From the Georgia State University website:

"While participating in our workshop in Atlanta, you will visit the sites where Civil Rights history was made. We have assembled a group of nationally known scholars who will share stories of the Civil Rights movement that reshaped the city, the region, and the nation. You will learn how to use Atlanta's historic sites to bring the Civil Rights Movement alive to your students.

"It was here in Atlanta in 1895 that Booker T. Washington delivered his 'Atlanta Compromise' address at the Cotton States and International Exposition. Eight years later in The Souls of Black Folk, Atlanta University professor W. E. B. DuBois predicted that the 'problem of the Twentieth Century [would be] the problem of the color line.' When Martin Luther King, Jr. was born on Auburn Avenue, a racial divide relegated African Americans to a second class status. Dr. King grew up to challenge the color line and make Atlanta the capital of a Civil Rights Movement that ended legalized segregation in America.

"Workshop field trips will take you to Piedmont Park where Booker T. Washington delivered his 'Atlanta Compromise' address and to Atlanta University where W. E. B. DuBois penned The Souls of Black Folk. Workshop scholars will lead you in the footsteps of Dr. King as he played in his childhood home, attended Morehouse College, pastored Ebenezer Baptist Church, and now is buried on Auburn Avenue with his wife Coretta.

"The historic landmarks that you will visit reveal the history of a segregated society and the struggle to dismantle it. The gold-domed Capitol building is where Jim Crow laws were passed and where African Americans protested their passage. The Fox Theater bears the imprint of the color line, with separate entrances, seating, and rest rooms for black and white theater goers. The downtown Rich's Department Store and City Hall are facilities, once segregated, which still carry the imprints of their Civil Rights battles. The roots of resistance to the color line began on Auburn Avenue, the historic heart of the African American business, civic, and religious communities, and on the Atlanta University Center campuses where students organized sit-ins and demonstrations in the 1960s. Atlanta has memorialized these events at the sites where Civil Rights history was made."

From the Georgia State University website:

"While participating in our workshop in Atlanta, you will visit the sites where Civil Rights history was made. We have assembled a group of nationally known scholars who will share stories of the Civil Rights movement that reshaped the city, the region, and the nation. You will learn how to use Atlanta's historic sites to bring the Civil Rights Movement alive to your students.

"It was here in Atlanta in 1895 that Booker T. Washington delivered his 'Atlanta Compromise' address at the Cotton States and International Exposition. Eight years later in The Souls of Black Folk, Atlanta University professor W. E. B. DuBois predicted that the 'problem of the Twentieth Century [would be] the problem of the color line.' When Martin Luther King, Jr. was born on Auburn Avenue, a racial divide relegated African Americans to a second class status. Dr. King grew up to challenge the color line and make Atlanta the capital of a Civil Rights Movement that ended legalized segregation in America.

"Workshop field trips will take you to Piedmont Park where Booker T. Washington delivered his 'Atlanta Compromise' address and to Atlanta University where W. E. B. DuBois penned The Souls of Black Folk. Workshop scholars will lead you in the footsteps of Dr. King as he played in his childhood home, attended Morehouse College, pastored Ebenezer Baptist Church, and now is buried on Auburn Avenue with his wife Coretta.

"The historic landmarks that you will visit reveal the history of a segregated society and the struggle to dismantle it. The gold-domed Capitol building is where Jim Crow laws were passed and where African Americans protested their passage. The Fox Theater bears the imprint of the color line, with separate entrances, seating, and rest rooms for black and white theater goers. The downtown Rich's Department Store and City Hall are facilities, once segregated, which still carry the imprints of their Civil Rights battles. The roots of resistance to the color line began on Auburn Avenue, the historic heart of the African American business, civic, and religious communities, and on the Atlanta University Center campuses where students organized sit-ins and demonstrations in the 1960s. Atlanta has memorialized these events at the sites where Civil Rights history was made."

From the Molly Brown House Museum website:

"You've probably heard many tall tales of western women: a sharp shooter splitting a hair with her rifle, an old woman freezing in a mine and a rags-to-riches red head who couldn’t read or write. These iconic figures—Annie Oakley, Baby Doe Tabor and Molly Brown—have long dominated our perception of women's experiences in the West. During the summer of 2010, the Molly Brown House Museum will conduct . . . [a] workshop designed to explore the difference between life and legend in western women's biographies by visiting the real life places where these women lived, studying archival materials and learning from scholars in the field. Throughout the experience you will also explore how to use this information with your students."

From the Molly Brown House Museum website:

"You've probably heard many tall tales of western women: a sharp shooter splitting a hair with her rifle, an old woman freezing in a mine and a rags-to-riches red head who couldn’t read or write. These iconic figures—Annie Oakley, Baby Doe Tabor and Molly Brown—have long dominated our perception of women's experiences in the West. During the summer of 2010, the Molly Brown House Museum will conduct . . . [a] workshop designed to explore the difference between life and legend in western women's biographies by visiting the real life places where these women lived, studying archival materials and learning from scholars in the field. Throughout the experience you will also explore how to use this information with your students."

From the Florida Humanities Council website:

"Daily life in Eatonville was recounted in Hurston's first fieldwork as an anthropologist. Her best known folklore collection, Mules and Men (1935), included black music, games, oral lore, and religious practices reflective of her early life growing up in Eatonville. Hurston's ethnographic study of her racial heritage influenced several Harlem Renaissance writers, and later such contemporary authors as Alice Walker and Toni Morrison.

"Eatonville provides a fascinating vantage point for examining black life and social structures in the South after the Civil War. To paraphrase Hurston, how did these self-governed Negro towns differ from the 'black back-side of some white-folks' town?' Is it merely coincidental that this historic town brought forth one of America's most fascinating and provocative writers, a writer who provides us with a new perspective on race?

"These weeklong seminars will bring together a distinguished team of humanities scholars who will provide an interdisciplinary exploration of Hurston's life and work. They include a literary scholar who has written extensively on Hurston; a folklorist who wrote the application that placed Eatonville on the Historic Register; a Hurston biographer; the director of the American Folk Life Center at the Library of Congress, where most of Hurston's folklife collection resides; and a colleague of Hurston's in the Works Progress Administration (WPA). Participants will examine Hurston's accomplishments within the context of the historical and cultural development of the Eatonville community. They will grapple with compelling questions about how this unique black enclave fueled Hurston's appreciation of folk culture, inspired her literary works, created her racial identity, and formed her sometimes controversial views on race."

From the Florida Humanities Council website:

"Daily life in Eatonville was recounted in Hurston's first fieldwork as an anthropologist. Her best known folklore collection, Mules and Men (1935), included black music, games, oral lore, and religious practices reflective of her early life growing up in Eatonville. Hurston's ethnographic study of her racial heritage influenced several Harlem Renaissance writers, and later such contemporary authors as Alice Walker and Toni Morrison.

"Eatonville provides a fascinating vantage point for examining black life and social structures in the South after the Civil War. To paraphrase Hurston, how did these self-governed Negro towns differ from the 'black back-side of some white-folks' town?' Is it merely coincidental that this historic town brought forth one of America's most fascinating and provocative writers, a writer who provides us with a new perspective on race?

"These weeklong seminars will bring together a distinguished team of humanities scholars who will provide an interdisciplinary exploration of Hurston's life and work. They include a literary scholar who has written extensively on Hurston; a folklorist who wrote the application that placed Eatonville on the Historic Register; a Hurston biographer; the director of the American Folk Life Center at the Library of Congress, where most of Hurston's folklife collection resides; and a colleague of Hurston's in the Works Progress Administration (WPA). Participants will examine Hurston's accomplishments within the context of the historical and cultural development of the Eatonville community. They will grapple with compelling questions about how this unique black enclave fueled Hurston's appreciation of folk culture, inspired her literary works, created her racial identity, and formed her sometimes controversial views on race."

From the Tsongas Industrial History Center website:

"The Inventing America Workshop combines scholarly presentations with on-site investigations of the canals, mills, worker housing, and exhibits of Lowell National Historical Park and of other sites in Lowell's historic district.

"Sessions draw on scholarly monographs, primary sources (such as 'mill girl' letters), and works of literature and historical fiction. We intersperse hands-on activities with lecture-discussions and field investigations.

"In addition to Lowell's landmark resources, we take full advantage of Old Sturbridge Village exhibits and scholars to explore pre-industrial rural life and draw on the expertise of scholars and presenters at Walden Pond and Minute Man National Historical Park in Concord, Massachusetts, to explore how prominent authors addressed the question of industrialization's effect on American life, values, and the environment.

Hands-on activities deepen participants' understanding by engaging them in simulations where they weave cloth, build water-powered mill systems, and work on assembly lines. Participants even cook a meal over fireplaces at Old Sturbridge Village and discuss farm vs. factory life after a boardinghouse dinner at the Boott Cotton Mills."

From the Tsongas Industrial History Center website:

"The Inventing America Workshop combines scholarly presentations with on-site investigations of the canals, mills, worker housing, and exhibits of Lowell National Historical Park and of other sites in Lowell's historic district.

"Sessions draw on scholarly monographs, primary sources (such as 'mill girl' letters), and works of literature and historical fiction. We intersperse hands-on activities with lecture-discussions and field investigations.

"In addition to Lowell's landmark resources, we take full advantage of Old Sturbridge Village exhibits and scholars to explore pre-industrial rural life and draw on the expertise of scholars and presenters at Walden Pond and Minute Man National Historical Park in Concord, Massachusetts, to explore how prominent authors addressed the question of industrialization's effect on American life, values, and the environment.

Hands-on activities deepen participants' understanding by engaging them in simulations where they weave cloth, build water-powered mill systems, and work on assembly lines. Participants even cook a meal over fireplaces at Old Sturbridge Village and discuss farm vs. factory life after a boardinghouse dinner at the Boott Cotton Mills."

From the National Gallery of Art website:

"This seminar will explore American art of the eighteenth and nineteenth centuries, emphasizing the country's rich and diverse visual heritage. Instruction will focus on the Gallery's collection of American paintings, which are closely allied to European traditions of fine art.

Through lectures, gallery talks, discussion groups, and hands-on activities, participants will study portraiture, historical and commemorative art, scenes of everyday life, still life, and landscape, including works from the uniquely American Hudson River school. John Singleton Copley, Benjamin West, Thomas Cole, George Catlin, Winslow Homer, and Augustus Saint-Gaudens are among the artists in the Gallery's collection whose work will be considered.

Supplementing the study of American paintings will be an examination of ceremonial and utilitarian art objects. Textiles, pottery, and furniture—including pieces created by enslaved and free blacks—will highlight regional preferences in design and material, while performance of Native American stories will emphasize the importance of the oral tradition across tribal boundaries.

The seminar highlights the social and cultural context of art and demonstrates interdisciplinary teaching strategies. Participants will explore connections to literature and music and visit other local cultural institutions. Activities are designed to meet teachers' personal and professional enrichment needs."

From the National Gallery of Art website:

"This seminar will explore American art of the eighteenth and nineteenth centuries, emphasizing the country's rich and diverse visual heritage. Instruction will focus on the Gallery's collection of American paintings, which are closely allied to European traditions of fine art.

Through lectures, gallery talks, discussion groups, and hands-on activities, participants will study portraiture, historical and commemorative art, scenes of everyday life, still life, and landscape, including works from the uniquely American Hudson River school. John Singleton Copley, Benjamin West, Thomas Cole, George Catlin, Winslow Homer, and Augustus Saint-Gaudens are among the artists in the Gallery's collection whose work will be considered.

Supplementing the study of American paintings will be an examination of ceremonial and utilitarian art objects. Textiles, pottery, and furniture—including pieces created by enslaved and free blacks—will highlight regional preferences in design and material, while performance of Native American stories will emphasize the importance of the oral tradition across tribal boundaries.

The seminar highlights the social and cultural context of art and demonstrates interdisciplinary teaching strategies. Participants will explore connections to literature and music and visit other local cultural institutions. Activities are designed to meet teachers' personal and professional enrichment needs."