Picturing John James Audubon
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No details available.
Participants in this institute will interact with scientists studying Maine's unique environment; explore the wide range of National Park Service resources available to teachers; visit an offshore island and learn how early artists, Native Americans, and coastal environments can intersect in your classroom; and develop multidisciplinary activities to take back to their classrooms.
From the Primary Source website:
"How can American art be used to deepen your students' understanding of democracy in American life? Bringing together educators from across the country in conjunction with the NEH Picturing America program, Democratic Vistas will show you new ways to incorporate important works of visual art in the core humanities curriculum. Day One of the institute explores democratic values and aesthetics as a theme in American art; Day Two highlights the "art of the people" - folk and traditional art, as an expression of American creativity. The course takes advantage of Boston's unique artistic and historical resources with a downtown walking tour of civic monuments, a museum field trip (Boston's Museum of Fine Arts) and presentations by leading scholars in the field.
Following the course, participants must complete a lesson plan or school project highlighting one of the works in the Picturing America collection."
From the National Council for the Social Studies website.
"This three-day workshop will provide a varied program of lectures, demonstrations, collaborative work, and analysis of documents and works of art—introducing teachers to the holdings of the National Archives and the Smithsonian American Art Museum in Washington, DC. Workshop attendees will participate in and develop classroom activities that utilize both visual images and primary source documents as teaching tools in ways that sharpen students' skills and enthusiasm for history, social studies, and the humanities. This year's content focus will be on Immigration."
Participants will engage in a week of creating art and learning new teaching strategies for bringing enriching art experiences into the classroom. Using the uniquely beautiful photographs of Ansel Adams as a jumping off point, participants will use a combination of art techniques, poetry, and music to explore a sense of place through the lens of art, history, and culture. Artist studio visits and special events further enhance this learning experience.
This weeklong seminar will bring together a distinguished team of humanities scholars who will provide an interdisciplinary exploration of Zora Neale Hurston's life and work. Participants will examine Hurston's accomplishments within the context of the historical and cultural development of the Eatonville community. They will grapple with compelling questions about how this unique black enclave fueled Hurston's appreciation of folk culture, inspired her literary works, created her racial identity, and formed her sometimes controversial views on race.
This institute explores the primary pictorial forms in American art from the British colonial settlement to the aftermath of the Civil War. The three units—portraiture, history painting, and landscape—will include a particular focus on works drawn from the National Endowment for the Humanities' new initiative "Picturing America." This NEH poster series, which has already been distributed to thousands of schools, captures 40 canonical works of American art that reflect the artistic and cultural history of the United States. Through the institute, participants will come to a deeper understanding of these works in their historical contexts and explore different methods of visual analysis. They will develop strategies and tools to use the "Picturing America" series in their classrooms.
In this Face-to-face Talk, Ann Shumard of the National Portrait Gallery details the life of Samuel Morse (17911872), including his early interest in portraiture and art, his career as an inventor and his work on the telegraph, and his support of Louis Daguerre's daguerreotype.
This lecture is a repeat of node identification number 21992.
The Civil War in Art: Teaching and Learning Through Chicago Collections includes two useful analysis guides: one for art and one for primary sources. The art analysis guide—developed for the TERRA Foundation for American Art—includes questions that can help students learn to use both aesthetic analysis and historical context to interpret art.
The one-page primary source analysis worksheet, uses the acronym ICE AGE to prompt analysis activities. Students Identify, Contextualize, Explore, Analyze, consider Gaps, and Evaluate. Each of these activities includes questions to guide students through interpreting textual and visual historical evidence. Like the TERRA art guide, ICE AGE asks students to inform their understanding of a primary source by considering its creator, historic context, and relationship to other pieces of evidence.