Immigration from Asia Post-1970: A Guide for Pre-Service Teachers

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What is it?

Immigration is a hotly contested issue that brings up strong reactions on both sides. Immigrants form communities that are integrated with communities of other immigrants and Americans who were born in the U.S. They live in cities and in rural areas and in all regions of the country. Increasingly they come from all over the world. This guide supports students as they examine sources related to immigration from Asia and look for connections and commonalities between these communities and their own.      

Key points:

  • This activity will take one 90-minute period or two 45-minute periods. It is appropriate for a high school U.S. history or government classroom, but can be modified for a variety of learners.
  • Students will analyze, interpret, and evaluate primary sources. 
  • Students will learn more about the variety of immigrants who have made their home in the United States. 
  • Guiding Question: What can we learn about photographs of immigrant communities from Asia in the U.S.?  

Introduction

Immigration is a commonly taught topic in United States history courses especially in the 19th century through the early 20th century, but there are fewer resources available on immigration from the 1960s to the present day. In addition, the resources that exist mostly focus on immigration from Mexico and Latin America. Immigration from Asia has been a major portion of immigrants to the United States especially since 2000. Immigrants from China, India, the Philippines, Vietnam, Laos, Cambodia, South Korea, Bangladesh among many other nations are not a monolith. Some came under visas designed to attract immigrants for specific professional jobs while others are refugees fleeing civil war or repressive governments. Economic hardship in their home countries was also a “push” factor. These immigrants have settled in many different areas in the United States as well changing communities in a variety of ways as immigrants have always done. This is a nuanced history and in this guide students will examine primary sources consisting of photographs from the communities where immigrants from Asia have settled in the United States. Using close analysis students will find patterns and themes so that they better understand the impact and contributions of this growing segment of immigrants. 

Hook/Bellringer

Post the following question on the board: According to the American Immigration Council there are 44.9 million immigrants (foreign-born individuals) living in the United States, can you guess the top five countries these individuals come from?

This could be set up via a number of online quiz tools like Kahoot or just on the white board with paper obscuring the answers. An unlabeled bar graph indicating the percentages below would work well too. 

Provide students with a “bank” of possible countries. Such as Germany, Italy, Brazil, China, Russia, Mexico, Argentina, Cuba, India, Nigeria, Egypt, Philippines, Australia, El Salvador.  

  1. Mexico (24 percent of immigrants)
  2. India (6 percent)
  3. China (5 percent)
  4. Philippines (4 percent)
  5. El Salvador (3 percent)

Give the students a chance to guess and reveal answers as they are named. If they can not name all of them, give them 5 or so chances, and then reveal the rest of the answers. 

Note that after Mexico the next three countries of origin are Asian countries. It might also be helpful to point these countries out on a map. 

Brief discussion: What about this list surprises you? Are there countries that are higher than you thought? Lower? 

Inform the class that immigration from Asia has been increasing as a percentage of overall immigration to the United States. It wasn’t until the 2000s that more than one Asian country was even a top ten country of origin for immigrants to the U.S. In the next activity they will learn more about how immigration from Asia has changed the United States. 

 

Primary Source Analysis - Community Connections

The primary sources below are all photographs that depict Asian immigrant communities in the United States. They include photos of people engaged in a wide variety of activities including playing cards, selling and buying clothes, getting a haircut, playing chess, buying food, celebrating, socializing. There are also a variety of buildings including markets, restaurants, houses of worship, clothing stores, nail salons, laundromats, pharmacies, hardware stores and more. Together they provide a glimpse into the variety of ways individuals from the largest continent on earth have made their homes in the United States. The goal of engaging with these sources is for students to make connections between the activities that occur in their communities with what they see in these photographs of immigrant communities. 

  1. Make the photos available to students either through links or by printing them out and arranging at different stations in the classroom. 
  2. Have students select three photographs and complete the Primary Source Analysis Tool for each. [A Library of Congress Teacher’s Guide for analyzing photographs can be found here.]  Further tips for examining sources:
    1. Encourage students to slow down and examine the photos carefully
    2. Zoom in on the photos and take note of details. 
    3. What words do they see - either in English or another language?
    4. What products are for sale in the stores?
    5. Are there people in the photos? What do they appear to be doing?
  3. Once they’ve completed their 3 analysis sheets, put them in pairs and small groups. Working together they will come up with connections between the photos and their own communities. Encourage students to think creatively. There might not be a Hindu temple in their community, but what places of worship are there? People might not gather to play cards, but what do they do for leisure and to socialize? Have one student per group compile a list of these Community Connections. 
  4. After working in their groups for 15 minutes, the groups can share out with the class the connections they made. 

 

Primary Sources

 Kim, a Korean immigrant, showing a suit to Michael, Jinny's, Broadway, Gary, IN | Library of Congress | www.loc.gov/item/2022650724/

A woman stands points to one of several suits hanging in front of a closed garaged door.

 

Vietnamese immigrants playing cards outside Tan Phat Noodle House, 3301 Westfield Ave., Camden, NJ 2015 | Library of Congress | www.loc.gov/item/2020698722/

Outdoors in a parking spot between two parked cars four men play cards at a table.

 

Hookah lounge in Hamtramck, Michigan. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis. Hookah lounges are places where patrons share communal hookahs, or water pipes | Library of Congress | www.loc.gov/item/2020722865/

A corner store with two large signs reading Tropical Hookah facing each steet above the door.

 

A Middle Eastern-themed interior design shop in Hamtramck, Michigan. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis | Library of Congress | www.loc.gov/item/2020722860/

A store window containing pillows and chairs with ornate fabric designs.

 

A barber named Hani gives a customer, Ali, (both gave only their first names) a haircut in Hamtramck, Michigan. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis | Library of Congress | www.loc.gov/item/2020722862/

A barber cuts a gray-haired man's hair in front of a mirror with an ornate border.



Store in Hamtramck, Michigan, selling clothing, including burqas, or enveloping outer garment worn by women in some Islamic traditions. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis | Library of Congress | www.loc.gov/item/2020722864

A small store advertises Abaya and Gifts in English and Arabic.

 

Nail-care shop in Hamtramck, Michigan. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis. In 2015, its city council became the first city council in the United States with a majority of the members of the Muslim faith | Library of Congress| www.loc.gov/item/2020722863/

Small store front with a sign above the door reading Nails.

 

The Makka Hi Fruit Market in Hamtramck, Michigan. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis. In 2015, its city council became the first city council in the United States with a majority of the members of the Muslim faith | Library of Congress | www.loc.gov/item/2020722869/

Sign in front of a building reads Makka Hi Fruit Market then Arabic script below that Halal Food Vegetable.

 

A colorful tire shop in Hamtramck, Michigan. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis. In 2015, its city council became the first city council in the United States with a majority of the members of the Muslim faith | Library of Congress | www.loc.gov/item/2020722824/

A shop called Number 1 Al's Auto Care Fix (english and arabic) is painted outside with pictures of different car parts

 

The Al-Qamar pizza parlor in Hamtramck, Michigan. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis. In 2015, its city council became the first city council in the United States with a majority of the members of the Muslim faith | Library of Congress |  www.loc.gov/item/2020722826/

A small building has a sign reading Al-Qamar pizza and grill with pictures of pizzas on the windows

 

Burk's Igloo ice-cream stand in Hamtramck, Michigan. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis. In 2015, its city council became the first city council in the United States with a majority of the members of the Muslim faith - original digital file | Library of Congress |  www.loc.gov/resource/highsm.60598/

Ice cream stand decorated with a large ice cream cone.

 

Masjidun-Nur, a Muslim place of worship in Hamtramck, Michigan. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis. In 2015, its city council became the first city council in the United States with a majority of the members of the Muslim faith | Library of Congress | www.loc.gov/item/2020722828/

One-story white building with a "Masjidun-Nur" sign and green minaret designs.

 

Clothing store in Hamtramck, Michigan. Note the welcoming sign in three languages in the window. Known in the 20th century as a vibrant center of Polish-American life and culture, Hamtramck has continued to attract immigrants, especially Yemenis and Bangladeshis. In 2015, its city council became the first city council in the United States with a majority of the members of the Muslim faith | Library of Congress | www.loc.gov/item/2020722866/

Store front with chalkboard in front of the store reading "A Collectible Clothing Boutique. A Place for Something Unique."

 

 

 

Crivijit, originally from India, working for Uber, Myrtle Ave. at Wyckoff Ave., Brooklyn | Library of Congress | www.loc.gov/item/2021653446/ 

A man in a hoodie sits on a parked scooter with a large insulated backpack on his back

 

The Hindu Temple and Cultural Center, near the town of Madrid in Boone County, Iowa | Library of Congress |  www.loc.gov/item/2016630539/

An ornate white building with carved designs and figures.

 

One of several elaborate carvings outside the Hindu Temple and Cultural Center, near the town of Madrid in Boone County, Iowa | Library of Congress | www.loc.gov/item/2016630538/

Elephant sculpture in front of temple.

 

 

The OK Boss Asian grocery stores in Windom, Minnesota. As of 2020, Asian restaurants and stores proliferated in small, southern Minnesota towns | Library of Congress | www.loc.gov/item/2020723773/

A small building with a OK Boss Asian Grocery Store sign. The sign also has a cartoon of a cowboy feeding a horse some green leaves.



 

Chinese food shops in the Lakewood neighborhood, Chicago, Illinois | Library of Congress | www.loc.gov/resource/afc1981004.145/?sp=1

Store front with Chinese characters. Porcelain cups can be see in the window. In the foreground 2 women get into a car.

 

 

Yoga studio in the Lakewood neighborhood, Chicago, Illinois | Library of Congress | www.loc.gov/resource/afc1981004.145/?sp=11

Building with an International Institute of Shinsundo Shinsun Yoga sign with image of a person doing yoga.

 Chinese women playing cards. Bayard St. and Baxter St., Chinatown, Manhattan | Library of Congress |  www.loc.gov/item/2022642962/

The women sit at tables with each other. The venue appears to be sunny and outdoors. Many of them have suitcases and backpacks with them.

 

Elderly men playing Chinese chess. Columbus Park, Bayard St., Chinatown, Manhattan | Library of Congress | www.loc.gov/item/2022885526/

Elderly men gather around an outdoor table in New York City. Four of them sit across from each other on either side of the table on park benches and the rest of the men stand and observe.

 

 

Jolllybee, Filipino Restaurant, 609 8th Ave., Manhattan | Library of Congress | www.loc.gov/item/2021643708/

Three employees taking, assembling, and packaging orders. There are two customers waiting to pick up their orders and two customers placing their orders.

 

Filipino street vendors, 67-12 Roosevelt Ave., Queens | Library of Congress | www.loc.gov/item/2022885550/

A small group of Filipino women sell headbands and other goods at their booth on a street in New York City

 

Baptism celebration, Kabayan Bistro, a Filipino Lounge, 6909 Roosevelt Ave., Queens | Library of Congress | www.loc.gov/item/2024696323/

A family gathers around tables at a Filipino restaurant to celebrate a baptism.




 

The Fil Am float, representing the Filipino American Association of Portland & Vicinity, Inc., passes by in the Fred Meyer Junior Parade, one several events in Portland, Oregon's, annual Rose Festival | Library of Congress | www.loc.gov/item/2018699497/

The float has lots of roses and flowers around the bottom and a crown floating at the top above a group of young girls who sit on the float and wave.

 

Vietnamese laundromat and Pizzeria, Saunders St. at N. 27th St., Camden, NJ, 2023 | Library of Congress |  www.loc.gov/item/2024695773/

Photo taken in 2023 of a brick building with two signs on it written in Vietnamese indicating where to enter for pizza or for laundry service.

 

 

Vietnamese laundromat and Mexican Taqueria, Saunders St. at N. 27th St., Camden NJ, 2006 | Library of Congress |  www.loc.gov/item/2020702024/

Photo taken in 2006 of the same brick building as above on Saunders Street in Camden, New Jersey. Two signs on the outside of the building written in Vietnamese indicating where to enter for the mexican restaurant and for laundry service

 

Korean musicians, Broad St. at Market St., Newark, NJ | Library of Congress | www.loc.gov/item/2021635295/

At the corner of Broad street and Market Street in Newark, New Jersey a small group of Korean musicians perform for the public. They stand next to the crosswalk lights and one of them plays a guitar.

 

Entrance sign at the Assi Plaza Asian grocery and Korean and Chinese specialty store in the Flushing neighborhood of the New York City borough, or county-like jurisdiction, of Queens | Library of Congress | www.loc.gov/item/2018701181/

Sign over the entrance to Assi plaza where there is an Asian grocery store as well as a Korean and Chinese specialty store. The sign includes Chinese, English, and Korean writing.

 

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699994/

There are street vendors, resting pedestrians, and people walking by in front of a Chinese pharmacy.

 

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699995/

People walk past the GV Trading store on the corner of a street in Chinatown. Someone rides theirbike past

 

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699996/

 

Pedestrians walk in front of a store with a red awning reading K.L. Seafood Corps in Chinatown

 

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699997/

Pedestrians walk in front of Huan Jin Vegetable store front in China Town

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699998/

A small crowd of people walk in front of a store front titled Dahing Seafood Market.

 

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress |  www.loc.gov/item/2018700000/

Store front reading Vivi Bubble Tea with a pink background. A statue of Marge Simpson sits on a bench in front of the store.

 

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018700001/

Front of building reading NG Fook Funeral Services. Construction equipment surrounds the building.

 

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699941/

A man sits cross-legged on a chair in front of a store called New China Beauty Salon.

 

Fish market in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699985/

Fish arranged on tables in the market as a few people in the background survey the various fish.

 

Produce stand in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699986/

Crates of spinach, radishes, scallions, and other green vegetables sit in the foreground with prices. A few men stand behind the produce wearing gloves and interacting with the produce.

 

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699987/

A man lens on a fire hydrant in front of a store in China Town. A woman walks behind him.

 

Scene in Lower Manhattan's Chinatown neighborhood in New York City | Library of Congress | www.loc.gov/item/2018699988/

A woman walks past a store-front building in China Town carrying a bag

 

Some of the hundreds of participants at the 10th-annual Hmong New Year Celebration in downtown Chico, California, pose | Library of Congress | www.loc.gov/item/2013631121/

A group of 12 people organized in two lines, the frontline kneeling and the back line standing behind. Participants are wearing traditional clothing.

General Tips for Teaching Controversial Subjects

  • Center activities on primary sources. Primary sources are tangible evidence that allow students to engage directly with history. These primary sources in particular were preserved and digitized by the Library of Congress because they were deemed important to the history of the United States.
  • Discussion and analysis of these sources can be wide ranging, but within each class those discussions can always be turned back to the source itself.
  • The sources are also, by definition, only pieces of a puzzle. They bring us closer to understanding the past but there is always room for doubt and uncertainty.  
  • Questions, Observations, and Reflections should come from students. These are primarily student-directed learning activities. It is the instructor's role to create a space for inquiry and empower students to drive the inquiry.
  • It may help to remind students at the outset that it is normal for different individuals to come to different conclusions, even when we are looking at the same sources. Further, it would be strange if we all agreed completely on our interpretations. This can normalize the strong reactions that can come up and enables educators to discuss the goal of historical research, which is to hopefully go beyond the realm of individual  perspective to access a fuller understanding of the past that takes multiple perspectives into account.
  • Teaching historical topics that involve violence and other trauma can be traumatic for some students as well. Providing students with previews of what content will be covered and space to process their emotions can be helpful. The following video series from the University of Minnesota contains further tips for teaching potentially traumatic topics: https://extension.umn.edu/trauma-and-healing/historical-trauma-and-cultural-healing.

 

Rethinking "Westward Expansion": A Guide for Preservice Teachers

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What is it?


“Westward expansion” is a topic covered in many U.S. history textbooks and one that appears in most every state's social studies standards. At the same time, most states also mandate that students be taught to consider history from multiple perspectives or points of view. But what does it mean to consider multiple perspectives about westward expansion? What would it mean to consider the point of view of Native Americans who were the most directly affected by the process called western expansion? A change of perspective might reveal a great deal. As historian Daniel Richter notes in his book, Facing East From Indian Country, “if we shift our perspective to try to view the past in a way that faces east from Indian country, history takes on a very different appearance.” Historian Roxanne Dunbar-Ortiz makes a similar point in her 2015 An Indigenous Peoples' History of the United States, “Writing US history from an Indigenous peoples' perspective requires rethinking the consensual national narrative. That narrative is wrong or deficient, not in its facts, dates, or details but rather in its essence. Inherent in the myth we've been taught is an embrace of settler colonialism and genocide.” This guide provides teachers with resources to analyze Library of Congress primary sources so that students can account for Indigenous perspectives that “faced east” in their analysis of westward expansion, colonialism, and land rights.

Key points:

  • The activity outlined here will take one 90-minute period or two 45-minute periods. It is appropriate for a high school U.S. history classroom, but can be modified for a variety of learners.
  • Students will analyze, interpret, and evaluate primary sources. 
  • Students will learn about Native peoples responses to the settlement of the western U.S. and gain new perspectives to better understand "Westward Expansion".

Approach to Topic

Even the term “westward expansion” assumes a facing-west point of view rather than a perspective of someone already living in the west. While U.S. history textbooks now include more topics related to Native people, these topics are typically presented as a subset of a larger story about westward expansion. For example, in McGraw Hill’s United States History and Geography, the chapter on westward expansion, “Settling the West,” contains a section titled “Native Americans”, but it comes after two other sections: “Miners and Ranchers” covering the California gold rush and cattle ranching in the west, and “Farming the Plains” which deals with white settlers seeking farmland in the west. Framing and organizing the topic this way presents Native people as obstacles or complications to the westward movement of settlers. This framing also implies that westward expansion was more or less inevitable rather than a series of deliberate choices, an idea often closely linked with the concept of “manifest destiny” as a divinely-ordained establishment of the United States.

The textbook narrative obscures the fact that the taking of Native people’s land was an intentional project backed by the U.S. federal government. Instead of emphasizing the deliberate dispossession of Native land, students usually read about a series of general breakdowns in relations between two groups, settlers and Native people. For example, the 1867 Indian Peace Commission is presented under a subheading of “Doomed Plan for Peace” while the 1887 Dawes Act is presented as a largely positive plan to help Native Americans that simply “failed to achieve its goals.” In other places the purposeful destruction of Native resources is described in the passive voice, such as “The buffalo were rapidly disappearing.” In response to these textbook depictions, teachers can encourage students to analyze how these topics are framed in their textbooks and think about how they might look from another point of view.

To teach students to consider the multiple perspectives on westward expansion, it is also important for teachers to think critically about their own relationship to place and support their students in doing the same. The history of “westward expansion” involved a series of events where Native people were displaced, removed from their land, and coerced into signing disadvantageous treaties many of which were later broken by federal, state, or territorial governments. As scholars Eve Tuck and K. Wayne Yang have written:

In order for the settlers to make a place their home, they must destroy and disappear the Indigenous peoples that live there. Indigenous peoples are those who have creation stories, not colonization stories, about how we/they came to be in a particular place - indeed how we/they came to be a place . . . For the settlers, Indigenous peoples are in the way and, in the destruction of Indigenous peoples, Indigenous communities, and over time and through law and policy, Indigenous peoples’ claims to land under settler regimes, land is recast as property and as a resource. Indigenous peoples must be erased, must be made into ghosts.

In teaching this topic to students, it is therefore necessary to not make Native people into the “ghosts” that Tuck and Yang reference and to understand that Native people did not disappear, indeed they refused to, despite the repeated efforts of governments and settlers.

One challenge to including the perspective of Native people at this time is that colonial record-keeping disproportionately documented the perspectives of white men in positions of social authority this is part of the same disappearing process described by Tuck and Yang. Though the sources are sometimes more difficult to locate, resources do exist to help teachers actively include the perspectives of Native people and share it with students. Many Native people throughout the past and up to the present day have continued to assert their points of view in spaces visible to the wider U.S. public. Their voices are sometimes visible within colonial sources, including through a process of reading against the grain. Indigenous people have vigorously defended against settler land theft and continue to invest in their cultural, governmental, artistic, linguistic, and social systems today, despite centuries of colonial disruptions.

This guide will focus on two examples of Indigenous people who advocated for Indigenous rights in the early 1900s: Zitkala-Ša (also known as Gertrude Simmons Bonnin)  and Charles Eastman (also known as Ohiyesa). Both were important figures in the Society of American Indians, an organization established by Native intellectuals from across the country in 1911. The members of the SAI, in scholar Philip J. Deloria’s words, “worked actively to preserve elements of Native cultures and societies from destruction.” Through their words and actions teachers can locate an alternative to the westward expansion point of view and make a different history more apparent.

Description

Zitkála-Šá
Zitkála-Šá (pronounced Zeet-KA-la-sha) was Yankton Dakota, born on the Yankton Indian Reservation in South Dakota in 1876. Like many thousands of Native children at the time was also forced to attend a boarding school far away from her home. At eight years old, Zitkála-Šá left Yankton and her family to attend the Indiana Manual Labor Institute in Wabash, Indiana over 700 miles away. At the institute she was given the name Gertrude Simmons (later Gertrude Simmons Bonnin) which she also used at various points in her life. Zitkála-Šá would attend the boarding school for three years and there learned to play violin and piano. She returned to Yankton, and then went back to the institute three years later. Upon graduation, she took a position as a music teacher at the school. Zitkála-Šá/Gertrude Simmons became an expert at navigating two cultures. Some scholars have seen Zitkála-Šá as a person who assimilated into white-U.S. culture, but more recently scholars have emphasized how she used these cultural skills to support and defend Native people and culture. As historian Tadeusz Lewandowski writes in his biography of Zitkála-Šá, she “fought the dispossession of Indians with every tool of white society she had mastered.”

In her life, Zitkála-Šá rose to prominence as a musician, writer, and political advocate. An accomplished violinist, she performed at the White House for President William McKinley in 1900 and as a soloist at the Paris Exposition that same year. A prolific writer, Zitkála-Šá’s presented depictions of American Indians that emphasized family and community in books such as American Indian Stories and presented her own experiences in personal essays for Harper’s Monthly and The Atlantic Monthly.

In perhaps her most famous work, The Sun Dance, Zitkála-Šá translated the sacred, ceremonial dances performed by various Native groups across the Americas - dances that had been declared illegal by the federal government - into an opera. Working with composer William F. Hanson, Zitkála-Šá used her training in western music and her knowledge of Native culture to demonstrate the beauty of these dances in a form that would draw the attention of the larger U.S. public.

For more background on how The Sun Dance opera came to be written by Zitkála-Šá and Hanson have students listen to an excerpt from this interview with Zitkála-Šá P. Jane Hafen from the podcast Unsung History https://www.unsunghistorypodcast.com/zitkala-sa/. The excerpt on The Sun Dance is from 21:16 to 25:53. 

Questions to ask about this source: In what ways was The Sun Dance a product of western culture and in what ways was it a product of Native American culture? How does it demonstrate Zitkála-Šá’s understanding of two cultural worlds?

Zitkála-Šá also used her cultural expertise to lobby the government directly on policies that affected Indigenous people and in particular advocated for the government to protect Native people and culture.

Primary Source #1
“She is Watching Congress,” Evening Public Ledger, February 22, 1921 https://chroniclingamerica.loc.gov/lccn/sn83045211/1921-02-22/ed-1/seq-20/

Primary Source #2
“Sioux Princess Closely Watches Indian Welfare,” The Richmond Palladium and Sun-Telegram, February 26, 1921 https://chroniclingamerica.loc.gov/lccn/sn86058226/1921-02-26/ed-1/seq-15/


Questions to ask about these primary sources:

  • Although white reporters regularly used stereotypical and condescending terms to refer to Zitkála-Šá (i.e. describing her as a “Sioux princess” who was “watching Congress”), she chose to present herself in traditional Native clothing. What might have been her reasons for this choice?
  • How might this decision have fit with her goals to influence Congress on Native issues?
  • Compare these photos to a photo of Zitkála-Šá in western clothing: https://www.nps.gov/people/zitkala-sa.htm
  • Why might she choose one form of dress over another depending on the situation?
  • How might her choice of clothing affected how audiences viewed her?
  • How might her choice of clothing made it more likely for white audiences to listen to her?

Along with other members of the Society of American Indians, Zitkála-Šá advocated for Native Americans to receive the full benefits of United States citizenship including the right to vote. Scholar K. Tsianina Lomawaima argues that the Society for American Indians saw citizenship as a tool to defend Native people from dispossession and protect their land. The Dawes Act, also known as the General Allotment Act of 1887, converted Indigenous territories from collective management and converted that territory to private, transferrable land deeds for individual land tracts based on western land ownership. As a result of the Dawes Act, Indigenous people lost 90 million acres of land in less than fifty years.

Under the Dawes Act, Native people whom the US government did not see as “competent” had their land (called an “allotment”) held by the US government. Though Native people were already citizens of their Native nations and did not necessarily want US citizenship, Zitkála-Šá saw U.S. citizenship as one possible form of protection against land loss. She not only advocated for citizenship for Native Americans but also for women to receive the right to vote. In this source from 1918, Zitkála-Šá addressed the National American Women's Suffrage Association and tied together the causes of the women’s vote and the vote for Native Americans:

Primary Source #3:
Maryland Suffrage News, June 15, 1918
https://chroniclingamerica.loc.gov/lccn/sn89060379/1918-06-15/ed-1/seq-5/

Question to ask about this primary source:

  • Why might Zitkála-Šá have decided to speak to the National American Women's Suffrage Association?
  • What were her goals? [For more resources on Native American women advocating for womens’ suffrage, see the guide on Native Women and Suffrage]

In 1924, partially as a result of the lobbying of Zitkála-Šá and the Society of American Indians, the Indian Citizenship Act was passed. This concluded the process of making all Native people born in the United States citizens. Although it is important to note that states could restrict the Native people’s right to vote and states such as Utah and New Mexico did just that. Zitkála-Šá continued to speak out on Native issues to both national and local groups. For example, in 1928 in Bismarck, North Dakota she gave a talk on the history of Native people and the current Native issues to the Rotarians, a community-based organization.

Primary Source #4:
“Rotarians Hear Famous Woman at Weekly Meeting,” The Bismarck Tribune, June 14, 1928. https://chroniclingamerica.loc.gov/lccn/sn85042243/1928-06-14/ed-1/seq-7/


Questions to ask about this primary source:

  • According to the newspaper article, what did Zitkála-Šá tell the Rotations about the history of Native people?
  • Why do you think the article addresses Indigenous participation in the World War?
  • What did she say about the current situation faced by Native people?
  • Why do you think she chose to emphasize these issues?

Charles Eastman
 As was the case with Zitkála-Šá, Charles Eastman’s upbringing involved direct experience with white society, his Dakota nation, and a variety intertribal communities. He too developed skills to move within and between these social spaces. Born in 1858 near Redwood Falls, Minnesota to a Dakota woman named Winona who died in childbirth, he was given the name “Hakadah.” He fled with his family to Canada following the U.S.-Dakota War of 1862. As an older child, he was given the name Ohiyesa (pronounced oh-he-yes-suh and meaning “the winner”) after a victory in a lacrosse match. When he was 15, his father — who had been estranged from the family — returned and demanded that Ohiyesa live with him in Dakota Territory near present day Sioux Falls, South Dakota. Ohiyesa’s father had converted to Christianity and taken the name “Jacob Eastman”. His father changed Ohiyesa’s name to “Charles Alexander Eastman” and enrolled him in white schools. Similar to Zitkála-Šá, Eastman grieved about the separation from the culture he was born into while, at the same time, he also excelled in his new environment. After secondary school, he attended college at Beloit College and then Dartmouth, and eventually earned his degree in medicine from Boston Medical School in 1890.


Eastman sought to use his training to help Native people so shortly after earning his degree, he accepted a position on the Pine Ridge Reservation in South Dakota. On December 29, 1890, only a few weeks after Eastman’s arrival, 500 soldiers of the United States 7th Cavalry confronted a band of 350 Miniconjou Lakota Indians that included women and children and fired on the unarmed group killing more than 150 people. It is important to emphasize that this incident, which would become known as the Wounded Knee Massacre was not an isolated incident but part of a pattern where U.S. military forces, often commanded by officers with little to no knowledge of Native people and irrationally paranoid about their safety fired on defenseless Native groups that included unarmed men, women, and children with deadly results. Soldiers and travelers took souvenirs and graphic photographs document the carnage. At Pine Ridge, Eastman helped treat the few who survived. For more on the Wounded Knee Massacre read this entry from the Encyclopedia of the Great Plains: http://plainshumanities.unl.edu/encyclopedia/doc/egp.war.056

In addition to his career as a physician, Eastman wrote about Native American people and culture in a way that both defied the stereotypes prevalent among whites at the time and also countered the prevailing notion that Native Americans were a disappearing people and culture. In this account, Eastman related a visit to the Objibwe of Northern Minnesota.

Primary Source #5:

As I approached the island next morning. I saw a pretty procession of birch-bark canoes converging upon it. This was evidently a gathering of the clans whose highway is the blue water, and the graceful canoe their sole means of transportation. Invariably the man sits in the bow of the light craft, his wife at the stern, and the children by pairs between so low that only the tops of their black heads are visible. All the household effects are carried, except the dogs, who are obliged to run along the shore and swim the narrows from island to island.

The whole family, even little children, paddle the canoe, and such skill, confidence and safety I have never seen elsewhere. "When the wind rises and the water is so rough that no one can be found willing to venture out in launch or row boat, these people may be seen skimming the big waves like aquatic birds. Along the shore I saw women here and there, setting their gillnets for the wily pike and bass. Most of them do this as an every-day duty. In camp, some were making nets, others working upon their birchen cones, preparing the bark and the cedar bindings, or soaking the strappings and boiling pitch to glue the seams.

Majigabo's immediate village was the meeting-place, and there was the "sacred ground" where they initiate new members into their lodge, consecrate some of the children, celebrate old rites, and commemorate the departed. There were feasts galore of the delicious wild rice, venison, dried moose meat, bear steaks, and sturgeon. Maple sugar packed in small birchen boxes called "mococks" was plentiful and of the finest flavor. Here is one chief just beyond sight of the smoke of the locomotive, in the heart of a wilderness already penetrated by the whistle of the saw-mill, who still preserves many of the ancient usages of his forefathers.

 Charles Eastman, “My Canoe Trip Among the Northern Ojibwe Indians of Minnesota The Oglala light. [volume], May 01, 1911. https://chroniclingamerica.loc.gov/lccn/2017270500/1911-05-01/ed-1/seq-13/

Questions to ask about this primary source:

  • What year did Eastman write this account? 
  • In what ways does the account reveal the persistence of Indigenous intellectual traditions and technologies despite colonial pressures to assimilate? 
  • How does this reshape the narrative about westward expansion present in your textbook?
  • In what ways did Eastman emphasize family, community, and land relations in his description? Why do you think he did that?

In the Classroom
The primary sources above can be incorporated into a unit that also covers westward expansion. Teachers can use this opportunity to have students reflect on how the term “westward expansion” only considers some perspective while leaving others out — namely the perspectives of those in the “west” who are “facing east”.

In the classroom, students can be prompted to reflect on these east-facing perspectives:

  • In a 5 minute think-pair-share activity, students can think of their own response, talk it through with a partner, and then “share out”.
  • Then students can be asked how they could learn about the missing points of view - what kind of evidence or sources might provide these perspectives? Again students can come up with ideas in another 5 minute think-pair-share activity.
  • The class can then transition into analyzing the primary sources included in this guide.  Communicate to students that this is one way to consider multiple points of view. Referencing their list of other points of view to consider and what evidence might be used, teachers can and should acknowledge that not all points of view are being considered nor will they be able to analyze and consider all of the evidence, but the sources they will examine do provide a valuable perspective that is not present in most textbooks.
  • Put the students in groups of 3-4 and give them a selection of 2-3 sources.
  • As the students examine the sources, prompt them with the guiding questions included above with each primary source.  For more scaffolding, teachers may have students fill out primary source analysis sheets for one or more of the sources: https://www.loc.gov/programs/teachers/getting-started-with-primary-sources/guides/
  • After examining the sources, ask the students to discuss in their groups: What issues related to Native people were Charles Eastman and Zitkála-Šá most concerned with?  What perspective do these sources provide on westward expansion? How does the term “westward expansion” hide other perspectives, namely the struggle of Indigenous people over their homelands and livelihood? What would an east facing version of this story look like?

Extension/enrichment ideas: Students could research further into the history of the Society of American Indians or any of its prominent members such as Rev. Sherman Coolidge, Arthur C. Parker, Angel DeCora, Francis LaFlesche, or Marie Bottineau Baldwin. Using this research students could then develop a multimedia digital project that presents a “facing east” history of westward expansion. As part of this project students should reflect on what they would want to communicate about this point of view, to show that “westward expansion” was not inevitable and to show how Native people persisted and refused to simply disappear. Primary sources like those above and others from the Library of Congress could be featured in a website or slide presentation. As part of the project, students might also research the history of their own communities and the Native people who lived there in the past and live there in the present.

Teaching history inevitably means teaching about topics that generate strong reactions from a wide range of people. While not every reaction can be anticipated, the following tips can provide a strong basis for a rationale for your learning activities:

General Tips for Teaching Controversial Subjects

  • Center activities on primary sources. Primary sources are tangible evidence that allow students to engage directly with history. These primary sources in particular were preserved and digitized by the Library of Congress because they were deemed important to the history of the United States.
  • Discussion and analysis of these sources can be wide ranging, but within each class those discussions can always be turned back to the source itself.
  • The sources are also, by definition, only pieces of a puzzle. They bring us closer to understanding the past but there is always room for doubt and uncertainty.  
  • Questions, Observations, and Reflections should come from students. These are primarily student-directed learning activities. It is the instructor's role to create a space for inquiry and empower students to drive the inquiry.
  • It may help to remind students at the outset that it is normal for different individuals to come to different conclusions, even when we are looking at the same sources. Further, it would be strange if we all agreed completely on our interpretations. This can normalize the strong reactions that can come up and enables educators to discuss the goal of historical research, which is to hopefully go beyond the realm of individual  perspective to access a fuller understanding of the past that takes multiple perspectives into account.
  • Teaching historical topics that involve violence and other trauma can be traumatic for some students as well. Providing students with previews of what content will be covered and space to process their emotions can be helpful. The following video series from the University of Minnesota contains further tips for teaching potentially traumatic topics: https://extension.umn.edu/trauma-and-healing/historical-trauma-and-cultural-healing.

 

 

 

 

 

 

 

 

 

For more information

Additional Readings/Viewings

Sabzalian, Leilani. Indigenous Children’s Survivance in Public Schools.
“Stories I Didn’t Know,” Rita Davern and Melody Gilbert dir. https://www.storiesididntknow.com/
Christine Sleeter, Critical Family History, https://www.christinesleeter.org/critical-family-history
Zitkala-Ša, “Why I am a Pagan,” The Atlantic, 1902. https://www.theatlantic.com/magazine/archive/1902/12/why-i-am-a-pagan/637906/
“Zitkala-Ša”, Nation of Writers Podcast, Interview with scholar P. Jane Hafen,
 https://americanwritersmuseum.org/podcast/episode-13-zitkala-sa/
“Zitkala-Ša”, Unsung History Podcast, Interview with scholar P. Jane Hafen
https://www.unsunghistorypodcast.com/zitkala-sa/
On the history of the Dawes Act: Indian Land Tenure Foundation, https://iltf.org/land-issues/history/
Ohiyesa: The Soul of an Indian dir. Std Beane https://visionmakermedia.org/ohiyesa/
Documentary made by Eastman’s descendents
Kiera Vigil, Indigenous Intellectuals: Sovereignty, Citizenship, and the American Imagination, 1880-1930, Cambridge University Press, 2018
Dr. Vigil discusses her book on the podcast here: https://newbooksnetwork.com/kiara-m-vigil-indigenous-intellectuals-sovereignty-citizenship-and-the-american-imagination-1880-1930-cambridge-up-2018

 

1916 Children's Code of Morality: A Guide for Pre-Service Teachers

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Article Body

What is it?

In 1916 an anonymous businessman offered a prize of $5,000 for “the best code of morals suitable for use by teachers and parents in the training of children”. According to one newspaper this code was badly needed because: “In the schools of the United States there is no such thing as character education — a fact that is measurably accountable for the large percentage of young people who grow up into dishonest, lawless or otherwise undesirable citizens”. The competition was organized by the National Institution for Moral Instruction (later renamed The Character Education Institution). To judge the best code of morals, a three person panel was selected: a Supreme Court justice, Mahlon Pitney, a professor of moral philosophy at Yale University, George Ladd, and Eva Perry Moore of the National Mother’s Council. The winner was William Hutchins, President of Berea College, who came up with 10 “laws of right living” that could be used to train children. A later competition offered $20,000 to develop methods for teaching these laws in schools. 

In this guide you will find:

  • Primary sources from the Library of Congress along with context and tips for how to support students as they analyze these sources.  
  • Ideas for connecting these sources to a variety of commonly taught topics including industrialization, immigration, and compulsory public education in the Progressive Era United States. These resources would also fit well with any unit on character education or values education which are part of the curriculum in many states. 
  • Suggestions for activities and assignments that build on this topic and these sources including tips for class discussion and developing an activity where students create their own character education plans.

 

Focus questions as students explore these sources:

  • What were the concerns about children’s morals and behavior in this period?
  • What ideas were proposed to improve children’s behavior?
  • What themes do you notice in the sources that might explain this anxiety and worry about children? 
  • What else was happening at the time that might explain these concerns?
  • Should character education be a part of the school curriculum? 
     

Approaching the Topic with Students

This guide will use a variety of newspaper articles from 1916 to 1924 that will allow students to explore the effort to develop and promote a “code of morals for children”. To understand the historical context it might be useful to review the responses of the Progressive Era to the large-scale immigration of 1900-1915 when 15 million people immigrated to the United States. A resource on this history can be found here at the Library of Congress: https://www.loc.gov/classroom-materials/united-states-history-primary-source-timeline/progressive-era-to-new-era-1900-1929/immigrants-in-progressive-era/

Unlike previous generations of immigrants, these immigrants tended to come from eastern and southern Europe rather than northern and western Europe. Some middle class reformers were alarmed by the number of immigrants and what seemed to them to be large cultural differences between these new arrivals and those who had previously immigrated to the country. Religion played an important role here too as many of the immigrants were Catholic or Jewish and many of the reformers were Protestant. Worried that these groups might not assimilate into United States culture, reformers pushed for government programs to promote “Americanization” of recent immigrants. As a part of this effort, new public high schools were created where free schooling had previously ended at 8th grade. Laws requiring children to attend school were passed along with laws in part to ensure that the children of immigrants assimilate into American culture. 

 

The Moral Code Competition

This context helps explain why the idea of teaching a moral code might have seemed urgent to some Americans. When the competition was announced, the reaction was mixed. Some strongly agreed with the idea that a moral code was needed and children needed to be trained. The article quoted above in the intro included the headline, “What a Child Should do in a Moral Emergency” and featured pictures of children facing hypothetical moral dilemmas such as “When the Big Boy says, ‘Lem-me Look in Yer Basket or I’ll Punch Yer Face!’ What Should the Smaller Boy Do?” (Richmond Times Dispatch May 21, 1916) https://chroniclingamerica.loc.gov/lccn/sn83045389/1916-05-21/ed-1/seq-49/

Teachers might project the page for students on a white board and then zoom in on the photos and captions either as a class or on individual devices if available.

Teachers might also have students dig further into the text of the article. Depending on reading ability, teachers can distribute excerpts such as this one which outlines why character education is necessary: “In the schools of the United States there is no such thing as character education — a fact that is measurably accountable for the large percentage of young people who grow up into dishonest, lawless or otherwise undesirable citizens. Such education is a fundamental need of the nation. It is impossible for the child to protect its own interests in matters concerning character development. Therefore in matters of the kind it has a right to look to teachers and parents for help and guidance, intelligently given.”

Or this one which addresses critics who propose that the Bible’s Ten Commandments are already sufficient moral code (sources that make that case can be found below):

“Some foolish persons, having learned of the competition, have in all seriousness offered the Ten Commandments as the best possible code. But (says Mr. Fairchild) the Ten Commandments are written for adults. The first half of them deals with religious duties exclusively and not with moral problems. How about the latter half? 

"Honor thy father and thy mother" is appropriate for children. Likewise, "Thou shalt not kill," if there is a question of using a knife in a fight—a thing happily rare among boys. The seventh commandment can have no application to children. "Thou shalt not steal"? A much-needed commandment in the child world. But to children, what significance has "Thou shalt not covet thy neighbor's house"? Most children never think of doing such a thing. A boy Is usually well satisfied with his own house, and to cast a slur on it means a fight. 

"Thou shalt not covet thy neighbor's wife." Why should a child covet a wife? What does a girl child want of a wife? A neighbor's wife would be some other child's mother, and all children want their own mothers. "Nor his man-servant, nor his maid-servant." But in the homes of nine out of ten children who go to the public schools there is no servant at all. Unfortunately, a child has to wait to grow up before the moral ideas of adults are of any use. to him. It is just this lack of a definite moral code for children that, through the prize competition above described, the National Institution for Moral Instruction hopes to supply.”

When showing this primary source to students, encourage them to examine the images and the text that accompanies them. Prompts might include: 

  • What problems does the article seem to be concerned with? 
  • How might this connect with what we already know about the time period? 
  • What surprises you? 

Other reactions to the competition are revealing as well. Some responded that the a new moral code was not needed because the Ten Commandments already existed:

But interestingly the context specifically did not want the code of morals to be based in a specific religion. For example, they specifically asked representatives from multiple religions to participate including Catholic educators:

The Winning Code

The winning moral code developed by William Hutchins included the following ten laws which were published here along with an explanation of each:

Here are the Hutchins winning laws:

  1. The Law of Health: The Good American Tries to Gain and to Keep Perfect Health
  2. The Law of Self Control: The Good American Controls Himself
  3. The Law of Self Reliance The Good American Is Self-Reliant
  4. The Law of Reliability: The Good American is Reliable
  5. The Law of Clean Play: The Good American Plays Fair
  6. The Law of Duty: The Good American Does His Duty
  7. The Law of Good Workmanship: The Good American Tries to do the Right Thing in the Right Way
  8. The Law of Team Work: The Good American Works in Friendly Cooperation with his Fellow Workers
  9. The Law of Kindness: The Good American is Kind
  10. The Law of Loyalty: The Good American is Loyal

While these rules were new in one sense Hutchins also proclaimed that they were laws that “the best Americans had always obeyed”. Teachers can encourage students to examine these laws and consider how they reflect the historical time period. Prompts might include: why do you think there’s such a focus on being a “good American”? What laws would you not be surprised to see as rules in school today? What laws would you not expect to see today? 
 

Teaching Students to be Moral: The Iowa Plan

After the winning moral code was announced, The Character Education Institute held another competition to award $20,000 to develop a plan to teach Hutchins’s laws in schools. The winner was a group of professors and public school administrators from Iowa whose approach was outlined here: 

The plan argued that character education was necessary for democracy. Their plan was not to add extra lessons to schools’ curriculum but instead to incorporate character education into what was already being done. Also it relies on what it called the “collective judgment of ones peers” to enforce laws rather than relying on the authority of teachers and principals. 

As students engage with this source, teachers can ask students to reflect on what they think the legacy was of this effort to teach students character: Are some of these rules or these methods still used in schools? Do we have the same concerns over the effects of student morality on democracy? 

 

Using these Sources in the Classroom

Teachers can use all of these sources to deepen students’ understanding of the Progressive Era through a topic — teaching students a moral code — which should engage students and provoke discussion. This can be done as a whole class activity, in small groups,  as a “Think-Pair-Share” or any combination thereof according to what fits each class best. Alternatively the sources can be broken into parts with different excerpts assigned to different groups. What is important to emphasize is that students slow down their thinking, take time to examine the sources and notice details for interpretation or questioning. Encourage students to make connections with what they already know and also understand that each source is just a piece of the puzzle. Encourage them to imagine: What might those other puzzle pieces be? 

These sources can be part of a deep dive during a Progressive Era unit or part of a larger project. Students might develop their own plan for character education for the present day. Would they have a contest to determine the best moral code to teach children? If they did, who would judge the contest? What would the criteria be for judging the entries? Whether they decide to have a contest or not, how would they teach character education in schools? Students can work in groups to make their best case for what character education look like and then compare with the history of the 1916 Moral Code for Children. Also once the theme of character education for children has been introduced, teachers can revisit the topic for later historical eras. For example, students might investigate what concerns over children's morality existed during WWII, the 1960s or the 1980s-90s. 

 

General Tips for Teaching Controversial Subjects

Teaching history inevitably means teaching about topics that generate strong reactions from a wide range of people. While not every reaction can be anticipated, the following tips can provide a strong basis for a rationale for your learning activities:

  • Center activities on primary sources. Primary sources are tangible evidence that allow students to engage directly with history. These primary sources in particular were preserved and digitized by the Library of Congress because they were deemed important to the history of the United States. 
  • Discussion and analysis of these sources can be wide ranging, but within each class those discussions can always be turned back to the source itself. 
  • The sources are also, by definition, only pieces of a puzzle. They bring us closer to understanding the past but there is always room for doubt and uncertainty.  
  • Questions, Observations, and Reflections should come from students. These are primarily student-directed learning activities. It is the instructor's role to create a space for inquiry and empower students to drive the inquiry. 
  • Linking to state or national standards can provide support and justification for classroom activities such as these. Immigration is explicitly mentioned in many state standards for example and many states have character or values education in standards as well. The activities in this guide also link to NCSS Themes including Theme 1: Culture ("The study of culture examines the socially transmitted beliefs, values, institutions, behaviors, traditions and way of life of a group of people")  and Theme 10: Civic Ideals and Practices ("All people have a stake in examining civic ideals and practices across time and in different societies") 

Pockets from the Past: Daily Life at Monticello

Video Overview

TAH teachers explore the contents of recreated historical pockets with the help of Jacqueline Langholtz, manager of school and group programs at Monticello. What do the contents of the pockets say about their owners? Who might those owners be? Langholtz models strategies for examining and questioning artifacts.

Video Clip Name
mysterypocket1.mov
mysterypocket2.mov
mysterypocket3.mov
Video Clip Title
Mystery Pocket Exercise: Examining the Pockets
Mystery Pocket Exercise: Seeds and Keys
Mystery Pocket Exercise: French Lessons and Salad Oil
Video Clip Duration
4:15
5:52
7:18
Transcript Text

Jacqueline Langholtz: Take a few minutes working in groups to figure out what’s in the pocket in front of them. So first, what is it? How would have it been used? And then lastly, who they think would have carried this pocket. So I am going to just give you the exact same challenge, take 10 minutes or so, talk within your group.

[Group 1:]
Teacher 1: Somebody’s a seamstress.
Teacher 2: Yes.
Teacher 1: Must do some cooking or . . .
Teacher 3: Had responsibility—
Teacher 2: Yes.
Teacher 3: —because I remember reading about that in the dependencies.
Teacher 2: Yeah, cause not everybody had the keys.
Teacher 1: No.
Teacher 3: Martha had the keys and there was one other.
Teacher 1: And there was a sewing little table in there.
Teacher 2: Also a number of geese were killed.
Teacher 1: I would think this would be like somebody who's either a supervisor or somebody that’s not the bottom person.
Teacher 2: No.
Teacher 1: This person writes so it couldn’t be a slave, right? Because they weren’t suppose to be able to write. Not that they couldn’t.
Teacher 3: Yeah, yeah.
Teacher 2: For our own eating 28 hams of bacon. Twenty-one shoulders and 27 middlings.
Teacher 1: Well, I think it’s a she based on the embroidery, on the fan.
Teacher 2: Sewing stuff.
Teacher 1: Right.

[Group 2:]
Teacher 1: I think we have it.
Jacqueline Langholtz: You got it.
Teacher 2: Yeah.
Jacqueline Langholtz: So that’s a—
Teacher 1: We think this is a slave child’s pocket.
Teacher 2: Or a child’s pocket.
Jacqueline Langholtz: What makes you say that?
Teacher 1: Well, you said they made nails.
Jacqueline Langholtz: Excellent.
Teacher 1: Marbles.
Jacqueline Langholtz: What were the marbles for?
Teacher 1: A game.
Jacqueline Langholtz: Yeah, keep going.
Teacher 2: Making extra money if, like, they made some extra nails or they were able to—
Jacqueline Langholtz: That’s right. And can I ask you would you have known that before you did your gallery tour and your house visit?
Teacher 1: No, because I had no idea they made money.
Jacqueline Langholtz: Yeah, that is a surprising fact to a lot of students and teachers to find money in the slave’s pocket
Teacher 1: And that they had china and stuff.
Jacqueline Langholtz: Yeah, so that’s a great opportunity for discussion because a lot of people will think this must be from someone else’s pocket or they’ll look at this and say ‘I thought it was a slave pocket but there's money in it,’ but you knew why there might be money in it, good for you.
Teacher 1: Fishing.
Teacher 2: We had said actually, originally, we thought this might be something that they either made like a handle or we thought is it something that shaped the, you know.
Jacqueline Langholtz: And once you know it, it’s right there in front of you but for students finding their way through this on their own, it’s a really good activity and they have a lot of fun with it. And then we get to you know dim the lights and we'll do a flint and steel show for them.
Teacher 1: I like this as a pre- and post- activity. That’s amazing.
Jacqueline Langholtz: Yeah, and photos for a lot of this are online, too. And you knew what this was?
Teacher 1: She did.
Teacher 2: Yeah, I did.
Jacqueline Langholtz: Good for you, do you have a name for it?
Teacher 1: Mouth harp?
Teacher 2: Something, yeah, it’s a mouth harp. I think it’s the mouth harp.
Jacqueline Langholtz: Yeah, so if you then had to group these items, too, or tell us what types of things you see—work, right, you see some home life, you see some entertainment, slave garden.
Teacher 1: Yeah, like this would be making a fire at home. This would be work.
Jacqueline Langholtz: And possibly spinning, this is flax.
Teacher 2: Okay.
Teacher 1: This would be play. This could be work or play.
Teacher 2: Or I was going to say, or extra food.
Jacqueline Langholtz: And there are some things that can be made and some things that are bought.
Teacher 1: Why would they carry seeds?
Jacqueline Langholtz: You tell me, I don’t know. And we don’t know that all of this was always carried.
Teacher 1: Why would they have seeds? Maybe they traded for them or something.
Jacqueline Langholtz: Well, do you remember Elizabeth Chew told us a story about the gardens—well, she said the garden's main function was not to supply all the food for the table and then she supplemented that with the story about the main house actually sometimes purchasing food from the slaves so purchasing cucumbers that they have grown or . . .
Teacher 1: So this boy maybe is going to plant some seeds to grow some food.
Teacher 2: So there are slave gardens.
Jacqueline Langholtz: Yeah, sometimes for themselves. So on a plot of land where they're able to supplement their rations, food that they're given by the house or maybe they choose to grow something that they know that the house could have a use for and they sell it back to the house.

Jacqueline Langholtz: Who thinks they know whose pockets they have? Just with a silent show of hands. I know, I know who my pocket represents. Great! Ah, wonderful.

Teacher 1: It’s a list and it’s written so we knew that person had to be educated—

Jacqueline Langholtz: Great.

Teacher 1: 'Cause even if they didn’t write it they had to read it.

Jacqueline Langholtz: And it’s a list of what kinds of things, can I ask?

Teacher 1: Ah, things they’re going to buy or—like it says kill chickens and stuff like that, you know, it would be like a grocery list.

Teacher 1: Like a grocery list, great.

Jacqueline Langholtz: Keys.

Jacqueline Langholtz: Can you hold those up so that we can all see them too? How would you describe that key set? If you said, oh, I left my keys on my desk, go and grab them. They look like . . .

Teacher 1: Like jail keys, no.

Jacqueline Langholtz: They’re big, right?

Teacher 1: They’re big, they’re bulky, they’re heavy. Must be somebody important 'cause not everybody had keys.

Jacqueline Langholtz: Great deduction, yes. And what’s that door like probably?

Teacher 1: Heavy.

Jacqueline Langholtz: It’s not a dainty little door, right. Great, what else is in your pocket?

Teacher 1: We had a fan and then an embroidered bag, so that led us to believe it was probably a female's bag.

Jacqueline Langholtz: Excellent. And that is a pocket that’s worn on the outside, tied around your waist, great. How about the big reveal? Whose do you think it is?

Teacher 2: Well, we thought it was Martha, Jefferson’s daughter.

Jacqueline Langholtz: Round of applause. Excellent. Yay. So, so why it, why is it Martha Jefferson Randolph’s pocket?

Teacher 2: Well, we knew based on what we had seen in the dependencies about the keys and the importance of controlling stores . . .

Jacqueline Langholtz: Great.

Teacher 2: And the list, keeping that. And then it was kind of also interesting, lots of sewing items.

Jacqueline Langholtz: Yep. You have spices in there, I heard you talking about the vanilla, you have a sewing kit—and carrying the keys, you’re right, even that phrase is responsibility in the house. So if I’m carrying the keys to the storehouse, I’m responsible for what’s inside there, and she would sometimes pass the keys over to a domestic house servant or a slave who needed to get in to retrieve something or she would get it for them. And this was apparently an exercise that each one of the granddaughters had to do for about a week and they write and complain about it because it’s such a pain that people are constantly coming and finding you and interrupting you because they need access to something in the storehouse. And it reminds me of when I was in high school or junior high and they made me carry around a fake baby for a while. I don’t know if that’s still done in schools but it was to teach that this is—being an adult is a lot of responsibility.

Teacher 3: Well, one of the things I knew 'cause I knew somebody that actually had one of these and could play it. It’s a mouth harp. So you can put it in your mouth and when you put it in between your lips and you go like this then you can change, like, and it makes a twangy kind of sound like—yeah, like a real twangy kind of sound so we thought that that would probably be some sort of recreational something that would be in this pocket.

Teacher 4: And then there's nails, and I remember somewhere we heard that they make nails in the—that the children make nails, so—

Jacqueline Langholtz: Yes, in the what though? You were about to tell us where?

Teacher 4: In the, I forget, the place where they make nails.

Teacher 3: The forgery.

Jacqueline Langholtz: Yeah, that's the forge, the blacksmith shop, great.

Teacher 4: And then fishing line and a hook and a bobber doohickey.

Teacher 3: And then a flint, which we didn’t know what this was, but you can make fire with it and you've got the flax—yeah, Chris helped us. At first we thought it was a handle on something, but you can actually hold it and you can do that and make fire.

Teacher 4: And it’s small so it’s not like an adult could use it because the way you use it has to be small for small hands.

Jacqueline Langholtz: I use it, I use it. That’s a typical striker size.

Teacher 4: Oh, it is? Oh, okay, I thought it was small.

Jacqueline Langholtz: But you’re right in saying that it's small, you’re also letting us know something about it, that it’s portable. Right? And if we are looking at pockets, everything wer'e looking at is something that is portable here.

Teacher 3: And then really quickly, interestingly, we had these little pieces—they look like Monopoly pieces, and so you can put them together and make a coin. Apparently you used to be able to break a coin apart to make change.

Jacqueline Langholtz: Not like a piece of candy bar, though, but cutting it.

Teacher 5: Like a piece of eight.

Jacqueline Langholtz: Piece of eight! So okay, there’s a story there. What do you know?

Teacher 5: They would cut it and they would weigh it so that they would make sure that they paid the right amount.

Jacqueline Langholtz: That’s right.

Teacher 5: 'Cause your silver was very precious to you.

Jacqueline Langholtz: That’s right. So cutting and weighing the silver. And a piece of eight—eight of those pieces go into a dollar piece.

Teacher 4: And then marbles, which are also recreation.

Teacher 3: So we thought that it was a slave's pocket, like a child slave or, you know, young person.

Jacqueline Langholtz: And they got it right. And we had what I thought was a great discussion, too, because often times if—even teachers—but students do this activity before they’ve gone through any part of the mountain or before they’ve gotten exposed to some of the things in the galleries, sometimes the money in that pocket can throw them off. They either think, well, I thought it was a slave's pocket, but there’s money in it, so it’s not, or they think the money is from someone else’s pocket, so it’s a great way to also teach about how Monticello has different roles and responsibilities for slaves here and that sometimes slaves were paid for their work. People like Joe Foset, the blacksmith, or John Hemmings who often times sold some of their work in town and then had some money from that or selling produce back to the house as Dr. Chew told us.

Teacher 1: We had a sampler with the alphabet on it. A game that has different levels of difficulty, either trying to catch it on top here or in the hole, which is next to impossible. We also had marbles in ours, as well. A little squirrel, which, that actually ended up being a game piece as well. We had a slate with the engraving—I don’t know if you call it chalk or not but—and we had a book in French that was on Anne of Cleves and that’s all we could really figure out because it’s entirely in French. And what was most helpful was a letter from Thomas Jefferson to Patsy that was written—it was dated 1783 in Annapolis and kind of went over his educational expectations for her while he was not at Monticello and that led us to believe that this was the pocket of Patsy, his daughter.

Jacqueline Langholtz: Yes, and would you mind for everyone’s intense enjoyment walking us through what the "miser of his time," Thomas Jefferson, recommends for how a young girl should spend her day?

Teacher 1: "From eight to 10 o’clock, practice music. From 10 to one, dance one day and draw another. From one to two, draw on a day you dance and write a letter the next day. From three to four, read French"—that explained the book—"From four to five exercise yourself in music. From five till bedtime read English and write"—looks like "writed." Communicate this plan to Ms. Hopkinson—

Jacqueline Langholtz: Her tutor.

Teacher 1: —"and if she approves of it, pursue it as long as I remain in Philadelphia. Activate her"—"articulate her affections, she has been a valuable friend to you and her good sense and her good heart make her valued by all who know her."

Jacqueline Langholtz: Excellent. Wonderful reading. So from family letters we learn a lot about the daily life—I mean, that’s the name of this program right, Daily Life at Monticello—for the family, for the staff, so for those who live in the house, for those who work in the house. We love that letter. And what do you think students—how do you think students react to that letter? What do they hear when they see it? They’re like, did she not eat? No, she ate. Did she not sleep? Right, but it sounds—you know, it sounds pretty stern. So who’s missing from this picture? El Jefe, right? Take us through what was in your pocket.

Teacher 2: Well, the first thing that was noticed was it's nice leather when we opened the pocket itself. The thing that we thought—we found really curious was the ivory for note-taking, for this. The glasses are really nice and they—

Jacqueline Langholtz: Ah, the spectacles.

Teacher 2: So they can be compacted a lot more. And this feels like very nice leather. There is a letter inside, it’s been sealed with the wax and the seal from here and it’s signed from Thomas Jefferson. It’s dated Monticello, April 16, and then the year 10, obviously 1810 because what other century could it be?

Jacqueline Langholtz: Right, but great question.

Teacher 2: And it says, "Dear Jefferson"—our question is who’s the Jefferson he’s writing to, it’s a person, he says they’re out of salad oil, he’s wondering if they have any in Richmond, if it’s good quality, they wanted—

Jacqueline Langholtz: They want a lot of it.

Teacher 2: They want a lot of it. I’m trying to think how many. If it’s mediocre then they want two or three. If it’s not so good just a single bottle just to serve them until he can get some from Philadelphia.

Jacqueline Langholtz: This is a man obsessed with salad oil, just so you know. Thomas Jefferson is obsessed with salad oil and this is—if it’s good stuff, get a lot of it, and if it’s bad, I need some, so just give me some and then we'll get some good stuff later on whenever we can. Yeah, that’s what that is.

Teacher 2: Just too fun. And then at the very end he says that everyone in my family is well except for Benjamin whose health isn’t too good. How are you in Richmond? And he said he’d probably see him in Richmond at some point in time. But we don’t know, at least we couldn’t figure out who Jefferson was. Was it his brother or somebody?

Jacqueline Langholtz: Well, that’s a great question and it’s someone in the family. Does anyone here—anyone here in a family where names are repeated in your family? Yeah, so the same thing here. And you’ve already seen that Martha’s name is repeated so his wife is Martha, his eldest daughter is Martha, and here his name is repeated—Thomas Jefferson Randolph is the grandson. He’s actually the executor of the will, so this is a letter from Thomas Jefferson to Thomas Jefferson Randolph.

Teacher 2: Randolph, the grandson.

Teacher 3: Provider of salad oil.

Jacqueline Langholtz: Provider of salad oil, that’s right.

Teacher 2: Okay, do we go through everything?

Jacqueline Langholtz: I like that next thing you’re grabbing, so please do.

Teacher 2: It’s a—this one is the quill—portable quill and the ink as well.

Jacqueline Langholtz: It’s a portable writing set. I love that. It’s so funny, too, because sometimes students ask us if it’s perfume or do you want to guess the other thing they were like—

Teachers: A flask.

Jacqueline Langholtz: A flask. No, no, no! Jefferson’s a man of letters, it’s for writing, yeah.

Teacher 2: Then there’s more money. If you want to show them the money.

Jacqueline Langholtz: Yeah, and more money compared certainly to what you had in your pocket, yeah. Excellent. And any sort of epiphanies or questions you have about Jefferson the man after looking through a recreated pocket for him?

Teacher 2: I just love seeing this after we’ve talked about it. This was awfully fun for me.

Jacqueline Langholtz: So what did we—what did we say about this? Or I don’t know if the whole group heard the discussion&#8212

Teacher 2: It was—it was made from ivory and you can write on it with a pencil.

Teacher 4: How accessible was that?

Jacqueline Langholtz: I don’t know, that’s a great question. Jefferson often has things made specifically for him to his specifications. I, at least, haven’t seen this in other venues—David, I’m looking towards you. I mean I learned about it here but that’s not to say that no one else used it. Certainly other people and Jefferson is not alone in being obsessed with data collecting as a man of the Enlightenment, he’s doing this and he’s sharing data with other people, but this is his system of collecting, but you can’t buy these so they're at least uncommon enough that no one makes reproductions of them. So these are piano keys, this is ivory from piano keys that we bought and then they're just sort of tacked together. And he had very small ones for travel and slightly larger ones in the galleries too. And you’re right—you take shorthand notes on them in lead and then transfer it to the appropriate book, so maybe it transferred into the weather book or the garden book or the plantation book and then wipe it off and reuse it. I love these.

Teacher 4: Were some of Jefferson’s actually found onsite?

Jacqueline Langholtz: We have some of his upstairs but I don’t think they were ever buried and unearthed. I think they were always known to be his and treasured or at least known of. Let’s give them a round of applause. Wonderful job!

Las Vegas: An Unconventional History

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Photo, Burt Glinn, Las Vegas: An Unconventional History
Annotation

Produced as a companion to a PBS documentary, this site explores the history of Las Vegas through interviews, essays, and primary documents. "The Film and More" offers a film synopsis, a program transcript, and six primary documents on Las Vegas. These include a 1943 Time article on lenient divorce laws in Nevada as a tourist attraction and a newspaper report of an NAACP protest. "Special Features" offers seven presentations that include an interview with noted Las Vegas historian Hal Rothman, an exploration of the Federal government's public relations campaign on nuclear testing in the 1950s, and an essay on Las Vegas architecture. "People and Events" offers 14 essays on the people of Las Vegas and three essays on Las Vegas history.

An interactive map allows the visitor to survey the Las Vegas area and examine its development, and a timeline from 1829 to the present charts the growth of Las Vegas from a small railroad town to the present-day resort and gaming metropolis that is the most visited place in the world. A teachers' guide contains two suggested lessons each on history, economics, civics, and geography. The site also has 11 links to related websites and a bibliography of 55 books. The only search capability is a link to a search of all PBS sites.

Coming of Age in the Twentieth Century, Stories from Minnesota and Beyond

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Photo, Donna, Age 13, c. 1966, Twentieth-Century Girls
Annotation

This website explores "girls' history" with 40 oral history interviews conducted by women's studies students at Minnesota State University-Mankato. Each interviewee was asked extensively about her girlhood. Questions focused on adolescence and growing up as well as the social, cultural, and physical implications of girlhood and personal experiences. Topics include family, race, sexuality, education, and women's issues. The archive includes brief biographies, video clips, and transcripts of interviews (arranged thematically), photographs, and reflections of the interview process. Most of the women interviewed were born and raised in Minnesota, although a few came from other states with a smaller number immigrating from other countries. The site is not searchable, and the video clips are not high quality.

The Policy of Polygamy

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Nauvoo, Illinois, house of Mormon prophet, Joseph Smith, Library of Congress
Question

When did Joseph Smith abandon the policy of polygamy? How did he rationalize this shift in church policy?

Answer

Joseph Smith never abandoned the practice of polygamy; however, in the February 1, 1844 issue of the Latter-day Saints newspaper Times and Seasons, Smith and his brother Hyrum, co-presidents of the church, did publish a notice stipulating that Hiram Brown, a church elder in Michigan, had been cut off from the church for "preaching Polygamy, and other false and corrupt doctrines."

The renowned scholar Richard L. Bushman, who identifies himself as a "believing historian," asserts that rather than indicating a shift in church policy, the February 1844 edict comported with Smith's sermons and public statements of the period. On the pulpit, Smith vigorously denounced "adultery fornication" and polygamy, while in private, he revealed to trustworthy individuals and small groups within the church a revelation he had experienced that served to encourage and sanctify plural marriages that had been commanded by God, drawing on Old Testament practices as precedents. Smith ritualized the practice of polygamy through the institution of "sealing" couples together by priests of the church for eternity, thus allowing them to procreate eternally and achieve celestial glory. Smith denounced as adulterous polygamous practices that had not been sanctified by the church. Bushman concedes, "The distinction between priesthood calls to take additional wives and unlicensed indulgence was clear to him [Smith] if not always to others."

John C. Bennett, the co-founder with Smith of the Latter-day Saint town of Nauvoo, Illinois, and its first mayor, had been excommunicated two years earlier after telling numerous women in the community "that illicit sexual intercourse was acceptable if kept secret," according to Bushman. The February 1844 edict implied an attempt to disassociate the church from such rogue missionaries as Bennett and Brown, especially during a period in which Smith had become a candidate for the presidency of the United States. The church doctrine of sanctified plural marriages was not acknowledged publicly until 1852, eight years after Smith's assassination. In 1890, due to pressure from the federal government, the church issued a manifesto announcing that it no longer sanctioned plural marriages. Subsequent edicts in 1904 and 1910 threatened excommunication to church members and priests who entered into or performed new plural marriages.

Bibliography

Richard L. Bushman, with the assistance of Jed Woodworth, Joseph Smith: Rough Stone Rolling. New York: Knopf, 2005.

Donna Hill, Joseph Smith, The First Mormon. Salt Lake City, Utah: Signature Books, 1977.

Kathryn M. Daynes, More Wives Than One: Transformation of the Mormon Marriage System, 1840–1910. Urbana, Ill. and Chicago: University of Illinois Press, 2001.

Children's Lives at Colonial London Town

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Screencap, Children's Lives at Colonial London Town
Annotation

Children's Lives at Colonial London Town tells the stories of three 18th-century families who lived in the port town of London Town, MD. Funded by a Teaching American History (TAH) grant, Anne Arundel County Public School teachers created this interactive online storybook and complementary app in partnership with the Center for History Education at the University of Maryland, Baltimore County (UMBC) and Historic London Town and Gardens.

The storybook includes a three-chapter narrative exploring the lives of the Pierponts, a four-child, single-mother family running an ordinary (a public house) in 1709; the Hills, a middle-class young Quaker couple raising Mrs. Hill's five young siblings in 1739; and the Browns, 1762 tavernkeepers who owned several slaves, among them seven-year-old Jacob. Introductory sections explore the pre-colonial lives of Native peoples and the early days of colonization.

Each of more than 40 pages features images of primary sources, photographs of reenactors, and two to three paragraphs describing the everyday lives of these families. The stories look at how both parents and children (including enslaved children) ate, slept, dressed, worked, learned, played, and attended to their health. Questions throughout the text ask students to consider the information they read and develop questions about the past. Highlighted names and vocabulary invite readers to click to visit a glossary.

A slideshow gallery of images used in the storybook, an interactive map showing the locations of the three families' homes, and a timeline of events of both national and local London Town events from 1600 to 1800 support the storybook. Clicking on highlighted names and terms on the timeline takes visitors to related primary sources and articles off-site.

But how to use the storybook in the classroom? An Educators section orients teachers to the storybook and its supporting materials. A guide outlines the purpose and structure of the storybook, while the "Educator Resource" section offers more than 10 downloadable lesson plans and activities for 4th- through 5th-graders. Teachers can also review pre-reading and during-reading strategies for using the storybook, as well as strategies for writing prompted by it. Teachers can also follow links to sections of the Historic London Town and Gardens' website, including a 300-word introduction to London Town's history and information on London Town school tours.

To learn more about subjects covered in the storybook and to explore the sources that went into making it, see "Additional Websites and Places of Interest" for more than 25 links to websites focusing on Maryland, Virginia, Delaware, and Pennsylvania history and "Sources Used to Create This Book" for a bibliography of more than 30 books, primary sources, and websites.

A window into history tailored specifically for upper-elementary students, Children's Lives at Colonial London Town could make a compelling whiteboard read-along activity for teachers covering the colonial era. For students and teachers with smartphones and tablets, try the free app version and let students explore at their own pace.

Portal to Texas History

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Postcard, postmarked October 9, 1907, Portal to Texas History
Annotation

This archive offers a collection of more than 900,000 photographs, maps, letters, documents, books, artifacts, and other items relating to all aspects of Texas history, from prehistory through the 20th century. Subjects include agriculture, arts and crafts, education, immigration, military and war, places, science and technology, sports and recreation, architecture, business and economics, government and law, literature, people, religion, social life and customs, and the Texas landscape and nature. Some subjects include sub-categories. For instance, social life and customs, with 694 items, includes 13 sub-categories, such as clothing, families, food and cooking, homes, slavery, and travel. The visitor can also search the collection by keyword.

Resources for educators include seven "primary source adventures," divided into 4th- and 7th-grade levels, with lesson plans, preparatory resources, student worksheets, and PowerPoint slideshows. Subjects of the lessons include Cabeza de Vaca, Hood's Texas Brigade in the Civil War, life in the Civilian Conservation Corps, the journey of Coronado, the Mier Expedition, runaway slaves, the Shelby County Regulator Moderator war, and a comparison of Wichita and Comanche village life. This website offers useful resources for both researching and teaching the history of Texas.

Lower East Side Tenement Museum

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Photo, New York, New York, January 23, 2010, flickr4jazz, Flickr
Annotation

In 1863, 97 Orchard Street, a tenement in New York City's Lower East Side, opened its doors to the growing population of recent immigrants to that city, housing more than 7,000 people before it closed in 1935. The museum that now occupies that building has restored six families' apartments with careful attention to historical detail. This website, while primarily intended as a guide for those intending to visit the physical museum, provides several tantalizing glimpses at tenement life, as well as information on historical restoration.

The History section presents 15 photographs and etchings explaining the evolution of bathrooms, light, water, and heat in the building, as well as examples of primary source documents and interviews available in the museum's collections. Additionally, a small exhibit of five photographs reconstructs how the museum's curators interpreted a 1918 apartment in the tenement—showing the use of crime scene photographs to determine how the family would have decorated the walls.

The Play section contains a narrated virtual tour of the museum, and five well-designed interactive experiences on immigration and immigrant life geared towards younger learners. Highlights from these sections are repeated in the Education section, which also includes three lesson plans each for elementary, middle, and high school levels focused on teaching with objects, oral histories, and other primary sources.