For Us the Living

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For Us the Living is a resource for teachers that engages high school students through online primary-source based learning modules. Produced for the National Cemetery Administration's Veterans Legacy Program, this site tells stories of men and women buried in Alexandria National Cemetery, and helps students connect these stories to larger themes in American history. Primary sources used include photographs, maps, legislation, diaries, letters, and video interviews with scholars.

The site offers five modules for teachers to choose from, the first of which serves as an introduction to the cemetery's history. The other four cover topics such as: African American soldiers and a Civil War era protest for equal rights, the manhunt for John Wilkes Booth after Lincoln’s assassination, commemoration of Confederates during Reconstruction, and recognition of women for their military service. Most of the modules focus on the cemetery’s early history (founded in 1862) although two modules reach into the post-war era. Each module is presented as a mystery to solve, a question to answer, or a puzzle to unravel. Students must use historical and critical thinking skills to  uncover each story. Each module ends with two optional digital activities, a historical inquiry assignment and a service-learning project, related to the module theme.

Teachers should first visit the “Teach” section which allows them to preview each module (including its primary sources, questions and activities), learn how to get started, and see how the site’s modules connect with curriculum standards. In order to access the modules for classroom use, teachers do have to create their own account, but the sign up process is fast, easy, and best of all, free! The account allows teachers to set up multiple classes, choose specific module(s) for each class, assign due dates, and view student submissions.

Las Vegas: An Unconventional History jmccartney Wed, 09/09/2009 - 17:12
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Photo, Burt Glinn, Las Vegas: An Unconventional History
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Produced as a companion to a PBS documentary, this site explores the history of Las Vegas through interviews, essays, and primary documents. "The Film and More" offers a film synopsis, a program transcript, and six primary documents on Las Vegas. These include a 1943 Time article on lenient divorce laws in Nevada as a tourist attraction and a newspaper report of an NAACP protest. "Special Features" offers seven presentations that include an interview with noted Las Vegas historian Hal Rothman, an exploration of the Federal government's public relations campaign on nuclear testing in the 1950s, and an essay on Las Vegas architecture. "People and Events" offers 14 essays on the people of Las Vegas and three essays on Las Vegas history.

An interactive map allows the visitor to survey the Las Vegas area and examine its development, and a timeline from 1829 to the present charts the growth of Las Vegas from a small railroad town to the present-day resort and gaming metropolis that is the most visited place in the world. A teachers' guide contains two suggested lessons each on history, economics, civics, and geography. The site also has 11 links to related websites and a bibliography of 55 books. The only search capability is a link to a search of all PBS sites.

American Resistance to a Standing Army kmconlin Tue, 05/03/2011 - 12:14
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Print, Life Magazine, 1951, James Madison, New York Public Library
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Quote from Madison: "The means of defence against foreign danger, have been always the instruments of tyranny at home. Among the Romans it was a standing maxim to excite a war, whenever a revolt was apprehended. Throughout all Europe, the armies kept up under the pretext of defending, have enslaved the people."

I understand what he means, but can you give some specific examples of which events Madison was talking about. Can you give other ancient examples where foreign wars are used as a type of diversion?

Answer

In June of 1787, James Madison addressed the Constitutional Convention in Philadelphia on the dangers of a permanent army. “A standing military force, with an overgrown Executive will not long be safe companions to liberty,” he argued. “The means of defense against foreign danger, have been always the instruments of tyranny at home. Among the Romans it was a standing maxim to excite a war, whenever a revolt was apprehended. Throughout all Europe, the armies kept up under the pretext of defending, have enslaved the people.” That Madison, one of the most vocal proponents of a strong centralized government—an author of the Federalist papers and the architect of the Constitution—could evince such strongly negative feelings against a standing army highlights the substantial differences in thinking about national security in America between the 18th century and the 21st.

While polls today generally indicate that Americans think of the military in glowing terms (rightly associating terms like “sacrifice,” “honor,” “valor,” and “bravery” with military service), Americans of the 18th century took a much dimmer view of the institution of a professional army. A near-universal assumption of the founding generation was the danger posed by a standing military force. Far from being composed of honorable citizens dutifully serving the interests of the nation, armies were held to be “nurseries of vice,” “dangerous,” and “the grand engine of despotism.” Samuel Adams wrote in 1776, such a professional army was, “always dangerous to the Liberties of the People.” Soldiers were likely to consider themselves separate from the populace, to become more attached to their officers than their government, and to be conditioned to obey commands unthinkingly. The power of a standing army, Adams counseled, “should be watched with a jealous Eye.”

Experiences in the decades before the Constitutional Convention in 1787 reinforced colonists’ negative ideas about standing armies. Colonials who fought victoriously alongside British redcoats in the Seven Years’ War concluded that the ranks of British redcoats were generally filled with coarse, profane drunkards; even the successful conclusion of that conflict served to confirm colonists’ starkly negative attitudes towards the institution of a standing army. The British Crown borrowed massively to finance the conflict (the war doubled British debt, and by the late 1760s, fully half of British tax pokiesaustralian.com revenue went solely to pay the interest on those liabilities); in an effort to boost its revenues, Parliament began to pursue other sources of income in the colonies more aggressively. In the decade before the Declaration of Independence, Parliament passed a series of acts intended to raise money within the colonies.

The power of a standing army, Adams counseled, “should be watched with a jealous Eye.”

That legislation further aggravated colonists’ hostility towards the British Army. As tensions between the colonies and the crown escalated, many colonists came to view the British army as both a symbol and a cause of Parliament’s unpopular policies. Colonists viewed the various revenue-generating acts as necessitated by the staggering costs associated with maintaining a standing army. The Quartering Act, which required colonists to provide housing and provisions for troops in their own buildings, was another obnoxious symbol of the corrupting power represented by the army. Many colonists held the sentiment that the redcoats stationed in the colonies existed not to protect them but to enforce the king’s detestable policies at bayonet-point.

No event crystallized colonists’ antagonism towards the British army more clearly than what became known as the Boston Massacre. In March 1770, British regulars fired into a crowd of civilians, killing five. That event provided all the proof the colonists needed of the true nature of the redcoats’ mission in the colonies. Six years later, the final draft of the Declaration of Independence contained numerous references to King George’s militarism (particularly his attempts to render the army independent of civilian authority, his insistence on quartering the troops among the people, and his importation of mercenaries to “compleat the works of death, desolation, and tyranny”); by the end of the War of Independence, hatred of a standing army had become a powerful and near-universal tradition among the American people; the professional British army was nothing less than a “conspiracy against liberty.”

Colonists’ experiences with British troops, and the convictions that sprang from them, help explain Madison’s reference to armies having traditionally “enslaved” the people they were commissioned to defend. After winning their political independence, the victorious colonies faced the difficult task of providing for their own security in the context of a deep-seated distrust of a standing military.

Madison’s language reflected a common concern that the maintenance of a standing army in the new United States would place [financial] burdens on the young government [of the United States].

Madison’s use of the imagery of slavery points to the multiple meanings of that term in the 18th century. In Madison’s statement to the Convention, it referred not to the literal notion of armies marching the citizenry through the streets in shackles but to a kind of metaphorical slavery. The immense costs necessary to raise and maintain a standing army (moneys required for pay, uniforms, rations, weapons, pensions, and so forth) would burden the populace with an immense and crippling tax burden that would require the government to confiscate more and more of the citizenry’s wealth in order to meet those massive expenses. Madison’s language reflected a common concern that the maintenance of a standing army in the new United States would place similar burdens on the young government; their experiences with the British army under Parliament in the 1760s and 1770s likewise led to concerns that the executive would use a standing army to force unpopular legislation on an unwilling public in similar fashion.

Other members of the founding generation worried that an armed, professional force represented an untenable threat to the liberty of the people generally. Throughout history, the threat of military coup—governments deposed from within by the very forces raised to protect them—has been a frequent concern. In 1783, Continental Army officers encamped at Newburgh circulated documents that leveled a vague threat against Congress if the government continued its refusal to pay the soldiers. Historians generally conclude that a full-blown coup d’etat was never a realistic possibility, but the incident did little to assuage contemporary concerns about the dangers posed by a standing army.

The experience with professional armies during the 40 years before the Constitutional Convention, and the values that sprang from those experiences, helps explain why the founders never seriously considered maintaining the Continental Army past the end of the War of Independence. The beliefs that grew organically from their experiences with the British also help explain Madison’s passionate anti-military rhetoric (he would later refer to the establishment of a standing army under the new Constitution as a “calamity,” albeit an inevitable one); together, they cast a long shadow over the debates surrounding the kind of military the new nation would provide for itself.

For more information

Watch Professor Whitman Ridgway analyze the Bill of Rights in an Example of Historical Thinking

Kohn, Richard H. Eagle and Sword: The Federalists and the Creation of the Military Establishment in America, 1783-1802. New York: Free Press, 1975.

The Library of Congress. The Federalist Papers. Last accessed 6 May, 2011.

The National Archives. The Constitution. Last accessed 6 May, 2011.

Prohibition: A Film by Ken Burns & Lynn Novick

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Screencapture, Prohibition homepage
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This website provides a light introduction to the history of Prohibition in the United States, reinforced with videos and images from the Ken Burns and Lynn Novick documentary from PBS. The website showcases a photo gallery and biographies on figures from the time period paired with clips from the full-length documentary. The website also includes a map and timeline function for visualizing Prohibition efforts across space and time, as well as more than 10 lesson plans and activity resources for educators.

The website is relatively easy to navigate. The photo gallery contains more than 70 images of individuals, newspaper articles, and events, coupled with brief descriptions. More than 30 brief videos, pulled from the larger documentary, are scattered throughout the website. (Note: the video content is not transcribed or captioned.) Another useful feature may be the map, which enables visitors to get a sense of the geographical relationship of events and figures, or the timeline, which visualizes the sequence of events. Students may also be encouraged to examine one of the more than 20 biographies: brief descriptions paired with videos that provide a more in-depth discussion of the individual.

Educators should direct their attention to the For Educators section. This page provides access to four prepared lesson plans and nine quick "snapshot activities" intended to work in conjunction with website and documentary materials. These activities can be modified and integrated into larger units in coursework on these subjects. Given the graphic nature of some photos on the site and the available subject content, teachers may want to reserve the website for students grades eight and higher.

The Montgomery Bus Boycott: They Changed the World Anonymous (not verified) Thu, 09/26/2013 - 13:36
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Screenshot, Montgomery Bus Boycott: They Changed the World gallery page, 2013
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This website is a detailed look at the Montgomery Bus Boycott of 1955–1956 as covered in the Montgomery Advertiser. It includes more than 20 oral histories, more than 40 archival news stories, and more than 20 images of the event. A 3,000-word overview section provides details regarding the boycott, the people involved, why it occurred, and the outcome. A biography section includes more details regarding the individuals involved with the boycott. A memorial page for Rosa Parks, one of the most visible figures of the Montgomery Bus Boycott, includes photos, videos, and news articles from the Montgomery Advertiser regarding her death. "Voices of the Boycott" includes oral histories from the participants of the boycott.

The site also includes an archive of stories from the Montgomery Advertiser and the Associated Press regarding the boycott. This includes front page stories, as well as smaller news stories from within the newspaper. Finally a photo gallery contains booking photos, images of speeches, and photos of the events. None of the images in the gallery are graphic in nature.

Though the site is very user-friendly and all information easily accessible, it is somewhat limited in its focus on primary sources directly tied to the Montgomery Advertiser. Still, this website could potentially be useful for educators and students looking to supplement their studies on the U.S. Civil Rights Movement, especially due to the inclusion of the oral histories.

Keynote Address: 150 Years of Civil Rights in American Art

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From the Smithsonian Institution:

"From its beginnings in the years immediately following the American Civil War, the campaign aimed at outlawing racial discrimination against African Americans and restoring their voting rights inspired visual documentation and creative representations of its struggles and achievements. This presentation traces these image-based responses to the “Long” Civil Rights Movement, focusing on the evidentiary, fine art, and propagandistic ways in which graphic artists, painters, sculptors, photographers, and architects in the United States acknowledged this social and political crusade, and gave “The Movement” significant artistic form."

The Power of Objects: Civil Rights Collections at the National Museum of American History

Description

From the Smithsonian Institution:

"The National Museum of American History’s civil rights collections grew out of the political turmoil of the 1960s that engulfed the nation’s capital and the country. Some material was collected by curators, several of whom were personally active in local civil rights organizations, and other items were literally left behind on the Smithsonian’s doorsteps. The collection today includes items ranging from 19th century abolitionists broadsides to contemporary protest signs. This presentation will explore how this collection was first formed, look at some of the most significant items in the collection, and discuss what new directions the museum is considering."

Oh Freedom! Curatorial Spotlight

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From the Smithsonian Institution:

"Smithsonian American Art Museum Chief Curator Virginia Mecklenburg discusses her curatorial perspective on the vision and creativity of African American artists and the various ways these artists have expressed notions of Civil Rights from protest to identity and representation to community."

Using Oh Freedom! to Teach Civil Rights

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From the Smithsonian Institution:

"Join Dr. Elizabeth K. Eder from the online conference project team to explore Oh Freedom!, a new Smithsonian website that uses artwork, music, oral histories, objects, and primary source documents to teach about the Civil Rights movement. Learn how to use the interactive timeline, create and share lessons correlated to national standards, collect images for your classroom, and more."