Ralph Ellison's Invisible Man (1952) is the great American novel about race, perhaps even the great American novel. It considers and affirms the principle—that "mysterious binding force"—that holds the U.S. together as a people and that is tied to its own history. In doing so it raises all the important political questions about equality, freedom, rights and justice; the legacy of slavery and white supremacy; our "human and absurd diversity." The novel's deliberate attempt, in Ellison's words, "to return to the mood of personal moral responsibility for democracy" makes perfectly clear the connection between literature and politics. The seminar will also consider a few of Ellison's essays bearing directly on Invisible Man.

This weeklong seminar will bring together a distinguished team of humanities scholars who will provide an interdisciplinary exploration of Zora Neale Hurston's life and work. Participants will examine Hurston's accomplishments within the context of the historical and cultural development of the Eatonville community. They will grapple with compelling questions about how this unique black enclave fueled Hurston's appreciation of folk culture, inspired her literary works, created her racial identity, and formed her sometimes controversial views on race.

Professors Kenneth Jackson and Karen Markoe explore one of the most exciting and important periods in American history: the quarter century between the end of Reconstruction and the beginning of Theodore Roosevelt's presidency. Lectures focus on the rise of machine politics, the transportation revolution, the development of new social elites, the changing role of women, the literary figures who helped define the age, housing for the rich and poor, and an examination of the city at the center of the Gilded Age, New York.

During the 1850s, the United States was a nation of foreboding and hope. An irresolvable conflict between North and South seemed to be approaching, along with periodic hopes that the divide could somehow be bridged and conflict forestalled. At the start of the decade, the nation's eloquent orators were led by John C. Calhoun and Daniel Webster; 10 years later, a new voice had been added to public discourse: that of Abraham Lincoln. Literary artists—including Herman Melville, Walt Whitman, and Harriet Beecher Stowe—addressed the issues of slavery, regional autonomy, and federal power both directly and obliquely in poetry and prose. This seminar will explore this ominous yet hopeful era, with the aim of understanding the political and moral issues that drove Americans apart, and how the literature of the period can help readers understand why.