During the 1850s, the United States was a nation of foreboding and hope. An irresolvable conflict between North and South seemed to be approaching, along with periodic hopes that the divide could somehow be bridged and conflict forestalled. At the start of the decade, the nation's eloquent orators were led by John C. Calhoun and Daniel Webster; 10 years later, a new voice had been added to public discourse: that of Abraham Lincoln. Literary artists—including Herman Melville, Walt Whitman, and Harriet Beecher Stowe—addressed the issues of slavery, regional autonomy, and federal power both directly and obliquely in poetry and prose. This seminar will explore this ominous yet hopeful era, with the aim of understanding the political and moral issues that drove Americans apart, and how the literature of the period can help readers understand why.

This institute is five days long, with follow-ups in the fall and spring semesters. It focuses on improving student learning through reading, writing, and thinking in history-social science. In addition to helping teachers with strategies for history reading and writing, this institute will strengthen and assist teachers with language arts instruction. This institute is also instrumental in deepening teachers' content knowledge as UC Berkeley professors in both world and American history collaborate with teachers in lesson development.

From the North Carolina Museum of History website:

"Was Blackbeard really so bad? What became of Virginia Dare? Explore the fascinating history of these and fourteen other North Carolina legends and learn how and why their stories have changed over time."

During this one-week workshop, workshop fellows will walk the streets and alleys that Benjamin Franklin walked, step through the doorways that he knew, sit in the churches where he worshiped, and stroll around the houses and public buildings where he helped to found the United States. Fellows will also explore the many rooms of Benjamin Franklin's mind: writer, printer, civic leader, politician, diplomat, scientist, revolutionary, founder. They will read Franklin's words—published and personal—and those of other men and women who lived in the era. They will examine the key aspects of gender, of race, of social class, and diverse other topics.

During this one-week workshop, workshop fellows will walk the streets and alleys that Benjamin Franklin walked, step through the doorways that he knew, sit in the churches where he worshiped, and stroll around the houses and public buildings where he helped to found the United States. Fellows will also explore the many rooms of Benjamin Franklin's mind: writer, printer, civic leader, politician, diplomat, scientist, revolutionary, founder. They will read Franklin's words—published and personal—and those of other men and women who lived in the era. They will examine the key aspects of gender, of race, of social class, and diverse other topics.

In this institute, K–12 teachers, in conjunction with a group of leading scholars and public historians, will explore a neglected but crucially important aspect of early American history—the two-and-a-half-century web of connections between the rise of New England as a commercial and industrial center and the enslavement of Africans. New England's extensive and complicated relationship with slavery is a crucial part of the American story that almost never is clearly and comprehensively discussed in American history textbooks. But this is an important story, and there is no better place to explore it, and learn how to teach about it, than in Rhode Island, not only the center of the American slave and provisioning trades, but also the birthplace of the American industrial revolution. The two-week institute will include lectures by experts, tours of historic sites associated with these key developments, and guided explorations of original 18th- and 19th-century print and graphic sources that document this fascinating, often painful history. Teachers will be able to bring back to their classrooms and departments new knowledge, new primary documents and images, and fresh ideas and strategies for teaching this sensitive material, including shared lesson plans.

The workshop features the presentations of several preeminent Twain and Gilded Age scholars. The combined expertise of this distinguished faculty affords teachers an outstanding opportunity to enhance their understanding of Mark Twain's legacy. The culmination of participants' work with this exceptional slate of scholars will be their creation of Twain-related lesson plans that they can use in their classrooms.

During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

Alexis de Tocqueville's Democracy in America is the best study of America to be written by a foreigner. It examines government, religion, the races, private associations, literature, the family, and much else, all the while contrasting democratic America with old aristocratic Europe. This course will examine as much of the book as possible, focusing especially on Tocqueville's account of the love of equality (and its dangers) and his prescriptions for the preservation of liberty.