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The seminar will explore several key works by the political theorist, Hannah Arendt: Eichmann in Jerusalem, The Origins of Totalitarianism, and The Human Condition. These works shed light on the problem of evil and the use of terror in the contemporary age, and provide a philosophical perspective on current debates about the use of violence to settle political conflicts, about the conditions of democracy, and about the scope and importance of human rights.

The workshop features the presentations of several preeminent Twain and Gilded Age scholars. The combined expertise of this distinguished faculty affords teachers an outstanding opportunity to enhance their understanding of Mark Twain's legacy. The culmination of participants' work with this exceptional slate of scholars will be their creation of Twain-related lesson plans that they can use in their classrooms.

During this workshop, participants will consider three major topics. First, they will examine Dickinson the writer. Emily Dickinson is now considered one of the greatest poets in the English language, yet her work was not known outside of a small circle of family and friends until after her death. Because Dickinson herself gave few explicit clues about her attitude toward publication, scholars debate reasons that she did not share her poetry with a wider audience. Ongoing discussion about the authenticity of Dickinson's manuscripts versus the printed poems, which were edited by others, lies at the heart of that debate. Second, they will consider Dickinson, a woman in 19th-century America. Because Dickinson's poems resonate in style and content with the 21st-century reader, her work is often described as "ahead of its time." Critics are often tempted to read her work out of its historical context, to focus on its universal connections to the exclusion of its 19th-century origins. Yet, as recent scholarship asserts, Dickinson's poetry is inseparable from the times in which it was written. Several new essay collections about the poet are devoted to questions of Dickinson's experience of the Civil War, her political opinions, her response to religious movements, and her interest in and connections to her literary contemporaries. Finally, participants will consdier Dickinson, resident of rural New England. Dickinson ended a poem with "I see New Englandly." Dickinson's ancestors settled in western New England in the 1600s. Her world was defined by its character and landscape, and the imagery and diction of her poetry reveal her deep connections to place. This aspect of Dickinson's poetry has long attracted the attention of readers and scholars, yet it has sometimes limited their appreciation for her artistic achievements, marking her as a quaint New England poetess. By modeling different approaches to inquiry-based and object-based learning, the workshop will equip educators with new pedagogical tools and will help them address national standards in English and social studies. They will explore their own interests in Dickinson's life and work through a series of meetings with mentor teachers that will culminate in an outline for a new or revised curriculum unit or a plan for new classroom resources.

Ralph Ellison's Invisible Man (1952) is the great American novel about race, perhaps even the great American novel. It considers and affirms the principle—that "mysterious binding force"—that holds the U.S. together as a people and that is tied to its own history. In doing so it raises all the important political questions about equality, freedom, rights and justice; the legacy of slavery and white supremacy; our "human and absurd diversity." The novel's deliberate attempt, in Ellison's words, "to return to the mood of personal moral responsibility for democracy" makes perfectly clear the connection between literature and politics. The seminar will also consider a few of Ellison's essays bearing directly on Invisible Man.

This workshop offers academic content about place-based western history and women's suffrage on the western frontier, juxtaposed with myths of the West and contemporary women's issues in the West. It affords opportunities to engage in study and conversation with leading scholars; an introduction to four forms of primary historical sources—the built environment, artifacts, government records, and private papers—all of which have application in all history classrooms; and networking with other social studies, history, English, and other subject matter teachers, librarians, and media specialists, from grades K–12, representing a variety of states.

One way citizens of large republics are educated in the principles of government is through novels. With this in mind, this course examines selections from the work of Mark Twain. Not only is Twain America's most enduringly popular author, but his novels depict important aspects of the American character and have much to say about such themes as equality, slavery, freedom, modern science, Christianity, and democratic leadership, all of which are crucial for understanding American history and politics. The main texts will be Adventures of Huckleberry Finn and A Connecticut Yankee in King Arthur's Court; if time permits, participants will also consider The Adventures of Tom Sawyer or The Tragedy of Pudd'nhead Wilson.

During this two-week institute teachers and scholars will reconsider iconic American writer John Steinbeck, author of more than 30 books, winner of the Pulitzer Prize (in 1940, for The Grapes of Wrath), the Nobel Prize for Literature (1962), and the United States Medal of Freedom (1964). Days will be filled with study, exploration of the area, discussion, and reflection. During the two weeks, participants will have ample opportunity to appreciate "Steinbeck Country" through exploration of the land and Steinbeck's literature.