During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

During this one-week workshop, workshop fellows will walk the streets and alleys that Benjamin Franklin walked, step through the doorways that he knew, sit in the churches where he worshiped, and stroll around the houses and public buildings where he helped to found the United States. Fellows will also explore the many rooms of Benjamin Franklin's mind: writer, printer, civic leader, politician, diplomat, scientist, revolutionary, founder. They will read Franklin's words—published and personal—and those of other men and women who lived in the era. They will examine the key aspects of gender, of race, of social class, and diverse other topics.

During this one-week workshop, workshop fellows will walk the streets and alleys that Benjamin Franklin walked, step through the doorways that he knew, sit in the churches where he worshiped, and stroll around the houses and public buildings where he helped to found the United States. Fellows will also explore the many rooms of Benjamin Franklin's mind: writer, printer, civic leader, politician, diplomat, scientist, revolutionary, founder. They will read Franklin's words—published and personal—and those of other men and women who lived in the era. They will examine the key aspects of gender, of race, of social class, and diverse other topics.

From 1919 to 1929, Langston Hughes noted, "Harlem was in vogue." Black painters and sculptors joined writers and musicians in an artistic outpouring that established Harlem as the international capital of African American culture. Participants will study the evolution of the Harlem Renaissance through the music of Duke Ellington and Ethel Waters, the art of painter Archibald Motley and sculptor Augusta Savage, and the literary works of Hughes, Zora Neale Hurston, and Jean Toomer, among others.

The plays of Eugene O'Neill, Tennessee Williams, Clifford Odets, and Arthur Miller defined American theater. In a lecture and discussion-based seminar the works of these playwrights will be examined, concentrating on theme, structure, and social impact. The plays will give insight into the issues confronting what it meant to be an American during the first half of the 20th century, as well as understanding what makes American theater so powerful.

Asian-American studies scholar Greg Robinson will speak about Mine Okubo: Following Her Own Road, a new book about the pioneering Nisei artist, co-edited with Elena Tajima Creef. Okubo's landmark Citizen 13660 (1946) is the first and perhaps best-known autobiography of the wartime confinement experience. The book is richly illustrated with Okubo's artwork and contains essays that illuminate the importance of her contributions to American arts and letters.

In the second volume of his epic trilogy about the liberation of Europe in World War II, Pulitzer Prize winner Rick Atkinson tells the harrowing story of the campaigns in Sicily and Italy. Attendees at this event join author Rick Atkinson as he discusses his new book in the Liberation Trilogy, The Day of Battle. A book signing will follow.

Joe Galloway and Lieutenant General Hal Moore, authors of We Were Soldiers Once...and Young: Ia Drang the Battle that Changed the War in Vietnam are releasing a new book, We Are Soldiers Still, in August. In their new book, Galloway and Moore revisit the Ia Drang battlefield with veterans and commanders from both sides. Using vintage maps from 1965 the veterans locate the hallowed ground where so many lives had been lost more than 40 years ago. At this event, attendees join authors Joe Galloway and Hal Moore as they discuss their new book.

Facing History is excited to present its first community event in Chattanooga featuring author and concert pianist Mona Golabek. Golabek is an internationally acclaimed concert pianist, the host of a syndicated classical music radio show, and the author of The Children of Willesden Lane, the story of her mother's rescue from Nazi-occupied Austria on a Kindertransport and her teenage years as a refugee. Through a powerful musical and narrative performance, Ms. Golabek will relate her family history and address Facing History themes of identity, participation, courage, and resilience.