use primary sources and research combined with emotive narration, music, and sound effects to craft effective digital stories.