From the Facing History and Ourselves website:

"Join us as we explore the history of voting in the United States with a special emphasis on the gains and struggles during the civil rights movement. We will showcase Facing History resources that examine the Voting Rights Act of 1965, the Selma March, voter registration drives, the role of nonviolent protest and more. We will also investigate the impact of youth in the movement and their role in politics then and now."

From the National Humanities Center website:

"'A growing number of historians now look at the Civil Rights Movement not just as something that happened in the 1960s, but as a historical process that spanned decades beginning in the World War II years or even earlier. While the African American freedom struggle is most remembered for its stirring sit-ins and other dramatic clashes to dismantle segregation in public accommodations and to win the vote, it has long had a strong economic and political focus, too. Among the topics the workshop will tackle are how and when the movement began; what demands it placed before the nation; the organizations that came into being and their strategies; how the movement changed between the 1930s and 1970s; and how the movement changed America."

From the National Humanities Center website:

"The Civil War destroyed the institution of slavery and transformed the United States socially, politically, economically, and artistically. Not only did the subject inspire some of the nation's best painters, sculptors, photographers, and illustrators, it also changed the face of town and countryside as monuments to soldiers and statesmen of the Civil War era spread across the landscape. This workshop will pay close attention not only to the imagery of battle but also to the social and political issues which shaped the image of the war and which in many respects continue to shape us today. How did artists come to grips with the new realities of warfare and the unprecedented scale of death it caused? How did the new media of that era (especially photography) change the way that war was represented and understood? What insights did artists offer into the social and political changes happening both on the homefront and battlefront? Did the memorialization of the war in public art create new understandings of the conflict or perpetuate old myths?"

From the Center for Interactive Learning and Collaboration website:

"Learn about key American photographers and photographic processes and styles, as well as how photography from 1839 to the present day relates to American history. Receive digital images, image guides, and other materials to make connections between photography's history and levels of language arts, science, social studies, and visual art."

Program provided by the Amon Carter Museum.

From the Newberry Library website:

"This course approaches poetry as a force that shapes ideas of citizenship and cultural identity. We will examine the form and content of familiar and less familiar poems from the period of the American Revolution to the present, including works by Longfellow, Whitman, William Carlos Williams, Allen Ginsberg, Adrienne Rich, and Joy Harjo."

From the Newberry Library website:

"This course will explore the social history of Chicago in the years between the Great Fire of 1871 and the modern Civil Rights Movement. Our core texts will be works of historical fiction, including selections from Theodore Dreiser's Sister Carrie, Upton Sinclair's The Jungle, and Richard Wright's Native Son. Using these as windows into the city's vibrant past, we will investigate the changing texture of everyday life amidst vast social, political, and economic change."

From Bombingham to Selma, Montgomery to Tuskegee, Alabama's people and places left an indelible mark on the world in the 1950s and 1960s. From Booker T. Washington and George Washington Carver to the Rev. Fred L. Shuttlesworth, Alabama citizens have been at the forefront of the crusade to improve African Americans' lot in life in the United States. Selma's citizens began a march in 1965 to protest the killing of one man. This day became known as Bloody Sunday. Now the citizens of Selma have created a people's museum so the world will not forget those tumultuous days and will remember the people's stories. Teachers in this workshop work with noted scholars, converse with living legends, participate in discussion groups, meet foot soldiers of the movement, and travel to key sites of memory dedicated to the preservation of the history of the modern Civil Rights Movement.