This one-week workshop provides teachers with fresh perspectives on the complex dynamics of the American Revolution in the Southern backcountry, a place where longstanding hostilities between American settlers erupted into a full-scale civil war between Loyalists and Patriots. This program will make use of the rich historical resources in upstate South Carolina. Participants will visit Walnut Grove Plantation and the living history museum at Historic Brattonsville in order to better understand day-to-day life in the backcountry at the time of the Revolution. Then they will tour the battlefields at Kings Mountain, Cowpens, and Ninety-Six to learn more about the nature of backcountry warfare. They will also explore the ways that art, archaeological evidence, and material culture can help increase student engagement with the subject matter. They will examine the war's impact on the region's white women and on its free and enslaved African Americans. A veteran history teacher will serve as master teacher for the workshop, advising participants on ways they can use the content and resources they gain at the workshop in their own classrooms.

This one-week workshop provides teachers with fresh perspectives on the complex dynamics of the American Revolution in the Southern backcountry, a place where longstanding hostilities between American settlers erupted into a full-scale civil war between Loyalists and Patriots. This program will make use of the rich historical resources in upstate South Carolina. Participants will visit Walnut Grove Plantation and the living history museum at Historic Brattonsville in order to better understand day-to-day life in the backcountry at the time of the Revolution. Then they will tour the battlefields at Kings Mountain, Cowpens, and Ninety-Six to learn more about the nature of backcountry warfare. They will also explore the ways that art, archaeological evidence, and material culture can help increase student engagement with the subject matter. They will examine the war's impact on the region's white women and on its free and enslaved African Americans. A veteran history teacher will serve as master teacher for the workshop, advising participants on ways they can use the content and resources they gain at the workshop in their own classrooms.

During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

This workshop offers academic content about place-based western history and women's suffrage on the western frontier, juxtaposed with myths of the West and contemporary women's issues in the West. It affords opportunities to engage in study and conversation with leading scholars; an introduction to four forms of primary historical sources—the built environment, artifacts, government records, and private papers—all of which have application in all history classrooms; and networking with other social studies, history, English, and other subject matter teachers, librarians, and media specialists, from grades K–12, representing a variety of states.