The Alden B. Dow Home & Studio and the Alden B. Dow Archives consist of the residence and working area of Alden B. Dow (1904-1983), famed architect. Born into the Dow Chemical founding family, Alden B. Dow created his own unique architectural aesthetic after apprenticing with Frank Lloyd Wright. In his home, the use of planes and angles, rich colors, glass, wood, and his unit block system all assist in synthesizing the interior and outdoor experiences. The structure was initiated in 1934. The archives contain project files, correspondence, 22,000 project drawings, films, lectures, oral histories, sketches, architectural texts, and inspirational objects.

The site offers guided tours, educational tours, custom educational guided tours, fourth grade and high school educational programs, and public access archives.

Fort Ligonier is an on-site reconstruction of an early U.S. fort, which stood between 1758 and 1766. The fort withstood the years of the French and Indian War (1754-1763) and Pontiac's War (instigated 1763). In addition to the fort itself and numerous outlying structures, the site displays reconstructions of mid-1700s "Conestoga" wagons. No Conestoga wagons survive to this day. The replica wagons are based on historical accounts and archaeological evidence. A museum serves as the entry point to the fort. Collection highlights include pistols given to George Washington by the Marquis de Lafayette, 13 original French and Indian War era paintings, and a period room with 18th and early 19th-century furnishings.

The fort offers exhibits, an 8-minute introductory video, a gallery, a period room, living history activities, reenactments, guided tours, and a picnic area. Reservations are required for tours.

The Nichols House Museum presents life in Boston's Historic Beacon Hill circa 1900 via the 1804 Federal style townhouse of Rose Standish Nichols. Collections include portraiture, 17th through 19th century wooden furniture, art from Europe and Asia, oriental rugs, Flemish tapestries, and works by renowned 19th-century sculptor Augustus Saint-Gaudens (1848-1907). Ms. Nichols herself, born in 1872, is also of note. As an unmarried and self-supporting landscape gardener and an accomplished woodworker, she was a life-long proponent of women's rights.

The museum offers period rooms.

The Sandy Spring Slavery Museum and African Art Gallery promotes cross-cultural communication, and presents the history of African Americans—from their ancestral ways of life in Africa, their cross-Atlantic voyages, and the Underground Railroad to the Civil Rights Movement and their accomplishments in the United States. Collections include a cross-section of a slaving clipper ship, textiles, instruments, furniture, and a cabin which depicts the living conditions of African Americans circa 1850 to 1870.

The museum offers exhibits and 90-minute tours. At least one week advance notice is required for admission.

The Falmouth Historical Society operates a selection of museums, which preserve and share the history of Falmouth, Massachusetts. Two 18th–century houses display fine art, furniture, and other decorative arts; while exhibits discuss pre–Civil War medical practice, the 1800's whaling industry, and the life of Katharine Lee Bates (1859–1929), author of "America, the Beautiful." The area surrounding the structures contains three gardens—one a Colonial–style flower garden—and a green which has been used for Colonial militia practice.

The society offers period rooms; exhibits; guided walking tours; trolley tours on maritime life and agricultural life; hands-on children's activities; and archives, including maritime log books.

The American Jazz Museum showcases the sights and sounds of a uniquely American art form through interactive exhibits and films; the Changing Gallery; the Blue Room jazz club; and the Gem Theater, a 500-seat performing arts center. The collections include artifacts related to jazz greats Louis Armstrong, Duke Ellington, Ella Fitzgerald, and Charlie Parker, as well as over 100 recordings. Other highlights include the Charlie Parker Memorial and a major collection of more than 5,000 jazz films.

The museum offers exhibits, films, performances, educational programming, and 16 interactive listening and mixing stations.

Coronado State Monument where Francisco Vásquez de Coronado—with 300 soldiers and 800 Indian allies from New Spain—entered the valley while looking for the fabled Seven Cities of Gold. Instead he found villages inhabited by prosperous native people. Coronado's party camped near the Tiwa pueblo of Kuaua, one of the many villages encountered by the explorers. Kuaua, a Tiwa word for "evergreen," was first settled around AD 1300 by American Indians who had long known about the fertile land near the Rio Grand. Kuaua is an earthen pueblo excavated in the 1930s by WPA workers, who also reconstructed new ruin walls over the reburied original ruins. A square kiva, excavated in the south plaza of the community, contained many layers of mural paintings. These murals represent some of the finest examples of Pre-Columbian mural art in the United States. Both the kiva and one of the mural layers are reconstructed and open to visitors, while several of the preserved mural segments are open to viewing in the mural room of the visitor center. The visitor center, designed by noted architect John Gaw Meem, also contains prehistoric and historic Indian and Spanish colonial artifacts on exhibit with several hands-on components.

A second website, maintained by the Friends of Coronado, can be found here.

The site offers a short film, exhibits, lectures, workshops, and occasional recreational and educational events.

Hillwood Estate, Museum & Gardens consists of a historic home and surrounding gardens. The Georgian mansion was originally designed in 1926; and was purchased by Marjorie Merriweather Post, heir to the Post cereal fortune, in 1955. The extensive gardens reflect a variety of influences and include a Japanese garden, one of the last remaining examples of the type of oriental gardens influenced by the reintroduction of the Japanese culture to America during the 1950s. Today the estate has one of the most comprehensive collections of eighteenth and nineteenth-century Russian Imperial art outside of Russia, as well as an extensive collection of eighteenth-century French decorative arts. Highlights include a diamond crown worn by Empress Alexandra at her marriage to Nicholas II; Beauvais tapestries designed by François Boucher; two Imperial Easter eggs by Carl Fabergé; La Nuit by William-Adolphe Bouguereau; and a collection of costumes and accessories worn by Mrs. Post or her family. Many artifacts can be viewed in the mansion.

The estate offers an introductory film; period rooms; exhibits; Acoustiguide tours for the home, gardens, Russian collection, and French collection, as well as a tour designed for children; guided tours of the mansion and gardens; self-guided written tours; custom tours; sign language, oral, or cued speech interpreters—with advance notice; Braille information guides; a resource area; and a non-circulating art research library. The website offers digital access to the collections.

Agecroft Hall is a Tudor–style mansion built in Lancashire, England in the late 15th century. The mansion was relocated to Virginia circa 1925. The structure is furnished with authentic artifacts dating from 1485 to 1660, including a rare 17th–century painted wood bedstead. The site also includes a garden based on period (late Tudor and Stuart) English gardens.

The hall offers period rooms and several educational programs designed to meet state education standards.