At this workshop, educators will be joined by immigration scholars and public health historians, visit related historic sites in New York City that vividly tell the story of immigration in the early part of the 20th century, and investigate Ellis Island's unrestored hospital buildings with an architectural historian to uncover their significance. This workshop will specifically address the impact of the 1891 immigration legislation mandating health as a criterion for admission to the U.S., precipitating construction of the U.S. Public Health Service hospital on Ellis Island to screen and treat arriving immigrants.
Although the workshop cannot arrange for individual professional development credit certifications, it will supply a certificate with equivalent professional development hours for each participant. Participants will be responsible for submitting the certificate to any certifying agency or organization. A New Jersey professional development provider number will be included for reference. This year, through partnership with the Bank Street College of Education, participants may receive one graduate credit for the workshop. There will be a fee and additional assignments to complete to receive this credit.
The workshop features the presentations of several preeminent Twain and Gilded Age scholars. The combined expertise of this distinguished faculty affords teachers an outstanding opportunity to enhance their understanding of Mark Twain's legacy. The culmination of participants' work with this exceptional slate of scholars will be their creation of Twain-related lesson plans that they can use in their classrooms.
Mark Twain House and Museum is authorized by the state of Connecticut Department of Education to issue Continuing Education Units (CEUs) to Connecticut teachers participating in this institute. All CEU certificates will be issued at the end of the workshop. Teachers from other states should consult their own state's Department of Education to determine whether Connecticut CEUs have any transferable value, and if so, they too can request a CEU certificate at the end of the institute.
During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.
Participants who complete all workshop sessions will receive a certificate confirming their participation and a detailed description of the Workshop, which will specify the number of contact hours undertaken as well as outline the reading assignments and session topics. Participants may use these documents to apply for Continuing Education Unit credits in their home states.
Contact Title
Project Director for the Landmarks Workshop and Director of Interpretation and Programming
"How can American art be used to deepen your students' understanding of democracy in American life? Bringing together educators from across the country in conjunction with the NEH Picturing America program, Democratic Vistas will show you new ways to incorporate important works of visual art in the core humanities curriculum. Day One of the institute explores democratic values and aesthetics as a theme in American art; Day Two highlights the "art of the people" - folk and traditional art, as an expression of American creativity. The course takes advantage of Boston's unique artistic and historical resources with a downtown walking tour of civic monuments, a museum field trip (Boston's Museum of Fine Arts) and presentations by leading scholars in the field.
Following the course, participants must complete a lesson plan or school project highlighting one of the works in the Picturing America collection."
The institute is an intensive, professional development program on the U.S. Constitution and Bill of Rights. Participants take part in lectures and discussions on constitutional themes pertinent to the curriculum content, classroom strategies, and performance assessment. An essential component of the institute is teacher preparation and participation in a simulated congressional hearing as a culminating activity. The hearing is a model for student hearings to be held during the school year. Experienced teacher mentors assist participants in discussing the challenges of teaching civic education and preparing for the culminating hearing.
The institute is an intensive, professional development program on the U.S. Constitution and Bill of Rights. Participants take part in lectures and discussions on constitutional themes pertinent to the curriculum content, classroom strategies, and performance assessment. An essential component of the institute is teacher preparation and participation in a simulated congressional hearing as a culminating activity. The hearing is a model for student hearings to be held during the school year. Experienced teacher mentors assist participants in discussing the challenges of teaching civic education and preparing for the culminating hearing.
The institute is an intensive, professional development program on the U.S. Constitution and Bill of Rights. Participants take part in lectures and discussions on constitutional themes pertinent to the curriculum content, classroom strategies, and performance assessment. An essential component of the institute is teacher preparation and participation in a simulated congressional hearing as a culminating activity. The hearing is a model for student hearings to be held during the school year. Experienced teacher mentors assist participants in discussing the challenges of teaching civic education and preparing for the culminating hearing.