This one-week workshop provides teachers with fresh perspectives on the complex dynamics of the American Revolution in the Southern backcountry, a place where longstanding hostilities between American settlers erupted into a full-scale civil war between Loyalists and Patriots. This program will make use of the rich historical resources in upstate South Carolina. Participants will visit Walnut Grove Plantation and the living history museum at Historic Brattonsville in order to better understand day-to-day life in the backcountry at the time of the Revolution. Then they will tour the battlefields at Kings Mountain, Cowpens, and Ninety-Six to learn more about the nature of backcountry warfare. They will also explore the ways that art, archaeological evidence, and material culture can help increase student engagement with the subject matter. They will examine the war's impact on the region's white women and on its free and enslaved African Americans. A veteran history teacher will serve as master teacher for the workshop, advising participants on ways they can use the content and resources they gain at the workshop in their own classrooms.

This one-week workshop provides teachers with fresh perspectives on the complex dynamics of the American Revolution in the Southern backcountry, a place where longstanding hostilities between American settlers erupted into a full-scale civil war between Loyalists and Patriots. This program will make use of the rich historical resources in upstate South Carolina. Participants will visit Walnut Grove Plantation and the living history museum at Historic Brattonsville in order to better understand day-to-day life in the backcountry at the time of the Revolution. Then they will tour the battlefields at Kings Mountain, Cowpens, and Ninety-Six to learn more about the nature of backcountry warfare. They will also explore the ways that art, archaeological evidence, and material culture can help increase student engagement with the subject matter. They will examine the war's impact on the region's white women and on its free and enslaved African Americans. A veteran history teacher will serve as master teacher for the workshop, advising participants on ways they can use the content and resources they gain at the workshop in their own classrooms.

In this institute, educators will join colleagues from across the country for a unique opportunity to collaborate with art experts and leading technology professionals. Through gallery talks, lectures, discussion groups, and hands-on activities, they will study the social context of American art. As part of an interdisciplinary team, they will share models for integrating art across the curriculum using technology, such as podcasting and blogs.

The institute is open to educator teams of two to three members, each representing a different subject area (i.e., language arts, social studies, science, math, etc.), from the same school or district. Each team member must be a full-time educator working in grades 4–12 in a public, private, or parochial school.

Participants in this workshop will travel throughout the Delta as they visit sites where significant events occurred. They will discuss and learn about issues involving civil rights and political leadership, immigrants' experiences in the Delta, the Blues, the great migration, agriculture, and the Mississippi River, among other things. They will sample Delta foods, visit local museums, and listen to the Blues. Field trips will roam as far as Greenville, Greenwood, and Memphis, with stops in between.

This 3-week seminar led by James Akerman (The Newberry Library) and Gerald Danzer (Emeritus, The University of Illinois at Chicago) is designed to develop cartographic literacy and encourage effective use of map documents in the classroom through study in the history of cartography. A program of seminars based on recent scholarship in the history of cartography and guided individual research will allow teachers to explore the relevance of map study to their own interests and curricular needs. Workshops will serve as forums for refining and applying the skills necessary to read maps as products of science, artistic creations, storytellers, wayfinding tools, and expressions of power; and as representations of worldviews and local landscapes.

From the Continuing Education Options website:

"The Twin Cities is blessed by having various outstanding organizations and institutions willing to share their facilities, information and talents with the community. While participating in this class you will visit a number of organizations throughout the area and have an opportunity to meet with education directors and be given extensive tours of their facilities. You will visit The Hubbard Broadcasting Company (KSTP TV and radio) and the Star Tribune. You will tour the various facilities of MNDOT and see the communication and technology systems that are involved in monitoring and maintaining our roadways. On the U of M campus you will tour the Bell Museum of Natural History where children and adults can explore wolves, loons, moose and other Minnesota wildlife. We will also visit the Weisman Art Institute. In St. Paul you will be given a tour of the State Capitol and see government come alive. Finally, the past will be tied with the present when you visit historic Fort Snelling, which was once a symbol of American ambition in the wilderness."

From the Primary Source website:

"How can American art be used to deepen your students' understanding of democracy in American life? Bringing together educators from across the country in conjunction with the NEH Picturing America program, Democratic Vistas will show you new ways to incorporate important works of visual art in the core humanities curriculum. Day One of the institute explores democratic values and aesthetics as a theme in American art; Day Two highlights the "art of the people" - folk and traditional art, as an expression of American creativity. The course takes advantage of Boston's unique artistic and historical resources with a downtown walking tour of civic monuments, a museum field trip (Boston's Museum of Fine Arts) and presentations by leading scholars in the field.

Following the course, participants must complete a lesson plan or school project highlighting one of the works in the Picturing America collection."

The Archives of American Art, National Portrait Gallery, and Smithsonian American Art Museum have collaborated to create a series of teaching posters on themes such as Westward Expansion and the Harlem Renaissance. Attendees at this workshop will receive a set of the posters and explore ways to use the images, documents, and activities in the classroom.

This four-week institute will use Winslow Homer's paintings as the point of departure for a voyage of discovery about maritime history in the 19th and early 20th centuries. The goal is not only to understand the period historically and culturally, but also to explore multiple source materials for discovering the past, including works of art and literature, objects, landscapes, the built environment, descendant communities and a range of historical documents in order to synthesize these various perspectives. Participants will develop cross-disciplinary lessons and teaching materials for classrooms.

In this institute, educators will join colleagues from across the country for a unique opportunity to collaborate with art experts and leading technology professionals. Through gallery talks, lectures, discussion groups, and hands-on activities, they will study the social context of American art. As part of an interdisciplinary team, they will share models for integrating art across the curriculum using technology, such as podcasting and blogs.

The institute is open to educator teams of two to three members, each representing a different subject area (i.e., language arts, social studies, science, math, etc.), from the same school or district. Each team member must be a full-time educator working in grades 4–12 in a public, private, or parochial school.