Partisans and Redcoats: The American Revolution in the Southern Backcountry

Description

This one-week workshop provides teachers with fresh perspectives on the complex dynamics of the American Revolution in the Southern backcountry, a place where longstanding hostilities between American settlers erupted into a full-scale civil war between Loyalists and Patriots. This program will make use of the rich historical resources in upstate South Carolina. Participants will visit Walnut Grove Plantation and the living history museum at Historic Brattonsville in order to better understand day-to-day life in the backcountry at the time of the Revolution. Then they will tour the battlefields at Kings Mountain, Cowpens, and Ninety-Six to learn more about the nature of backcountry warfare. They will also explore the ways that art, archaeological evidence, and material culture can help increase student engagement with the subject matter. They will examine the war's impact on the region's white women and on its free and enslaved African Americans. A veteran history teacher will serve as master teacher for the workshop, advising participants on ways they can use the content and resources they gain at the workshop in their own classrooms.

Contact name
Walker, Melissa; Woodfin, Edward
Contact email
Registration Deadline
Sponsoring Organization
Converse College
Phone number
864-596-9104
Target Audience
K-12
Start Date
Cost
Free; $750 stipend
Duration
Six days
End Date

Partisans and Redcoats: The American Revolution in the Southern Backcountry

Description

This one-week workshop provides teachers with fresh perspectives on the complex dynamics of the American Revolution in the Southern backcountry, a place where longstanding hostilities between American settlers erupted into a full-scale civil war between Loyalists and Patriots. This program will make use of the rich historical resources in upstate South Carolina. Participants will visit Walnut Grove Plantation and the living history museum at Historic Brattonsville in order to better understand day-to-day life in the backcountry at the time of the Revolution. Then they will tour the battlefields at Kings Mountain, Cowpens, and Ninety-Six to learn more about the nature of backcountry warfare. They will also explore the ways that art, archaeological evidence, and material culture can help increase student engagement with the subject matter. They will examine the war's impact on the region's white women and on its free and enslaved African Americans. A veteran history teacher will serve as master teacher for the workshop, advising participants on ways they can use the content and resources they gain at the workshop in their own classrooms.

Contact name
Walker, Melissa; Woodfin, Edward
Contact email
Registration Deadline
Sponsoring Organization
Converse College
Phone number
864-596-9104
Target Audience
K-12
Start Date
Cost
Free; $750 stipend
Duration
Six days
End Date

Emily Dickinson: Person, Poetry and Place

Description

During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

Contact name
Dickinson, Cindy
Registration Deadline
Sponsoring Organization
Emily Dickinson Museum
Phone number
413-542-8429
Target Audience
K-12
Start Date
Cost
Free; $750 stipend
Course Credit
Participants who complete all workshop sessions will receive a certificate confirming their participation and a detailed description of the Workshop, which will specify the number of contact hours undertaken as well as outline the reading assignments and session topics. Participants may use these documents to apply for Continuing Education Unit credits in their home states.
Contact Title
Project Director for the Landmarks Workshop and Director of Interpretation and Programming
Duration
Six days
End Date

Emily Dickinson: Person, Poetry and Place

Description

During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

Contact name
Dickinson, Cindy
Registration Deadline
Sponsoring Organization
Emily Dickinson Museum
Phone number
413-542-8429
Target Audience
K-12
Start Date
Cost
Free; $750 stipend
Course Credit
Participants who complete all workshop sessions will receive a certificate confirming their participation and a detailed description of the Workshop, which will specify the number of contact hours undertaken as well as outline the reading assignments and session topics. Participants may use these documents to apply for Continuing Education Unit credits in their home states.
Contact Title
Project Director for the Landmarks Workshop and Director of Interpretation and Programming
Duration
Six days
End Date

Women's Suffrage on the Western Frontier

Description

This workshop offers academic content about place-based western history and women's suffrage on the western frontier, juxtaposed with myths of the West and contemporary women's issues in the West. It affords opportunities to engage in study and conversation with leading scholars; an introduction to four forms of primary historical sources—the built environment, artifacts, government records, and private papers—all of which have application in all history classrooms; and networking with other social studies, history, English, and other subject matter teachers, librarians, and media specialists, from grades K–12, representing a variety of states.

Contact name
Bricher-Wade, Sheila
Contact email
Registration Deadline
Sponsoring Organization
American Heritage Center; College of Education, University of Wyoming; Wyoming Humanities Council
Phone number
307-721-9246
Target Audience
K-12
Start Date
Cost
Free; $750 stipend
Duration
Six days
End Date

Women's Suffrage on the Western Frontier

Description

This workshop offers academic content about place-based western history and women's suffrage on the western frontier juxtaposed with myths of the West and contemporary women's issues in the West.

It affords opportunities to engage in study and conversation with leading scholars; an introduction to four forms of primary historical sources—the built environment, artifacts, government records, and private papers—all of which have application in all history classrooms; and networking with other social studies, history, English, and other subject matter teachers, librarians, and media specialists, from grades K–12, representing a variety of states.

Contact name
Bricher-Wade, Sheila
Contact email
Registration Deadline
Sponsoring Organization
American Heritage Center; College of Education, University of Wyoming; Wyoming Humanities Council
Phone number
307-721-9246
Target Audience
K-12
Start Date
Cost
Free; $750 stipend
Duration
Six days
End Date

Families on the Farm

field_image
Question

What was farm life like for a girl in the late 19th and early 20th century? What was life like for the children of Ulysses Grant at Hardscrabble Farm? Where can I find historical information about women and their roles within the community—maintaining communication, family safety, and home and farm while husbands were gone?

Answer

Children today may be struck by ways in which their own lives contrast with those of farm children’s in earlier times. One difference is the extent to which girls and boys, from a very early age, were given hard work that was essential to the running of the farm and to the economic success of the entire family. On the other hand, children today might be surprised by how independently children in times past ranged in work and play, far from immediate adult supervision, protection, and surveillance. This was true, not just on the farm, but in towns and cities as well.

Children’s Lives on the Farm

Farms were—and are—vastly different from one another in very many ways, depending on their size, location, the financial resources of the owners, the ethnic background and education of the families who worked the land, and other factors. So I can only offer a few very tentative places where you might begin your reading.

Farms were—and are—vastly different from one another in very many ways.

Laura Ingalls Wilder’s Little House on the Prairie series, although fictionalized, provides a good idea of her life growing up on a farm in the Midwest in the second half of the 19th century. An interview that a Works Progress Administration writer did in 1938 with Nettie Spencer colorfully describes her pioneer rural childhood in the 1870s in Oregon. The website of Old Sturbridge Village provides a short essay that includes a useful description of how girls’ and boys’ lives were integrated into the work of their families’ farms, including which jobs on the farm girls and boys were typically expected to do. On children’s education in the 19th century, Pat Pflieger’s website on 19th-century American children and what they read offers plenty of primary sources—articles, book selections, children’s scrapbooks, and photos—from the time.

Hardscrabble Farm

Ulysses and Julia Grant received from Julia’s family as a wedding gift an 80-acre plot of land not far from St. Louis. Grant and some of his friends erected a two-story rustic cabin on the land in 1856. When it was finished, he ruefully named it “Hardscrabble,” and the Grants moved in with their children—Fred, who was six years old; Buck, who was four; and Nellie, who was one year old. Grant, along with slaves whom he and Julia owned, attempted to develop the land and also helped manage and work his in-laws’ farm, White Haven, nearby by growing potatoes, wheat, and other vegetables, tending a fruit orchard, and cutting and cording wood.

Grant ruefully named it “Hardscrabble."

The Grants only lived in the Hardscrabble cabin for a short while. When Julia’s mother died and their fourth child, Jesse, was born in 1858, the Grants moved out and took a small house in St. Louis, where Ulysses worked at various jobs. Consequently, the Grants’ children were all really too young during the family’s stay at Hardscrabble to have done many chores.

Farm Women

In 1982, two books were published almost simultaneously that shaped many people’s ideas about 19th-century women on the farm. They were Lillian Schlissel’s Women’s Diaries of the Westward Journey and Joanna Stratton’s Pioneer Women: Voices from the Kansas Frontier. Together, they give the impression that the lives of farm women were ones of extreme hardship, isolation, and degradation. However, Amy Mattson Lauters’ 2009 book, More Than a Farmer’s Wife: Voices of American Farm Women, 1910-1960, tells a different story in which farm women thrived, happily independent of the city, and “saw farming as an opportunity to be full partners with their husbands and considered themselves businesswomen central to the success of their farms.” Lauter considers evidence from interviews, but also from the many journals and magazines that farmers and their wives subscribed to, such as American Agriculturalist, New England Farmer, Southern Cultivator, and The Farmer’s Wife (many issues of these magazines, back into the 19th century, are available online at Google Books). An interesting letter from “A Lady”—clearly a farmer’s wife—was published in The New England Farmer in 1852. She wrote:

But there are those who sincerely believe, that no class of women in this country, do work so hard as the farmer’s wives. That circumstances often require this, it is useless to deny. But that a woman is constantly to work, and have no leisure, because she is a farmer’s wife, I do deny. A man who owns a small farm, is not required to hire much help, so that the labor of his wife is not very great. One who owns a larger one, and is required to hire help “out of doors,” if he manages as he ought, with economy and skill, will also be able to hire all needful assistance “in doors.” Where a man owns a large farm and is still unable to hire all needful help for his wife, we infer that there is an exception, and is not the general rule. Bad management, an avaricious disposition, or anything which tends to increase the burden of the wife, are wrong management somewhere, and this makes not necessarily the result of tilling the soil, but these same habits and traits of character would exhibit themselves in any other situation in life, and of course the result would be the same.

The correspondent had been moved to write her letter after she overheard two women from the city disparage one of their friends for having married a farmer.