During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

From the Spertus website:

"Teachers of all levels and settings are invited to join Spertus Museum educators to learn about the exciting new tours, resources, and educational opportunities that are available this year.

Explore letters, language and storytelling in the new Gray Children's Center. Discuss stereotypes and discrimination while you tour the Twisted into Recognition exhibition. Learn about Holocaust education, tours on Jewish heritage and traditions, and the upcoming exhibition A Force for Change: African American Art and the Julius Rosenwald Fund.

Ask about earning CPDUs as part of your visit by participating in our fall teacher workshop, Storytelling: A Gateway to Literacy. End your visit by catching up with colleagues over a glass of wine and light refreshments."

From the Continuing Ed Options website:

"Not only will you experience a sample of the literature, music, art and dress, but you will be delighted with authentic dishes prepared by chefs from a number of diverse cultures. The cost for these ethnic meals in included in the tuition. We will meet in the Neighborhood House, a multi-cultural, multi-lingual community center, see Mexican Folk Dancers and experience an authentic Mexican dining experience. In New Prague we will be entertained by a group of senior folk singers and learn about the cultural history of the area. We will be treated to some traditional Czech food at the Town's Edge Restaurant. Participants will visit the American Swedish Institute, observing the elegant Turnblad mansion, its many pieces of furniture, painting and personal accessories and experience an authentic smorgasbord. We will also meet at the Minnesota Historical Society and learn about the many diverse societies that make our country so culturally rich."

From the Arab American National Museum website:

"Through a grant from the Institute for Museum and Library Services, the AANM presents a free three-day summer workshop to enhance educators' knowledge of the Arab World, Arab Americans and Islam."

At this workshop, educators will be joined by immigration scholars and public health historians, visit related historic sites in New York City that vividly tell the story of immigration in the early part of the 20th century, and investigate Ellis Island's unrestored hospital buildings with an architectural historian to uncover their significance. This workshop will specifically address the impact of the 1891 immigration legislation mandating health as a criterion for admission to the U.S., precipitating construction of the U.S. Public Health Service hospital on Ellis Island to screen and treat arriving immigrants.

At this workshop, educators will be joined by immigration scholars and public health historians, visit related historic sites in New York City that vividly tell the story of immigration in the early part of the 20th century, and investigate Ellis Island's unrestored hospital buildings with an architectural historian to uncover their significance. This workshop will specifically address the impact of the 1891 immigration legislation mandating health as a criterion for admission to the U.S., precipitating construction of the U.S. Public Health Service hospital on Ellis Island to screen and treat arriving immigrants.