Incorporating 20th Century US Environmental History in the 6-12 Classroom aspenc6 Tue, 12/17/2024 - 09:19
Article Body

Introduction: How to Use this Guide

Organization

  • Sources are sorted into four thematic sections, arranged chronologically.
  • Each section begins with an overview and index of sources.
  • Primary sources are curated alongside questions, videos, and podcasts to help contextualize each source.

Links

  • Many sources are linked to their hosting websites (external to this site).

 

Environmentalism in the Progressive Era & WWI (c. 1890-1920)

Overview

The primary source documents and videos in this section illustrate the growing environmental ethos evident in the early twentieth century, from the Progressive Era through Wold War I.

The Progressive Era, spanning roughly from 1890-1920, can be understood as a period of reform movements formed in response to rapid industrialization, urbanization, and commercialization. Among these reform movements were two early environmental movements known as preservationism and conservationism. Preservationists believed that natural landscapes should be left exactly as they were, and conservationists sought to maintain natural resources in order for them to be best used and enjoyed. John Muir was known as the most prominent preservationist, whereas Gifford Pinchot was known as the most prominent conservationist.

This growing environmental ethos continued into World War I, as Americans conserved and rationed resources in order to support the war effort. Through their participation in garden clubs and local victory gardens, American women and children on the home front used agricultural practices to support soldiers abroad.

The sources in this section exemplify the many perspectives among Americans fostering connections to the environment in the early twentieth century.

Sources

  • Essay: Gifford Pinchot, 1890 (Excerpt) 
    • 6-12 Video: Mira Lloyd Dock: A Beautiful Crusade
  • Legislative Summary of the Bill to Establish the National Park Service, 1916
    • 6-12 Video: Brigadier General Charles Young
  • “Everybody Plant a Garden,” Richmond Times-Dispatch, April 22, 1917
  • “Yule Exhibits in Portsmouth,” Virginian-Pilot, December 11, 1941
  • Will you have a part in Victory? 1918 Poster
  • The Gardens of Victory, Poster
    • Victory Gardens Video

 

Excerpt: Gifford Pincho Essay, 1890

Link: https://dp.la/primary-source-sets/environmental-preservation-in-the-progressive-era/sources/919


Excerpt from essay on pg 327

Background:

  • Gifford Pinchot (1865-1946) was known as the “father of American forestry.”
  • He was an influential Progressive Era conservationist who advocated for the protection of natural resources in the United States.
  • This 1908 Essay discusses issues of deforestation, the over-extraction of coal and other minerals, and the negative effects of monopolies on natural resources.
  • Pinchot calls for a “New Point of View” regarding the environment, and he appeals to doing so for future generations and the United States as a nation.

Discussion Questions: 

  • Which natural resources do you think Pinchot is referring to?
  • What might Pinchot mean by a “critical point” in history?
  • In what ways might this relate to industrialization?

Extension Video:

Mira Lloyd Dock: A Beautiful Crusade (Link to Web)

Annotation/Discussion Questions:

  • How might Dock’s experiences growing up in an industrializing city influenced her career trajectory?
  • What were some of the environmental hazards
    Harrisburg faced due to industrialization?
  • What were some of the argument Dock made for cleaning up Harrisburg? How might her trip to Europe have influenced her arguments?
  • How might public parks have helped industrializing cities?
  • How might Harrisburg’s city beautiful movement have influenced movements in other cities, as well as city parks in our own time?

 

1916 Congressional bill to establish the National Park Service & NPS Video

Link: https://dp.la/primary-source-sets/environmental-preservation-in-the-progressive-era/sources/913

1916 Congressional bill to establish the NPS

Background:

  • President Woodrow Wilson established the NPS
    into law through the 1916 “Organic Act.”
  • Congress proposed a bill to establish the NPS in response to the growing national ethos toward conservation coming out of the Progressive Era.
  • This Congressional report summarizes the bill,
    highlighting the utility behind the creation of the
    NPS under the Secretary of the Interior.

Annotation/Discussion Questions:

  • In the first paragraph, the report summarizes the main purposes behind the foundation
    of the National Park Service. What are they?
  • Which department will manage the NPS? Why do you think Progressive Era Americans wanted the federal government to oversee parks? How might this fit into broader Progressive Era reforms?
  • How does Congress distinguish the difference between the National Parks and the National Forests?

Extension Video:

Brigadier General Charles Young Link: https://home.nps.gov/seki/learn/historyculture/young.htm

Background:

  • First Black National Park Super Intendant of Sequoia National Park
  • Prolific military career despite segregation of US armed forces

Link to Supplementary Lesson Plan, NPS: https://home.nps.gov/articles/000/-h-our-history-lesson-fit-for-service-colonel-charles-young-s-protest-ride.htm

 

"Everybody Plant a Garden," Richmond Times-Dispatch, April 22, 1917

Everybody Plant a Garden Newspaper article

 

Annotation:

  • As a newspaper, this was intended for a wide audience and was published just weeks after the US declared war on Germany during WWI. Victory Gardens were encouraged as a way to help with food shortages and rations during the war. Gardening also gave people something to do and a way to participate that would ease anxieties about the war, food, and the threat of inflation.
  • While Garden Clubs were primarily run by women, men and children were also encouraged to join so the whole family could be involved.
  • War took millions of men away from their jobs which included agriculture and transportation. Imports of goods from other countries including fertilizer also slowed or stopped. With decreased home grown food and decreased imports of foreign food, shortages occurred  which caused increased prices and hoarding.
  • The bank invested in the Garden Club in support of the war effort and the local economy.

Discussion Questions:

  • Why might the Bank sponsor a Garden Club? For what reasons might the government have encouraged victory gardens?
  • What benefits do you think victory gardens provided?
  • What do you need to start a Victory Garden? Can everyone do it? (knowledge, tools)

 

"Yule Exhibits in Portsmouth," Virginian-Pilot, December 11, 1941

Yule Exhibits in Portsmouth Newspaper Article

Annotation:

  • As a newspaper, this was intended for a wide public audience. The date reveals that this Yule Exhibit was held the weekend after the attack on Pearl Harbor.
  • A Federation of Garden Clubs through the County indicates that Garden club work was important to the government. Even on the local level, there was institutional support of the war effort.
  • This exhibit attempted to make conservation interesting
    to a wide audience by connecting it to Christmas, and
    hoped to encourage families to reduce waste and decorate using recycled materials at home. Reducing
    waste was important during war time when money and
    resources were scarce.
  • All of the club’s leaders were women which shows that
    conservation was seen as a “women’s activity.” Garden
    Clubs provided women leadership opportunities. Also note that they were all listed by their husbands’ names.
  • Garden Clubs were often made exclusive to only wealthy
    white women. This article shows that in spite of
    segregation, Black women organized their own Garden
    Clubs and advocated for conservation.

Extension Videos:

Smithsonian Gardens: https://www.youtube.com/watch?v=TtrlcLslK5w

Discussion Questions:

  • How might Garden Clubs connect to politics?
  • Why was gardening an “acceptable” way for women to become activists and professionals?
  • What were gender roles of the time? How did this work stay within or reject them?

 

Will you have a part in Victory? 1918

Link: https://www.loc.gov/item/2002712327/

Will you have a part in victory? painting of woman dressed in american flag tossing seeds into a field.

Annotation:

  • This was published by the National War Garden Commission, a temporary department created to encourage gardening during WWI.
  • Dressed in the American flag, this woman, beautiful and innocent looking, represents the country. She appears delicate and yet powerful, but ultimately worthy of
    protection. She walks with a purpose and sows seeds that presumably will allow the nation to win the war. This imagery is often used for America or American ideals (think Statue of Liberty). The image conjures an emotional attachment to the nation, but also inspires women to join her in the garden or farm fields.
  • “Every Garden a Munition Plant” communicates that growing food is just as important as manufacturing guns and ammunition.

Discussion Questions:

  • How is this similar to or different
    from other propaganda images?
  • Why might America be depicted in
    this way? Where have we seen
    something similar?
  • Why do you think the painting/image
    was made to look this way?
  • Who is the audience for this image?

 

The Gardens of Victory

Gardens of Victory Video

Link: https://www.youtube.com/watch?v=uBg1ND5X3tA

poster showing a family working in a garden with a basket full of vegetables they grew

Annotation:

  • This film was made by the United States Office of Civil Defense. It shows the wartime need for vegetable gardens. It advertises that people can get instructions from the government on how to plant a successful garden. The film also says that people benefit from being in the sun and feeling involved in the war effort.
  • In both of these sources, every member of the family is shown participating in the garden. The poster is not just focused on a wife or mother, in fact she is in the back. This family also does not appear to be wealthy which suggests Victory Gardening is for everyone.
  • “Our food is fighting,” is similar to the WWI Poster that said “Every Garden, a Munitions Plant.” Food is seen as just important as military material and action.

Discussion Questions:

  • Do you think this video would have been helpful to people? Why?
  • What are some of the benefits victory gardens provided?
  • How is this poster similar to or different from other propaganda images?
  • Do you see any similarities or differences between these sources and victory garden material from WWI?

 

The Great Depression & The New Deal (c.1929-1945)

Overview

The sources in this section chronicle the environmental aspects of the Great Depression and the New Deal. This period can be studied for both its environmental disaster and federal initiatives toward conservation and reforestation.

In the early 1930s, as the Great Depression wreaked havoc on the economy, the Dust Bowl hit in the Great Plains and the eastern US. The Dust Bowl became known as the largest human caused environmental disaster in US history and is largely attributed to the poor use of agricultural lands as well that were intensified by a long drought in the region. The disaster would lead to mass migration from the Great Plains to Wester states, including California. Primary source photographs, an interview, and a PBS video illustrate the toll the Dust Bowl had on the environment and the people living there.

President Franklin Roosevelt’s New Deal ushered in a series of federally funded programs to alleviate financial burdens of the Great Depression, while also focusing on environmental projects. Notably, the Civilian Conservation Corps (CCC) employed young men to work on conservation initiatives and reforestation projects. Their work would benefit the National Park Service, as well as State Parks around the country.

Sources

  • The Dust Bowl & The Great Depression
    • Photo: Arthur Rothstein, “Abandoned farm in the dust bowl area, Oklahoma,” April 1936, Farm Security Administration.
    • Photo: Dorothea Lange, “Migrant Mother: Birth of an Icon,” Nipomo, 1936.
    • Video: A Man-Made Ecological Disaster
    • Interview with Flora Robertson, 1940
  • Civilian Conservation Corps & the New Deal
    • Video: Zion National Park Ranger Minute
    • NPS, Civilian Conservation Corps Article
    • Video: Civilian Conservation Corps | Oregon Experience, Oregon Public Broadcasting

 

The Dust Bowl and the Great Depression

“Abandoned farm in the dust bowl area, Oklahoma. ” Photographed by Arthur Rothstein of the Farm Security Administration April 1936, Library of Congress.
“Abandoned farm in the dust bowl area, Oklahoma.”
Photographed by Arthur Rothstein of the Farm Security Administration April 1936, Library of Congress.
Dorothea Lange, “Migrant Mother: Birth of an Icon,” Nipomo, 1936, Oakland Museum of California.
Dorothea Lange,“Migrant Mother: Birth of an Icon,” Nipomo, 1936, Oakland Museum of California.

Background:

  • In the early 1930s, extreme drought hit the Great Plains. For decades, farmers in the region had been over-plowing and depleting the soil through a lack of crop rotation.
  • The drought, combined with high winds, caused massive
    dust storms that blew across the plains, further stripping topsoil.
  • Along with environmental damage, the Dust Bowl caused
    further economic hardship and health issues.
  • The Dust Bowl would also cause a mass migration of
    farmers out of states like Oklahoma, Texas, and Arkansas
    and to California as they searched for better opportunities.

Discussion Questions:

  • Describe what you see in the photo.
  • Read the caption:
    • Who took this photo and when?
    • Where is this located?
    • Why do you think this photo was taken?
    • Why might this photo have historical significance?
  • Taken together, how do these two photographs provide different perspectives of the Dust Bowl and the Great Depression (eg. environmental, migration, childhood)

Extension Videos:

A Man-Made Ecological Disaster

Link: https://www.pbslearningmedia.org/resource/ecological-disaster-ken-burns-dust-bowl/ken-burns-the-dust-bowl/

Interview with Flora Robertson, 1940

Link: https://history.iowa.gov/history/education/educator-resources/primary-source-sets/dust-bowl/interview-flora-robertson-about

Discussion Questions:

  • When was this interview recorded and where is Flora located?
  • How did Flora take to protect her from the dust storms?
  • Why might Flora have waited to move to California?
  • How does a personal account of the Dust Bowl add to your understanding of what happened?

 

Segregation and Jim Crow in the Environment

Overview

In the early twentieth century, Jim Crow segregation relegated Black Americans to separate and often unequal environmental spaces. In spite of this, Black Americans had robust relationships to the environment through recreation, and commercial or personal ownership.

The sources in this section highlight the specific ways outdoor spaces were segregated through law and social custom. The sources also reveal how Black Americans maintained connection to the outdoors despite the segregation they actively fought, creating spaces of joy and environmental connection for their communities. By exploring these not so distant stories, students will also be able to consider what effects of environmental segregation and racism are still present today.

Sources

  • Ownership and Segregation of Beaches
    • Photo: “YWCA camp for girls. Highland Beach, Maryland,”
      1930, Scurlock Studio Records, Box 41, Archives Center,
      Smithsonian National Museum of American History.
    • Newspaper: “Police on Guard at Wade-In,” Chicago Tribune, July 9, 1961
    • Video: “Five Minute Histories: Carr’s Beach,” Baltimore Heritage, August 25, 2023.
  • “African Americans and the Great Outdoors,” National Park Service, Digital Project and Map

Ownership and Segregation of Beaches

YWCA camp for girls. Highland Beach, Maryland, 1930, Smithsonian National Museum of American History.
YWCA camp for girls. Highland Beach, Maryland, 1930,
Smithsonian National Museum of American History. https://sova.si.edu/search/ark:/65665/ep80096b07bf0a64bfb9fd5ec70b4dd9cc6


Annotation:

  • Incorporated in 1922, Highland Beach was the first African American municipality in Maryland. It was also the first African American Summer Resort in the Country.
  • Many very wealthy African Americans including Mary Church Terrell and Charles Douglass.
  • In the late 1800s and early 1900s, most beaches and coastal properties were owned by Black people, particularly formerly enslaved folks and their descendants because the weather and sandy soil made the land less valuable. In the 20th century, predatory white land developers started trying to take these properties and monetize them as segregated beaches and resorts.
  • The car and clothing hint at when this was taken, and reveal the presence of Black people in outdoor spaces, specifically beaches, long before desegregation.
  • This photo is of a YWCA camp for girls. Recreation, specifically in the outdoors, was not limited to just boys.
Chicago Tribune, July 9, 1961.
Chicago Tribune, July 9, 1961.

Annotation:

  • Wade-ins were just like sit-in protests happening at lunch counters during the civil rights movement. Instead of sitting down in restaurants, activists were visiting the beach and swimming in the ocean.
  • Many of the beaches where wade-ins occurred, including Rainbow Beach, were not legally segregated, but were “segregated by custom,” meaning that only white people had been welcome there for many years, they were dangerous places for Black people to go.
  • Wade-ins advocated for integration. Many communities ended up getting designated Black beaches rather than equal access to all beaches.
  • The police are facing the group of protestors. This stance indicates that the protestors were seen as the threat of violence rather than the racist mob.
  • Although no violence was reported, ten people were arrested for “unlawful assembly.” This charge is meant for people who enter a space illegally or who threaten public safety. Since there was no legal segregation of Rainbow Beach, neither one of these things was the case.

Discussion Questions:

  • What or who do you see in these photos?
  • When do you think these photos were taken?
  • Why do you think the photos were taken?
  • Did anything in the photos surprise you?
  • What questions do you have for the photos?

 

The Environmental Movements of the 1960s and 1970s

Overview

By the 1960s, decades of industrialization, resource over-extraction, and use of harmful chemicals had taken a noticeable environmental toll. The sources in this section explore the environmental movements of the 1960s and 1970s and pieces of federal legislation passed in response to the growing popular movement to protect the environment.

By the early 1960s and 1970s, what had been a burgeoning environmental movement grew into the mainstream as activists and scholars alike noticed an intensifying environmental crisis. Some key issues included deforestation, air and water pollution, and species extinction. A few key moments in this growing environmental movement include: the fight against DDT, made popular by Rachel Carson’s Silent Spring; the first Earth Day in 1970; and the American Indian Movement’s March to Wounded Knee in 1973. Important pieces of legislation include the Wilderness Act (1964), Clean Air Act (1970), the Endangered Species Act (1973).

Sources

  • "DDT is good for me-e-e," Advertisement, Time Magazine, June 30, 1947
    • Podcast: "DDT: The Britney Spears of Chemicals"
  • Rachel Carson, Silent Spring, excerpts
    • American Experience: Rachel Carson Video
  • Earth Day and March to Wounded Knee
    • Walter Cronkite, Earth Day CBS News Broadcast, April 22, 1970
    • "World Pilgrimage: Wounded Knee," Poster, April 22, 1970
    • Podcast: Throughline, "The Force of Nature"
    • Video: PBS, "The American Indian Movement and Wounded Knee"
  • Environmental Movement: Legislation
    • Complete Text of the Wilderness Act (Teaching Version)
    • Endangered Species Act of 1973
    • Video: PBS Learning Media, "Birth of the Clean Air Act"
    • Video: US Fish and Wildlife Service, Endangered Species Act 101

"DDT is good for me-e-e," Advertisement, Time Magazine, June 30, 1947 

DDT Poster by the Penn Salt Chemicals Manufacturing Company. Poster touts the many beneficial uses of DDT.

(see https://digital.sciencehistory.org/works/1831ck18w)

Background

  • Created by the Penn Salt Chemicals company
  • Published in Time Magazine, June 1947
  • Touts the multiple uses and benefits of DDT for different audiences, including commercial farmers and in the home.
  • Dichloro-diphenyl-trichloroethane (DDT) was developed in the late nineteenth century, but became commercially available by the 1940s.
  • The US military initially used DDT to stop the spread of diseases, like malaria, that spread through insects.
  • DDT became commercially available in the 1940s as a pesticide that everyday Americans and famers could use to keep insects off of crops.
  • Rachel Carson’s Silent Spring has been credited with exposing the harms of DDT on human, animal, and plant health.
  • The movement against DDT can be seen as one of the main signifiers of the modern environmental movement, which had already started to take shape by the early 1960.

Discussion Questions

  • What kind of document is this? (Is it a newspaper article, an advertisement, a letter, etc.)
  • Who created this document?
  • Who might the intended audience be for this document?
  • Choose three of the photographs and text blurbs. What do these sections argue?
  • Taking the document as a whole, what do you think the argument of this document is?
  • Given what has been discussed about DDT, how might this document be misleading?

Extend: "DDT: The Britney Spears of Chemicals" Podcast, https://digital.sciencehistory.org/works/1831ck18w.

  • What were some of the initial uses of DDT?
  • When did the public start to question the use of DDT and why?
    • What are some of the different interpretations of when the public started doubting the use of DDT?
    • How did the Polio epidemic sway public opinion on DDT?
  • Where do we see discourses surrounding uses of chemicals and safety in today’s media?

Excerpts: Rachel Carson’s Silent Spring, 1962, Chapters 1 & 17

A Fable for Tomorrow page one. Above the text is a sketched landscape with trees and mountains

(see https://www.uky.edu/~tmute2/GEI-Web/GEI/GEI10/GEI%20past/GEI08-Global%20Env%20Issues/GEI%20lecturse/carson_silent-spring.pdf).

Background

  • Rachel Carson’s Silent Spring was published in 1962.
  • Carson’s work exposed the dangers of DDT to the public, spurring an already growing environmental movement.
  • Carson was born in Springdale, Pennsylvania (near Pittsburgh) in 1907, and died in 1964 after a battle with cancer.
  • Carson was one of the foremost nature writers of the twentieth century.
  • For more on Rachel Carson see: https://pabook.libraries.psu.edu/literary-cultural-heritage-map-pa/bios/carson__rachel_louise.

Video Source: American Experience on Rachel Carson https://www.youtube.com/watch?v=SeJNRaE11A0

Questions

  • Carson’s introduction spells out a “before” and “after.” How does she describe the natural landscape like before?
    • How does she describe the condition of nature after?
  • What is the cause of this change, according to Carson?
  • Why might Carson have called her book Silent Spring?
  • What is Carson’s call to action?
  • How does Carson appeal to broad audiences beyond the scientific profession?
  • How would you describe Carson’s philosophy behind humanity’s relationship with nature?
  • Do you think Carson’s observations and solutions are still relevant today? If so, how? 

The First Earth Day & March to Wounded Knee, 1970 & 1973

Walter Cronkite, Earth Day CBS News Broadcast, April 22, 1970, https://www.youtube.com/watch?v=WbwC281uzUs.

March to Wounded Knee: Earth Day World Pilgrimage Poster, 1973, Library of Congress, https://www.loc.gov/item/2016648085/

Poster reading March to Wounded Knee: Earth Day, April 20-22

Background

  • The growing popular movements aimed at environmental protection led to a major moment in 1970 with the first Earth Day.
  • Senator Gaylord Nelson of Wisconsin is credited with organizing the first Earth Day, wherein activists from across the country, protested the environmental degradation caused by unchecked industrial pollution.
  • The American Indian Movement (AIM) used Earth Day as a focal point of the 73-day Wounded Knee occupation in 1973.
    • AIM protested the US government’s broken promises and exploitation of American Indian land and human rights. Activists protested on the site of the 1890 Wounded Knee Massacre.

Cronkite Broadcast Questions

  • What are some of the environmental issues Earth Day might have remedied?
  • Who participated in the first Earth Day?
    • Why might Cronkite have said Earth Day “failed?”
  • What role do the media play in shaping public awareness and action on environmental issues?
  • How do you think the environmental movement has evolved since 1970?
    • In what ways do you think it has succeeded, and where do challenges remain?

March to Wounded Knee Poster Questions

  • Who created this poster, and when?
  • Why was this poster made?
  • What is on the poster, and what might these symbols represent?
  • How might the goals of Earth Day align with those of AIM?

Extension Podcast and Video

  • NPR Throughline Podcast, "The Force of Nature," https://www.npr.org/2021/04/19/988747549/earth-day-1970.
  • PBS Video: "The American Indian Movement at Wounded Knee," https://www.pbslearningmedia.org/resource/ush22-soc-aimwoundedknee/the-american-indian-movement-and-wounded-knee-we-shall-remain-wounded-knee/.

Environmental Movement: Legislation 

Background

The growing social and cultural movements throughout the 1960s and 1970s helped push both state and federal legislatures to pass a series of laws to combat air and water pollution, and curb species extinctions. Legislation including the Clean Air Act (1963, 1970), the Wilderness Act (1964), and the Endangered Species Act (1973), provided federal support for the conservation and protection natural environment. These acts, along with the creation of the Environmental Protection Agency (EPA) in 1970, formed the backbone of modern environmental policy, as the federal government began to take a more active role in environmental protection efforts. 

Sources

 

 

 

Incorporating 20th Century US Environmental History in the K-5 Classroom hlecomte Tue, 12/17/2024 - 08:05
Article Body

Introduction: How to Use this Guide

Organization

  • Sources are sorted into four thematic sections, arranged chronologically.
  • Each section begins with an overview and index of sources.
  • Primary sources are curated alongside questions, videos, and podcasts to help contextualize each source.

Links

  • Many sources are linked to their hosting websites (external to this site).

 

Environmentalism in the Progressive Era & WWI, c. 1890-1920

Overview

The primary source documents and videos in this section illustrate the growing environmental ethos evident in the early twentieth century, from the Progressive Era through Wold War I.

The Progressive Era, spanning roughly from 1890-1920, can be understood as a period of reform movements formed in response to rapid industrialization, urbanization, and commercialization. Among these reform movements were two early environmental movements known as preservationism and conservationism. Preservationists believed that natural landscapes should be left exactly as they were, and conservationists sought to maintain natural resources in order for them to be best used and enjoyed. John Muir was known as the most prominent preservationist, whereas Gifford Pinchot was known as the most prominent conservationist.

This growing environmental ethos continued into World War I, as Americans conserved and rationed resources in order to support the war effort. Through their participation in garden clubs and local victory gardens, American women and children on the home front used agricultural practices to support soldiers abroad.

The sources in this section exemplify the many perspectives among Americans fostering connections to the environment in the early twentieth century.

Sources

  • US Forest Service Video, "Gifford Pinchot Birthday Card"
  • National Parks Service Video, "Happy Birthday National Park Service!" 
  • National Parks Service Video, "Brigadier General Charles Young, Early Park Superintendent."  
  • "Everybody Plant a Garden," Richmond Times Dispatch, April 22, 1917.
    • Political cartoon, J.N. Darling, in the New York Tribune, 1919.
  • "Yule Exhibits in Portsmouth, Virginia Pilot, December 11, 1941.
    • Smithsonian Gardens Video.
  • "Will you have a part in Victory?" 1918, poster.
  • "The Gardens of Victory," poster.
    • Victory Gardens Video.

US Forest Service, "Gifford Pinchot Birthday Card" 

Link: https://www.youtube.com/watch?v=WgFlbQiG3j0.

Background:

  • Gifford Pinchot (1865-1946) was known as the “father of American forestry.” He was an influential Progressive Era conservationist who advocated for the protection of natural resources in the United States.

Discussion Questions:

  • The Grey Towers National Historic Site commemorates Pinchot. 
  • What does commemorate mean?
  • How might physical sites commemorate people?
  • Why might the Forest service want to tell Pinchot’s story?
  • What is scientific forestry?
  • Why might Pinchot have wanted to bring forestry to the United States?
  • What kinds of local and national political influence did Pinchot garner?

National Parks Service Video, "Happy Birthday National Park Service!" 

Link: https://www.nps.gov/media/video/view.htm?id=F4CA333A-E487-498D-BB0A-4E3D3729B9B7

Background:

  • President Woodrow Wilson established the NPS into law through the 1916 “Organic Act.”
  • Now, there are sixty-three National Parks across the country, serving millions of people each year. 

Discussion Questions 

  • What do you think of when you hear “National Parks”?
  • What is a Park Ranger?
    • Where do the Park Rangers in this video work?
  • List some of the National Parks described by these Park Rangers.
    • Do any of these places surprise you?
  • If you could make a site you know a National Park, which site would you choose? Why?

Brigadier General Charles Young, Early Park Superintendent

Link: https://home.nps.gov/seki/learn/historyculture/young.htm.

Background:

 

“Everybody Plant a Garden,” Richmond Times-Dispatch, April 22, 1917.

Everybody Plant a Garden newspaper article, sponsored by the American National Bank of Richmond, Virginia

Background

  • As a newspaper, this was intended for a wide audience and was published just weeks after the US declared war on Germany during WWI. Victory Gardens were encouraged as a way to help with food shortages and rations during the war. Gardening also gave people something to do and a way to participate that would ease anxieties about the war, food, and the threat of inflation.
  • While Garden Clubs were primarily run by women, men and children were also encouraged to join so the whole family could be involved.
  • War took millions of men away from their jobs which included agriculture and transportation. Imports of goods from other countries including fertilizer also slowed or stopped. With decreased home grown food and decreased imports of foreign food, shortages occurred which caused increased prices and hoarding.
  • The bank invested in the Garden Club in support of the war effort and the local economy.

Political cartoon, J.N. Darling, in the New York Tribune, 1919

Link: https://virginiahistory.org/learn/victory-gardens.

Cartoon featuring a line of vegetables with faces like people, and a soldier standing in front of them with a newspaper reading Uncle Sam Expects every war garden to do its duty.

Discussion Questions:

  • What do you see?
  • How might Cabbage Worms “enemy plotters” like our enemies in war?
  • Who do you think this cartoon is for?

 

“Yule Exhibits in Portsmouth,” Virginian-Pilot, December 11, 1941. 

 

Article about a conservation yule show in Portsmouth-Norfolk County, Virginia.

Background

  • As a newspaper, this was intended for a wide public audience. The date reveals that this Yule Exhibit was held the weekend after the attack on Pearl Harbor.
  • A Federation of Garden Clubs through the County indicates that Garden club work was important to the government. Even on the local level, there was institutional support of the war effort.
  • This exhibit attempted to make conservation interesting to a wide audience by connecting it to Christmas, and hoped to encourage families to reduce waste and decorate using recycled materials at home. Reducing waste was important during war time when money and resources were scarce.
  • All of the club’s leaders were women which shows that conservation was seen as a “women’s activity.” Garden Clubs provided women leadership opportunities. Also note that they were all listed by their husbands’ names.
  • Garden Clubs were often made exclusive to only wealthy white women. This article shows that in spite of segregation, Black women organized their own Garden Clubs and advocated for conservation.

Smithsonian Gardens Video

Link: https://www.youtube.com/watch?v=TtrlcLslK5w. 

Discussion Questions

  • Are the photos you see in this video in Black and White?
  • What might that mean?
  • What are some reasons people have gardens today?
  • What are some reason why people had gardens back then?
  • Why is gardening good?
  • Why is reducing waste good?
  • What did the women in Garden Clubs do besides garden?
  • How might Garden Clubs have benefited communities?

 

Will you have a part in Victory? 1918

Link: https://www.loc.gov/item/2002712327/

Image showing woman dressed in american flag walking and sprinkling seeds into a field

Background

  • This was published by the National War Garden Commission, a temporary department created to encourage gardening during WWI.
  • Dressed in the American flag, this woman, beautiful and innocent looking, represents the country. She appears delicate and yet powerful, but ultimately worthy of
    protection. She walks with a purpose and sows seeds that presumably will allow the nation to win the war. This imagery is often used for America or American ideals (think Statue of Liberty). The image conjures an emotional attachment to the nation, but also inspires women to join her in the garden or farm fields.
  • “Every Garden a Munition Plant” communicates that growing food is just as important as manufacturing guns and ammunition.

Discussion Questions:

  • What do you see? What do you wonder about this image?
  • Why is the woman dressed in an American flag?
  • Is this similar to other propaganda images?
  • Why was food important during the war?

 

The Gardens of Victory Video

Link: https://www.youtube.com/watch?v=uBg1ND5X3tA

Discussion Questions:

  • What do you notice about this video?
  • When do you think this video was made? Why?
  • What are some reasons why people have gardens today?
  • Why might people have had gardens back then?
  • What is a ration?
  • Do you have questions about the video?

 

The Great Depression and the New Deal (c. 1929-1945)

Overview

The sources in this section chronicle the environmental aspects of the Great Depression and the New Deal. This period can be studied for both its environmental disaster and federal initiatives toward conservation and reforestation.

In the early 1930s, as the Great Depression wreaked havoc on the economy, the Dust Bowl hit in the Great Plains and the eastern US. The Dust Bowl became known as the largest human caused environmental disaster in US history and is largely attributed to the poor use of agricultural lands as well that were intensified by a long drought in the region. The disaster would lead to mass migration from the Great Plains to Wester states, including California. Primary source photographs, an interview, and a PBS video illustrate the toll the Dust Bowl had on the environment and the people living there.

President Franklin Roosevelt’s New Deal ushered in a series of federally funded programs to alleviate financial burdens of the Great Depression, while also focusing on environmental projects. Notably, the Civilian Conservation Corps (CCC) employed young men to work on conservation initiatives and reforestation projects. Their work would benefit the National Park Service, as well as State Parks around the country.

Sources

  • The Dust Bowl & The Great Depression
    • Photo: Arthur Rothstein, “Abandoned farm in the dust bowl area, Oklahoma,” April 1936, Farm Security Administration.
    • Photo: Dorothea Lange, “Migrant Mother: Birth of an Icon,” Nipomo, 1936.
    • Video: A Man-Made Ecological Disaster
    • Interview with Flora Robertson, 1940
  • Civilian Conservation Corps & the New Deal
    • Video: Zion National Park Ranger Minute
    • NPS, Civilian Conservation Corps Article
    • Video: Civilian Conservation Corps | Oregon Experience, Oregon Public Broadcasting

The Dust Bowl and the Great Depression

“Abandoned farm in the dust bowl area, Oklahoma.” Photographed by Arthur Rothstein of the Farm Security Administration April 1936, Library of Congress.
“Abandoned farm in the dust bowl area, Oklahoma.”
Photographed by Arthur Rothstein of the Farm Security Administration April 1936, Library of Congress.
Dorothea Lange,“Migrant Mother: Birth of an Icon,” Nipomo, 1936, Oakland Museum of California.
Dorothea Lange,“Migrant Mother: Birth of an Icon,” Nipomo, 1936, Oakland Museum of California.

Background:

  • In the early 1930s, extreme drought hit the Great Plains. For decades, farmers in the region had been over-plowing and depleting the soil through a lack of crop rotation.
  • The drought, combined with high winds, caused massive
    dust storms that blew across the plains, further stripping topsoil.
  • Along with environmental damage, the Dust Bowl caused
    further economic hardship and health issues.
  • The Dust Bowl would also cause a mass migration of
    farmers out of states like Oklahoma, Texas, and Arkansas
    and to California as they searched for better opportunities.

Discussion Questions:

  • What do you see in these photos?
  • What people and objects do you see?
  • When do you think these photos were taken?
  • Why do you think the photo was taken?
  • How might the Dust Bowl have affected women and children?
  • How might the Dust Bowl have affected the environment?

Civilian Conservation Corps & the New Deal

National Park Service Ranger Minute Link: https://www.youtube.com/watch?v=zPvnXG8qSTs

National Park Service CCC Article Link: https://www.nps.gov/articles/the-civilian-conservation-corps.htm

Oregon Public Broadcasting CCC Video (28 min) Link: https://www.youtube.com/watch?v=6ZArEDEVo4s

Analyzing Photographs & Discussion Questions:

  • What do you see in these photos?
  • What people and objects do you see?
  • When do you think these photos were taken?
  • Why do you think the photo was taken?
  • How did the Civilian Conservation Corps help people? How did it help the earth?
  • Would you join the CCC? Why or why not?

 

Segregation and Jim Crow in the Environment

Overview

In the early twentieth century, Jim Crow segregation relegated Black Americans to separate and often unequal environmental spaces. In spite of this, Black Americans had robust relationships to the environment through recreation, and commercial or personal ownership.

The sources in this section highlight the specific ways outdoor spaces were segregated through law and social custom. The sources also reveal how Black Americans maintained connection to the outdoors despite the segregation they actively fought, creating spaces of joy and environmental connection for their communities. By exploring these not so distant stories, students will also be able to consider what effects of environmental segregation and racism are still present today.

Sources

  • Ownership and Segregation of Beaches
    • Photo: “YWCA camp for girls. Highland Beach, Maryland,” 1930, Scurlock Studio Records, Box 41, Archives Center, Smithsonian National Museum of American History.
    • Newspaper: “Police on Guard at Wade-In,” Chicago Tribune, July 9, 1961

Ownership and Segregation of Beaches

YWCA camp for girls. Highland Beach, Maryland, 1930, Smithsonian National Museum of American History.
YWCA camp for girls. Highland Beach, Maryland, 1930,
Smithsonian National Museum of American History. https://sova.si.edu/search/ark:/65665/ep80096b07bf0a64bfb9fd5ec70b4dd9cc6

Annotation:

  • Incorporated in 1922, Highland Beach was the first African American municipality in Maryland. It was also the first African American Summer Resort in the Country.
  • Many very wealthy African Americans including Mary Church Terrell and Charles Douglass.
  • In the late 1800s and early 1900s, most beaches and coastal properties were owned by Black people, particularly formerly enslaved folks and their descendants because the weather and sandy soil made the land less valuable. In the 20th century, predatory white land developers started trying to take these properties and monetize them as segregated beaches and resorts.
  • The car and clothing hint at when this was taken, and reveal the presence of Black people in outdoor spaces, specifically beaches, long before desegregation.
  • This photo is of a YWCA camp for girls. Recreation, specifically in the outdoors, was not limited to just boys.
“Chicago Tribune, July 9, 1961. Police on Guard at Beach Wade-In police stand and look down on group of young African Americans sitting on the beach.
“Chicago Tribune, July 9, 1961.

Annotation:

  • Wade-ins were just like sit-in protests happening at lunch
    counters during the civil rights movement. Instead of sitting down in restaurants, activists were visiting the beach and swimming in the ocean.
  • Many of the beaches where wade-ins occurred, including Rainbow Beach, were not legally segregated, but were “segregated by custom,” meaning that only white people had been welcome there for many years, they were dangerous places for Black people to go.
  • Wade-ins advocated for integration. Many communities ended up getting designated Black beaches rather than equal access to all beaches.
  • The police are facing the group of protestors. This stance indicates that the protestors were seen as the threat of violence rather than the racist mob.
  • Although no violence was reported, ten people were arrested for “unlawful assembly.” This charge is meant for people who enter a space illegally or who threaten public safety. Since there was no legal segregation of Rainbow Beach, neither one of these things was the case.

Discussion Questions:

  • What or who do you see in these photos?
  • When do you think these photos were taken?
  • Why do you think the photos were taken?
  • Did anything in the photos surprise you?
  • What questions do you have for the photos?

The Environmental Movement of the 1960s and 1970s

Overview

By the 1960s, decades of industrialization, resource over-extraction, and use of harmful chemicals had taken a noticeable environmental toll. The sources in this section explore the environmental movements of the 1960s and 1970s and pieces of federal legislation passed in response to the growing popular movement to protect the environment.

By the early 1960s and 1970s, what had been a burgeoning environmental movement grew into the mainstream as activists and scholars alike noticed an intensifying environmental crisis. Some key issues included deforestation, air and water pollution, and species extinction. A few key moments in this growing environmental movement include: the fight against DDT, made popular by Rachel Carson’s Silent Spring; the first Earth Day in 1970; and the American Indian Movement’s March to Wounded Knee in 1973. Important pieces of legislation include the Wilderness Act (1964), Clean Air Act (1970), the Endangered Species Act (1973).

Sources

  • “DDT is good for me-e-e” Advertisement, Time Magazine, June 30, 1947.
  • Rachel Carson’s Silent Spring
    • Video: Rachel Carson and the Origin of Scientific Environmentalism
  • Earth Day & March to Wounded Knee
    • Walter Cronkite, Earth Day CBS News Broadcast, April 22, 1970
    • “World Pilgrimage: Wounded Knee,” Poster, April 22, 1970.
    • Video: PBS, “All About Holidays: Earth Day”
  • Environmental Movement: Legislation
    • Video: Endangered Species Act Overview, U.S. Fish and Wildlife Service

 

"DDT is good for me-e-e," Advertisement, Time Magazine, June 30, 1947

DDT is good for me-e-e magazine page

Link: https://digital.sciencehistory.org/works/1831ck18w

 

Background:

  • Dichloro-diphenyl-trichloroethane (DDT) was developed in the late nineteenth century, but became commercially available by the 1940s.
  • The US military initially used DDT to stop the spread of diseases, like malaria, that spread through insects.
  • DDT became commercially available in the 1940s as a pesticide that everyday Americans and famers could use to keep insects off of crops.
  • Rachel Carson’s Silent Spring has been credited with exposing the harms of DDT on human, animal, and plant health.
  • The movement against DDT can be seen as one of the main signifiers of the modern environmental movement, which had already started to take shape by the early 1960s.

Annotation:

  • Created by the Penn Salt Chemicals company
  • Published in Time Magazine, June 1947
  • Touts the multiple uses and benefits of DDT for different audiences, including commercial farmers and in the home.

Discussion Questions:

  • What kind of document is this? (Is it a newspaper article, an advertisement, a letter, etc.)
  • Who created this document?
  • Who might the intended audience be for this document?
  • Choose three of the photographs and text blurbs. What do these sections argue?
  • Taking the document as a whole, what do you think the argument of this document is?
  • Given what has been discussed about DDT, how might this document be misleading?

 

Rachel Carson's Silent Spring

Rachel Carson and the Origin of Scientific Environmentalism Video Link: https://www.youtube.com/watch?v=GCYEElzrK64

Discussion Questions:

  • What were some of Carson’s “unique talents”?
  • How did Carson communicate her findings to the public, and why might her message have been important?
  • Why might Carson’s writings appeal to us today?

 

The First Earth Day & March to Wounded Knee, 1970 & 1973

Background:

  • The growing popular movements aimed at environmental protection led to a major moment in 1970 with the first Earth Day.
  • Senator Gaylord Nelson of Wisconsin is credited with organizing the first Earth Day, wherein activists from across the country, protested the environmental degradation caused by unchecked industrial pollution.
  • The American Indian Movement (AIM) used Earth Day as a focal point of the 73-day Wounded Knee occupation in 1973.
    • AIM protested the US government’s broken promises and exploitation of American Indian land and human rights. Activists protested on the site of the 1890 Wounded Knee Massacre.

Walter Cronkite, Earth Day, CBS News Broadcast, April 22,1970. Video Link: https://www.youtube.com/watch?v=WbwC281uzUs

Discussion Questions:

  • What are some of the environmental issues Earth Day might have remedied?
  • Who participated in the first Earth Day?
    • Why might Kronkite have said Earth Day “failed?”
  • What role do the media play in shaping public awareness and action on environmental issues?
  • How do you think the environmental movement has evolved since 1970?
    • In what ways do you think it has succeeded, and where do challenges remain?
March to wounded knee poster
March to Wounded Knee: Earth Day World Piligramage Poster, 1973, Library of Congress. https://www.loc.gov/item/2016648085/

Discussion Questions:

  • Who created this poster, and when?
  • Why was this poster made?
  • What is on the poster, and what might these symbols represent?
  • How might the goals of Earth Day align with those of AIM?

PBS, All About Holidays: Earth Day Video Link: https://www.youtube.com/watch?v=YuhpygdNmcQ&feature=youtu.be

Video: Endangered Species Act Overview, U.S. Fish and Wildlife Service, https://www.youtube.com/watch?v=9OAIlM1EFHc.

 

History of Higher Education: A Guide for Pre-Service Teachers nsleeter Tue, 10/22/2024 - 16:01
Image
Article Body

What is it?

Higher education in the United States has been shaped by history and has played a role in shaping history. Around the time of the American Revolution, college was almost exclusively for white men and, even then, often only for wealthy white men. Over time, women, Black Americans, the middle class, working class and poor Americans gained access to higher education, but this was not a simple story of gradual and steady reform. Instead new types of schools with new missions were founded at various points in the past, some were successful and some were not. Some still exist today, and all have changed over time emphasizing different courses of study and catering to new groups of students. This guide explores different types of schools and how they’ve developed over time. 

Key points:

  • This activity will take one 90-minute period or two 45-minute periods. It is appropriate for a high school U.S. history or government classroom, but can be modified for a variety of learners.
  • Students will analyze, interpret, and evaluate primary sources. 
  • Students will learn more about the variety of colleges and universities in the United States and how they’ve changed over time. 
  • Guiding Question: What forms does higher education take in the United States?

Introduction

Charles Dorn has summarized the history of higher education in the U.S: “what we conveniently call ‘higher education’ today is in actuality a composite of institutional types that developed over the course of 200 years”. The different types of institutions include public institutions, both large and small, private colleges, some religiously affiliated, some not, Historically Black Colleges and Universities, women’s colleges, and community colleges - among others. While depictions in popular culture and even in news media outlets often focus on very elite universities, the vast majority of students do not attend these elite schools and are instead enrolled at the variety of institutions discussed above. The goal of this guide is for students to learn more about higher education today by looking at its history and specifically at the different types of institutions, why they were founded, and how that history shapes the present status of higher education.     

 

Hook/Bellringer

At the beginning of class ask students to name colleges or universities that they have heard of and to add where did they hear about them. Write answers on the board or have students write the answers on the board. You can stop adding names after you have about 10 schools. Alternatively students could answer through a web platform like Padlet which could be projected on the screen. 

 

Once there is a collection of schools on the board ask students:  What do you know about these schools (ie are they public or private, 4 year or 2 year, larger or smaller etc.)

 

Introduce the activity by noting that there are a wide variety of institutions in higher education each with a different history. They were established for different reasons to meet different needs and they have changed over time to respond to changing student populations and to the world around them. Using primary sources —  photographs of various schools — students will virtually “tour” different campuses to better understand these schools. Divide students into 6 groups based on institution type: Community Colleges and Junior Colleges, Large Public Universities, Regional Public Universities, Historically Black Colleges and Universities, Private Liberal Arts Colleges and Universities, and Women’s Colleges. When they’re in their groups provide the sources and the brief description of their type of school. Direct them to use the sources the virtually “tour” these schools. Ask them to take notes on what they notice:

 

What kind of facilities and buildings do you see? 

What can you tell about the kinds of academic programs at these schools?
What kinds of activities are offered? (IE Sports? Recreation opportunities? Socializing opportunities? Museums?) 

Do you think this is a state school or a private school? What makes you think so? 

What other questions come to mind?  

Digital Research Activity 

Students will then choose a specific school to research historical sources.  Using the historical newspaper database Chronicling America to find where the school is mentioned. They will create an informal “Then and Now” presentation based on similarities and differences they notice about the school in the past and in the present. 

 

Tips for searching Chronicling America

  • Look up the school on Wikipedia to see if it had a different name in the past. Use an older name as a search term on Chronicling America. 
  • Many colleges and universities advertised in newspapers so searching for the name of the school plus “courses” can be helpful for finding these. 
  • Search results can be filtered by state — this can be a way to narrow down the search results when searching for a specific school.


 

Primary Sources

 

Women’s Colleges

Women’s colleges are typically private liberal arts colleges founded to provide women with a 4 year college education when opportunities for women in higher education were limited. Many women’s colleges were founded between 1870 and 1890. The number of women’s colleges in the United States grew until the mid-1960s when there were over 250 in the United States. Since that time the number of women’s colleges has decreased with the schools either closing, becoming co-ed, or merging with a men's college. As of 2024, there were 26 women’s colleges in the United States that fulfill a unique role educating and empowering women.  

 

Mount Holyoke College

Inside the Emily Williston Library on the campus of Mount Holyoke College, a private women's liberal arts college in South Hadley, Massachusetts | Library of Congress | www.loc.gov/item/2019690140/

Inside of a library. Book shelves line the front and back walls, chandeliers hang from the ceiling, and there is a large window in the back of the room looking out onto a brick building. There is a small group of people in the library.

View of the campus at Mount Holyoke College, a private women's liberal arts college in South Hadley, Massachusetts | Library of Congress | www.loc.gov/item/2019690144/

Two women sit on a grassy field with a few trees lining the perimeter. A large brick building sits in the background.

View of the campus at Mount Holyoke College, a private women's liberal arts college in South Hadley, Massachusetts  | Library of Congress | www.loc.gov/item/2019690145/

Outside in Mount Holyoke. A street light and paved path are in the front of the photograph. Next to those is a grassy field lined with trees, and a brick tower toward the back of the frame. In the distance, a few people are walking in the group

Smith College 

Scene at the boathouse on the campus of Smith College in Northampton, Massachusetts, one of the "Seven Sisters" schools, an alliance of East Coast liberal-arts colleges created to provide women with education equivalent to that provided in the men-only Ivy League  | Library of Congress | www.loc.gov/item/2019690193/

Boathouse on the lefthand side, and two small wooden boats float in the water next to it. Trees line the body of water into the distance of the photo.

Scene at the botanic garden on the campus of Smith College in Northampton, Massachusetts, one of the "Seven Sisters" schools, an alliance of East Coast liberal-arts colleges created to provide women with education equivalent to that provided in the men-only Ivy League | Library of Congress | www.loc.gov/item/2019690192/

Mixed terrain of grass, paved road, and gravel road. A small lawn contains a bench, a tree, and a few stones. In the distance is a greenhouse with a glass, domed ceiling.

Pond and conservatory on the campus of Smith College in Northampton, Massachusetts, one of the "Seven Sisters" schools, an alliance of East Coast liberal-arts colleges created to provide women with education equivalent to that provided in the then men-only Ivy League   | Library of Congress | www.loc.gov/item/2019690187/

In the foreground, there is a pond with moss growing over the top and a flamingo statue in the center. The pond is surrounded by grass and trees, as well as the conservatory building on the left side. A large brick building sits at the back of the photo on a hill.

 Elmira College (founded as women’s college, now co-educational)

Gillett Memorial Hall, completed in 1891 on the campus of Elmira College in Elmira, New York  | Library of Congress | www.loc.gov/item/2018700052/

A large brick building sits at the end of a paved path. The building contains two gable roofs on each side of the building, and windows line the front. The sky is blue, with a few light white clouds

Entrance arch on the campus of Elmira College in Elmira, New York  | Library of Congress | www.loc.gov/item/2018700071/

Outside, two brick columns line either side of a brick path. The columns are connected by an arched sign reading Elmira College

 

HBCUs

 

Historically Black Colleges and Universities (HBCUs) include both private and public schools that were established before the 1964 Civil Rights Act with the mission of providing higher education to Black Americans. There are 101 HBCUs in the United States that carry out the mission of educating Americans regardless of race and preserve Black American culture and history.  

 

Grambling State University

A massive, horizontal "G" sculpture on the campus of Grambling State University, a pre-eminent HBCU (historically black college or university) in rural Grambling, Louisiana | Library of Congress | www.loc.gov/item/2020744158/

Outdoor setting with a brick building lining the back of the photograph. In the foreground, a large, horizontal sculpture of the letter G sits on a small patch of grass. The patch of grass is surrounded by a concrete path and a few benches.
 

The McCall Dining Center on the campus of Grambling State University, a pre-eminent HBCU (historically black college or university) in rural Grambling, Louisiana | Library of Congress | www.loc.gov/item/2020744159/

Outside of a one-story building with windows making up most walls. A window-walled tower rises above the rest of the building. The building sits off a paved road.

The Frederick C. Hobdy Assembly Center on the campus of Grambling State University, a pre-eminent HBCU (historically black college or university) in rural Grambling, Louisiana  | Library of Congress | www.loc.gov/item/2020744160/

Outside of a large building that reads "Frederic C. Hobdy Assembly Center." The building contains two flags, the US flag and a smaller yellow flag.
 

The home team's cheering section overlooking the 50-yard line at Eddie Robinson Stadium, the home field of the Grambling Tigers football team at Grambling State University, one of America's pre-eminent "HBCU" (historically black colleges and universities) | Library of Congress | www.loc.gov/item/2020744093/

One side of an outdoor stadium seating section. The rows of seats spell out GSU in red lettering

 

University of Arkansas Pine Bluff 

 

Identifying sign and sculpture at the University of Arkansas Pine Bluff in Pine Bluff, Arkansas | Library of Congress |  www.loc.gov/item/2020741546/

Outside image of a sign and a sculpture. The sign has two posts and a rounded top and reads University of Arkansas Pine Bluff. The sculpture is a bronze color with three abstract shapes stacked on top of one another.

 

The Walker Center multipurpose research hall at the University of Arkansas Pine Bluff in Pine Bluff, Arkansas | Library of Congress | www.loc.gov/item/2020741547/

Outside of a large red brick building, which sits on a field of grass and a paved sidewalk leads up to the front door. Trees border the building.

The Dawson-Hicks Hall dormitory at the University of Arkansas Pine Bluff in Pine Bluff, Arkansas | Library of Congress | www.loc.gov/item/2020741567/

Large brick and cement building with three prominent gables. Windows are gridded on the front of the building. A small sign sits out front too far to read.

A clock that is the centerpiece of the University of Arkansas Pine Bluff in Pine Bluff, Arkansas | Library of Congress | www.loc.gov/item/2020741724/

Large brick clocktower sits in a field of short green grass. Trees line the back of the clocktower, and more brick buildings sit behind the trees. There is a paved sidewalk leading to the clocktower.
 

Lion sculpture on the campus of the University of Arkansas Pine Bluff in Pine Bluff, Arkansas, whose athletic teams are the Golden Lions | Library of Congress | www.loc.gov/item/2020741566/

Outdoor sculpture of a lion on a rock. The sculpture is white, and it sits in the grass.

 




 

Regional Public

Regional public universities educate a large number of students in higher education. Many were founded as Normal Schools or Teachers Colleges and they continue to provide education to students in all areas of the country who may not have access to larger schools or private schools. According to the American Association of State Colleges and Universities these schools enroll a disproportionately higher number of students of color, of low-income backgrounds, first generation, Pell Grant recipients, community college transfers, working adults, and veterans compared with other public and private institutions.

 

Southern Oregon University

A springtime view of an academic building at Southern Oregon University in Ashland | Library of Congress | www.loc.gov/item/2018698087/

Bright green grass field lined with green and blossoming trees. A brick building sits on the far edge of the field.

A cyclist passes before the library building at Southern Oregon University in Ashland | Library of Congress | Library of Congress | www.loc.gov/item/2018698081/

Front of a large brick and glass building. Steps lead up to the building, which has both a rectangular base and a cylindrical component that is completely glass. A man on a bicycle rides in front of the building.

Stone artwork array on the grounds of Southern Oregon University in Ashland  | Library of Congress | www.loc.gov/item/2018698083/

Stone sculptures sit in a grassy field with a few small trees. A brick building sits off the field in the distance.
 

Metal-art sculpture on the grounds of Southern Oregon University in Ashland | Library of Congress | www.loc.gov/item/2018698082/

Outside garden area with grass and a few trees. In the center of the photo is a sculpture on a pedestal. The sculpture is orb-like, but transparent.
 

University of Texas-El Paso

Building on the campus of the University of Texas-El Paso | Library of Congress | www.loc.gov/item/2014631177/

Outside of a tall, sand colored, four story building. Pedestrians walk by in the foreground.

Building on the campus of the University of Texas-El Paso  | Library of Congress | www.loc.gov/item/2014631178/

Outside of a building. Two benches face each other outside the building on a concrete path.

Building on the campus of the University of Texas-El Paso | Library of Congress | www.loc.gov/item/2014631182/

Large four-story sand academic colored building with pedestrians walking by on a paved path.

The Chihuahuan Desert Garden and campus buildings of the University of Texas at El Paso | Library of Congress | www.loc.gov/item/2014630702/

Desert garden sits in front of a large, light tan building with a flat roof. Cars are parked in a lot between the building and the desert garden.

Glass wall and stairway at the University of Texas at El Paso | Library of Congress | www.loc.gov/item/2014632620/

Outside photograph of a multi-colored glass wall descending alongside a cement stairwell. The glass wall takes up the bottom half of a building wall. The rest of the building's wall is a light tan color.

Glass wall at the University of Texas at El Paso | Library of Congress | www.loc.gov/item/2014632619/

Outside image of a glass wall. The glass panes are colored to form a pointed arch. Outside to inside of the arch, the colors are blue, green, brown, orange, transparent, and then repeat.

Gateway sign at the University of Texas at El Paso | Library of Congress | www.loc.gov/item/2014632616/

Outside, stone sign with a circle in the center reading The University of Texas at El Paso. Those words encircle a star.
 

The University of Texas at El Paso | Library of Congress | www.loc.gov/item/2014632618/

 

 

West Chester University

This is a ram statue, though not a golden one, in front of the Old Library building on the campus of West Chester University in West Chester, Pennsylvania. The school's sports teams are nicknamed the Golden Rams. The Department of Anthropology and Sociology, and the Institute for International Development are housed in the 1902-vintage building | Library of Congress | www.loc.gov/item/2019689476/

Outdoor garden/courtyard. Yellow and purple flowers line the perimeter. A ram statue is in the center of the courtyard, looking away from photographer.

This is a ram statue, though not a golden one, in front of the Old Library building on the campus of West Chester University in West Chester, Pennsylvania. The school's sports teams are nicknamed the Golden Rams. The Department of Anthropology and Sociology, and the Institute for International Development are housed in the 1902-vintage building | Library of Congress | www.loc.gov/item/2019689477/

Outside photograph of a ram statue situated in front of a large yellow building. The building has a singular gabled roof with four marble columns lining the front.

The Old Library building on the campus of West Chester University in West Chester, Pennsylvania. The Department of Anthropology and Sociology, and the Institute for International Development are now housed in the 1902-vintage building | Library of Congress | www.loc.gov/item/2019689478/

Outside front view of the library building. A concrete path cuts through a field leading up to the building. At the end of the path is a stairwell leading to the building. The building contains a gabled roof and four columns.

Large Public 

Large public universities enroll tens of thousands of students. Many started as Land Grant Schools, a federal program that began in 1862 with the Morrill Act and the Second Morrill Act of 1890. Funds were raised by selling western lands, most of which had been taken from Native Americans, sometimes even without a formal treaty. (see Landgrabu.org for more). Land grant schools were established to promote applied science in agriculture and industry but now most large public universities offer a wide range of degrees in including liberal arts. Many of these institutions also have a strong research focus. 

 

University of Michigan

University of Michigan Campus, Ann Arbor, Michigan. Aerial view | Library of Congress | www.loc.gov/item/2020714690/

Outdoor aerial view of large stone buildings and green areas with trees.

University of Michigan Campus, Ann Arbor, Michigan. Tower | Library of Congress | www.loc.gov/item/2020714700/

Large cornered tower on ann arbor's campus.

Power Center for the Performing Arts, University of Michigan, Ann Arbor, Michigan. Exterior | Library of Congress | www.loc.gov/item/2020714689/

building with large cylindrical cement columns along the side to support it, the whole outside facing wall is reflective panes of glass. There are large trees with yellow leaves in the foreground

Angell Hall, an academic building at the University of Michigan in Ann Arbor. It is after James Burrill Angell, who was the university's president from 1871 to 1909. The Angell Hall Observatory is located on the fifth floor roof of the building, which opened in 1924. On March 24, 1965, Angell Hall was the site of the first "teach-in" protesting the Vietnam War. More than 3,000 people attended the all-night program of seminars, rallies and speeches | Library of Congress |  www.loc.gov/item/2020722994/

Large building with greek style columns and design at the top.

The 1936 Burton Memorial Tower on the campus of the University of Michigan in Ann Arbor. Named for former university president Marion Leroy Burton, the carillon tower, designed by Albert Kahn, now (as of 2019) houses the Baird Carillon, classrooms, and faculty offices for members of the Department of Musicology | Library of Congress | www.loc.gov/item/2020722990/

Tall stand alone tower with a number of small windows looking out and a clock at the top

The University of Michigan Art Museum, in the 1910 Alumni Memorial Hall on the campus in Ann Arbor. Its original purpose was threefold: to provide a space for the university's growing art collection, open space for the graduate school, and honor alumni who had served in the nation's wars to that date | Library of Congress | www.loc.gov/item/2020722995/

A wide walkway extends towards the museum, lined with black metal park benches and green space with trees behind them. Stairs ascend to the building entrance which is surrounded with columns. Between the columns, advertising posters are hung.

Abstract impressionist artist Mark di Suero's 53-foot-high "Orian" sculpture enlivens the campus of the University of Michigan in Ann Arbor. Initially exhibited at Chicago's Millennium Park, it arrived on campus on long-term loan in 2008. Ten years later t was removed because of drainage repairs, which provided an opportunity to send the sculpture back to the artist's studio in New York for conservation work and a fresh coat of vibrant reddish-orange paint | Library of Congress | Library of Congress | www.loc.gov/item/2020722993/

Large abstract sculpture is on a green lawn next to a sidewalk.
 

University of Wyoming

The sports arena and auditorium at the University of Wyoming in Laramie, Wyoming | Library of Congress | Library of Congress | www.loc.gov/item/2015632803/

Weathered statue stands before a dome shaped building. The statue depicts a cowboy riding a bucking horse.

S.H. Knight's Tyrannosaurus sculpture stands near the entrance to the Geological Museum at the University of Wyoming in Laramie, Wyoming | Library of Congress | www.loc.gov/item/2015632813/

A tall dark, potentially metallic statue of a Tyrannosaurus Rex outside of a tan building.
 

Cooper House, home to the American Studies program at the University of Wyoming in Laramie, Wyoming | Library of Congress | www.loc.gov/item/2015632809/

White house with two stories a red clay tile roof.

D. Michael Thomas's "Breakin' Through" statue at the University of Wyoming in Laramie, Wyoming. The statue evokes the university's "Cowboys" sports nickname ("Cowgirls" in the case of women's teams), and the state nickname as The Cowboy State | Library of Congress | www.loc.gov/item/2015632797/

Statue of a person riding a horse through a white brick wall with the words "Breakin Through" on the top most part of the wall that is still intact.

The Marian H. Rochelle Gateway Center at the University of Wyoming in Laramie, Wyoming, a convocation center that the university calls its "front door" | Library of Congress | www.loc.gov/item/2015632795/

Large building with large windows and a cowboy statue of a person riding a bucking horse.

Engineering Hall, home to the engineering department at the University of Wyoming in Laramie, Wyoming | Library of Congress | www.loc.gov/item/2015632814/

Tall brown stone or brick building with tall paned windows.

The Arts and Sciences building at the University of Wyoming in Laramie, Wyoming | Library of Congress | Library of Congress | www.loc.gov/item/2015632812/

Tall brown building with four floors and windows. The center of the building is the tallest and the height of it decreases to each side.

The College of Agriculture building at the University of Wyoming in Laramie, Wyoming | Library of Congress | Library of Congress | www.loc.gov/item/2015632811/

Large tan building visible beyond a grass field with evergreen trees and one overhead light pole.

The College of Business building at the University of Wyoming in Laramie, Wyoming | Library of Congress  | Library of Congress | www.loc.gov/item/2015632810/

Shorter building on left connected to taller building on right by a glass hallway with entrance doors. Two tall trees and other green shrubbery grow in front.

University of Nebraska-Lincoln

Louise Pound Hall on the University of Nebraska campus in Lincoln, the capital city of the midwest-U.S. state, houses (as of 2021) the Department office of Child, Youth and Family Studies and the office of the College of Education and Human Sciences | Library of Congress | www.loc.gov/item/2021758197/

Wide building with a dozen tall concrete columns at the front.

Once the college engineering building, Richards Hall on the University of Nebraska campus in Lincoln, the capital city of the midwest-U.S. state, now (as of 2021) houses the School of Art and the Eisentrager-Howard Art Gallery | Library of Congress | www.loc.gov/item/2021758196/

Orange or red brick building with a red roof. Picnic table with a red umbrella stands to the left and two large evergreen trees stand in front of the building.

Since 2003, the Van Brunt Visitors Center has served as the unofficial "front door" to the campus of the University of Nebraska in Lincoln, the capital city of the midwest-U.S. state | Library of Congress | www.loc.gov/item/2021758202/

Red brick building with sloped roof in the background, abstract art installation on the lawn that uses large book pages.

Japanese artist Jun Kaneko's 2009 "Untitled" ceramic and galvanized-steel sculpture outside the Sheldon Museum of Art on the campus of the University of Nebraska in Lincoln, the capital city of the midwest-U.S. state | Library of Congress | www.loc.gov/item/2021758200/

Large abstract sculpture on a lawn of a head with no hair, but a bright blue face.

Artist Ed Carpenter's "Harvest" sculpture greets those approaching the Pinnacle Bank Arena, the home of the University of Nebraska men's and women's basketball teams in Lincoln, the capital city of the midwest-U.S. state of Nebraska | Library of Congress | www.loc.gov/item/2021758193/

Sculpture in front of a building with tall pieces of metal placed in a circle that bend outwards at the top.

These four columns have become a landmark on the campus of the University of Nebraska in Lincoln, the capital city of the midwest-U.S. state | Library of Congress | www.loc.gov/item/2021758203/

Four columns stand alone.

The Sheldon Museum of Art, on the campus of the University of Nebraska in Lincoln, the capital city of the midwest-U.S. state | Library of Congress | www.loc.gov/item/2021758198/

Steps with hand rails ascend to the entrance of the Sheldon Art Museum. There are three archways that stand in front of the large windows. On the steps there is a dark metal sculpture of a head on its side.


 

Private, Liberal Arts

 

Liberal arts colleges offer 4 year degrees and also emphasize a broad education and general knowledge including science, history, literature, math, and languages. Private schools tend to be smaller and many, although not all, were originally founded as religious institutions.  

 

Amherst College

The campus quadrangle, colloquially called the "quad," at Amherst College, a private liberal-arts college in Amherst, Massachusetts | Library of Congress

https://www.loc.gov/item/2019690237/

Wide green field with tall trees. A sidewalk goes through the park with black street lamps.

The Keefe Campus Center, the student activities building at Amherst College, a private liberal-arts college in Amherst, Massachusetts | Library of Congress | www.loc.gov/item/2019690233/

A large two story building on the corner of two paved roads. Lots of open green space in the foreground.

The Keefe Campus Center, the student activities building at Amherst College, a private liberal-arts college in Amherst, Massachusetts | Library of Congress | www.loc.gov/item/2019690234/

Side view of Keefe Campus Center

Davis & Elkins College

Campus view of Davis & Elkins College in Elkins, West Virginia. The Albert Hall science building is in the foreground | Library of Congress | www.loc.gov/item/2015631689/

Two brick buildings on a hill just beyond an open grassy field.

Campus view of Davis & Elkins College in Elkins, West Virginia. The Albert Hall science building is in the foreground | Library of Congress | www.loc.gov/item/2015631691/

Side view of David & Elkins College showing the stairs that lead up to the building.
 

Graceland mansion on the campus of Davis & Elkins College in Elkins, West Virginia | Library of Congress | www.loc.gov/item/2015631695/

The bottom half of the house is stone and the top half is painted blue with a red roof and a few short turrets.

Halliehurst mansion on the campus of Davis & Elkins College in Elkins, West Virginia | Library of Congress | Library of Congress | www.loc.gov/item/2015631694/

Three story dark brick home with three chimneys and a turret.

Booth Library on the campus of Davis & Elkins College in Elkins, West Virginia | Library of Congress | www.loc.gov/item/2015631692/

View of Library built on a hill but extends off of the hill.



 

St. Olaf College

A woodsy fall view of a portion of the campus of St. Olaf College, a private, liberal-arts college in Northfield, Minnesota | Library of Congress | www.loc.gov/item/2020723532/

View of a green space on campus next to a sidewalk. A number of trees are in this space and their leaves are orange.

A woodsy fall view of a portion of the campus of St. Olaf College, a private, liberal-arts college in Northfield, Minnesota | Library of Congress | www.loc.gov/item/2020723535/

View of a woodsy section of campus, tree leaves have turned yellow and orange and fallen leaves cover the ground.

A woodsy fall view of a portion of the campus of St. Olaf College, a private, liberal-arts college in Northfield, Minnesota | Library of Congress | www.loc.gov/item/2020723538/

A yellow wooden chair sits on a wide tree stump surrounded by fallen leaves in a preserved nature section of the campus.

A portion of Boe Memorial Chapel on the campus of St. Olaf College, a private, liberal-arts college in Northfield, Minnesota | Library of Congress | www.loc.gov/item/2020723536/

Side view of the church through a wooded area with tall trees and orang autumn leaves covering the ground.

A portion of Boe Memorial Chapel on the campus of St. Olaf College, a private, liberal-arts college in Northfield, Minnesota | Library of Congress | www.loc.gov/item/2020723539/

Five sidewalks meet at one point and between them are small green spaces with trees and fallen autumn leaves.

Mellby Hall, the oldest residence hall on the campus of St. Olaf College, a private, liberal-arts college in Northfield, Minnesota  | Library of Congress | www.loc.gov/item/2020723530/

Beige four story stone building with a black roof.

Mellby Hall, the oldest residence hall on the campus of St. Olaf College, a private, liberal-arts college in Northfield, Minnesota | Library of Congress | www.loc.gov/item/2020723531/

Another view of Mellby Hall

Boe Memorial Chapel on the campus of St. Olaf College, a private, liberal-arts college in Northfield, Minnesota | Library of Congress

https://www.loc.gov/item/2020723537/

Front view of the chapel showing the cross at the top, stained glass windows ascending up, and three sets of orange double doors.

The Theater Building on the campus of St. Olaf College, a private, liberal-arts college in Northfield, Minnesota | Library of Congress | www.loc.gov/item/2020723533/

Walkway leading the the theater building which has stairs going up to the door and classic brick architecture.
 

Community Colleges and Junior Colleges

According to the U.S. Department of Education, almost half of all students in higher education are enrolled in Community Colleges or Junior Colleges. Over half of adults with a 4 year degree began their education at a community college. Community colleges and junior colleges also enroll a high number of first generation students and lower income students. While the first institution of this type was established in 1901 with the founding of Joliet Junior College (JJC) in Joliet, Illinois, the largest growth of community colleges occurred after 1945 as college attendance rose overall the federal and state government encouraged the development of schools that could bridge the gap between high school and college, provide training in trades, and serve as cultural centers for communities. 

 

Western Wyoming Community College

 

Buildings at Western Wyoming Community College in Rock Springs | Library of Congress | www.loc.gov/item/2017688034/

Far away view of Western Wyoming Community College's campus showing some of the taller brick buildings there.

Buildings at Western Wyoming Community College in Rock Springs | Library of Congress | www.loc.gov/item/2017688035/

Brown brick buildings with red metal roofs and sky lights.

Buildings at Western Wyoming Community College in Rock Springs | Library of Congress | www.loc.gov/item/2017688036/

Large cube shaped building with red-orange and tan stripes made to look like layers.

Potomac State College of West Virginia University

Davis Hall, a dormitory and conference center at Potomac State College of West Virginia University, a two-year junior college affiliated as a division of West Virginia University located in Keyser, West Virginia | Library of Congress | www.loc.gov/item/2015631540/

Dark brick three story building with rows of windows and a chimney just beyond a green lawn and some tall trees.

Science Hall at Potomac State College of West Virginia University, a two-year junior college affiliated as a division of West Virginia University located in Keyser, West Virginia | Library of Congress | www.loc.gov/item/2015631537/

Brick building with rows of windows with a sign in front that reads "Potomac State College West Virginia University Science Hall". The doorway is framed by a decorative cement design and two large white ball sconces. Between the building and the sidewalk there are shrugs and a flower bed.

Catamount statue at Potomac State College of West Virginia University, a two-year junior college affiliated as a division of West Virginia University located in Keyser, West Virginia | Library of Congress | www.loc.gov/item/2015631534/

Bronze statue of a cougar on a pedestal with a plaque reading "Welcome to catamount country."

Academy Hall at Potomac State College of West Virginia University, a two-year junior college affiliated as a division of West Virginia University located in Keyser, West Virginia | Library of Congress | Library of Congress | www.loc.gov/item/2015631538/

Large three story square brick building.

Reynolds Hall, a dormitory at Potomac State College of West Virginia University, a two-year junior college affiliated as a division of West Virginia University located in Keyser, West Virginia | Library of Congress | Library of Congress | www.loc.gov/item/2015631539/

Three story brick building with four columns at the entrance and two chimneys on the roof.

The 1919-vintage Administration Building at Potomac State College of West Virginia University, a two-year junior college affiliated as a division of West Virginia University located in Keyser, West Virginia | Library of Congress | www.loc.gov/item/2015631542/

Large three story rectangular brick building with tall windows, stairs leading to the entrance, and two large columns by the door.

Mary F. Shipper Library at Potomac State College of West Virginia University, a two-year junior college affiliated as a division of West Virginia University located in Keyser, West Virginia | Library of Congress | www.loc.gov/item/2015631535/

Brick and cement building just beyond a green lawn and a small roadway.

Potomac State College of West Virginia University, a two-year junior college affiliated as a division of West Virginia University located in Keyser, West Virginia | Library of Congress | www.loc.gov/item/2015631536/

Zoomed out view of Science Hall where all three floors are visible.

Overview of Potomac State College of West Virginia University, a two-year junior college affiliated as a division of West Virginia University located in Keyser, West Virginia | Library of Congress | www.loc.gov/item/2015631541/

Photo of Potomac State College campus as it sits in a valley. Just behind the campus is a forested mountain. This photo is taken from a hill on the other side of the valley.

Housing and Houselessness: A Guide for Pre-Service Teachers

Image
Article Body

What is it?

Housing disparity is still a challenge many people, including students, face today. This guide provides historical context and primary sources so that students can better understand housing issues in the present-day U.S. 

Key points:

  • This activity will take one 90-minute period or two 45-minute periods. It is appropriate for a high school U.S. history classroom, but the sources can also inform a government class looking at the policy issue of housing.
  • Students will analyze, interpret, and evaluate primary sources related to housing. 
  • Students will gain a better understanding of the defining characteristics of housing and the historical actors and policies that determine these factors 
  • Guiding Question: How has housing been provided for people in the U.S. and how has that changed over time? 

Introduction

The McKinney-Vento Homeless Assistance Act, initially enacted in 1987 but reauthorized in 2015, ensures that youth facing homelessness can still access quality education and provides resources and assistance for students facing homelessness to succeed in their education. While there is a consensus that education is a fundamental right, housing is still an issue under debate. The purpose of this lesson is to indicate that the concept of housing as a basic right has changed over time. Students should take away that access to housing has not been solely based on individual actions or motives. It is based on various people, laws, ideas, and institutions.

This lesson aims to provide students with an understanding of the defining characteristics of housing and the historical actors and policies that determine these factors. The students should begin formulating the lesson's introduction about the foundations of a home. Have students think about what made those individuals’ houses homes. Another critical objective that teachers should have students think about is the interrelatedness of housing and houselessness. As the lesson will illustrate, housing development is usually coupled with the displacement of groups of people. This should prompt students to think about what happens to individuals when they are removed from places. To explore this interdependency of housing and houselessness, it is best to look at housing reform, which was emphasized during the New Deal. Educators should briefly reference the Great Depression and economic crisis to provide students with a starting point on how housing reform and public housing shifted into the present. The New Deal era demonstrates that concerns surrounding housing and the response to those concerns are displayed through policy and legislation. The reaction to those policies and legislation is through activism and lobbying. By the end of the lesson, students should be able to comprehend this cycle of development and reform, along with its various actors. 

Background/Context

While housing has been an issue throughout history, the first federal action to address housing came as a response to the Great Depression in the 1930s. The Great Depression brought about a massive housing crisis and high unemployment rates across the United States. Progressive reformers, as a response, initiated housing reform. The U.S. Housing Act of 1937 provided government funding to build regulated public housing, creating affordable living arrangements for low-income citizens. These new housing structures had racial segregation embedded in their design and coupled with urban renewal initiatives, the deterioration of public housing initiatives would begin after World War II. The Great Migration brought many African Americans to urban areas in the Northeast, West, and Midwest, searching for new opportunities. Due to the increasing number of African Americans in the urban centers and changes in legislation such as Brown v. Board in 1954 and the soon-to-come Civil Rights Act of 1964, housing authorities could no longer preserve the separatist vision of their progressive architects. Policymakers and white residents began to use de facto methods to maintain segregation. Leaving public housing areas in droves as a response, creating a need for more suburban neighborhoods designed to maintain segregation. Additionally, federal subsidies could no longer support the costs of maintaining these public housing buildings. As a result of tenant rent adjustments, housing authorities could no longer sustain quality conditions for tenants, and these buildings often became neglected. 

The 1970s and 1980s ushered in significant changes to housing policy in the United States. Concerns about private versus public funding for public housing and a resurgence in attention to homelessness created new policies that shifted American perspectives across racial and class lines. In the 1970s, urban renewal initiatives and policies such as the Housing and Community Development Act of 1974 shifted funding for affordable housing from federal responsibility to corporate opportunity. This act established Section 8 housing, which provided housing vouchers that allowed low-income individuals to get government subsidies to live in privately owned properties. However, because of this new shift, many public housing buildings were neglected, and many African Americans and other minority groups, like Latino communities, were still residing in them.  In the late 1970s and 1980s, there was an effort to move these residents out of public housing and into new privately owned neighborhoods. The 1986 Low-Income Housing Tax Credit (LIHTC) incentivized private developers to build new housing developments regulated by the state but relieved the federal government from fiscal responsibility. These initiatives, while alleviating the responsibility of the state and federal governments, did not lessen the ongoing poverty issues. By the 1990s, the HOPE VI program was created by Congress to demolish abandoned and neglected public housing and create new “mixed-income” housing developments. 

Throughout these efforts, the demolishing of housing and the creation of new neighborhoods always come with the displacement of people. These efforts not only created housing opportunities but also created homelessness. During the 1960s and 1970s, there were areas of placeless people, commonly known as “skid row.” These areas were filled with liquor stores, poorly managed hotels, crime, and disorder. During the 1950s and 1960s, homelessness and these areas were mainly populated by males, but as policy changed over time, there was a rise in women and children facing homelessness in the 1970s and 1980s. In 1987, the United States Interagency Council on Homelessness was created to respond to these changes in homelessness. Continuing these efforts in the 1990s and early 2000s, advocacy increased in combatting homelessness. Many non-profit organizations were forming to relieve issues concerning homelessness and federal policy, such as the Homeless Emergency Assistance Transition to Housing Act, enacted in 2009, to provide funding for homelessness prevention and re-housing. Place and placeness are interdependent. Examining housing and homelessness in the history of the United States involves examining policies, the individuals who create them, and the individuals who are affected by them. 

Activity

Bell Ringer  

To begin the lesson, students should consider the foundational elements of what constitutes a home. Using a textbook, a selection of reference materials, or even an internet search have students find examples of different homes throughout history; think of Indigenous housing structures, homes of the settlers-colonists during the Westward expansion, or the elaborate houses built by the elite class during the Gilded Age. Students should be able to express commonalities and indicators of defining “home” by the end of the discussion. 

Educators should allow students to consider whether housing structures are defined by their permanence and sustainability. Have students name the factors that could have led to temporary housing during earlier periods in U.S. history, such as migrating due to low food sources or natural disasters like fires or floods. There could also have been a lack of safety. Educators should guide students to determine that these first livable structures were built out of a necessity to survive, sheltering individuals and providing protection from elements that would compromise safety. Their permanence was yet to be determined. 

Homes began to form when people had the proper devices to ensure their structure could shield them from primary threats and cultivate sustenance. Examples are the ability to farm and raise animals. Most importantly, there was no longer a need to uproot quickly. Have students name a few activities individuals can do when they no longer must worry about these threats. Ask students what some ways these individuals could manage these threats are. 

Another significant development in creating permanent housing was property rights and land claims. People began to obtain documentation, such as deeds and titles, contracts, and leases, to represent their residences legally. Due to this, housing is now codified, but the right to housing is still in question. Federal and state governments create policies on how these laws can be enforced. Prompt students to consider the difference between a right to housing versus a right to shelter. 

After this brief discussion, this activity will allow students to begin rationalizing their definitions of what constitutes a home.  

To clarify the exercise, offer definitions for home. Here are a few definitions:  

Example: 

A home is a permanent structure used for habitation, procured through legal processes. 

Oxford Dictionary 

House 

  • (noun) A building for human habitation, typically and historically one that is the ordinary place of residence. 

Home 

  • (noun/adj.) A dwelling place is a person’s house or abode, the fixed residence of a family or household, and the seat of domestic life and interests. 

There are many definitions of house and home. Michael Allen Fox’s chapter “The Many Faces of Home” in Home: A Very Short Introduction suggests that the definition of home depends on linguistics, region, and cultural norms. Fox concludes that the definition of home is flexible and dependent on circumstance. Educators that would like additional information on how to define home should reference Fox’s chapter. 

For additional resources on defining home, Habitat for Humanity’s “What Does Home Mean to You” voices the definition of home through various perspectives. This resource can be used as a preliminary source for educators to tie in themes from the discussion.  

 

Step One 

First, ask the class: What do you think defines a home? 

Step Two 

As an entire class or in small groups, use the images below in the Primary Sources section and ask students what characteristics define these types of houses. These images can be printed and put on a board or provided to students. The images can also be projected on the board, or if students have their own digital devices (i.e., laptops, tablets, desktop computers), provide them the links and have them pull the images up on their devices. Students can work individually or in groups according to the teacher's preference. 

Educators can arrange these images in any order; however, they should refrain from telling the students what category they would be placed in. 

Step Three 

Create a list on a whiteboard or have students in groups write down characteristics for each image they think creates a home. For example, in Image #1, students can identify that there are curtains and other items displaying that people reside in the residence. 

Conclusion

During the activity, students have become the decision-makers on defining what constitutes a home. This is a common theme throughout the lesson: who defines housing, and who decides who gets to have housing? Historically, actors have been policymakers, activists, and legal apparatuses. 

Housing and homelessness are determined by permanence, which is determined by legislation. Legislation establishes ownership and protects residents, enforcing codes and policies to ensure the structure is livable. The policies determine housing rights. Throughout the lesson, students should continue to inquire about how these rights change over time. 

Ask students: Who decides what constitutes a home?  

Primary Sources: Housing Examples

  1. Typical Housing in Greenbelt, Maryland- https://www.loc.gov/item/2018699737/ 

Outdoor view of two houses side by side. The house on the left is blue, and the house on the right is white. Both houses have flat roofs, two stories, and five windows. Grass and trees border the houses.

Annotation: These houses should be categorized as homes. Students should be able to identify residency in both homes by examining them. A satellite dish, curtains, and other identifiers provide proof of occupancy. The individual in this home is either the owner or renter, and the structure has gone through a legal process to become a permanent structure. Housing communities in the Greenbelt District were developed during the New Deal Era in 1935 under the United States Resettlement Administration. This administration was designed to resettle farmers and migrant workers affected by the Dust Bowl.  

 

  1. One of Many Small Ponds Surrounded By Housing Developments in Gilbert, Arizona, a Southern Suburb of Phoenix, Arizona- https://www.loc.gov/pictures/item/2018702325/ 

A large pond takes up most of the photo, and it is lined with palm trees, which are reflected in the pond. Toward the back of the photo are houses overlooking the pond.

Annotation: The homes in this picture are recently built. This picture was taken in 2018. Students should recognize that these are permanent structures and think about what these homes do to the environment and homes of other organisms. This picture shows a pond and clear signs of human manipulation of this environment. Teachers should guide students to conclude that homes that are this way permanently displace other living things and their habitats while creating new ones for others. 

 

  1. Housing Development Around a Private Lake in the Northern Reaches of Indianapolis, Indiana-   https://www.loc.gov/pictures/item/2016631680/ 

Outside aerial view of a private lake and the housing development that surrounds it. The sky is clear, and an interstate sits in front of the private community.

Annotation: This image is an aerial view of housing development. Have students notice the exclusiveness of this property. It is essential to identify this lake as private. Some indicators show that there are very few entry points into this neighborhood. This is designed for the safety of the community. Students should reference the previous discussion that safety and community building are critical to creating permanence. Also, the concept of privatizing property, such as the lake, relates to the debate on property rights. This lesson will discuss the conversations between policymakers and citizens on whether housing initiatives should depend on government subsidies or become a private corporate venture. Students should begin to acknowledge the differences and outcomes between the two.  

 

  1. Abandoned Public-Housing Units in the Liberty City Neighborhood of Miami, Florida- https://www.loc.gov/resource/highsm.62362/ 

One full housing unit is in view, which is light blue, two stories, and has twelve windows and two doors. Two other housing units are partially visible, and a paved concrete path leads to the units. A telephone pole stands in front of the unit.

Annotation: The housing units in this image were a government-subsidized public housing project built in the 1930s. The housing units, while no longer in use, are the physical representation of the changes in housing reform. These units were once heavily populated during the early stages of housing reform. However, they are vacant over time due to many policy changes.

 

Primary Source Analysis Activity: Housing Policy 

To analyze these sources, divide students into groups and create a station for each primary source, a total of four stations that students will rotate. Students should spend 10 to 15 minutes at each station examining the sources, answering associated questions, and recording them on paper. Each group should have one document to share their answers at the end of this activity. The questions are designed to have students not only think about the material from a historical perspective but also prompt students to think about historical actors involved in creating housing policy changes and homeless assistance reforms. These sources are in chronological order to aid students in analyzing how housing changes over time. During this activity, ensure that students contemplate the relationship of each source and whether it adds to the continuity or change in housing policies and public sentiments. At the end of the activity, reassemble the class and discuss each group’s answers. 

A computer or tablet will be needed for this activity. 

Step One 

To begin this activity, additional information should be provided to frame the required con, specifically with Sources #3 and #4, due to the nature of the sources. As the entire class, educators should review each source, provide background information, and review the specific questions on each source.


Step Two 

Divide students into groups, set a timer for 10 minutes, and begin the timer at the start of each rotation. Each station should have instructions for the students, including how to use the source and the associated questions. Students should write a 3-5 sentence answer for each station’s question. 

Step Three

After all student groups have completed the activity, the class should reconvene, review each question, and have students share their answers. Educators should revisit the information provided at the start of the activity as needed. 

 

Station One 

Educators should print out the Library of Congress’s Public Improvement map and use a computer or tablet to display Mapping Segregation DC’s “Restricted Housing and Racial Change, 1940-1970” map for students to interact. 

Source #1 

Program objectives diagram 1: 1967-1985 public improvement program priorities (partial accounting) : [District of Columbia]. - https://www.loc.gov/resource/g3851g.ct010988/?r=-0.279,0.116,1.856,0.957,0 

Map of Washington, DC. Shaded areas correspond to urban renewal projects

This city-planning map displays urban renewal plans in Washington, D.C., created in 1967 to illustrate development plans from 1967-1985. This map shows where new schools will be built, transit systems, parks, and other infrastructure for public improvement. Have students pay attention to where these activities are located. In tandem with this source, have students examine Mapping Segregation DC’s, Restricted Housing and Racial Change, 1940-1970 map, and have students identify who lives in the neighborhoods that will be affected. Choose the layers of the map that coordinate with the time of this development plan. ‘

Questions 

  1. What does “public improvement” mean according to this map? 
  2. What places are being added to the neighborhood? 
  3. What neighborhoods and residents are being affected based on both maps? 

 

Station Two

Educators can print out this source or display it digitally. 

Source #2

The Housing Struggle in Crisis, National Tenant Organization Poster, 1973- https://www.loc.gov/item/2016649888/ 

Poster featuring a crumbling building. The text reads The Housing Struggle in Crisis. The 1973 National Tenants Organization, National convention Aug. 30 thru Sept. 3 Pick-Congress Hotel Chicago, IL

This source is a poster for the National Tenant Organization’s National Convention in 1973, held in Chicago, Illinois. The poster shows an apartment building being demolished. The National Tenant Organization was formed in 1969 to help with tenants' rights issues. The National Tenants Organization vs. HUD (U.S. Department of Housing and Urban Development) determined that HUD’s restriction in deductions to secondary wage earners resulted in overcharging those tenants. The courts determined that this was a violation and that HUD must carry out the deductions. Students examining this source should contemplate the types and levels of advocacy during housing reform. 

Questions 

  1. How does this poster depict issues surrounding housing during the 1970s? 

 

Station 3 

Educators should print or display digitally the first page of this source and highlight the excerpt or print out the excerpt of the source placed below. 

Source #3

U.S. Reports: Hills, Secretary of Housing and Urban Development v. Gautreaux et al., 425 U.S. 284 (1976). - https://www.loc.gov/item/usrep425284/ 
 

Hills vs. Gautreaux was a defining moment in housing reform. This case shows that racial discrimination remained active after the 1964 Civil Rights Act. It prompted housing authorities to create new non-discriminatory housing programs, including Section 8 and integrating Black and White residents. Students should use the excerpt below, and educators should prompt a discussion about the magnitude of why the integration of residence was essential to Americans. This case is twelve years after the Civil Rights Act and in Chicago, which is often not associated with racism as in the American South. Students should identify that racism was nationwide and that the Civil Rights Act, a federal law, did not solve the problem of segregation. While segregation was now illegal, de facto segregation was still prevalent. 

Excerpt: 

“Respondents, Negro tenants in or applicants for public housing in Chicago, brought separate class actions against the Chicago Housing Authority (CHA) and the Department of Housing and Urban Development (HUD), alleging that CHA had deliberately selected family public housing sites in Chicago to ‘avoid the placement of Negro families in white neighborhoods’ in violation of federal statutes and the Fourteenth Amendment, and that HUD had assisted in that policy by providing financial assistance and other support for CHA's discriminatory housing projects. The District Court on the basis of the evidence entered summary judgment against CHA, which was ordered to take remedial action. The court then granted a motion to dismiss the HUD action, which meanwhile had been held in abeyance. The Court of Appeals reversed, having found that HUD had committed constitutional and statutory violations by sanctioning and assisting CHA's discriminatory program.”

Questions

  1. What does this case say about race in public housing during the 1970s? 
     

Station 4 

This station should center on the preservation of communities. Educators should be permanently present at this station to guide conversations and answer questions. 

Source #4

Bulletin board at Johnson Houses, E. 115th St. at Lexington Ave., Harlem, 1989 digital file from original- https://www.loc.gov/resource/vrg.07713/ 

Bulletin board under an analog clock with various posters, pamphlets, and photographs pinned to it.

This is a bulletin board in a public housing project in Harlem, NY. It is filled with advertisements about drug prevention and bulletins that encourage Black success. There is also a sign in Spanish. This primary source shows what some public housing communities faced during this time in these housing projects. This source also shows the dichotomy of the needs of Black and Brown community members. It shows the upliftment and success of the Black and Brown communities while protecting their communities from crime. 

During the 1980s, many members of the public believed minority communities were responsible for crime and poor living conditions. The most crucial portion of this source is that it shows an effort of community members to preserve their communities so that they won’t be subjected to urban renewal initiatives. It is also essential for students to note that there wasn’t much improvement in housing between the 1960s and 1980s. Have students identify why that is. 

Questions 

  1. How do the posters on this bulletin board speak to the preservation of public housing in the 1980s? 

 

Wrap Up 

To conclude this lesson, have students reflect on the difficulty of decision-making and consider who determines housing and houselessness. 

Revisit the question in the Bellringer exercise and discuss how answers may have changed or have stayed consistent. 

Question: What defines housing? Who decides these defining attributes? 

General Tips for Teaching Controversial Subjects

  • Center activities on primary sources. Primary sources are tangible evidence that allow students to engage directly with history. These primary sources in particular were preserved and digitized by the Library of Congress because they were deemed important to the history of the United States.
  • Discussion and analysis of these sources can be wide ranging, but within each class those discussions can always be turned back to the source itself.
  • The sources are also, by definition, only pieces of a puzzle. They bring us closer to understanding the past but there is always room for doubt and uncertainty.  
  • Questions, Observations, and Reflections should come from students. These are primarily student-directed learning activities. It is the instructor's role to create a space for inquiry and empower students to drive the inquiry.
  • It may help to remind students at the outset that it is normal for different individuals to come to different conclusions, even when we are looking at the same sources. Further, it would be strange if we all agreed completely on our interpretations. This can normalize the strong reactions that can come up and enables educators to discuss the goal of historical research, which is to hopefully go beyond the realm of individual  perspective to access a fuller understanding of the past that takes multiple perspectives into account.
  • Teaching historical topics that involve violence and other trauma can be traumatic for some students as well. Providing students with previews of what content will be covered and space to process their emotions can be helpful. The following video series from the University of Minnesota contains further tips for teaching potentially traumatic topics: https://extension.umn.edu/trauma-and-healing/historical-trauma-and-cultural-healing.

 

For more information

 

 

Bibliography

Eide, Stephen. Homelessness in America: The History and Tragedy of an Intractable Social Problem. London: Rowman and Littlefield Publishing, 2022. 

Fox, Michael Allen, 'The many faces of home', Home: A Very Short Introduction, Very Short Introductions (Oxford, 2016; online edn, Oxford Academic, 15 Dec. 2016), https://doi-org.mutex.gmu.edu/10.1093/actrade/9780198747239.003.0001,

Hunt, D. Bradford. "Public Housing in Urban America." Oxford Research Encyclopedia of American History. 20 Dec. 2018; Accessed 11 Jul. 2024. https://oxfordre.com/americanhistory/view/10.1093/acrefore/9780199329175.001.0001/acrefore-9780199329175-e-61.

U.S. Department of Housing and Urban Development Timeline 

Native Women and Suffrage - Beyond the 19th Amendment: A Guide for Pre-Service Teachers

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Article Body

What is it?

Women’s suffrage is a commonly-taught topic in U.S. history and the textbook narrative follows a familiar pattern: the topic often begins with Seneca Falls in 1848 and ends with the ratification of the 19th Amendment in 1920. While these were both important events, one way historians ask new questions about the past is by asking whether a topic’s generally accepted beginning and ending are actually the most useful for understanding the topic. Historians call this “periodization”. Sometimes it’s useful to include what happened before the time period and sometimes it's useful to consider what happened later. Along these lines, historians of women's suffrage like Cathleen Cahill have researched the contributions of Black women, Native women, and other women of color to the cause of women's suffrage. In Dr. Cahill’s book Recasting the Vote: How Women of Color Transformed the Suffrage Movement, she notes that for many of these women the ratification of the 19th amendment was a step toward getting the right to vote but it was not sufficient to allow all women to vote. Additional obstacles included Jim Crow laws in the South that disenfranchised Black and Mexican women, federal laws that made Native people wards of the state, and immigration laws that prevented Chinese women from becoming citizens. By pulling back and considering a longer period of time, students and teachers can see the broader movement to secure the vote and better understand the history of suffrage.

Key points:

  • The activity outlined here will take one 90-minute period or two 45-minute periods. It is appropriate for a high school U.S. history classroom, but can be modified for a variety of learners.
  • Students will analyze, interpret, and evaluate primary sources.
  • Students will learn about how not all women received the right to vote with the 19th amendment and how Native, Black, Latin American, and Asian women both participated in the struggle for suffrage and incorporated that struggle into efforts to gain rights for their communities.

Approach to Topic

Examining women’s suffrage through the contributions of Native, Black, Latin American, and Asian women not only provides a fuller and more inclusive account of this important event in U.S. history, it also adds to students’ understanding of the history of race in the United States. For example, in the case of Native Americans, their depiction in U.S. history textbooks too often suffers from what Native scholar Vine Deloria, Jr., called “the ‘cameo’ theory of history” where Native people briefly appear “on stage” only to then disappear from a narrative that is centered around the activities of European Americans. By incorporating Native people throughout our study of U.S. history, we can avoid this “cameo” effect and communicate to students that Native people have been a part of American history from the beginning to the present day. For other people of color too in U.S. history, their actions and activities are often only touched upon in textbook sections that are isolated from the rest of U.S. history. For every major event in U.S. history, a wide variety of Americans from different racial backgrounds participated, often in important roles.  As Cahill writes, on these suffragist activists:


Their political awakenings emerged from their engagement with the concerns of their own communities as well as their anti-racist activism, fights for justice, and struggles for sovereignty and nation-building. They saw the campaign for women’s right to vote as addressing some of the specific concerns of their communities; they also
saw it as a means of finding allies in other causes.

Cahill highlights the 1913 Suffrage Parade in Washington, DC as an event that brought together women suffragists from a variety of backgrounds to advocate for the vote. The parade took place on March 3, 1913, the day before President Woodrow Wilson’s inauguration. Have students read this summary from the National Park Service about the 1913 parade: https://www.nps.gov/articles/woman-suffrage-procession1913.htm

When they are done, ask the class:

  • What was the parade trying to accomplish?  
  • How did they group themselves?
  • What obstacles did the marchers face?
  • How were Black and Native women were represented in the parade?  

Primary source activity

Provide students with links to the primary sources below. Ask them to choose one of the sources, and add to their responses to the questions above with observations about their source.

1913 Suffrage Parade
Primary sources:
Official program woman suffrage procession. Washington, D. C. March 3, 1913. | Library of Congress
https://www.loc.gov/item/rbpe.20801600/

Head of suffrage parade in Washington, D.C., Mar. 3, 1913 | Library of Congress
https://www.loc.gov/item/97500042/

“Fifteen Thousand Women to March for Suffrage,” The sun. [volume] (New York [N.Y.]), 28 April 1912. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83030272/1912-04-28/ed-1/seq-57/> (Mentions Mabel Lee)

"Home Makers," Suffrage Parade | Library of Congress
https://www.loc.gov/item/2014691447/

[College section of the March 3, 1913, suffrage parade in Washington, D.C.] | Library of Congress
https://www.loc.gov/item/mnwp000444/

Woman suffrage parade, Wash., D.C. | Library of Congress
https://www.loc.gov/item/2013648100/

Pro-Suffrage Activists
Below are profiles of women’s suffrage reformers who marched in the 1913 parade. These women wanted the 19th amendment to pass and for restrictions on women voting to end, but that was not enough to secure the vote for all of them. As a result, their activism did not end in 1920. Along with each reformer is a brief biographical sketch that details causes for which the individuals advocated before and after 1920.. Each profile also contains several primary sources for students to examine so they can learn more about the individual.

Marie Louise Bottineau Baldwin

Marie Louise Bottineau Baldwin was born in 1863 on Ojibwe land in present-day North Dakota. She attended public schools in Minnesota and eventually graduated from Washington College of law. Baldwin used her status as a lawyer to advocate for Native issues. From 1904 to 1932 she worked for the U.S. federal government’s Office of Indian Affairs overseeing government contracts to reservations. She joined the Society of American Indians after it was formed in 1911. When the 19th Amendment was ratified in 1920, Native women like Baldwin were not automatically granted the right to vote as they were not considered U.S. citizens.

Primary Sources
Mrs. Marie L. Baldwin ,1914
https://www.loc.gov/item/2014697070/

Mrs. Marie L. Baldwin, 1914
https://www.loc.gov/item/2014697069/

GRETCHEN SMITH, “INDIAN COLLECTION WORK OF 30 YEARS: Mrs. Baldwin, Chippewa,” The Evening Star, April 15, 1929
https://chroniclingamerica.loc.gov/lccn/sn83045462/1929-04-15/ed-1/seq-7/

 

Gertrude Simmons Bonnin/ Zitkála-Šá


Zitkála-Šá (pronounced Zeet-KA-la-sha) was born on the Yankton Indian Reservation in South Dakota in 1876. A Yankton Dakota Sioux, Zitkála-Šá like many thousands of Native children at the time was also forced to attend a boarding school far away from her home. At eight years old, Zitkála-Šá left Yankton and her family to attend the Indiana Manual Labor Institute in Wabash, Indiana over 700 miles away.

In her life, Zitkála-Šá rose to prominence as a musician, writer, and political advocate. An accomplished violinist, she performed at the White House for President William McKinley in 1900 and as a soloist at the Paris Exposition that same year. A prolific writer, Zitkála-Šá’s presented depictions of American Indians that emphasized family and community in books such as American Indian Stories and presented her own experiences in personal essays for Harper’s Monthly and The Atlantic Monthly. When the 19th Amendment was ratified in 1920, Native women like Zitkála-Šá were not automatically granted the right to vote as they were not considered U.S. citizens.


Primary Sources
“She is Watching Congress,” Evening Public Ledger, February 22, 1921 https://chroniclingamerica.loc.gov/lccn/sn83045211/1921-02-22/ed-1/seq-20/

“Sioux Princess Closely Watches Indian Welfare,” The Richmond Palladium and Sun-Telegram, February 26, 1921 https://chroniclingamerica.loc.gov/lccn/sn86058226/1921-02-26/ed-1/seq-15/

Maryland Suffrage Sews, June 15, 1918
https://chroniclingamerica.loc.gov/lccn/sn89060379/1918-06-15/ed-1/seq-5/

 

 

Carrie Williams Clifford

Carrie Williams Cliffordwas born and raised in Ohio. She graduated from an integrated high school in Columbus, Ohio and worked as a teacher and for her mothers hair styling business. Clifford published two books of poetry, Race Rhymes and The Widening Light. 

Clifford helped found the Ohio State Federation of Colored Women in 1900 and served as its first president. She advocated for the rights of women and for the rights of Black people. A close friend of W.E.B. Du Bois, Clifford recruited Black women to join the Niagara Movement, the organization that would become the National Association for the Advancement of Colored People (NAACP) in 1912. Four years after participating in the Suffrage Parade in Washington, Clifford marched with the NAACP in New York City in what was known as the “Silent Protest Parade” on July 18, 1917. The demonstration protested against violence against Black Americans, specifically the East St. Louis Massacre earlier that month. Clifford wrote a poem to commemorate the march: https://scalar.lehigh.edu/harlemwomen/silent-protest-parade After the ratification of the 19th Amendment, Clifford would have been able to vote in her native Ohio, but in many southern states Jim Crow laws effectively prevented Black men and Black women from voting until the 1960s.

Primary Sources:

“Mrs. Carrie Clifford Spoke Right Out in Meeting,” The broad ax. [volume] (Salt Lake City, Utah), 02 Sept. 1905. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn84024055/1905-09-02/ed-1/seq-1/>

(image)“Author of Rare Book of Poems,” Franklin's paper the statesman. (Denver, Colo.), 13 Jan. 1912. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn91052311/1912-01-13/ed-1/seq-6/>

(image) “Mrs. Clifford Reelected,” The colored American. [volume] (Washington, D.C.), 13 Aug. 1904. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83027091/1904-08-13/ed-1/seq-14/>

Carrie Williams Clifford, “Marching to Conquest,” 1911

Marching to Conquest

We are battling for the right with purpose strong and true;
'Tis a mighty struggle, but we've pledged to dare and do;
Pledged to conquer evil and we'll see the conflict thro'
Marching and marching to conquest.

All the noble things of life we'll teach our girls and boys,
Warn them of its pitfalls and reveal its purest joys,
Counsel, guide and keep them from the evil that destroys
As we go marching to conquest.

Loving confidence and trust must mark our intercourse,
Harmony and unity will our success enforce ;
Seeking guidance from the Lord of good, the boundless source,
As we go marching to conquest.

Come and join our anthem then and raise a mighty shout,
Sing it with such fervor as will put our foes to rout,
Sing it with conviction strong, dispelling every doubt,
As we go marching to conquest.

Women, when our work is o'er and we to rest have gone.
May our efforts doubled, trebled, still go sweeping on.
And the voices of millions swell the volume of our song.
As they go marching to conquest.

Chorus :
Hurrah, hurrah, we'll shout the jubilee;
Hurrah, hurrah, we'll set the captives free,
Ignorance, distrust and hate at our approach shall flee.
  Marching and marching to conquest.

 

Nina Otero-Warren

Nina Otero-Warren was born to a wealthy and prominent Spanish-speaking family in present-day New Mexico in 1881. College educated, Otero-Warren was briefly married to U.S. army officer Rawson Warren, but they divorced after two years. She never remarried and instead became an important figure in local politics in Albuquerque for over 50 years. In 1917, she became the head of the New Mexico chapter of the Congressional Union, which would become the National Woman’s Party. Otero-Warren pushed the party to publish suffrage literature in Spanish as well as English to reach the largest number of people in the American Southwest. From 1918 to 1929, Otero-Warren served as the Superintendent of Public Schools in Santa Fe County and in this role resisted efforts to impose English-only education and also publicly criticized the conditions of the county’s Indian boarding schools. 

In 1921, only a year after the 19th Amendment was ratified, Otero-Warren ran for Congress. She won the Republican nomination for the U.S. Representative, but lost in what was a close election.

 

Primary Sources

Adelina Otero-Warren | Library of Congress

https://www.loc.gov/item/2014716277/

“Mrs. Otero-Warren Equipment for Service in the U.S. Congress,” The Clayton news. (Clayton, N.M.), 27 Oct. 1922. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn93061573/1922-10-27/ed-1/seq-4/>

“Picturesque Family History Adds Interest to Race for Congress by Mrs. Otero-Warren.” The Clayton news. (Clayton, N.M.), 29 Sept. 1922. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn93061573/1922-09-29/ed-1/seq-4/>

 

Mabel Ping-Hua Lee

Mabel Ping-Hua Lee was born in Guangzhou, China in 1897. When Lee was nine-years-old, she won an academic scholarship to study in New York City where her father, a missionary, was already living. Living in Chinatown and attending school at the Erasmus Hall Academy in Brooklyn, Lee became involved with activism as a teenager participating, on horseback, in her first suffrage parade in 1912. Lee attended Barnard College and wrote essays for the college’s The Chinese Students’ Monthly one of which was titled “The Meaning of Woman Suffrage.” When the 19th Amendment was ratified, Lee herself was not still able to vote because the Chinese Exclusion Act of 1882 prevented any Chinese person from becoming a U.S. citizen. Lee earned her PhD in economics from Columbia University and published an economic history of China in 1921.  

Primary Sources
“Chinese Girl Wants to Vote,” New-York tribune. [volume] (New York [N.Y.]), 13 April 1912. Chronicling America: Historic American Newspapers. Lib. of Congress. <https://chroniclingamerica.loc.gov/lccn/sn83030214/1912-04-13/ed-1/seq-3/>


Mabel Ping-Hua Lee, Excerpt from “The Meaning of Woman Suffrage” The Chinese Student Monthly, Barnard College, May 1914.

I once heard Professor Kirchway of Columbia say that although scientists are always
telling us that in the midst of life we are in death, we are not as apt to realize it as
much as that while in the midst of life we are in the woman suffrage question. And it
is a fact that no matter where we go we cannot escape hearing about woman
suffrage. Yet there is hardly a question more misunderstood or that has more
misapplications. So manifold are its misconceptions that it has come to be a by-­‐word
suitable for every occasion. For instance, if when in company one should wish to
scramble out of an embarrassing situation, or his more fortunate brother should
wish to be considered witty, all that either would have to do would be to mention
woman suffrage, and they may be sure of laughter and merriment in response.

The reason for this is that the idea of woman suffrage at first stood for something
abnormal, strange and extraordinary, and so has finally become the word for
anything ridiculous. The idea that women should ever wish to have or be anything
more than their primitive mothers appears at first thought to be indeed tragic
enough to be comic; but if we sit down and really think it over, throwing aside all
sentimentalism, we find that it is nothing more than a wider application of our ideas
of justice and equality. We all believe in the idea of democracy; woman suffrage or
the feminist movement (of which woman suffrage is a fourth part) is the application
of democracy to women.

Suggested activity: Reframe the story
After students have read through the textbook account of women’s suffrage, distribute the sources and brief biographical sketches of the women’s suffrage reformers listed above. Prompt the students to take special note of each reformer’s activities before and after the ratification of the 19th amendment in 1920. Place them in groups where each group has a mix of students who learned about a different reformer. In groups, have them draft new text for a textbook entry on women's suffrage that provides a new timeline for the topic. Questions they should consider as they write their entry:

  • What dates are the most important to emphasize? Do they need a timeline to communicate the order of events?
  • What primary sources should they use as part of the text?
  • What should the title of their textbook section be?

General Tips for Teaching Controversial Subjects

  • Center activities on primary sources. Primary sources are tangible evidence that allow students to engage directly with history. These primary sources in particular were preserved and digitized by the Library of Congress because they were deemed important to the history of the United States.
  • Discussion and analysis of these sources can be wide ranging, but within each class those discussions can always be turned back to the source itself.
  • The sources are also, by definition, only pieces of a puzzle. They bring us closer to understanding the past but there is always room for doubt and uncertainty.  
  •  Questions, Observations, and Reflections should come from students. These are primarily student-directed learning activities. It is the instructor's role to create a space for inquiry and empower students to drive the inquiry.
  •  It may help to remind students at the outset that it is normal for different individuals to come to different conclusions, even when we are looking at the same sources. Further, it would be strange if we all agreed completely on our interpretations. This can normalize the strong reactions that can come up and enables educators to discuss the goal of historical research, which is to hopefully go beyond the realm of individual  perspective to access a fuller understanding of the past that takes multiple perspectives into account.
  • Teaching historical topics that involve violence and other trauma can be traumatic for some students as well. Providing students with previews of what content will be covered and space to process their emotions can be helpful. The following video series from the University of Minnesota contains further tips for teaching potentially traumatic topics: https://extension.umn.edu/trauma-and-healing/historical-trauma-and-cultural-healing.

 

 

 

 

 

 

 

 

 

 

 

Religion and the Civil War: A Guide for Pre-Service Teachers

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Article Body

What is it?

As historian James McPherson has written “Religion was central to the meaning of the Civil War, as the generation that experienced the war tried to understand it.” However, many of the resources available for students learning about the war do not deal with the religious themes of the war and therefore miss important context to one of the most consequential topics in U.S. history.

Key points:

  • This activity will take one 90-minute period or two 45-minute periods. It is appropriate for a high school U.S. history classroom, but can be modified for a variety of learners.
  • Students will analyze, interpret, and evaluate primary sources. 
  • Students will learn more about the causes of the Civil War as well as the course and character of the war and its effects on the American people. 

 

Approach the Topic

This guide will use a variety of Library of Congress sources including sheet music from marching songs that soldiers sang as they marched to battle. These songs often contained religious themes that connect to what soldiers viewed as the meaning of the war. Students will also read excerpts from sermons by various religious leaders in the North and the South as they looked to religious texts in an effort to explain the war. The guide will also contain tips for teaching about religion generally to help teachers engage students with what can be a challenging topic to teach. 

In introducing this topic to students, emphasize that the United States at the time of the Civil War was a very religious nation. Church attendance was frequent in all regions of the U.S. and significantly Americans on both sides of the war often invoked God and the Bible when justifying the war. According to historian Mark Noll, this took a variety of forms. For example, the Bible was frequently used to both condemn slavery and justify it. Similarly, American Protestants in both the North and South identified strongly with the notion of divine providence, that is, the idea that God was actively working to shape events and this work could be perceived by people as the events happened. However, which events to cite and how to interpret them differed greatly depending on which side of the conflict a person supported. In this activity students will examine primary sources to note how Americans invoked religion during the Civil War and how understanding the role of religion changes our understanding of the war. 

 

Description

This activity facilitates students as they engage with primary sources and understand better how religion shaped the beliefs of Americans during the Civil War. Students will examine sources carefully, note details, and then interpret what the details might mean based on what they know and their interpretations of the other sources. Working in groups, students will use these interpretations to create a museum exhibit (either physical or digital) to communicate the role of religion in the Civil War.  

 

Teacher Preparation

Make the primary sources below available to students either through links, if using electronic devices, or by printing them out. According to your students’ needs, you may need to guide students to the relevant excerpts or share the excerpts separately. These excerpts are included below. 

Prepare the necessary materials for students to create their exhibit. If it’s a physical exhibit this could be as simple as scissors to cut out excerpts from primary sources and materials to create captions or annotations for those sources. Poster board can also be used if the exhibits are to be more permanent or for display in another part of the school. 

For digital exhibits, a variety of formats might be used including PowerPoint, Google Slides, Google Sites, Canva, or Omeka There are all free to use or have free versions for teachers and students.  

Differentiation note: Depending on students reading abilities, teachers may want to consider accommodations for engaging with the primary sources below. Excerpts from text sources have been included along with annotations to highlight the most relevant passages. Teachers may also elect to read excerpts out loud to students or to assign smaller chunks of texts for students to examine in small groups. 

 

Primary sources

J.H. “A prophecy of the Southern Confederacy” Jefferson County, Virginia [1862?].

Excerpt(s):

That God should love thee, has been demonstrated in favour of the South, with the abundant crop, supplies and comforts to support the Armies with the material of war, is strongly shewing I have loved thee, and the men for thee. Isaiah 43d chapter 14th verse is England, with Europe, now acting in behalf of the South, by the receiving of our Commissioners or Ministers. The result of that act alone will stay the Northern power from continued aggression—thereby “giving a people for thy life.” After this promise, hear the 5th verse: “Fear not: for I am with thee: I will bring thy seed from the east, and gather thee from the west.”

Annotation: White American Protestants, both in the North and South, strongly believed in divine providence — that God was actively working to shape events and that God’s efforts could be perceived as these events were happening. This source from Jefferson County (part of West Virginia today) in 1862 is an example of this thinking. Presenting itself as a “prophecy,” it predicts that the Confederacy will achieve victory over the Union because God’s love “has been demonstrated in favour of the South.” Further signs that the Confederacy will win, according to this author, are seen in the “abundant crop, supplies and comforts to support the Armies with the material of war”. The “prophecy” goes on to predict that England will side with the Confederacy against the Union and bring about an end to the war. Given the estimated year, 1862, which was early in the war, the source is likely a reaction to the success Confederate armies were having against Union forces at that point in the war. 

A sermon on the war, by the Rev. Elias Nason, preached to the soldiers at Exeter. N. H. May 19, 1861. 

https://www.loc.gov/item/rbpe.09400400/

Excerpt(s):

My hope of ultimate success does not so much repose in our superiority to our enemies in point of military skill, or power, as in our going forth to the field of contest in confederation with Almighty God. . . 

Why then am I hopeful in this dreadful conflict? I answer fairly: not so much because of our numbers, gold, or fleets, or generalship at the north; not so much because of our union at the north; not so much because of our “materiel;” our “sinews of war” at the North—No, no, no! not these alone.—but I am confident of final victory because of the plans and the action of that wise Spirit whom we come into this temple to worship today; because we have set up our banners, not in our own, but in his Almighty name; and because I believe we go forth under his benediction to the battlefield—and one with God upon his side is an invincible legion. The South has set up its banner in the name of secession, in the name of rebellion; in the name of oppression! The poisonous rattlesnake is its fitting emblem. Such a banner ought to fall; it is opposed to human progress; learning, liberty; it is opposed to the great leading ideas of the nineteenth century; such a banner ought to fall; and I feel assured that God through your right arm intends to make it fall; and the illustrious “Star spangled banner” rise, heaven-lighted with the swelling songs of Freedom, over it.

Annotation: The notion of divine providence, that God would actively shape events in favor of the American people, was just as strongly held in the North as in the South. Here a sermon by Reverend Elias Nason, delivered to Union troops in New Hampshire, expresses faith that the Union will defeat the Confederacy because God will be on their side. “I am confident of final victory because of the plans and the action of that wise Spirit whom we come into this temple to worship today.” Nason also declares the Union on the side of “freedom” as well as “human progress; learning, liberty” likely references to fighting against slavery. To Eason this was further evidence that God was on the Union side. Note too the month and date of the sermon, May of 1861, was a month after the Confederate attack on Fort Sumter and still a few months before the first major battle of the war. At this point many on both sides would have predicted a short victorious war. 

“The Nutshell: the system of American slavery "tested by Scripture," being "a short method" with pro-slavery D.D.'s, whether doctors of divinity, or of democracy, embracing axioms of social, civil, and political economy, as divinely impressed upon the human conscience and set forth in divine revelation; in two lectures,” 1862

https://www.loc.gov/item/12005595/

Excerpt(s):

[From page 22-23]

And yet will ye plead the Scriptures in justification of American Slavery? We can imagine but one mode of evading the common sense application of the “Golden Rule.” It is substantially this: “With my present experience and knowledge,” says the apologist, “of the conditions of mankind, were I a black man,I would prefer for myself and posterity forever the condition of Slavery to that of Freedom. So do I unto others as I would they should do unto me.” Dare ye answer thus at the bar of God in the day of final account! at His bar who commands: “Break every yoke and let the oppressed go free”!

Annotation: Slavery was the central issue dividing the Union and Confederacy and on this issue too both sides believed that the Bible supported their position. While pro-slavery Christians pointed to the existence of slavery in the Old Testament of the Bible, anti-slavery Christians tended to argue that the teaching of the New Testament were opposed slavery as it was practiced in the United States. In this 1862 pamphlet, the author identified only as “Layman of the Protestant Episcopal Church in the Diocese of Connecticut” argues that the Golden Rule, found in the book of Matthew and Luke as part of the Sermon on the Mount, necessarily means that slavery is not justified. The author then quotes from the book of Isaiah, ““Break every yoke and let the oppressed go free” a passage often invoked by abolitionists. 

Battle hymn of the Republic / by Mrs. Julia Ward Howe. [Philadelphia] : Published by the Supervisory Committee for Recruiting Colored Regiments, [1863?]

https://www.loc.gov/item/98101743/

Battle hymn of the republic - background information 

https://www.loc.gov/item/ihas.200000003/

Battle hymn of the republic audio

https://www.loc.gov/item/ihas.100010455/

Song of the first of Arkansas ... written by Captain Lindley Miller, of the First Arkansas Colored Regiment
https://www.loc.gov/item/amss.cw105500/

Excerpt(s):

Oh, we're the bully soldiers of the “First of Arkansas,”

We are fighting for the Union, we are fighting for the law,

We can hit a Rebel further than a white man ever saw,

As we go marching on.

Chorus: Glory, glory hallelujah.

Glory, glory hallelujah.

Glory, glory hallelujah.

As we go marching on.

2. See, there above the center, where the flag is waving bright,

We are going out of slavery; we're bound for freedom's light;

We mean to show Jeff Davis how the Africans can fight,

As we go marching on!

(Chorus)

3. We have done with hoeing cotton, we have done with hoeing corn,

We are colored Yankee soldiers, now, as sure as you are born;

When the masters hear us yelling,

they'll think it's Gabriel's horn,

As we go marching on.

(Chorus)

4. They will have to pay us wages, the wages of their sin,

They will have to bow their foreheads to their colored kith and kin,

They will have to give us house-room, or the roof shall tumble in!

As we go marching on.

(Chorus)

5. We heard the Proclamation, master hush it as he will,

The bird he sing it to us, hoppin' on the cotton hill,

And the possum up the gum tree, he couldn't keep it still,

As he went climbing on.

(Chorus)

6. They said, “Now colored brethren, you shall be forever free,

From the first of January, Eighteen hundred sixty-three.”

We heard it in the river going rushing to the sea,

As it went sounding on.

(Chorus)

7. Father Abraham has spoken and the message has been sent,

The prison doors he opened, and out the pris'ners went,

To join the sable army of “African descent,”

As we go marching on.

(Chorus)

8. Then fall in, colored brethren, you'd better do it soon,

Don't you hear the drum a-beating the Yankee Doodle tune?

We are with you now this morning, we'll be far away at noon,

As we go marching on. (Chorus)

Annotation: The United States at the time of the Civil War was a very religious nation and soldiers in the Civil War often expressed their understanding of the war in religious terms. This can be seen in the marching songs that were used to recruit soldiers to the war and that were later sung by the soldiers themselves to keep time during marches and engage soldiers’ interest. A famous example of a marching song, “The Battle Hymn of the Republic”, incorporates religious themes implying that God is on the side of the Union in their effort to defeat the Confederacy and end slavery. Many versions of this song with different lyrics were sung by Union troops including “Song of the first of Arkansas”, the first of Arkansas being a regiment of Black soldiers. In addition to the “Glory, glory hallelujah” chorus, the song references Gabriel’s Horn which in many Christian traditions signals that Judgment Day has arrived. In the song, when the “masters” hear the first Arkansas coming they will think it’s Gabriel’s Horn. 



In the Classroom

Warm up (5 minutes)

When teaching the history of religion it is important to communicate to students that they are learning about religion to better understand people who lived in the past. Thus the goal is not to judge the validity of those beliefs or to accept or reject them. To set the stage, begin by posting the quote above by historian James McPherson and then asking students how historians might come to this conclusion that religion was important to Americans during the Civil War. “What kinds of evidence do you think historians might use to come to this conclusion?” Answers can be written on the board. The purpose of the warm up is to remind students that their goal is to try to understand these beliefs, not assess the accuracy or legitimacy of these beliefs. Inform students that the goal of the activity is to better understand what role religion played in the Civil War. 

Step One: (20 minutes)

Place students in groups. Each group member receives the same primary source and each group receives a different primary source. This is a jig-saw group activity so students will join new groups to create their exhibits. In their primary source groups, direct students to examine the source carefully noting all the words that might relate to religion. Students should also note the date of the source, who created the source, and who they think the audience might be. They can either jot these down as notes or if more scaffolding is needed, students may complete a primary source analysis sheet for their source. 

Step Two (40 minutes)

Place students in new groups such that each group has a member with a different primary source. Instruct students that each group will be responsible for creating a museum exhibit on the topic of religion and the Civil War. Each exhibit will feature 

  • The primary sources the students analyzed 
  • Captions for each source of about 50 words explaining what the source is and what it tells us about religion in the Civil War. 
  • A paragraph introducing the exhibit.
     
  • A title for the exhibit (Note: Exhibit titles are often phrases from one of the sources used in the exhibit).

Again this exhibit could be designed as a physical exhibit or a digital exhibit using the tools mentioned above.

Step 3 (25 minutes)

Students group share exhibits with class. This can either be done with each group presenting to the class or using a “gallery walk” where half the students’ exhibits are on display with their creators there to explain and answer questions while the other half of the class walk around to view the exhibits. Halfway through this period the groups switch places. 

 

General Tips for Teaching Controversial Subjects

Teaching history inevitably means teaching about topics that generate strong reactions from a wide range of people. While not every reaction can be anticipated, the following tips can provide a strong basis for a rationale for your learning activities:

  • Center activities on primary sources. Primary sources are tangible evidence that allow students to engage directly with history. These primary sources in particular were preserved and digitized by the Library of Congress because they were deemed important to the history of the United States. 
  • Discussion and analysis of these sources can be wide ranging, but within each class those discussions can always be turned back to the source itself. 
  • The sources are also, by definition, only pieces of a puzzle. They bring us closer to understanding the past but there is always room for doubt and uncertainty.  
  • Questions, Observations, and Reflections should come from students. These are primarily student-directed learning activities. It is the instructor's role to create a space for inquiry and empower students to drive the inquiry.
  • Linking to state or national standards can provide support and justification for classroom activities such as these. The Civil War is explicitly mentioned in many state standards for example. The activities in this guide also link to NCSS Themes including Theme 1: Culture ("How do various aspects of culture such as belief systems, religious faith, or political ideals, influence other parts of a culture such as its institutions or literature, music, and art?")  and Theme 2: Time, Continuity, and Change ("How do we learn about the past? How can we evaluate the usefulness and degree of reliability of different historical sources?") 
     

Statistics in Schools

Image
Annotation

This website makes U.S Census data accessible to K-12 social studies students through 20 classroom activities. Divided by grade-level, these activities trace change over time in the United States using statistics. Activities address civil rights, continental expansion, the treatment of Native Americans, immigration, and other topics related to demographic change.

With schools placing a greater emphasis on the STEM fields, these activities are helpful for social studies teachers who are trying to make cross-curricular connections. Each activity requires students to analyze data to draw conclusions, clearly demonstrating how teachers can use non-textual primary sources to encourage historical thinking in the classroom.

These activities are also very clear about which standards (Common Core and UCLA National Standards for History), skills, and level of Bloom’s Taxonomy they address. However, it would be helpful if it were possible to search activities based on at least one of these categories, rather than by grade range only. Nevertheless, a well-designed website with well-written activities for thinking historically with diverse types of sources.

Piscataway Park and Tobacco Farming

Video Overview

In 1700s Maryland and Virginia, farmers lived and died by the quality of their tobacco. Teachers tour Maryland's Piscataway Park, learning about farmers' struggle against their environment to grow and cure the perfect crop.

Video Clip Name
Piscataway1.mov
Piscataway2.mov
Piscataway3.mov
Video Clip Title
Status Symbols
Neither Time Nor Taste
Mastering the Environment
Video Clip Duration
4:07
4:00
4:30
Transcript Text

Guide: This home is a wonderful example of what they call vernacular architecture, which means if you generally go outside of the southern Maryland area you’re not going to find any homes built like this. It was actually built around 1770 and it’s a great example of a kind of home that the lower middling sort would have lived in. One architectural historian said it is not the kind of house that you would find on a house and garden tour, nor are you going to find chatty hostesses with artfully-arranged flower vases. Spinning wool was the one thing that they would do, process all the wool and actually knit things from it, which is great. To go from, you know, A to Z. And just about everything that we have in here is all based on a lot of inventory analysis. Head of household dies, people come through, they take a true and just inventory of everything that they owned, assigned a value to it, and that was for the purpose of settling debt. They are not the end all and be all of what people owned. But when you go through '54 you start seeing trends and so it’s those trends that we followed when setting up this room. You’ll notice that they have a looking glass, but not enough people had basins or razors to justify putting them in the house. Glass had to be imported and glass things could be relatively expensive, so to just have a looking glass and nothing else to go with it is sort of a little status symbol. The only thing that separated the small landowner from the tenant farmer was the fact that small landowners actually owned their lands and more importantly they owned at least one or two slaves. All slaves of families of this wealth level, male or female, were field slaves and they would be right outside the field alongside the master of the farm or the plantation doing the work. From day one, we had to be able to address the idea of slavery because otherwise you just come here and you’d think that it was just your typical colonial family living off the land doing everything themselves. The family that we're based on had Kate Sharper and her young son, John. John was probably ten pounds sterling and with that low amount, that probably puts him around eight years old. Kate was probably 37 pounds sterling. She probably came with Mrs. Bolton as part of her dowry; basically made Mrs. Bolton marriable, that she came with a slave or one of these, a bed. Sometimes bedsteads in inventories that we read are worth more than what the family brought in in a year on tobacco. The pillows, the pillowcases, the bolster, the counterpane, all that factors into the value of the bed and all that is imported. Biggest misconception about colonial people is this whole idea of self-sufficiency. They grew their food and that’s it. But make no mistake, they had access to a foreign market and they loved it. There was one study that came out and the conclusion was basically that the last thing that they would put money into was the house itself. They would put money in things to put in the house. They would put money into maybe building a corn house or a milk house and the reason for that is you’re basically showing your mastery of the agricultural endeavor, advertising your success. The same thing with the brick chimney. Reason why a family like this would have a brick chimney was basically they were showing off to anybody that was going by. And if you can imagine that you spend most of your time out in the fields working and dealing mostly with your family, to have somebody come through from England or France or whatnot, man, you wanted to show off. You wanted to talk to them. You wanted to feed them and that’s what people commonly did. A traveler through Virginia in the 1750s wrote in his diary that one was much more likely to find lodging and victuals at houses where brick chimbles showed then elsewhere.

Guide: In the 18th century this would be step one. They would always want to add more to it. They would always want to turn the upstairs into a place to live for rooms and things like that.

Teacher 1: Just like we do.

Guide: Exactly! Does anybody have any questions? Yes?

Teacher 2: Like, do people write about oppressive heat—

Guide: Oh, yeah!

Teacher 2: 'Cause I feel like that’s the main topic on the news every time you turn it on.

Guide: They did all the time. And the great thing was that—

Teacher 2: How did they deal with that?

Guide: They would go on and on.

Teacher 2: Sort of like they do now.

Guide: They weren’t foolish about it. At midday they would come in from the fields for about three hours and then they would go back out when it wasn’t that hot. You know only mad dogs and Englishmen go out in the noonday sun.

Teacher 1: Can you talk about the doorways being so small?

Guide: Yes! It’s not because they were short. They’ve been here for over a hundred years, the diet has improved, they’ve acclimated to it. The doorways are small to keep heat in. We know within two years of being built that the walls and these exposed ceiling beams were covered in soot from the constant smoky haze that was in here during the winter time when they were burning 30 to 40 cords a winter to keep warm.

Colonial people generally didn’t bathe that often; they thought it was actually bad for you, it washed the essential oils off your body. They did laundry maybe once a week. You could have anywhere from two to 15 people living in here. That’s just the way it was. And so this idea of sitting around and doing cutesy little things, it’s like, no, they were actively involved in everything that went into farming this land and becoming a success.

The kitchen is often where the family’s slave would have slept in here with her young son John. But there’s absolutely no reason to believe that they also might not have allowed her to just simply sleep in the house with the rest of the family. That happened from time to time.

Sometimes if you’re a house museum you focus on the house, the things that are in the house, the stories that involve the house, but a lot of times one of the things that they forget about is the farm that the house actually existed on. And believe it or not, more and more house museums now are resurrecting the farms simply because, you know, you might as well bring the farm to life because it’s a much more complete picture.

Travelers even when they went to the homes of the very, very wealthy and looked at their gardens said that they were ugly. You know, that they paled in the comparison to what was going on in England. If you were spending the lion's share of your time out in the field cultivating tobacco, you do not have time for a fancy pretty garden. Mounds of earth with pumpkin, squash, and beans in it are sometimes all that the gardens consisted of. We've got a few more things 'cause we’re not that far down the totem pole.

Teacher 1: I know this is all colonial but the Piscataway that lived around here, they did, like, the Three Sisters?

Guide: They did.

Teacher 1: Do you have any Three Sisters?

Guide: We do very little Three Sisters simply because it’s never worked for us. Most everything that we grow in here are all heirlooms. Many 18th-century varieties of vegetables have gone the way of the dodo, they simply don’t exist, too many hybrids now, but they wrote so extensively about things and described them in such detail that the things that aren’t 18th century are things that most closely resemble them.

Most of the things on the borders are going to be your medicinals, such as that white flowered thing growing there is called Feverfew. Pretty much tells you everything about it. The red Wethersfields that are in there closely resemble another variety. Melons, these are called Anne Arundel melons just because they figure prominently in Peale family still lifes. Hector St. John de Crèvecœur, one of my favorite colonial names, said, and I quote, “We are very deficient in our gardens for we have neither time nor taste. Besides the labor is too dear."

Guide: These fences only were used on farms. And of course the reason why colonial planters and farmers had these fences was to keep animals out, not to pen them in. English travelers happened to say in their diaries, when they looked at the way the colonial people were 'farming' in general, was they just wrote about the deplorable way in which they treated their animals, doing nothing with them, just turning them loose. No management, no skill, no nothing.

But this is what life here demanded from them. And the number one reason for that was tobacco. In April, they would plant their corn. And then May was time for planting tobacco. Once the tobacco's in the ground, they don't do anything with the corn any more.

So if you come at a certain point of the year, you'll see tobacco growing in the field, corn growing in the field, but there'll be weeds up all around it and people will be like, oh my gosh, what is that? And it challenges the way that they think that a field should look, that everything should be, you know, clean and precise. But that wouldn't be an accurate representation of the way that they did it.

They weren't thrilled with it. They didn't think that this was the bee's knees, this way of farming. It's not—it doesn't take a lot of this, it takes a lot of this. The difference between curing, which they called an art, and farming it, is that curing was all up here.

You harvest something, the agricultural year is over. Harvest corn, done. Harvest wheat, done. But cut tobacco, it's followed on almost immediately by the process of curing it. And your reputation was joined with this, because everybody's going to know what price your tobacco got. Is it too wet? Is it too dry? If it's too wet, sometimes they thought that they might have to light fires in here. But if you light a fire in here, that's going to flavor it, which means you're going to get less of a price. What do I do, what do I do, what do I do. Will you be known as a miserable planter? Will you be known as a crop master? Because if you mess this up, all that work that you did, out in the field is going to be for naught.

When you cut the tobacco, you want to leave it outside for about four or five days to kill it. That's the term that they use. Then you would bring it into the barn, you would stake it, stack it, and store it. Once it was cured, they would prize it, or press it, in these hogsheads. And then the hogsheads would be taken to the town of Piscataway over here, and the inspector would break it open, he would pull out the tobacco, and anything that he deemed trash was burned right there on the dock.

England loved Virginia sweet-scented tobacco. They loved it. The soil and the climate around the James and York Rivers was so different that the tobacco took on this sweet-scented variety that England prized. After the French War, the French and Indian War, it was widely known that Colonel Washington, when he took up residence at Mount Vernon was very desirous to be a successful tobacco planter. That's what Virginians did. That is what your reputation is, that's how you define yourself, by the kind of tobacco planter you are.

He was an absolute failure at it. He was not a bad planter. Maryland's soils have always been known as stiff, which is a reference to the amount of clay in here. So the tobacco took on this much more robust flavor. Where is Mount Vernon? Right across the river. He shared our soils. He tried for 10 years before he finally quit. That shows you just how important it was to everyone's reputation that they be successful at it, and show good judgment in their ability to master and command their environment.

Touring Monticello jlee Thu, 06/13/2019 - 11:50
Video Overview

Jacqueline Langholtz, manager of school and group programs at Monticello, shows teachers around Thomas Jefferson's home. From the surrounding grounds to the internal architecture to slavery on the estate to Jefferson's library and inventions, they delve into the property's history.

Video Clip Name
monticellotour1.mov
monticellotour2.mov
monticellotour3.mov
monticellotour4.mov
Video Clip Title
Monticello from the Outside
Introducing the Interior
Jefferson's Rooms
Serving Jefferson
Video Clip Duration
4:45
6:55
5:59
9:55
Transcript Text

Jacqueline Langholtz: Jefferson is a local boy. He grows up, he's born at Shadwell, which is really just as the base of this mountain, and you can picture him and friends, good friend Debney Carr, jogging up this mountain, coming up here to play, and fantasizing about living here one day. And if you saw the map that Elizabeth Chew referenced in the gallery there, it shows Monticello, the smaller mountain, and behind it is Mount Alto, and you'll see that on the west side of the house.

Jefferson being a man of the Enlightenment, he's also very interested in nature and bringing nature in, specifically to his house. So he brings in light, he brings in color. Help me get my bearings. Which direction are we facing? Anyone want to be the Boy Scout for the day?

Teacher 1: Sun rises in the east.

Jacqueline Langholtz: Sun rises in the east, yeah, so this is the East Walk, right here, that's what we call it. Jefferson doesn't have a back and a front, he has two fronts. This is the East Front of the house, the West Front of the house is where we will emerge after the tour, and it's where you'll see the more iconic side of Monticello.

So this went really well the other day, I had a visitor from New York and I asked her how many floors the house had, and she gave me the perfect answer, the one I wanted for. What is your answer as you glance at this. How many floors, how many stories? What'd I hear back there? You said four, anyone have a different number? Three. Well, just if you're doing a quick glance, you're not making a careful study, you just glance up at the house. You thought it was only two? One and a half back here. Great. My friend who was visiting for the very first time said, I didn't realize it was only just one story. So now if you're looking, can you understand how someone might think it was just one story?

Okay. That's what Jefferson was really hoping for, that it appears to be one grand floor, and some of the rooms on the first floor will take up two stories, but he's actually tucked a second story in. So above the windows with the shutters, do you see smaller square windows? If you're in the second floor of the house, where family and guest rooms were, to open those windows you actually open them, they're down on the floor, like that. But it's meant to be enjoyed from the outside, to give that appearance of one grand story.

Also if you look very carefully, under the roofline, there are skylights. That's the third floor, there, and that's where the dormer room is. But a lot of the house is meant to be enjoyed aesthetically from the outside and to give a certain impression, actually to make you think of buildings that you might have seen in Europe. And what kind of a building does it make you think of? Rather than a palace. It's not traditional Georgian architecture, it's got me thinking of a very different time and place. The columns. Okay, zeroing in on that. So what does that make you think of? Yeah, ancient Greece and Rome. Exactly right.

Jefferson called it his essay in architecture, meaning he was constantly revising it. He said he delighted in putting up and pulling down. So there's a Monticello One and then when Jefferson is Minister to France, and he travels through France, he comes home with so many ideas that he does such a drastic remodeling that we call this Monticello Two.

Alright, anyone want to read this for us? It does keep moving, doesn't it? We'll take a best guess. Generally coming from the north, right? Varying a little bit northeast and northwest. Jefferson would have recorded this, if you were down in the galleries and you took a look at that log for the weather. 1780s, I think, 1780s or '90s date, I forget which. It said the temperature was about 20 degrees colder than it is today, but it also had a description of cloudy. So we have a similar day. As Dr. Chew described in the galleries, Jefferson took standard weather recordings at the same time each day for the same time for over 40 years. One at dawn, which means you're up at dawn, right? So, we'll talk more about Jefferson's daily routine and how very different it is from mine in his bedchamber. But one at dawn and one at about four o'clock. So getting those standard readings there.

You see another Jefferson device here in front of us. What else do you see on the house?

Teacher 2: The clock?

Jacqueline Langholtz: The clock. And don't be shy, big loud answers, I absolutely love them. The plantation clock here has how many hands? Can you still tell them accurately with one hand?

Teacher 3: Yes.

Jacqueline Langholtz: Yeah, relatively so. I think so, too. Inside the house you'll see the exact same clock, it has two faces to it. Jefferson designs this clock, and it is installed in the house about 10 years after he designs it. The nice thing is—this side, it's called the plantation clock, we get a lot of questions about it. The students who visit Monticello are often really intrigued by the clock itself, because inside it not only tells you the time but it also tells you something else. The teachers who have been here before will certainly know. It's a calendar clock, so what else does it tell you.

Teachers: The date.

Jacqueline Langholtz: The date. Exactly right, yeah. It also has three hands inside, so it gives you precise measurements, and only someone who views themselves as a scientist, who's interested in precision and measurement would have a clock with time down to the second. You'll see a clock in almost every room of the house, and one of Jefferson's granddaughters describes him as a 'miser of his time,' that's how obsessed he is with efficiency.

Jacqueline Langholtz: We've been talking about the plantation clock. As advertised, does it have three hands? Yes. As advertised, does it also have a calendar function? Somebody find that for me. Where is that? Excellent, excellent. Okay. So let's break this down. A pendulum clock usually has what that hangs from it?

Teacher: Weights.

Jacqueline Langholtz: Counterweights, exactly. So we've got the pendulum, but the counterweights, which normally come straight down from a grandfather clock could not come straight down because they'd be in front of the door. So they attached the pulleys on the sides and the weights would descend there. What day is it today?

Teacher: Saturday.

Jacqueline Langholtz: Saturday, one of the most intriguing days to be at Monticello, because you can't see the weights. Exactly right. Days of the week are on the wall here, starting with Sunday. So if Sunday's at the top, what day of the week is the clock wound?

Teacher: Sunday.

Jacqueline Langholtz: Sunday. That's when the weights are all the way at the top. So it's wound on Sunday, and the last day in that whole cycle is Saturday. That's when you see that there was a miscalculation in Jefferson's plantation clock. He designed it before it was installed in Monticello, about 10 years prior. When he brought it to the room, it's too big for the room. So he puts the calendar function—Sunday, Monday, Tuesday, Wednesday, Thursday, Friday is on the floor, Saturday is actually in the basement, and to keep from having weights set and rest on the floor because then the clock wouldn't be able to continue, he cuts holes on both sides there, both sides of the floor, so that the weights can make their full descent, all the way into the basement. So we'll make sure that we find Saturday in the basement there.

Earlier you told me that your students often study westward expansion and the travels of Lewis and Clark and the Corps of Discovery. There's a lot in this room that has to do with that major contribution of Jefferson's. You see a map on the back wall here that shows the size of the country before the Louisiana Purchase, which does what to the size of our country? Doubles, yeah. Pretty easy to say doubles exactly. Great deal. Just about three and a half cents an acre for over 800,000 acres of land.

How is that paid for? Hm.

Teacher: Taxes.

Jacqueline Langholtz: Yeah. Well, taxpayer dollars, exactly right. So, while now, we see this as, I think, a great decision, it was actually one that was met with some mixed feelings during Jefferson's time, and some pushback on whether or not he was actually authorized to make that decision.

Also in this room, you see, in addition to New World, you see quite a lot Old World, you see Old World art here on the wall, and some European influences with French philosophers, Voltaire and Turgot here on the wall. And actually an American here. Anyone know who this man is? 'Opposed in death as they were in life,' according to Jefferson, whose bust is opposite him. Alexander—

Teacher: Hamilton.

Jacqueline Langholtz: Hamilton. Absolutely. So depending on what conversation you wanted to have with your students, you could have it be about government, you could have an Enlightenment conversation here, you could have it be about art, about science, there's just so much in the room. And certainly visitors waiting to meet the president or to shake his hand or to get an audience with him, sitting in this room would be treated to a natural history lesson of their own. It's a wonderful room for education.

This is the Edgehill portrait. Someone describe that man's expression to me.

Teachers: Grim. Glum.

Jacqueline Langholtz: Great, grim, glum. What else?

Teachers: Tired.

Jacqueline Langholtz: Tired. Yeah, absolutely. Jefferson described the presidency as a 'splendid misery and a daily loss of friends.' Do we know him for any really rousing speeches?

Teachers: No.

Jacqueline Langholtz: What—no. What do we know him for more than his presence and his gung-ho power. Ah, maybe his—okay, some of his specific contributions, things like the Louisiana Purchase. There's a very important document. And writing. Exactly right. His writing. So the Declaration of Independence hangs over here. Certainly when we are talking about the things we remember and love Jefferson for, revere him for, it's his public service and it's things like the Declaration of Independence. Written, he's the primary author on a committee of five. And he's only 33 years old when he writes it. He calls it 'an expression of the American mind.'

So what is this room used for? It's very different from the one we were just in. This is not a public room.

Teacher: It's a parlor.

Jacqueline Langholtz: Sort of like a parlor, but we're going to see a fancy parlor for guests and entertaining a little bit later. Oh, who said—I like office. What made you say that?

Teacher: It looks like one. There's a desk. There're books. There's not too much else.

Jacqueline Langholtz: Yeah. Mm-hm. Yeah. This is an office and a schoolroom. It's an office for the woman in the lower painting here. This is Martha Jefferson Randolph, Jefferson's oldest daughter. And she came to live here and essentially be mistress of the plantation for Jefferson during his retirement years. So after 1809, Jefferson can smile again, after being president, come home to retire, and his eldest daughter is mistress of the plantation. And so, think of all the work that would have had to be done, planning the menus, accommodating guests. She'll have meetings in here with the house staff. So people like Burwell Colbert, the head butler, here. Probably also with Edith Hern Fossett, the chef. Martha's doing a lot of that work organizing the goings-on and logistics of a 5,000-acre plantation that is popular, at a time when there was no Secret Service, right? So anyone who wanted to come up and knock on the window and shake the former president's hand would probably have to be greeted and dealt with. Either invited in or told, thank you, goodbye. And that's what a lot of Martha's —she writes often about working 12-hour days.

Jefferson suffers severe personal tragedy during his lifetime. So he is a family man and someone who loves his family. Is he married, actually? Here's a question, actually, back up. Is Jefferson ever married?

Teachers: Yes. Yeah.

Jacqueline Langholtz: Yes. They have six children. Martha dies in childbirth with their sixth child. Only two of those six children survive to adulthood. So Martha, Martha his eldest daughter in the portrait there is one of only two. And he buries the second daughter before he dies. So she is the only one who actually survives him. She has a large family. You can only imagine that after many years of public service, not being home, having his own children pass away, being here as a grandfather with those grandchildren is a great delight to him.

So we have great stories of him running foot races with the kids on the West Lawn and giving them dried fruit and helping them with their studies. Having books for them to—drawing straws so the person who draws the longest straw will get to read the book first, all the way down, the person who draws the shortest straw gets to read it last but then gets to keep the book. So you can just imagine him being a wonderful and supportive grandfather.

Jacqueline Langholtz: It is Jefferson's—

Teachers: Library.

Jacqueline Langholtz: Library. Exactly right. Imagine having access to your grandfather's library and it is like this, 200 years ago. Jefferson described himself as having a canine appetite for reading, which is a wonderful wonderful description. This is his third library, his retirement library. His first one actually burns while he's a student. So Jefferson studies law at William & Mary, his personal library burns at that time, he describes his sadness over that.

His second library, which he works very hard to build, he gives it away, he donates it. He is paid for. Yes, excellent, nice job, teachers, exactly right. So tell me the story there. Can anyone say why it's packed up and sent to Washington? What does it, um—

Teacher: After the British burn Washington—

Jacqueline Langholtz: That's right. So here we are, 2012, actually, 200 years ago the War of 1812, which we could be talking even more about and maybe within your grant you do. But the library is burned by the British. So Jefferson, who believes in the power of knowledge, and that—I'm going to mangle this quote, but it's 'a country that expects to stay both ignorant and free and in a state of civilization expects what never was and never will be.' So if you're going to be an active and healthy democracy with a voting population, the people who are voting have to be—

Teachers: Educated.

Jacqueline Langholtz: Educated. Educated on the issues. Exactly right. That's further evidence—Jefferson, he calls it the hobby of his old age, he starts a university.

Teachers: UVA.

Jacqueline Langholtz: UVA, exactly right. Not only does he design the buildings, so we have the academical village plan here, but he also designs the curriculum. And rather than situating the buildings around a church, what was the center of the campus?

Teacher: The lawn is.

Jacqueline Langholtz: Yes, the lawn, but it leads up to—what was that center building at the head of it.

Teachers: The library.

Jacqueline Langholtz: It would have been a—exactly, it's a library. And that with tradition, really. It should have been a chapel, if you were keeping in step with other universities of the day. So Jefferson was, you know, a large supporter, passionate about public education, sends his books to DC, 16 wagonloads. Actually the bookcases that you can see are boxes, so you can imagine that they're very easy to just take down, you put wood on top of it. Sixteen wagonloads to DC and then he writes immediately to John Adams and says, I cannot live without—

Teachers: Books.

Jacqueline Langholtz: Books, exactly right.

Jacqueline Langholtz: Jefferson read in seven languages. Can we name those?

Teachers: Latin.

Jacqueline Langholtz: Latin, excellent. So he's educated in Latin and the other classic language—Greek. Exactly right. I heard another one. French.

Teachers: Italian.

Jacqueline Langholtz: And Italian. Monticello, he studies architecture. And he'll read those Italian books.

Teachers: Spanish.

Jacqueline Langholtz: Spanish! And he uses that copy of Don Quixote to teach himself Spanish. He's en route to France, Minister to France, and he brings Don Quixote and a Spanish-English dictionary with him. So that's five. And the other two are actually so easy that it would be hard to guess. English. And then this one is Old English, which is used in the study of law. We know that he dabbles with German, but we don't put it into that fluency list. Just, yeah.

So here we are, in the bedroom and office of a man who reads and writes in seven languages and reads and writes a lot, right? Over 19,000 letters. That is the polygraph copying machine that you see on his desk there. Someone tell me how it works. We've got two pens that are connected here. Works differently than the one you saw in the gallery that pressed and made a copy, an exact copy, with the impression. How does this one work, if you

Teacher: If you're writing with one, the other one—

Jacqueline Langholtz: If you're writing with one, the other one makes an exact copy, so you keep one of those. He calls it 'the invention of his age.' Behind it we have a revolving bookstand, so Jefferson can look at five books at once. Maybe he's comparing translations. As a copious letter writer and writing to people about—while he actually even writes to a former governor of Ohio because he's heard about the mammoth cucumbers that they have in Ohio, so he writes and asks for seeds.

And then, I loved it, as we came in, one of the first things one of you said was 'efficient design' or 'efficient use of space.' To brighten it, we have one of Monticello's 13 skylights, exactly right. We have not just 90 degree angles here but pretty much bay windows that connect to that shaded porch where Jefferson would have—and getting southern exposure on that, would have lemon trees and just beautiful fragrances. And this alcove bed, what do you all think of this as efficient design? Thumbs up, thumbs down for who wants it. Yeah, I would absolutely want it. Probably easy to change the sheets. You can decide if you want to roll out of bed and be in the bedroom, or I'd probably connect it to maybe the kitchen or something, or the living room.

Teachers: It's like the desk lights that you get for the piano.

Jacqueline Langholtz: That's right, that's right. And you also have space above the bed, which can be used. We believe this was an out-of-season closet. I also happen to believe on a personal level that the grandkids must have hidden up there, because if I were hiding around and playing around in my grandparents' house, that's where I would go. We talked earlier about Jefferson's stature, he's described as having posture as straight as a gun barrel. What do you think that meant? People often tell us it looks short. People often tell us it looks short. Do you think it looks short?

Teachers: It's hard to tell.

Jacqueline Langholtz: Yes, well, who designed Monticello? Do you think he's going to make his bed too short? It's six foot three, he's six foot two and a half. Perfect fit, perfect fit.

Jacqueline Langholtz: Here's the part of the tour where I get to use an original Jefferson gadget, the same mechanisms that operated these doors 200 years ago. Thank you for gasping for breath, because it is really exciting. What's that?

Teacher: They're both going to close together.

Jacqueline Langholtz: They're going to close together.

Teacher: And all of the equipment runs...

Jacqueline Langholtz: That's right.

Teacher: That's pretty amazing.

Jacqueline Langholtz: These are Jefferson's self-operating doors, with actually two original panes of glass, too, those are the wavy ones here, have been unbroken for over 200 years. And the chain underneath it is a figure eight, so if we picture something very similar to a bicycle chain, that's what runs it, but we're very proud that it's still going. Jefferson is proud and happy to have it in the house.

You see plenty of examples of good design in this room. You see Jefferson's parquet floor. So if you look at this, speaking of hidden mechanisms and equipment, where is the hardware. Do you see any screws or nails?

Teachers: No.

Jacqueline Langholtz: How is that floor fitted together?

Teacher: It's like the furniture.

Jacqueline Langholtz: Ah, the joints! Exactly right. So this is a floor—Jefferson is inspired by floors he sees in France, he sends a drawing of how he wants it to look. This shape, the contrasting beech and cherry woods, the joints specifically that will be used, and he sends these directions to James Dinsmore. He's a free white worker who lives here at Monticello for about 10 years, helping with the construction of the house, and John Hemmings, brother to Sally Hemmings. And the two of them put this floor together. What do you think of it? Does it look nice? It looks nice.

So they are bringing Jefferson's ideas to life, right? He sends instructions and drawings and they're not traveling through France with him. They get these instructions and then they make it happen in his house. Is John Hemmings paid for his work? He's enslaved. No. What about James Dinsmore? Free white worker?

Teachers: Yes.

Jacqueline Langholtz: Yes, he's paid. And the quote is like 'he wouldn't do it again for twice the pay,' because Jefferson's designs are so intricate. Here's a man who says he delights in doing math to the sixth decimal point. Here's a man who's interested in precision, following his directions. I think it must have been a nightmare, absolutely right.

And, you know, I want to go back to talking to Adams for a moment, because Adams, there was a bust of Adams in the cabinet area. Some of you saw that, good. Adams and Jefferson have a complicated friendship throughout their life, right? Actually one student taught me the word 'frenemy,' which I thought was really funny. They become friends again later in life. And tell me about their end days. Is that a story that—tell me—

Teacher: They both die on the same day, and they say, 'Adams lives' or—

Jacqueline Langholtz: Yeah, exactly. They die on the same day, and what day is that?

Teachers: July 4th.

Jacqueline Langholtz: July 4th. And not just any July 4th.

Teacher: Fifty years after.

Jacqueline Langholtz: Fifty years to the day. You got it exactly right. So July 4th, 1826, Jefferson dies in that bedroom, on that bed, where we just were, middle of the day, and we know that Adams died on that same day in Massachusetts and his last words were something to the effect of 'Jefferson survives,' exactly right.

We have Ben Franklin in the corner. Couldn't give it up, that's right, God bless him. And here, you know, these are the three things we must talk about in this room. The three greatest men the world's ever known, according to Jefferson. Elizabeth Chew told us the names of two of them. Who's the man who looks like but is not Shakespeare? Sir Francis—

Teachers: Drake.

Jacqueline Langholtz: Bacon. Sir Francis Bacon. Father of the scientific method. In the middle, another scientist, Sir Isaac—

Teachers: Newton.

Jacqueline Langholtz: Sir Isaac Newton. And on the end, the man on the right writes about the natural rights of man, John—

Teachers: Locke.

Jacqueline Langholtz: Locke. And you see a lot of John Locke's thinking in the Declaration of Independence.

What do you all think about this bright color? What'd you say?

Teacher: It wakes you up.

Jacqueline Langholtz: It wakes you up, that's right. A nice place to have breakfast in the morning. Anyone not a fan?

Teacher: It looks expensive, too.

Jacqueline Langholtz: It looks expensive. We have reason to believe it was about four times the price of some of the other paints that could be had. So if other paints could be had, why choose this color? There's got to be a reason. What's that?

Teacher: Because you can.

Jacqueline Langholtz: Because you can. There's got to be a better reason. Ah, okay, that's right. So some of us like to believe maybe it is because you can, maybe it is because the money, but then you think intelligent design, right, and the bringing the outside in and times of the day when this would be used. He's got his personal suite and he's writing letters in that beautiful southern light. What is the north side of the house like?

Teachers: Dark.

Jacqueline Langholtz: It's dark. And it actually is cold, too, right. So this brightens up the room and gives the perception of it feeling brighter. And there's a skylight, and you get some of the western light from the West Lawn here. Again, without the dark right angles, so you get some more light. But what about warmth? You can actually close these pocket doors and in this arch, you'll also see glass. And you'll see the first storm window, I believe the first storm window in a residence in the United States. So there's good design in this room down to the wine dumb waiter. Did you see that hidden in the fireplace?

There's a great story. You saw our BFF forever hanging next to Jefferson, our French friend, the Marquis de Lafayette. So he visits Monticello in 1825, the year before Jefferson's death. Lafayette is on a victory tour, seeing old friends. The two men embrace on the East Lawn. Lafayette stays here for about a week, and Jefferson writes that after Lafayette leaves he has to restock the wine cellar. So you picture old friends talking about the days when they were forming a new nation, I'm sure they were up all night, and I love thinking about that wine dumb waiter just going up and down. 'Can we have some more?' Jefferson sees that design at a restaurant called the Café Mecanique in France and brings that back. He sees another good design in a monastery for a revolving door that you'll see when we leave this room, and that's how food actually came into this dining space. So have we seen a kitchen yet?

Teachers: No.

Jacqueline Langholtz: No. It's under the house and it's actually on the other side of the house. So it's on the south side. Food would have come all the way up under the house in the all-weather passageway, would have come up a very narrow set of stairs that you'll see, which, I am the world's worst waitress, I tried it for about a month and I'll never go back, and I can't picture food coming up those stairs. They're then put, those dishes, on a revolving service door, turned into this room, and then with minimal service needed, minimal may be one or two of the domestic house servants in this room, food is put on the buffet tables that have wheels and brought into the room. Otherwise it's mainly self-service, very little ceremony here at the house.

Here's a man who was President of the United States, he's our first Secretary of State, he's our second vice-president, he's our third president, he's Minister to France, he's Governor of Virginia, what does he want to be remembered for?

Teacher: The Declaration of Independence.

Jacqueline Langholtz: Declaration of Independence. Virginia Statue for Religious Freedom. And founding the University of Virginia. So, essentially, those are what sorts of freedoms, if you had to break those down for me? Education, religion, freedom—and personal freedom. Yeah, exactly right. So that's what he sees himself as worthy of being remembered and instrumental for, and devoting his life to, over 40 years of public service.

So that's what I try to also remember him for. And it's the reason for being here today, right? As much as it is a beautiful house and an icon, there are many beautiful houses in Virginia that you can visit, right? So this is an expression of Jefferson's thinking. It was actually called the 'curiosity of the neighborhood' during his lifetime.

Let's actually come onto the West Lawn a little bit. That way we'll talk about after his lifetime. The plantation, 135 slaves, are sold at auction after his death. And when we talk with students and visitors about slavery, Monticello is not a typical Southern plantation, right? It's not actually useful to use this as a model or common example of what slavery looked like in the American South. Can you tell me why, or why we feel that way?

Teacher: The family units.

Jacqueline Langholtz: That's why, exactly, that there are family units. Jefferson recognized marriages within the groups, and families were kept together. So we know—I mean, you heard me talk earlier about Edith Hern Fossett, the chef here. So she's the French-trained chef, she's Jefferson's chef in DC when he's president, she's here at Monticello, we have her room down by the kitchen. We know she's married to Joe Fossett of the blacksmith's shop. We know about their children, and what duties they had here. We have information about specific individuals and their families, and often multigenerational families here, over 70 Hemings family members at one point or another worked and lived at Monticello. And at Jefferson's death, when 135 were sold at auction, that breaks them apart. So that's a very tragic part of the story. Jefferson frees five slaves in his will. All of those have marketable skills. He says John Hemings is unrivaled in his skills and abilities as a joiner, and certainly these skills would have been sought after by merchants and people in Charlottesville. I mean, these are the people who have the ability to make this house, they made this house, in the blacksmith's shop, and really very skilled labor force here, but only five of them—they're given their tools and equipment and they're given their freedom, but you have sometimes husbands who are freed and wives who are not. So it's a very sad story here.

The house is sold to a local Charlottesville farmer. Essentially just the land is used, and for a number of years the house falls into disrepair. It's then purchased by Commodore Uriah Levy, a New Yorker, he made a lot of money in real estate, and then became the first Jewish naval officer in the United States. And we make a point of saying that he was Jewish, and the first Jewish naval officer, because he made a point of saving the house largely influenced and in gratitude for Jefferson's work promoting religious freedom in the United States.

Monticello: Jefferson's Experiment jlee Thu, 06/13/2019 - 11:33
Video Overview

Curator Elizabeth V. Chew introduces TAH teachers to Monticello as Thomas Jefferson's 'laboratory,' a testing ground for ideas he imported from around the world. Chew also looks at the lives of enslaved people at Monticello and how their experiences were both similar to and different from those of others enslaved throughout the Mid-Atlantic.

Video Clip Name
MontExperiment1.mov
MontExperiment2.mov
MontExperiment3.mov
MontExperiment4.mov
Video Clip Title
An Introduction to Monticello
Slavery at Monticello
Useful Knowledge at Work
Looking Closer at Slavery
Video Clip Duration
4:21
4:00
6:13
5:41
Transcript Text

Elizabeth V. Chew: This visitor center facility opened in 2009 and it has radically improved our ability both orient our visitors to just explain to them why Jefferson is important and so, why they're here, and to engage and educate.

This exhibition is really one of four that's in the building. This is the largest one, it's the one that is intended to put the house, which is the one piece of Monticello that mostly everybody sees, in the context of Monticello writ large, Monticello as a 5,000-acre working plantation.

If you look up at this light pencil drawing on the banner here, you can see the view that the young Jefferson would have seen from Shadwell, looking over across the Rivanna River, the little low mountain in the front here is Monticello. The high mountain behind Monticello is the mountain that Jefferson called Mountalto, and he bought—he bought what he could see from his mountain of that mountain in the 1770s. And so, as a boy, the little mountain just drew him and he had a dream of living there as an adult when he was a teenager. And that would have been the least practical place you could ever live. In a time when the river was a major means of transportation, where getting around was difficult at any time, where water was a constant problem and need, to live on a mountain made no sense. He really elevated ideals over being practical, over practicality.

The central section in the middle of the room here goes through and gives examples of Jefferson's just complete and total dedication to doing what he would call gathering, recording, and sharing and disseminating this idea of useful knowledge, whether it was related to science, to farming, to government, to transportation, to what you could and couldn't grow somewhere. He was interested in really every point of knowledge on the human spectrum. And nothing—there was almost nothing that was too small for his attention.

We have several really fun kind of interactive elements in the exhibition, and this one uses Jefferson's travels, both in North America and in Europe, and it shows people what, when Jefferson was traveling, what he was doing, and he said it himself, that he was gathering ideas that would be useful—'useful'—back in this country. So what we do is follow his travels—and I'm looking at southern France right here—and we talk about everywhere he went, what he was looking at.

So here we are: viticulture or wine-growing in the Burgundy region of France, or ancient architecture in Orange, France. He was also completely obsessed with the idea of people in this country growing olives. He thought that olive oil was going to be the new revolution and that the rice planters in Southern Carolina should stop growing rice and grow olive trees. And he really worked hard to convince them of that. Really, he's so interested in these little details of things that he thinks are going to help him come back here, share the ideas, and even put them to use himself.

So, this is a fun way, and, all as you all know way better than I do, young people love this kind of thing.

Elizabeth V. Chew: So I've talked about how the center is about his dedication to all this gathering and sharing and disseminating. This short wall here is dedicated to a horizontal look across the social spectrum at Monticello. Because we obviously know that Jefferson and his elite family in their 'big house,' they're the tip of the pyramid here, but obviously everything that happens that makes his household run, that makes his cash crops grow, is done by the labor of enslaved people.

So we also look across the spectrum of the enslaved community at people working in the fields versus enslaved people who work in the house or in the [?] industries, and we compare those also to hired white people. There were some hired white workers here who did things like, well, build a house, for one thing, or serve as blacksmiths or certain kinds of carpenters. They also trained enslaved people to do these kinds of jobs.

We've learned an amazing amount about the lives of enslaved people all over the plantation. So, what we know is that enslaved people owned material goods. We tend to have a notion of slavery, I think, or at least I used to, as being very fixed and abstract and this big box of awfulness and yes, it is that. But you can also come to understand it in a much more textured way where you see—we know a great deal about the names and activities and lives of the individual people who lived here in slavery and what happened to their descendants. And that combination of Jefferson's record keeping, archaeology, other kinds of written records, and then genealogy and oral history that we've been doing here for 40 years.

So we know that people who worked in the fields owned the same kinds of really fashionable tablewares that slaves who worked in the house and lived up on the mountain owned and that, in many cases, are the same kinds of things being used in the big house. Slaves had several different ways of making money. Jefferson preferred to give cash incentives to slaves rather than use harsh physical punishment, so some skilled slaves received cash money. Slaves also kept poultry yards and gardens on their own time and sold the products of those, both to the big house and sometimes in markets in towns. Slaves were paid by Jefferson for doing particularly onerous jobs like cleaning out the sewers underneath the privies, and slaves were given tips by visitors quite routinely. So with the money that people here in slavery owned, we know that they went into town on Sundays and shopped in stores. Scholars have studied shopkeepers' ledger books and found that there are records of slaves coming in and buying things.

So what we see here, I think, is examples of how enslaved people survived in a system that denied them their basic humanity. We see how people figured out ways to just get through it. And we see families over generations here whose descendants go on actually to be very involved in all kinds of work towards emancipation and later civil rights.

Elizabeth V. Chew: On the wall here behind you, we break down Monticello into four areas. We look at gardens, agriculture, plantation industries, and the house. And my interest here was making it all on the same plane. Often we tend to privilege the house over everything else. I think Jefferson saw it as being all of a piece.

So we look at how he puts what he considers to be this useful knowledge to work, in all aspects of his operations here, whether it's what he grew in the garden, his attempts to grow grapes to make wine, his intense interest in the technology of agriculture. For example, he himself invented a kind of plow moldboard. People think of him as being an inventor. He was mostly a creative adapter because of all these things he learned about, wrote down, and then later used here at Monticello. The one thing that he ever truly invented was a plow moldboard. And we have a recreation plow right here that shows this curved—it's the curvy wood part that sort of turns over the soil once it's cut by the metal blade. So he had witnessed people plowing in France that he thought were really inefficient, and he has this geometric idea for the shape of a moldboard that will do a better job with less resistance in turning over the ground. So he has this plow made here at Monticello and he writes to all of his people all over the world to tell them about it. Even though he won several awards for it, it was never really widely adopted.

The Garden Book is really a bravura demonstration of his record keeping interests. Let's see. We have a little facsimile of it right here, and it's really hard to see, but he basically—he started it as a young man still living at Shadwell. After his retirement here in 1809, he really does it every single year in earnest, where he writes down, keeps a chart where he writes down everything he plants and when, when it sprouts, how it does, and then eventually 'when it comes to table,' which means when they get to eat it in the house, and when it goes to seed. And he does this every year for over 20 years. He doesn't care if something doesn't do well, he just tries something else. His interest is really in what will grow well in this particular climate here in Albemarle County, Virginia. He wants to know what he can grow here that will be useful. So things like benne or sesame, he grows that. These hot peppers a friend in Texas sends him. There are a number of examples of things that people send him that he tries to grow. He really really really wants to grow wine grapes, but he never can. He would actually love the fact that wine is such a big deal now in Virginia.

So even though he has this amazingly gorgeous, 1,000-foot-long garden, we know for a fact that this garden was not primarily meant to furnish the table. We know that because from the beginning to the end of Jefferson's life at Monticello, we have record books kept by the women of his family, the white women of his family, recording purchases of large quantities of garden produce from slaves, and this is one of them right here. So Jefferson's garden was mostly a laboratory and an experiment. If something came to the table, that was great, but they were not relying on it. They had this very good backup plan that they had to use almost every week.

Jacqueline Langholtz: Tell me more about yourselves and what, when you woke up this morning or heard about this trip two weeks ago, you wanted to take away from it.

Teacher 1: Well, I teach fifth grade, so it's mostly U.S. geography, that's the emphasis for our course, so—

Teacher 2: Westward expansion?

Teacher 1: Yes, that's really—

Jacqueline Langholtz: Okay, so Lewis and Clark's why you're here? Great, okay.

Teacher 1: Especially the scientific discoveries and we're putting more of a science emphasis on the flora and fauna of different areas, too. So what their findings were and also what they found—yeah, I think it'll be very helpful.

Jacqueline Langholtz: Wonderful. Great.

Teacher 2: Is there information on the relationship with Jefferson or his time period with the Native Americans, because that's one of the things that we try to do as we move from region to region is that Native American element of that region.

Jacqueline Langholtz: Yeah. Yeah. So the question was the relationship that Jefferson specifically had with Virginia Indians?

Teacher 2: And his contemporaries.

Jacqueline Langholtz: And his contemporaries. Okay. Jefferson's own and only self-published book, his own book, Notes on the State of Virginia, would probably be a good resource and that's a primary resource there. That's a field that I think people are really just beginning to explore and learn more about, and I think you'll hear some different opinions about, what did that really honestly look like, and I think you'll see a lot more scholarship about that coming out, I hope so.

Teacher: Do you think that it was typical what Jefferson had here, was that a typical economy for a plantation in the South?

Elizabeth V. Chew: No. You mean the slaves—

Teacher: What you found in the—

Elizabeth V. Chew: Oh, yes, I do. Yes, I do, actually. I think Jefferson was unusual in what he said he wanted here was to use things like work incentives and not harsh punishment, that keeping families together made people more productive because they were happier. That was not typical.

Teacher: Right.

Elizabeth V. Chew: Yeah. But I think that the slaves raising gardens and chickens, perfect, totally normal. Slaves owning goods across the South, completely typical.

Teacher: Wow.

Elizabeth V. Chew: It's probably the thing that most people don't know about slavery, that is most surprising to them. That is absolutely the case. In the very very deep South, like Louisiana, and maybe even Alabama, it's less so, but in the Mid-Atlantic, the Carolinas, it's completely the way it is.

Teacher: And these are very high-quality goods that they had, then, would that have been typical as well, that they had—

Elizabeth V. Chew: It's what was available. You know, they're on the spectrum of things you could have. They're not at the very top. Jefferson has some Sevres porcelain from Paris, but he has this stuff also.

Teacher: Wow.

Elizabeth V. Chew: So it's sort of like your everyday china, as opposed to your grandmother's fancy china, but it's absolutely the same thing that any of the other

Teacher: And where would that have come from, from Europe as well?

Elizabeth V. Chew: Stores in the area. These would have still been English by this time, but they would have been available, widely available in stores in every town in the U.S.

Teacher: So, typical. Like Pfaltzgraff kind of.

Elizabeth V. Chew: Yeah, he could have gone to Charlottesville on Sundays and bought them. Merchants stayed open on Sundays so the slaves could come, actually. And they bought things like tablewares and then clothing, things like buckles and buttons and hooks for clothing that they would make themselves and fabric. Jefferson gave slaves basic food, two sets of clothing a year, blankets, and then cook pots when they got married, but people had a lot more than that, that they acquired through their own incredible ingenuity and entrepreneurship basically.

Teacher: That's interesting.

Elizabeth V. Chew: It took a lot, it took so much effort and ability to survive laboring like that.

Teacher: Is there any evidence that slaves worked with Jefferson intensely on his inventions and machinery?

Elizabeth V. Chew: Oh, yeah. That's such a good question.

Jacqueline Langholtz: What was the question?

Elizabeth V. Chew: Whether slaves worked with him. Slaves definitely made the plow. I think, he lived in this cerebral region of his brain that he never, hardly ever went out of. I think he just saw—he drew all these geometric models of how he derived it. I think he kind of felt it in the abstract and then he had slaves—made it, build it, and then try to use it. But they probably were not involved in the design decisions.

Teacher: Right. Because that would have taken a lot of skill to craft.

Elizabeth V. Chew: No kidding.

Jacqueline Langholtz: Well, I get these same feelings about what you see in the house, or even the Campeachy chairs, even the friezes. So Jefferson is—he's the one traveling, he's the one reading, and then he's saying oh, I want this in my house. And then you have John Hemmings and James Dinsmore. But John Hemmings, who has not traveled, who hasn't read about these—

Elizabeth V. Chew: Who wasn't educated.

Jacqueline Langholtz: Right, who wasn't educated, making 3D versions, bringing Jefferson's physical ideas to life. It's just incredible to me.

Teacher: Wow.