Teaching the Declaration without Overwhelming Students

Image
photomechanical print, Writing the Declaration of Independence--1776, 28 July 19
Question

How might I teach the Declaration of Independence to high school students who are visual and verbal learners? What films or reading assignments will engage them, and yet not overwhelm them with the sometimes difficult wording of the Declaration itself?

Answer

Ah, the Declaration of Independence, a document so essential to understanding our American past and present that every student should read and learn about it. Luckily, its ideas and historical significance are truly engaging and can help make its difficult eighteenth century prose more accessible for our students.

Below are some ideas:

How about starting with an idea or line from the document? One of our favorites is the line regarding the right and duty for those threatened with absolute tyranny to “throw off such government.” This is one of several powerful ideas in the Declaration that can engage students before they confront the entire document. (It could also be just considering the document’s title! Declaring independence is something most adolescents can get their heads around and this can lead into exploring when and why this might happen and how one might frame such a declaration to win supporters. Consider what “The unanimous Declaration of the thirteen united States of America,” signaled to readers on both sides of the Atlantic and how they had gotten to this radical place.)

Considering the historical and contemporary significance of the document can also engage. Do students have a grasp of the road to Revolution, do they understand the chain of events and rising discontent in the Colonies? The risk to the signers? The historical moment? This background knowledge can help students in understanding the import of the document and its prose. Or look at instances where the document serves as a model (the Seneca Falls Declaration)
or reference point (MLK’s reference to it as “promissory note” in his I Have a Dream Speech)

As far as reading the document, we suggest two intertwined approaches (both to be used with a transcribed version).

1. Help students see the structure of the document so they know what to expect. Show them how it moves from initial paragraphs that get what the states are doing and why, to a list of specific grievances, to assurances that these are not capricious complaints or actions and then the ultimate declaration.

2. Plan activities where they read excerpts from the document closely and carefully. Phrases and sentences work here—select them carefully and scaffold student work with strategies like pair work, paraphrasing, and vocabulary help.

Some other ideas include:
Looking at the original document.

Sign the document. Have students find the anomaly (your signature) on a handout or decide whether to sign on themselves after considering the stories behind the signers and the historical moment.

Look at the rough draft of the Declaration or use this lesson plan which involves a careful comparison between the drafts.

For a primer on the document, see this historian’s helpful discussion that includes a consideration of the historical events surrounding the Declaration, analyses of particular excerpts and its consequences and legacy.

See the Library of Congress’ Web Guide

Connect with images. For example, this one or this one.

Admittedly, we focus on the reading of the document. There are several resources like the recent film National Treasure, the older film 1776, or the Independence episode of the recent TV miniseries John Adams that some teachers use to talk about the Declaration of Independence.

A new way to bring visual learners to the text of the Declaration is through YouTube. Your students may be interested in this video clip of well-known actors reading the Declaration in its entirety .

While these resources could be used to accompany the kinds of reading activities we mention here, it would be too bad if they trumped the actual Declaration, a document that talked about equality before our Constitution did and deserves every student’s eye.

Elizabeth Schaefer on the Interactive Declaration of Independence

Date Published
Image
Lithograph, The Declaration Committee, 1876, Currier and Ives, LoC
Lithograph, The Declaration Committee, 1876, Currier and Ives, LoC
Lithograph, The Declaration Committee, 1876, Currier and Ives, LoC
Article Body
The Library of Congress's Interactive Declaration of Independence

The Library of Congress has created a brilliant interactive tool for studying the Declaration of Independence in your classroom. It allows in-depth primary source research while lending itself naturally to reading skills and reinforcing good writing behavior. I explain some of the activities that I used, but there is a wide range of possibilities with this tool.

What is It?

The template for the computer interactive is a real rough draft of the Declaration of Independence, complete with edits made by Thomas Jefferson, John Adams, and Benjamin Franklin. On the "Overview" page, students can scroll their mouse over Thomas Jefferson's original script, transforming sections from the original handwriting to student-friendly printed font with word-processor-style edits.

The remaining tabs highlight specific concepts included in the Declaration (All Men Are Created Equal, Pursuit of Happiness, Consent of the Governed, Train of Abuses, and Slavery). For each section, four antecedent sources can be chosen which relate to the same concept and in some cases, use the same words.

Why Do I Love It?

Watching the Declaration warp time zones is equally thrilling for my students and me. It has a magical quality to it. Suddenly the students are excited about reading the Declaration of Independence! The interactive creates the best of both worlds—allowing students to see the original primary source but also helping them to understand it. Not only is the text teaching them history, but the visuals also prompt many critical questions:

They actually had to go back and rewrite this whole thing? What if Jefferson messed up writing at the very end—did he have to start all over? Did they have white-out? Did they use rulers? Where did they learn to write like that? Could everyone write like that?

Students see the handwriting of Jefferson, Adams, and Franklin and suddenly these old guys become real people.

Plus students see the handwriting of Jefferson, Adams, and Franklin and suddenly these old guys become real people. The students develop historic connections outside of the overt goals of the lesson, which I believe is the key to growing lifelong learners.

The interactive allows a range of lesson aims, a variety of historic analyses and skill levels, and a relevant and effective background for reading and writing support. The literacy skills and the focus are up to you but Jefferson is setting the example!

The interactive supports a range of lesson aims and a variety of historic analyses and skill levels, and makes a relevant and effective background for reading and writing extension activities. The literacy skills and the focus are up to you, but Jefferson is setting the example!

How Can I Use It in the Classroom?


My actual lesson included a three-page packet with very specific steps for the students. Below is a sampling of some activities that I used.

Primary Source Observations
The "Overview" page explains what the source is. Once students read this, you can ask a variety of questions about the document. You can use your typical observation format, but due to the large amount of information, I recommend that you select a more narrow focus.

For our initial observations, I asked the students to specifically pay attention to the edits made on page one. The students described what they thought the document was and then were asked about the type of edits.

Ex.: Which of the following did Thomas Jefferson do? (Check all that apply)

Changed words
Added words
Deleted words
Borrowed from other documents
Got peer edits. If so, from whom?

Identifying the Philosophy of Government
The next step was to discover the big ideas Thomas Jefferson communicates in the Declaration. This focused on the tabs labeled "Pursuit of Happiness," "Consent of the Governed," and "All Men are Created Equal," which highlight specific sentences from the document. The students filled in the sections with missing words or translated challenge vocabulary (CH). Note that the gray words are not included.

Ex.: "Consent of the Governed" section

Instituted = Made
Deriving = Getting
Consent = Permission

"that to secure these rights, ___________ [governments] are (CH) ___________ [instituted] among men, (CH) ___________ [deriving] their just powers from the (CH) ___________ [consent] of the governed."

Reading Support
These "Philosophy of Government" sections are ideal for supporting the reading area that your students are working on without confusing them by breaking the flow of your lesson. In my class, the students had to identify either the main idea of each section or Jefferson's purpose in including the sentence. They were therefore practicing testing skills in a way that was relevant and useful to our class. These sections can be applied to just about any reading skill "flavor-of-the-week."

Ex.: "Consent of the Governed" section

Who do you think "the governed" are?

What is Thomas Jefferson's purpose in using this sentence?

a. To inform the readers of how the king rules
b. To describe the Roman government
c. To explain how government should be
d. To support a monarchy government

Reviewing Content
In the next section, I instructed the students to view King George's offenses against the colonies by skimming pages two and three in the "Overview" section. The students' goal was to recognize the significant acts and events that we had discussed. They then recorded the section's specific passages mentioning taxation without representation, the Quartering Act, and the Boston Massacre Trials.

Advanced Source Comparisons
The Library of Congress selected specific reading and research material on Thomas Jefferson and paired it with the sections in the interactive Declaration of Independence. The reading was dense for the majority of my students, but I did ask, in the "All Men Are Created Equal" section, which of the documents they thought fit most closely with Jefferson's words.

The Other Side

On the top of page three, they were shocked to discover "merciless" and "savage."

Once the students are all settled on and happy that Jefferson believes "All Men Are Created Equal," we went backwards and looked a little closer. First, they were instructed to find the words Jefferson used about the American Indians in the text. On the top of page three, they were shocked to discover "merciless" and "savage."

Then we looked closer at the "Slavery" tab which describes the original words about slavery included in the draft of the Declaration of Independence, as well as the fact that they were all deleted. The students answered questions about which states were especially against including slavery and then they made connections. I closed with the questions, "Do you agree with the philosophy of government written in the Declaration of Independence?" and "Do you think the Continental Congress truly agreed with this philosophy of government?"

More Ideas?

If you develop new ways to use this interactive or have success with the Constitution version, please share your experience! I would love to hear some new ideas for this resource.

[Note: If you would like to respond to Liz Schaefer, comment to this entry, or email info@teachinghistory.org. We'll make sure she receives your feedback!]

For more information

HBO's miniseries John Adams includes a scene where Benjamin Franklin and John Adams edit Thomas Jefferson's rough draft of the Declaration, making some of the changes evident in the original draft. Remember to remind students that this scene was created based on the draft. We have no way of knowing exactly when or how the Founding Fathers discussed these changes.

Explore the Declaration on other websites with the National Archives and Records Administration's Our Documents or Charters of Freedom exhibits.

Film Review: John Adams

Date Published
Image
engraving, Vice-President John Adams, between 1850 and 1900,  John Singleton Cop
Article Body

"Facts are stubborn things." So said John Adams in his defense of the soldiers accused in the Boston massacre. Those words also serve as the title of the first episode of HBO's acclaimed film John Adams. Unfortunately, viewers familiar with Adams will find themselves immediately thrown off balance by dramatic renderings of "facts" that never happened. The film opens with Adams, awakened by an alarm, rushing through the streets of Boston. He finds bloody bodies strewn across a snow-covered square and a mob screaming that those responsible must be brought to justice. Offered a chance to enhance his reputation by defending the accused soldiers, Adams wrestles with the warning of his rabble-rousing cousin Samuel Adams that he must now choose sides in the emerging struggle. Adams defies his cousin and accepts the case. Unintimidated by a jeering gallery, he wins the soldiers' acquittal with an eloquent plea for justice: "Law is deaf as an adder to the cries of the populace." Success presents a new dilemma. Tempted by a royal official who dangles a lucrative place in the colonial legal system and enticed by the Sons of Liberty to run for office in Massachusetts, Adams renounces both options. "My family," he proclaims, "must take precedence." It is great theater. The virtuous and victorious citizen/farmer/lawyer returns home to his wife Abigail and their children.

Sadly, few of those details follow the record. Adams did not stumble upon the dead after the massacre or hear the crowd demand vengeance. He did not agonize about accepting the case, because he agreed immediately with the judicious Samuel Adams and other prominent dissidents that a spirited defense of the soldiers could only help those protesting British policy. Adams defended the soldiers by peppering high-minded reminders of the law's majesty with less elevated characterizations of the mob—including the part played by Indian/African American Crispus Attucks. Two of the soldiers were actually convicted of manslaughter in two separate trials. Finally, long before the massacre a British Satan had tried and failed to bribe Adams, who had already established himself—and been chosen for public office—as one of the most tenacious, effective, and visible of the colonists challenging Parliament's authority. Facts are indeed stubborn things.

Adams did not stumble upon the dead after the massacre or hear the crowd demand vengeance. He did not agonize about accepting the case....

Why does it matter? John Adams was a smashing success. It attracted a wide audience and won 13 Emmy awards, surpassing the revered Eleanor and Franklin (1976) and Roots (1977) to become the most honored historical drama ever shown on television. The producer Tom Hanks assembled an extraordinarily talented crew. The people responsible for the architecture, costumes, makeup, accents, lighting, music, and special effects deserve all the accolades they have received. Specialists will appreciate their meticulous attention to detail. Colonial Williamsburg is carefully transformed into various 18th-century settings. Estates in today's Hungary become European mansions in the 1780s and 1790s. Exact replicas constructed in rural Virginia recreate the Adams family's modest homes, which still exist in Quincy, MA. An amazing sound stage becomes, through the magic of supplemental computer-generated images, the town centers and waterfronts of Boston, Philadelphia, and Washington, DC.

In place of the typically glittering aristocratic worlds portrayed in dreamy films such as Barry Lyndon (1975), in which ostensibly authentic settings convey a grandeur unattainable in the early modern world, John Adams convincingly mixes mud and manure, bad wigs and worse teeth, and harrowing glimpses of 18th-century life and death. Viewers are unlikely to forget vivid depictions of the smallpox inoculations performed on Abigail and her children, the amputation of a sailor's leg on board the ship carrying John to France, and the surgery Benjamin Rush performed on John and Abigail's adult daughter Nabby in the vain hope that she might survive breast cancer. Yet such scenes skirt melodrama. The English director Tom Hooper presents with admirable restraint incidents that might have been overblown, such as the horrific tarring and feathering of a customs official by a Boston mob, the surprisingly carnal reunion of John and Abigail when, after a separation of three years, she at last joins him on his diplomatic mission in France, and the visit John pays his alcoholic son Charles in a New York City hovel. Exquisitely framed, lovingly detailed interior scenes conjure up images from paintings by Caravaggio, Chardin, Rembrandt, or Vermeer. The soundtrack juxtaposes popular, religious, and classical music from the period with a rousing score that lingers in memory. Considered solely as a piece of filmmaking, John Adams is a ringing success.

John Adams convincingly mixes mud and manure, bad wigs and worse teeth, and harrowing glimpses of 18th-century life and death.

Superb characterizations abound. Laura Linney infuses Abigail Adams with sublime—albeit iron-willed—patience. The nuances expressed by Linney's raised eyebrows, even more than the gradations in her faint but persistent smiles, will be seared in viewers' memories. Scolding, satisfying, and succoring her husband and their children, Linney's Abigail conveys passion, longing, and occasional anger with a range and subtlety worthy of the formidable Mrs. Adams. Tom Wilkinson plays Benjamin Franklin as a mischievous, wise wit who too often speaks in aphorisms and only occasionally descends into caricature. Through glances and quick quips rather than windy speeches, Stephen Delane's Thomas Jefferson effectively signals his aspirations and ambitions for America and France, politically outmaneuvers Adams and David Morse's regal but stiff George Washington, and effortlessly charms everyone. As John Dickinson and Edward Rutledge, Željko Ivanek and Clancy O'Connor avoid coming across in the dramatic debates over independence simply as appeasers or fops. Rufus Sewell captures Alexander Hamilton's sly shrewdness and yearning for personal as well as national greatness.

Like many who have written about the film, I wish the writer Kirk Ellis (who also wrote Into the West [2005]) and the actor Paul Giamatti had given us a less bipolar John Adams. Giamatti careens from raging bull to wounded puppy, rarely showing the qualities of heart and head that enabled Adams to write some of America's most powerful and enduring letters and works of political philosophy. Giamatti's John is all haughty bluster or pathetic self-pity, his character unalloyed by Abigail's endearing mercy and doubt, Franklin's hard-edged insight, or Jefferson's lofty if fuzzy vision.

Yet the extremes of Giamatti's characterization do make some sense. His contemporaries knew that Adams was obsessive, priggish, and intolerant. The film reminds us that the querulous are sometimes provoked and the vain can have reason to be proud. A couple of scenes from the film must suffice to illustrate how effectively it conveys Adams's bottomless self-righteousness. When the principal authors of the Declaration of Independence were together negotiating in France in 1779, Jefferson observed that Adams "hates Franklin, he hates Jay, he hates the French, he hates the English. To whom will he adhere?" Jefferson noted that "his vanity is a lineament in his character which had entirely escaped me. His want of taste I had observed." Yet Adams was blessed with a "sound head" and "integrity," Jefferson concluded, and his "dislike of all parties, and all men, by balancing his prejudices, may give the same fair play to his reason as would a general benevolence of temper." Franklin assessed his undiplomatic colleague more succinctly: Adams, he wrote, was "sometimes, and in some things, absolutely out of his senses."

Franklin assessed his undiplomatic colleague more succinctly: Adams, he wrote, was "sometimes, and in some things, absolutely out of his senses."

Without quoting those ungainly letters, John Adams nevertheless deftly captures their authors' complicated interactions. Viewers see how Adams's clumsy directness in sophisticated European society exasperates the cagey Franklin and amuses the smooth Jefferson. We encounter Franklin, Jefferson, and Adams together again in Europe in 1784, and we hear them debating the future of the republic in a series of sharp observations encapsulating their rival orientations. When Adams proclaims that the proposed federal constitution will bring to the struggling nation only the order that the state constitutions—including the one Adams himself gave Massachusetts—had effectively provided, Jefferson snaps that the plan would "close off revolution to reaction." When Jefferson complains that Adams distrusts the judgment of the people, Adams snorts that Jefferson has "excess faith" in their wisdom. Finally, when Abigail and John bid Jefferson goodbye, Adams says evenly that he will miss the Virginian's company, to which Jefferson replies quickly, "and I will miss yours, Mrs. Adams." All three laugh, but the point is made: "exceptional" and "charming" as Abigail found the cosmopolitan Jefferson, she and her stolid husband preferred each other's company and knew they were better suited to their simple Quincy farm than to the courts of Versailles and London—or to the rigors of political life in the new nation's capital, whether Philadelphia or Washington.

Viewers hear John tell his adolescent son John Quincy, reluctant to depart on a mission to Russia, that "there are times when we must act against our inclinations." Together with Abigail's insistence, that sense of duty impels John to accept the vice presidency, "the most insignificant office ever devised by the mind of man." Even the signal successes of his long career—making the case for independence in Boston and Philadelphia, negotiating a loan from Holland during the War for Independence, and avoiding a disastrous war with France during his presidency at the cost to his prestige and his political prospects—earn Adams little acclaim. The poignant scenes in which the defeated president prepares to vacate the still-unfinished White House, then leaves via public omnibus as "just plain John Adams, ordinary citizen, same as yourselves" (except that he vibrates with resentment), are pitch-perfect.

The film's generous use of [John and Abigail Adams's] correspondence, which testifies to one of the great love affairs of American history, ranks among its greatest strengths.

Capturing in seven episodes the complex sensibility of John Adams and the still greater complexity of late 18th-century American politics is impossible. Ellis's screenplay and Hooper's direction give us the best rendition yet on film. To give Giamatti his due, perhaps the success of John Adams derives from the relentless awkwardness of his portrayal. Unlike Washington, Franklin, Jefferson, or Hamilton, the cerebral, brooding Adams remained uneasy in the public eye. He craved fame and feared history would deny him his share of glory, yet he never cultivated the qualities that would have won him affection and esteem. John Adams remains as difficult to like as his "dearest friend" Abigail is impossible to resist.

The film communicates Abigail's loathing for "the sin of slavery" and exposes the tragic compromises of the founders that insured its poisonous persistence. Oddly, it omits her equally precocious attention to women's rights, her pointed counsel that those framing republican government should "remember the ladies," and her husband's uncharacteristically evasive and entirely unconvincing rejoinder. John's gruff truculence in the face of Abigail's wisdom makes Giamatti's and Linney's portrayal of their profound bond even more extraordinary. The film's generous use of their correspondence, which testifies to one of the great love affairs of American history, ranks among its greatest strengths.

With so many virtues, then, why should historians worry about the film's factual errors? Ellis has made clear that his research extended beyond the best-selling book by David McCullough on which the film claims to be based. Of course, consulting recent scholarship on the social history of the Revolution might have sharpened the edge of Jefferson's jibes about Adams's views of "the people," just as closer attention to Adams's Thoughts on Government (1776) might have showed the decisive role Adams played in the spring of 1776 to counterbalance Tom Paine's endorsement of unicameralism in Common Sense (1776). Historiographical debates, however much we historians relish them, are hard to capture, and texts do not make good television. Of course there are limits to what any film can do. But Ellis read enough to know that Adams did not have to break a tie over the Jay Treaty, an "invention" he justified on the grounds that Adams cast more decisive votes in the Senate than any other vice president has ever done; that Rush brokered Adams's reconciliation with Jefferson before, not after, Abigail's death; that Adams did not ride out to see the Battle of Concord, and so on.

Historians can understand why writers and directors want to place their principal figures in the thick of things.

Historians can understand why writers and directors want to place their principal figures in the thick of things. But avoiding or at least acknowledging such examples of poetic license might help guard against the cynical (and, in this case, largely unwarranted) assumption that films never get history right, or the increasingly common and even more unsettling assumption among Americans that facts do not really matter anyway. Just as computer-generated images can enrich battle scenes and make cityscapes more "authentic," supplemental material on DVDs can deepen historical understanding. The extra material on the John Adams DVDs, by contrast, includes only a few subtitles with relatively insignificant details that add little to the experience of watching the film a second time. Such subtitles could have clarified the on-screen action, added further information about persons and events, and acknowledged when the filmmakers were inventing incidents or altering evidence for dramatic purposes.

Responsible teachers will want their students to know when John Adams departs from the historical record....

Responsible teachers will want their students to know when John Adams departs from the historical record, just as they will want to explore debates over the crowd's role in the American Revolution, explain the importance of Adams's decisive essays from the 1760s and his later writings on the U.S. Constitution, and examine the nature of female sociability and family dynamics. Rich as the film is, the DVD could have made it even better—at least for historians and their students. The same technology that lets filmmakers present convincing images of a half-built Washington, DC, enables them to enrich teachers' and students' appreciation of what historical dramas can and cannot do. Making the most of that technology could sharpen students' awareness of the unbridgeable gap between the vivid, unambiguous images on the screen and the documentary record with its inevitable omissions, its enchanting ambiguities, and its stubborn facts.

Bibliography

This review was first published in the Journal of American History, 95(3) (2008): 937–940. Reprinted with permission from the Organization of American Historians (OAH).

Picturing the American Revolution

Image
Photography, Yorktown Cannon, 23 April 2003, DanRhett, Flickr CC
Question

If you had to choose five picture books for early U.S. History what would these books be? Also, this would be for urban 5th graders who have not had Social Studies and tend to score very low on standardized reading tests.

Answer

My answer to your question will be based on the following assumptions:

  1. By “early U.S. history” you are referring to the American Revolution.
  2. You will use the picture books as read aloud and possibly incorporate an ELA writing activity after the read aloud.
  3. Both fiction and nonfiction books may be used.
  4. The order of the list does not give precedence to one book over another.
  5. It’s impossible to choose only five books!

Enjoy!

Here are some suggestions for the American Revolution:

  1. Boston Tea Party by Pamela Duncan Edwards: This book sets the stage for the Revolution. Students will gain an understanding as to why the colonists were upset with the British king and took such action. The book offers a clear and concise explanation of the causes and effects of the Boston Tea Party while providing a humorous touch with mice conversing at the bottom of each page. Their chattering provides a simplified version of the events reaching students who might find too many details overwhelming.
  2. ELA writing piece: Have students write a friendly letter to a family member in England explaining why they are upset.

  3. Let It Begin Here- Lexington & Concord—First Battles of the American Revolution by Dennis Brindell Fradin: A timeline of events is depicted for the first 24 hours of the American Revolution. Students will gain an overview of that fateful day. As the date and time that appears at the top of each page is read aloud, students will sense how quickly the events unraveled. It would be fun to give each student a paper clock and have them move the hands as the time is reported. They could use their math skills to determine how much time has passed between events.

    ELA writing piece: Have students rewrite history. Students will change one event and write how it could have changed our history.

  4. Sybil’s Night Ride by Karen B. Winnick: Not only Paul Revere rode to announce the British were coming, so did Sybil Ludington. Students will relate to the heroism of a peer and enjoy hearing about someone their age performing a heroic deed similar to that of Paul Revere. After the reading the class could discuss the characteristics of a hero.
  5. ELA writing piece: Have students write a paragraph about a contemporary hero.

  6. When Washington Crossed the Delaware by Lynne Cheney: A detailed depiction of Washington’s attack on Trenton. Students should take notes on the hardships faced by the colonial army. After reading and discussing these, the teacher could show students the famous 1851 painting of Washington crossing the Delaware and ask them how the artist’s depiction is not historically accurate. Students will enjoy finding the “mistakes.” They should be ready to answer this question, “If a photograph had been taken what would we see?” Students could even draw their interpretation.
  7. ELA writing piece: Have students write a character sketch of Washington. What made him such a great leader? Use details from the story.

  8. The Scarlet Stockings Spy by Trinka Hakes Noble: A young girl in Philadelphia, 1777, helps Washington’s army by spying on the British. The order in which she hangs laundry is a code and secretly read by her brother who is a spy for the Patriots. Students will like the suspense of the story and notice that even though women may not be on the battlefield, they served in meaningful ways on the home front.
  9. ELA writing piece: Have students retell the story in modern time using current technology that mirrors the actions taken by Maddy Rose in 1777.

  10. The Declaration of Independence—The Words that Made America by Sam Fink: The words of the Declaration are written phrase by phrase. Instead of reading aloud, the teacher could give pairs of students a phrase to rewrite in their own words and then explain to the class. The teacher should first model one phrase for the class. Students will gain a true understanding of what this document is saying. For students who have only seen small mock versions of the document, they will find that the larger than life font size brings the words to life. The cartoon-like illustrations with bubble captions will also appeal to this age group.
For more information

Books for students who would like to discover more on their own:

  1. Why Not Lafayette? by Jean Fritz: Readable biography of Lafayette for a 5th grader.
  2. Paul Revere’s Ride by Xavier Niz: A graphic rendition of the famous ride.
  3. Twice a Hero by Dirk Wales: Tells the story of Polish American heroes of the Revolution.
  4. Now & Ben—The Modern Inventions of Benjamin Franklin by Gene Barretta: Connects Ben Franklin to our lives today.

Look for more ideas here, where you will find books for the K-12 classroom that have been designated as notable by social studies teachers who are members of the National Council for the Social Studies.

Prequel to Independence

Teaser

Teach your students about causality with this useful activity.

lesson_image
Description

Students view primary and secondary sources that represent events leading up to the publication of the Declaration of Independence and place them in chronological order.

Article Body

Teaching the events leading up to the Declaration of Independence is routine in many American history classrooms. This lesson consists of a brief sequencing activity followed by a written assessment and is a good activity to use in conjunction with other activities on this topic. Students view a collection of 10 historical documents representing events leading up to the Declaration of Independence. Each document includes an image of the original document and brief explanatory details. After putting the documents in their proper sequence, students are prompted to write one to three paragraphs describing the sequence of events leading to the publication of the Declaration of Independence, using the documents they have just sequenced as specific examples.

While the activity is simple and short, it can help to lay the foundation for a lesson on contextualization, as students place documents in chronological order and see them in the context of surrounding events. Additionally, this lesson provides an excellent opportunity to analyze the nature of cause and effect and teachers could augment the lesson by having students explain how specific events are related to one another as well as to the Declaration of Independence.

This lesson is one of a large collection of similar activities in which students engage with historical documents. Teachers can register with the website for free and create their own activities using a large searchable database of primary and secondary sources.

Topic
Pre-American Revolution, Cause and Effect
Time Estimate
1 Class Session (or less)
flexibility_scale
3
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes
Limited, but a brief explanation and some background information are included with each document.

Rubric_Content_Read_Write

Yes
In addition to reading the documents, students are required to write a brief essay explaining how the documents fit together at the end of the lesson.

Rubric_Analytical_Construct_Interpretations

No
Students put events in chronological order using provided materials.

Rubric_Analytical_Close_Reading_Sourcing

No

Rubric_Scaffolding_Appropriate

Yes

Rubric_Scaffolding_Supports_Historical_Thinking

No
While background information is provided for each document, handwriting in some of the documents may be difficult for students to decipher. Teachers probably want to let students know ahead of time what sort of information they should look for in each document.

Rubric_Structure_Assessment

Yes
If the activity is completed on the website, the teacher may opt to receive an email for each student with the student’s written response, and a report of the student’s accuracy in placing the events in order.

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes

1775 Colonial Newspaper Article

Bibliography
Image Credits

Video 1:

  • Newspaper. Providence Gazette, March 17, 1770.
  • Newspaper. Article as reprinted in the Virginia Gazette, April 7, 1774. Accessible Archives.
  • Page. Force, Peter. American Archives: Consisting of a Collection of Authentick Records, State Papers, Debates, and Letters and Other Notices of Publick Affairs, the Whole Forming a Documentary History of the Origin and Progress of the North American Colonies. Washington, DC: 1848–1853.
  • Newspaper. Dunlap's Pennsylvania Packet, July 8, 1776.
  • Map. "Bowles's map of the seat of war in New England, 1776."
  • Engraving. New Hampshire crowd hoisting stamp distributor in effigy.
  • Print. McRae, John C. "Raising the Liberty Pole, 1776." c.1875. Library of Congress, Prints and Photographs Collection.

Video 2:

Video 3:

Video 4:

  • Letter. From Chief Justice Horsmanden to the Earl of Dartmouth. February 20, 1773.
  • Newspaper. The Gentleman's Magazine, May 1775.
  • Map. East coast with colonies.
  • Drawing. "Travis House good eating." Elizabeth O'Neill Verner. 1936. Library of Congress, Prints and Photographs Collection.
  • Print. Making a speech to a crowd.
  • Title page. West, Benjamin. The New-England Almanack . . . 1776.
  • Image. "Tea destroyed by Indians." 1773. An American Time Capsule: Three Centuries of Broadsides and Other Printed Ephemera. Library of Congress.
  • Map. Boston Harbor, 1775.
  • Broadside. Excerpt from the minutes of the Declaration and Resolves of the First Continental Congress. 1774.
  • Print. Earl, Ralph. Battle of Lexington. 1775. New York Public Library Digital Gallery.
Video Overview

In 1775, a colonial newspaper reported on Patriots burning tea in Providence, RI. How much can you learn from this newspaper article? Whose point of view is it written from? What does it include and what does it leave out? Barbara Clark Smith reveals the questions she would ask to get the most from this primary source.

Video Clip Name
csmith5.mov
csmith6.mov
csmith7.mov
csmith8.mov
Video Clip Title
What interests you about this newspaper article?
What do you notice when you read this article closely?
What questions aren't answered by the document?
What would help you understand the context of this article?
Video Clip Duration
2:28
4:28
3:35
3:28
Transcript Text

This is an article that was in the newspapers, the Patriot press in the 18th century. I tend to find these normally by looking through newspapers, which are generally on microfilm or in special collections. This one, however, I found in a specific collection, which is called the American Archives, edited by Peter Force. And what Peter Force did, in the early 19th century, was go and collect records from newspapers, from state papers, committee papers, and gather them together in several volumes and publish them as part of forming a documentary history of the American Revolution. So, this is a report that appeared in the colonial press. I'm not sure exactly where, but my guess is Boston or Hartford. Possibly more than one press because they tended to copy reports from each other. That's how they got their news, from other newspapers. And it's a report from Providence, RI.

The reason I'm interested in this sort of document is that I'm trying to get a kind of "close to the ground" look at the American Revolution. I want to know what the Patriot movement was like. The movement from, say, 1765 through the Revolution of people protesting parliamentary taxation and legislation. And I want to know less about the leading men who met in conventions and congresses, and who petitioned the King. I know a fair amount about them. I want to know about people on the local ground, ordinary people, women as well as men, and I want to know what was it like for them to become Patriots. And the questions I would bring to looking at these reports and newspapers would include: What is this telling me about ordinary people's participation? Not just what ideas might they bring to joining the revolution, or becoming a Patriot. But also what practices, what things did they have to do to be a Patriot? How do you practice being a Patriot? What does it really mean to join this movement? And what's it like, again, not in the official bodies that we think of as Patriot leaders, but kind of on the local ground, in this case in Providence, RI.

The first thing I was struck by was actually the last sentence, this image of this "Son of Liberty" going around the shops with his lampblack, which is the soot from oil lamps, a kind of black carbon soot. And unpainting the word "tea." It certainly makes me think of more famous events, like the Boston Tea Party. Although that's a real destruction of other people's property, they throw tea that doesn't belong to them into the harbor in Boston. But this seems sort of a smaller offering of one's own tea. But nonetheless, something of a gathering, a really dramatic gathering, where Patriots are expressing their political views.

Elsewhere in the second paragraph it says a great number of inhabitants—you'd really like to know, how many, how many that is compared to all of the inhabitants of Providence. They mention specifically some worthy women. So we know in this case the word "inhabitants" includes women, which sometimes it might or sometimes it doesn't. It doesn't specifically mention anyone else. We get the impression though that this is not limited to people who were qualified to vote. Certainly if women are there, it's not limited to qualified town voters. And possibly therefore there were men and boys present—apprentices, servants, slaves, sailors, any number of people who would normally not be voting and acting politically in that way, even in a town meeting. But who could attend a marketplace to purchase things, or in this case to refuse to purchase or to give up things or to observe.

One thing that I think is intriguing too is there's an argument about tea in this. It's not just a description saying people came to burn their tea. It describes tea for you. That it's needless, we don't need it. It's been detrimental to our liberty and interest and health. And that's intriguing because you can see the logic by which it's detrimental to Patriots' liberty and interest. They don't want to pay taxes on it. They don't think Parliament should be taxing this. Health is another question, and it's interesting that the Patriots raised this issue of how its supposed to be unhealthy just when Britain puts a tax on it, that's not really a common thought in the 18th century—that tea is unhealthy. In fact, people take it in part for medicinal purposes.

There's other information here that you can begin to pick up. That in addition to throwing the tea in the fire, they throw in some newspapers and a printed copy of a speech by Lord North that they disapprove of. And you can go and track down what was Lord North probably speaking about. Rivington's paper, a New York paper, Rivington's a Loyalist, and he's arguing on behalf of parliamentary power. So it's interesting they throw those newspapers in the fire as well. So it's not merely getting rid of the tea. It's all that English stuff.

I think one thing to notice about it is this isn't the kind of newspaper report we would expect, that we would get, of this happening. Even though it's written in the third person by someone describing it as if he or she was there, very authoritative, "this happened." It offers opinions in places where we might expect that you'd interview someone. It doesn't interview Jane Doe and have her say, "Well, I'm really cheerful to be throwing my tea in the fire, because I don't need this noxious weed." It's the reporter telling you and the reporter using language which testifies to his, and I think we can probably use the male pronoun here, position. In reading these it's tricky you will sometimes read pieces like this which talk about true friends of the country and lovers of freedom. And you'll discover the writer is talking about the Loyalists, the Tories, because, of course, they think too that they're the true lovers of America and freedom. So you have to sometimes read for a while to figure that out. In this case it's pretty straight forward, since they're burning Tory newspapers and throwing away tea and supporting the Sons of Liberty.

I'd really like to know more. What happened in organizing this? How did this come about? Who planned it and what was it like to attend and to observe? For example, all right, at noon you hear that you were invited to testify your good disposition to the Patriot cause by bringing your tea. Well, what does it mean if you don't feel like doing it? Does that mean if I don't bring my tea, my neighbors will, from here on out, know that I don't have a good disposition towards the Patriot cause. Does that label me a Tory who is sympathetic to Britain or to parliamentary power?

Similarly, this point that there appeared great cheerfulness in destroying the tea. And that these worthy women made free will offerings of their stocks of the tea. Well, that's a nice description, but you do wonder about those women who maybe didn't want to burn their tea. None of that is covered. If there are women who said, "Not me, I'm keeping my tea," you don't find that out here.

And finally, I think the real clue to the question of coercion or not comes in the last sentence describing a spirited "Son of Liberty" going along the street with his brush and lampblack and unpainting the word "tea" on the shop signs. Well, one wonders what the merchants, whose shops those were, where presumably they sold tea, thought about that. And it strikes me, that we don't have any information here, did he get permission from these merchants ahead of time? Or was this an act that put the merchants in a position where they would have to become quite unpopular with the Patriots if they decided to continue selling tea?

One of the first things I'd do is keep by me a dictionary so I could look up words, particularly a dictionary like the Oxford English Dictionary that has 18th-century meanings. Because often there's a word that will have changed in meaning. One example, they use the term, "the true interest of America." The term "interesting" which people in the 18th century would use to describe a situation, they say "that's an interesting situation." It doesn't mean, "I'm kind of interested in it intellectually," it means it involves people's economic interest, okay. They mean "interest" exactly in that sense almost all the time. And there are other examples, so one thing would be, don't be too far away from a good dictionary and preferably one that can tell you how things were used in the 18th century.

I'd certainly look for any references to people or events and make sure I knew what those were. Look in the history book, see if I could find out who's being referred to, who they assume everyone knows about. I'd go real carefully through the sentences, because 18th-century language, often the sentences are very long, with lots of different clauses which is complicated for us to understand today. And, certainly with newspapers at this time period, where they are either Patriot or Tory newspapers, I'd be looking for the point of view of the writer. In this case, the point of view is someone who's in favor the Patriots. So, that gives us the last thing which is I'd look for what isn't here. And in the case of a Patriot point of view, well, we don't hear about anybody in Providence who disagreed with this. And there, we don't know if there was or was not someone. That's simply absent from this.

One is I would try to contextualize the immediate incident that's being described here, this particular event in Providence, RI. And, the way that I might do that is by looking at other events taking place in Providence, by supporting this document with other descriptions of the event. I would hope I could find in letters or diaries, a description of this tea burning that took place in the marketplace. And I might particularly hope I could find a Tory, or a Loyalist, point of view, somebody who was upset that this happened. And I'd go and look in diaries and letters around the time of March 2nd, and following, look for that.

The second is, after looking at that particular incident, look more broadly at other places where this took place. And it turns out if you just follow in the newspapers, and read diaries and letters from the time, tea burnings are not uncommon in 1775. A variety of them take place in New Hampshire and New Haven, certainly in the New England area, and on into the middle colonies, you can find examples of gatherings like this. So this kind of event is a second context.

The third context, I'd look at the kind of document this is, which is a report in a newspaper. And think a little bit about reading other newspapers, reading to see if this is typical or atypical. I think its reasonably typical. There are a variety of these similar reports of Patriot events in different newspapers of this time period. And to know a little something about how people are reading this. We know that newspaper subscriptions are skyrocketing at this time. And also that people are reading them in taverns. The taverns tend to subscribe. And even people who are illiterate or don't read that well, can have it read to them in taverns. So that's one of the ways this kind of document gets dispersed throughout the colonies.

And then finally I'd want to think carefully about the chronology, about the moment that this represents of March 1775. It's clearly a divisive moment and a moment when people are under some pressure, here in Providence and in other places, to take sides. To get out there and not to say, "I agree with this or that position, I agree with these rights." But vote with your feet, or in this case, vote with your tea. To show up publicly, and to denounce tea drinking and tea drinkers, and take a side and get off the fence. And that makes sense. It's March 1775, it's after the Boston Tea party, which is December of [17]73, so there's a precedent, these people know there's been destruction of tea, which has been very controversial. The first Continental Congress has met and has encouraged people not to drink tea, so we know these people are supporting the Continental Congress, even though that that's never mentioned in here. And it's about, let's see, a month and a little bit, before the outbreak of warfare, so it's a very tense time in New England.

Mission US: For Crown or Colony

Image
What is it?

New York Public Television developed Mission US: For Crown or Colony as the first in a series of free, online adventure games focused on various periods in U.S. history. In For Crown or Colony the player takes the role of 14-year-old Nat Wheeler, a printer’s apprentice in 1770s Boston. While completing errands for his master, Nat witnesses acts of violence between colonists and soldiers and discusses British colonial policies with Boston residents. Ultimately, Nat must decide whether his loyalties lie with the colonists or the crown.

The game is designed to teach players about the debates over British policies, the roles of various colonial groups (women, apprentices, slaves, etc.) in protesting those policies, and the forms such protests could take. Nat’s adventures in Boston are divided into a six-part story, each of which can be played in 15 to 20 minutes. In the course of fulfilling his duties, Nat learns more about the growing tensions between the colonists and the British troops stationed in the city. He meets various historical people (Phillis Wheatley, Paul Revere, and John Adams among others) and hears three basic responses to the tensions with the British: loyalty to the crown, support for the Patriot movement, and neutrality. characters 

In addition to conversing with these and other characters, Nat will witness several important historical events culminating in the Boston Massacre. He ultimately must testify at an inquest on the shootings. After the inquest, Nat must decide to support the Patriots, side with the Loyalists, or stay out of the conflict. The effects of his choices are revealed at the end. Finally, an animated epilogue narrates the events after the Boston Massacre that led to the outbreak of war and the Declaration of Independence.

Getting Started

Gameplay Consistent with the adventure game genre, the player experiences the game by visiting various locations in Boston rendered as fixed illustrations. The player can interact with objects and people in each location that are highlighted in yellow when the mouse hovers over them. Clicking on highlighted objects provide more information about them. For example, Mr. Edes’s print shop has a variety of objects the player can click on, ranging from the press itself to the paper supplies and type trays. Teachers may want to instruct players explicitly to investigate carefully as they play and follow up with discussions about the items in the game and what they suggest about Boston in the period.

Interacting With Characters Clicking on a highlighted character initiates a conversation with that character, the great strength of the game. The player sees and hears the animated character speak; the dialogue is also captioned in text. Choosing different responses for Nat will lead the dialogue in different directions. Much of the dialogue concerns how different characters perceive the events around them and whether Nate agrees with those perceptions. So, for example, if Nat sells a newspaper advertisement to Constance, the niece of loyalist Theophilus Lillie, Patriot Mr. Edes refuses to print the ad. His rationale: “She is the niece of Theophilus Lillie. He is breaking the non-importation agreement and all good patriots must oppose him.” The player has a variety of choices for Nat’s response ranging from inquiries, to arguments, to simple acceptance. Through the dialogues, Nat can try out different points of view, gain the approval and disapproval of various characters, and encounter many perspectives on British rule in colonial Boston. There are a variety of interesting characters, and the dialogues are well designed to achieve the learning goals of the game—namely, leading players to analyze the tensions in late colonial Boston and the main responses to British colonial policies.

Also included in the dialogues is the SmartWords vocabulary system. Certain conversations with characters bring up highlighted yellow terms representing key vocabulary—terms like apprentice, Sons of Liberty, and Townshend Acts. Clicking on highlighted terms adds them to the player’s SmartWords collection and shows the player a definition. As with the clickable background items, there is no guarantee a student will be motivated to have the types of conversations that will reveal these words. Turning the search for vocabulary into a side game, however, is not an unreasonable approach to the problem of presenting key vocabulary in a game.

Examples

The game’s great strength is its focus on making choices. The course of past events is so regularly, and mistakenly, perceived as inevitable. This game, on the other hand, reminds players people in the past made choices that had consequences. Nat can buy imports or local goods, side with Constance or Royce in disputes, and make friends with Loyalists or Patriots, among many other decisions. These decisions affect how the dialogues unfold and, to a lesser extent, the options Nat has for completing his tasks.

Best of all, the trend of Nat’s choices throughout the game changes the way he perceives the climactic events of the Boston Massacre.

When Nat finally must elect to side with Solomon, Royce, or Constance, he muses, “With the freedom to choose my own way, I knew that my future lay down one of three paths.” But choosing one of these three paths does not end the game immediately. Instead the player is invited to make a few more decisions about Nat’s adult life after 1770 that are woven into a short narrative. This final adventure, in addition to reinforcing the idea that the past was not predetermined, also helps make a potentially important point that the Revolution was not the only thing that mattered for people at the time.

Uses in the Classroom One of the great challenges for using a simulation game in class is incorporating the game into a coherent and well-designed lesson and unit structure. Mission U.S. has, laudably, completely removed this obstacle. The support materials provided are, quite simply, outstanding. The designers conceived of For Crown or Colony as an integral part of a rich and comprehensive unit on the road to Revolution. Accordingly, each section from the game is accompanied by a summary of the game, well-organized lesson plans, reflection prompts, discussion suggestions, and all manner of resources. Best of all, 20 relevant primary sources are included, each with a brief source note to aid in analysis and comprehension. Between the materials provided and the links to additional materials off-site, Mission U.S. provides more high quality resources and guidelines than could possibly be employed by any single teacher in a single unit.

The game, plans, and resources are tailored for a middle school audience, grades five to eight. Each section of the game takes approximately 15 minutes to play, and the game can be saved so play can spread Example characterover a number of sessions. If possible, playing through the game several times and adopting different stances each time can contribute to students’ abilities to analyze the variety of viewpoints and options colonists had—subsequent playthroughs take considerably less time. Alternating between gameplay, discussion, and use of the additional resources could easily fill a week or more with rich lessons on the road to Revolution. 

Mission US also features other storylines for students, such as early 20th century immigration and the Great Depression.

For more information

Mission US also offers other interactive, decision-based missions that explore United States' history. From the Revolutionary War through the Civil War and the Great Depression, each mission features a different character facing obstacles and different decisions of their time.

Looking for more online games appropriate for the U.S. history classroom? Jeremiah McCall introduces Do I Have a Right?, a game that teaches constitutional rights, in Tech for Teachers.

Declaration of Independence

Video Overview

Historian Rosemarie Zagarri reads the Declaration of Independence closely, taking time to define its context and its effects.

Video Clip Name
Zagarri1.mov
Zagarri2.mov
Zagarri3.mov
Zagarri4.mov
Video Clip Title
Leading up to the Declaration
Beginning to Read the Declaration
The Grievances
Effects of the Declaration
Video Clip Duration
7:51
7:58
7:58
7:51
Transcript Text

Who issued it? The Congress that was gathered in Philadelphia in July of 1776, the so-called Continental Congress. Who were they? They were a bunch of men who had been elected or appointed by individuals within the 13 colonies to meet together to discuss their opposition to the existing legitimate government of the colonies, the British government.

This carried the weight of an official proclamation from this new government of the United States, so it was written in a formal language and an illiterate farmer or a sailor or a farm woman would not necessarily understand the meaning of all the terms or charges. However, the fact that a lot of them would have it read to them meant that the reading of the Declaration was just the point of departure. It was the first point of a larger public debate and discussion about what was going on.

There's this very powerful language that would have an impact, an emotional impact, on an audience. And then the people would be standing around and say, "Well, what does that mean—life, liberty and the pursuit of happiness?" Or "What does it mean, he's forbidden his Governor to pass laws of immediate and pressing importance."

This was a bold experiment and a lot of people could get very excited by that. It was an important device to mobilize the people and to get them excited. The Continental Army had a hard time getting people. The Continental Congress was always short of money. The states were always very slow to pass taxes and to send the money to the Continental Congress. So the reality fell short of the grand ideals that were expressed in the Declaration.

Events had been building up to the Declaration for over a decade. At the end of the French and Indian War in 1763, most people assumed that the North American British Colonies were happy to be part of the British Empire. They were prospering under British rule. The people of the Colonies considered themselves the loyal subjects of the Crown. But after the French and Indian War, Britain initiated a whole series of policies and laws that from the colonists' perspective, changed the relationship that had existed between Britain and the Colonies.

Prior to the Stamp Act crisis of 1765, when Britain wanted money from the colonists, they would go to the colonies individually. In each of the 13 colonies, there was a legislature that was elected by the people and Britain would ask those legislators to pass taxes on the people of that particular colony that would then be submitted to England. After the French and Indian War, there was a change in British policy. The leaders in Britain, because they had gone into so much debt fighting the French and Indian War and the people in Britain itself were already heavily taxed, were looking for new sources of revenue. So they started making policies which involved Parliament passing taxes that were imposed on the colonists. And from the colonists' point of view, this was changing the rules of the game. Parliament was taxing them and they elected no members to Parliament. So from their point of view, they were being taxed without their consent.

From the point of view of Britain, Parliament legislated and passed taxes for the Empire as a whole. The colonists were represented virtually in Parliament even though they elected no particular representatives. The colonists feared that if they allowed any of these taxes passed by Parliament, then there would be one tax after another. They would be deprived of their property completely.

There was a substantial minority by 1774 or 1775 who already believed that it was impossible to remain in the British Empire and remain a free people. But the process of convincing larger numbers of people took more time. A key moment there was the publication in January of 1776 of Thomas Paine's Common Sense. That pamphlet really reached out to large numbers of people and explained it in terms that they could understand why independence was necessary.

I think it needs to be understood in terms of the Order of July 1775. It's a document called a Declaration of the Causes and Necessities for Taking Up Arms. That was passed by the Continental Congress and that set up the Continental Army. That explains why the colonists are upset and I think it's very interesting to see what changed in their language. Jefferson wrote that as well, so I think it's really interesting to see why in 1775 they were willing to take up arms, but not declare independence and they were willing to do that a year later. In the 1775 document, they don't blame the King. They only blame Parliament and his ministers for these problems. And that's the big difference between 1775 and 1776.

And there's another document written by Jefferson in 1774 called a Summary View of the Rights of British America. That was not an official document of the Continental Congress, but it was issued as a pamphlet. That represents the thinking of the most radical of the delegates in 1774 who are already anticipating independence and seeing why it was becoming increasingly untenable for the colonies to remain in the British Empire.

The Continental Congress first met in 1774. Then disassembled, then reassembled in the spring of 1775. But did not declare independence until July of 1776. In an era before public opinion polls, these delegates had to go by their personal sense of the people via letters, via newspapers, via word of mouth. And only then, by the summer of 1776, did they feel that the people were going to back up their Declaration of Independence with the taking up of arms and with support of this cause.

What was the official status of the Continental Congress? They had none. The Continental Congress was an extra-legal or illegal assembly. The only authority they had was the authority that the people in the colonies gave them. They were not operating within the existing boundaries of the colonial charters or of any rule of law that the British government recognized.

They knew that if they declared independence without having a substantial proportion of the population supportive of them, they would hang. They were committing treason. They were not interested in leading a revolution that no one wanted to follow. It was really important that they waited as long as they did.

The stakes were very high. What people don't like to think about is that these delegates were becoming outlaws. They were operating outside the official rules that governed the legal system of Britain. They were establishing a separate nation. Looking back, we can put this patriotic halo around it. But from Britain's point of view, what the colonists were doing was disloyal, seditious, wrong, treasonable. I think because we won, Americans think it was right from the start, but it depends on your perspective. From the British point of view, it wasn't.

Richard Henry Lee of Virginia proposed the resolutions to Congress in June of 1776 that said these colonies should be free and independent. So the Continental Congress then appointed a committee of five to draft the Articles of Independence. The committee of five consisted of Robert Livingston, Roger Sherman, Benjamin Franklin, John Adams, and Thomas Jefferson. Thomas Jefferson was a very young member of the delegation. He had drafted a number of previous documents related to the Continental Congress. He was known to be a very good writer. So that's why the committee of five decided to delegate the task of writing the draft to Jefferson. He wrote the draft which was then submitted to the committee of five for editing; which was then vetted by the entire Continental Congress.

A lot of the changes that were made were basically editorial, but some of the changes were more substantial. They took out some of the exaggerated language that Jefferson was prone to use that was trying to stir up people against Great Britain. But they also took out a key paragraph where it accused the King of waging cruel war against human nature itself by enslaving people, by carrying them into slavery in another hemisphere. This whole paragraph was excised from the final Declaration because it was understood that the southern states would never support the Declaration if there was this diatribe against slavery in it. I think that's the most important editorial change that was made by the Congress in the draft that Jefferson wrote.

It's a document that has several audiences. One audience is the people of Great Britain. Telling the people of Great Britain and the government of Great Britain that the people of the United States are a separate nation and should be treated as a separate nation henceforth. Another audience is the foreign nations of Europe. The Americans needed to let these foreign nations know that they were an independent nation to get loans and military assistance, especially from France, so that they could wage this war against Britain.

Finally, the last audience was the people of the United States themselves. It was an official statement to the people of the United States that we're no longer resisting the policies of Britain by staying within the boundaries of this nation, but we are now a whole separate country and we're a separate people.

It's a hard document to come to without background. I think reading aloud is a good tool and starting with the responses of the students. How does this make you feel? What does it inspire in you? Do any phrases stand out? Then talking about the curiosities—why they're blaming the King. "He," "he," "he," "he," "he." And then talking about the phrases that seem curious or obvious to us today.

The document has to be understood both as a rhetorical tool and official statement. That it's creating a new government. And that over time its meaning has changed a lot. I think taking it phrase by phrase. Certain things become apparent, like why do they keep phrasing it in terms of "necessity compels us?" That's something you can get by just reading it. Looking at the fact that they blame so much on the King.

Looking at the rhetorical tricks that are used. We're submitting these facts to the "candid world." Looking at what different parts of the Declaration are doing. The one part, appealing to the people of Britain. Another part, talking about the functions of government. The beginning part making these broad general sweeping statements that pertain across time and place. What are the laws of nature? How do we know what nature's laws are? What are inalienable rights?

Why is it important that government insures these inalienable rights? What if people held revolutions every time they got dissatisfied with government? When is a government just and when is it unjust? How do we decide? Can you rebel against a government which is based on the people, that is a constitutional form of government rather than a government in which there's a king? What kinds of protests should they engage in before they take up arms and try to overthrow a government? What makes a government legitimate? Why do we consider our government legitimate? What if you don't? What's the relationship between the Declaration of Independence and the U.S. Constitution?

"When in the Course of human events it becomes necessary for one people to dissolve the political bands which have connected them with one another and to assume among the powers of the nation the separate and equal station to which the Laws of Nature and Nature's God entitle them."

First of all, there's an invocation here of the laws of nature and of nature's God. That's a reference to laws that are higher than the laws of Great Britain, that are higher than the British Parliament, that are higher than the British King. You're appealing to a higher authority and I think that's really necessary to justify and legitimate what they're about to say and do. And then they say, "A decent respect to the opinions of mankind requires that they should declare the causes which impel them to separation," so they're going to explain to the world why they are separating.

"We hold these truths to be self-evident." This is a very typical enlightenment concept. "Self- evident" truths are truths of nature and by studying nature, a reasonable person can discover what is true.

And one of these truths is that "all men are created equal." This is the phrase that provokes incredible discussion. What do they mean by "all men are created equal?" In America, you don't have inherited ranks and privileges. You don't have a hereditary monarch. All people in America are equal before the law and I think that's the most fundamental meaning of equal that they're talking about here.

They're "endowed by their Creator with certain unalienable Rights." So there are these God-given rights that reasonable people can find in nature.

It was a very common political construct derived from John Locke's second treatise on government—all men are born free and equal. But you have to understand what equal meant in those terms. In a state of nature, men are equal. They have the equal right to give their consent to be governed. What's powerful about this statement is that it is so unqualified and so open to interpretations.

John Locke talked about life, liberty, and property. There's a lot of discussion about why it was changed in the Declaration from "property" to "pursuit of happiness." Property is obviously a much more restrictive term. It's confined to those, usually white males, who could own property. Pursuit of happiness is a much broader term that opens up this possibility to men, women, children, even black people, theoretically.

By choosing the phrase "pursuit of happiness" rather than "property," there's an immediate implication that this government isn't just for men of property. It's for all people who have rights. Then the question becomes, well, who has rights. So the document itself is written in a way that opens it up to multiple interpretations. It worked as a rhetorical strategy in fighting British tyranny, as an appeal to a large number of people in the United States and abroad. That's why they used those terms.

Whether they anticipated extending all of the privileges of citizenship to women and black people at the time is definitely not the case, but they definitely wanted the benefits of government to extend beyond those who owned property.

"Prudence, indeed, will dictate that Governments long established should not be changed for light and transient causes; and accordingly, all experience hath shown that mankind are more disposed to suffer, while evils are sufferable than to right themselves by abolishing the forms to which they're accustomed." What they're saying here is that people shouldn't and don't start revolutions whenever they're unhappy. They only do it when the problems are very serious, when they have tried by every possible means to resolve their grievances peacefully.

When there are these serious causes, it's "their right" and "their duty" to throw off such a government. I think it's important that they say "right." It is their right. It is their duty. They're not just doing this because they want to. They're doing it because the laws of nature compel them. And that's a persistent theme in the Declaration of Independence. Necessity compels us to do this. We don't want to do this. We're not choosing to do it because we're rabble-rousers. We're doing it because the laws of nature tell us that we must do this. Otherwise, we will be the equivalent of slaves. Our liberty will be taken away from us.

"The history of the present King of Great Britain is a history of repeated injuries and usurpations, all having a direct object the establishment of an absolute Tyranny over these States." When the King becomes a tyrant, revolution is necessary to preserve the liberties of the people. "To prove this, let Facts be submitted to the candid world." That's a very good rhetorical device. Let's the facts be submitted so any objective observer given this list will understand why the Colonies are starting this revolution, why they're declaring their independence. And they will side with us.

It's interesting to look at the list in the Declaration, that each sentence begins: "He has," "He has," "He has." And who is the "he"? Well, the "he" is the King of England, King George III. What seems inexplicable at first is why the colonists blame all these on George III. It wasn't George III, at least initially, who singlehandedly imposed taxes or deprived the colonists of trial by jury or quartered troops among the colonists. It was Parliament. But it was understood that the King gave his assent to laws of Parliament and that the King theoretically had the ultimate say in approving laws of Parliament. So if George III had wanted to veto any of these laws, at least theoretically, he could have.

No British monarch since the early 18th century had actually vetoed a law of Parliament, but the colonists believed that the King was their ultimate guardian and protector in Britain and that's who they appealed to ultimately for help. And that's who they felt ultimately let them down.

Also, you don't rebel against Parliament. You can only rebel when the King becomes a tyrant and when the King is no longer the protector or guardian of your liberties. They have to lay these issues at his feet in order for rebellion to be justified. So I think this list of grievances is interesting in its particulars and more generally, because they blame all this stuff that previously might have been blamed on Parliament on the King.

"He has refused his Assent to laws, the most wholesome and necessary for the public good." That is a reference to the fact that after the colonial legislatures approved a law, then it would go to the governor in that colony for approval. Then it would be sent to England for approval. And there are cases in which the Crown refused to pass certain laws that the colonists thought would be good for them.

The colonists feel like Britain is coming between them and their just right to representative government in their own colonies.

"He has dissolved Representative Houses repeatedly, for opposing with manly firmness his invasions on the rights of the people." I think one of the things that really started to get to the colonists was the fact that the Royal Governors, whenever they were threatened because the assemblies were passing resolutions opposing British laws, would then send the representatives home. They would dissolve the legislatures and the legislatures could not reconvene on their own merits.

They would go down to a local tavern and reconvene in the name of the people, but they didn't have the legal authority of the legitimate government, the royal government. And so the colonists increasingly felt that Britain was violating their right to representation in their own colonial legislatures.

"Suspending our legislatures"—that refers to the fact that in certain colonies, the Parliament prohibited the legislature from meeting. That violated the people's basic right to elect representatives who would govern them. And then the Declaratory Act of 1766, which was passed in the wake of the repeal of the Stamp Act, said that Parliament had the right to pass laws governing the colonies in any case whatsoever and Parliament intended that to apply to taxes.

And the colonists said that no, they would agree to laws that Parliament passed that were for the governance of the Empire, but they would not agree to pay any taxes that were not passed by their own representatives. Those in particular refer to this issue of no taxation without representation.

The Anglo-American idea of taxes was that taxes are a gift of the people to the government and the government uses those taxes to preserve life, liberty, and property for the security of the state, for the security of the people. The people can't be forced to give these taxes without their consent. That doesn't mean that the people meet personally to vote on taxes, but through their representatives. So as long as they are electing representatives to an assembly, then that assembly has the right to vote taxes and they are bound to pay those taxes even if they don't agree with the particular policies. They can change the person who they elect.

"In every stage of these Oppressions, We have Petitioned for Redress in the most humblest terms." And from the colonists' point of view, at every point since 1765 when they first became aware of what they perceived as change in British policy, they took steps to let Britain know that they were upset. They did this by sending petitions to the King, to the House of Lords, to the House of Commons. They did this by passing resolutions in their colonial legislatures. They did this by boycotting British goods. They did this by gathering together in a Continental Congress and by passing resolutions as a united group.

The government didn't listen. The people of Britain didn't listen. "Our repeated petitions have been answered only by repeated injury. A Prince, whose character is thus marked by every act which may define a Tyrant is unfit to be the ruler of a free people."

One of my favorite paragraphs is this next one. "Nor have We been wanting in attentions to our British brethren." This is a reference to the British people. "We have warned them from time to time of attempts by their legislature to extend an unwarrantable jurisdiction over us. We have reminded them of the circumstances of our emigration and settlement here. We have appealed to their native justice and magnanimity and we have conjured them by ties of our common kindred, to disavow these usurpations which would inevitably interrupt our connections and correspondence."

They're referring to the fact that the people of the Colonies felt that the people of Britain were also suffering under the King and Parliament. They pointed to a number of laws that had caused riots or protests in Great Britain. John Wilkes was a dissenter who'd been elected as a member of Parliament and who was denied his seat by Parliament. There was a great outcry in Britain and so the people of the colonies felt that the King and Parliament were becoming oppressive, not just to the colonists in North America but to the people of Britain themselves. And if they made common cause, then Parliament and the King would stop it.

But the people of Britain didn't rise up the way the colonists expected and make common cause with them. They didn't see themselves as allied. What this paragraph is doing is saying: we've appealed to you to join in our fight against tyranny but you've ignored us.

"We must therefore acquiesce in the necessity." Again, this phrase "acquiesce in the necessity." We don't want to do this. We are being forced; Britain's tyranny is making us do this. "We acquiesce in the necessity, which denounces our Separation, and hold them, as we hold the rest of mankind, Enemies in War, in Peace Friends." It's like a divorce. It's like the breaking of family ties. You are a foreign nation to us now, just like France. When we're at war, you're our enemies. When we're at peace, you'll be our friends. But you are no longer kin to us. This is probably the most heart-wrenching paragraph in the Declaration because it is where one people becomes two peoples.

The next paragraph says all these things that Congress is going to do. We're the representatives and we declare that the "United Colonies are Free and Independent States," "Absolved from Allegiance to the Crown." This allegiance is "dissolved." They have the "full power to levy War, conclude Peace, contract Alliances, establish Commerce." But why are they doing this? They're saying, 'We are the people's representatives, so we are now the legitimate governing body of this new entity, the United States of America. We have the people's confidence and we can do all the things that other nation states can do.'

We can make treaties to levy war. We can have peace negotiations. If Britain wants to deal with us, if France wants to deal with us, you should send your emissaries to us, the Continental Congress. Not to the different colonies. Not to any splinter groups. We are the legitimate representatives of the colonies.

We have the authority of the good people of these colonies and that's in whose name we are declaring independence. And we "pledge to each other our Lives, our Fortunes and our Honor."

There were always significant numbers of people in the colonies/United States, who were either neutral about the cause of independence or who supported Britain. But what you have to understand is that the war was long, the process of attaining independence took many years. People changed their positions over time. So when the British army was in your locality, a lot of people turned out to be neutral or loyalist. When the Continental Army was in your vicinity, you tended to support the Continentals.

The British army made a lot of people who were initially supportive of the Crown come over to the American cause. The British government continued to be so intractable, the war dragged on for such a long time. A lot of men were called up to their local militias and were shot at by British.

Once independence was declared, the outcome was by no means assured. They could very well have lost the war. The Continental Army could have been destroyed. In fact, it was almost destroyed the very summer that the Declaration of Independence was being issued because Washington was fighting in New York and he almost lost his entire army.

They create it. They sign it. They send it out. It's read. Bells are rung. Bonfires are lit across the colonies. There are celebrations. But the war was already going on in July of 1776. The Continental Army had been created July of 1775, so this really formalized what was already going on.

George Washington had been appointed head of the Continental Army a year before. He was fighting a very important battle in New York as the Declaration was being passed. On the ground level, it didn't make that much difference. One of the most significant consequences was that it allowed France to start aiding the colonies. Sending money and then eventually entering into a formal treaty that was signed in 1778 that promised money and men and supplies to the United States. And, without France's support, the United States would never have been able to win the war, especially the support of their navy.

I also think for the people of the United States the fact that they knew what they were fighting for in very concrete terms was very important.

It's important not to overstate the importance of the Declaration of Independence per se at the time. The document was important because it did formally declare the United States a separate nation, a new nation, and because it made other countries who might want to aid the United States know with whom to talk, that is the Continental Congress. And it was sort of a rallying point for the American people to understand that now they were fighting for a separate nation, not just to convince Britain to treat them better.

But the Declaration of Independence actually faded from prominence during the American Revolution and in the years immediately after. And for a long time, Thomas Jefferson was not identified as the sole or even most important author of the document. It was thought to be the creation of the Continental Congress and it symbolized the collective sentiments of the people of the United States.

It was only in the 1790s when Thomas Jefferson became the leader of a new political party, the Democratic Republicans, that the Declaration of Independence was revived. His political opponents, the Federalists, deliberately refused to read the Declaration of Independence at Fourth of July celebrations because they didn't like the radical implications of it—the idea that all men are created equal, the idea that we should all pursue happiness.

The Declaration of Independence is a fantastic way to understand American history because many protest groups throughout American history model their own protests on the Declaration. Frederick Douglass talks about: Why do black slaves celebrate the Fourth of July? Why do black slaves not want to celebrate it? Why are they left out of the Declaration? Women write the Seneca Falls Declaration. They rewrite the Declaration in terms of men and women. Various labor groups throughout American history write their own declarations of independence, saying why they feel oppressed or excluded or marginalized or not equal. I think it's the power of the ideals that have persisted throughout history.

But the specific provisions are very much rooted in the historical events that lead up to 1776. Depending on your audience, you could either understand it primarily as a basis for change, radical change, in various times and places. Or you could understand it as a specific historical document that was written in response to specific historical problems.

Midnight Ride of Paul Revere: Fact, Fiction, and Artistic License

Teaser

Did Revere's ride really look like that? Use historical documents to analyze flights of artistic fancy.

lesson_image
Description

Students assess a famous artistic depiction of Paul Revere's ride, based on historical documents.

Article Body

This lesson asks students to use primary source evidence to assess Grant Wood’s famous 1931 painting, The Midnight Ride of Paul Revere. Students must also determine the event's historical significance. This lesson offers a wealth of resources for analyzing artwork as historical evidence and provides a nice example for using artwork along with written documents to learn about the past.

The lesson opens up by asking students to note their initial impressions of Wood's painting. Additional resources are included to help students analyze the painting.

Following the opening activity, students read a series of primary accounts of the event from the British perspective and the colonial perspective. Teachers should consider the lesson plan’s suggestion to jigsaw this activity since the documents range in length and difficulty.

The lesson concludes with multiple assessment options including analyzing the poem "Paul Revere's Ride" by Henry Wordsworth Longfellow, using evidence to distinguish between fact and fiction, and writing a short story. Teachers could also easily create a document-based question assignment to assess students' historical understanding.

Topic
Paul Revere’s Midnight Ride and Analyzing Paintings
Time Estimate
1-3 days
flexibility_scale
4
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes
A wealth of background information is included about Revere's ride as well as relevant poetry and artwork.

Rubric_Content_Read_Write

Yes
Students are asked to read primary and secondary sources and write from the perspective of the historical actors.

Rubric_Analytical_Construct_Interpretations

Yes
Students analyze artistic interpretations of the past and construct historical interpretations of the past.

Rubric_Analytical_Close_Reading_Sourcing

Yes
Students are asked to consider the author’s perspective as they read and analyze primary sources.

Rubric_Scaffolding_Appropriate

Yes

Rubric_Scaffolding_Supports_Historical_Thinking

Yes
Includes guiding questions that scaffold thinking. However primary documents may need further editing and preparation depending on students' reading levels.

Rubric_Structure_Assessment

Yes
Multiple assessment options

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes

The Boston Massacre: Fact, Fiction, or Bad Memory

Teaser

Help students think about where evidence for history comes from.

lesson_image
Description

Students attempt to assign responsibility for the Boston Massacre through careful reading of primary and secondary sources and consideration of such issues as who produced the evidence, when it was produced and why was it produced.

Article Body

With iconic historical events such as the Boston Massacre it can be difficult to separate historical fact from myth. This lesson acquaints students with some of the subtleties of constructing historical accounts. It allows them to see firsthand the role of point of view, motive for writing, and historical context in doing history. The lesson opens with an anticipatory activity that helps illustrate to students how unreliable memory can be, and how accounts of the past change over time. Students then analyze a set of three different accounts of the Boston Massacre: a first-hand recollection recorded 64 years after the fact, an account written by an historian in 1877, and an engraving made by Paul Revere shortly after the event. We especially like the fact that with the first document, the teacher models the cognitive process of analyzing the source information by engaging in a “think aloud” with the document. This provides a great opportunity to uncover for students the kinds of thoughts and questions with which an historian approaches an historical source. The primary source reading is challenging, and students will likely require significant additional scaffolding to understand the meaning of the texts. Teachers may want to consider pre-teaching some of the difficult vocabulary, excerpting or modifying the text, or perhaps reading the text dramatically together as a whole class.

Topic
Revolutionary War; Boston Massacre
Time Estimate
1 class period
flexibility_scale
4
thumbnail
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes
The image linked in the “materials” section offers valuable supplemental information for teachers. But minimal background information is provided for students.

Rubric_Content_Read_Write

Yes
Teachers will have to plan carefully to help students read the challenging texts. In addition, teachers may want to augment the writing portion of the lesson; the extension activity provides a great opportunity for this.

Rubric_Analytical_Construct_Interpretations

Yes
Teacher models a “think aloud” with the first document. Students replicate the process first in groups, and then individually.

Rubric_Analytical_Close_Reading_Sourcing

Yes
Identifying and evaluating source information is a key element of this lesson.

Rubric_Scaffolding_Appropriate

Yes
While appropriate for elementary school students, it could easily be adapted for middle school.

Rubric_Scaffolding_Supports_Historical_Thinking

No
Very limited vocabulary support is provided. Teachers will have to read aloud or otherwise provide additional scaffolding to assist students in understanding the documents.

Rubric_Structure_Assessment

Yes
The assessment activity provided is not thorough, and no criteria for evaluation are provided. However the extension activity provides a splendid opportunity for teachers to assess how well students have acquired the skills taught in the lesson, as well as an opportunity for students to see that these skills may be used in other situations and contexts.

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes