Library of Congress historian Marvin Kranz discusses a photograph of Abraham Lincoln's second inaugural, in which some people claim they can see John Wilkes Booth, and briefly outlines the stories of Booth's presence at the inaugural.

Smithsonian National Museum of American History curators share secrets of how they develop the individual stories presented in exhibitions such as "America on the Move." They then help students who are creating their own family stories by analyzing objects, documents, and other resources. This presentation continues from the presentation "America on the Move, Part One: Migrations, Immigrations, and How We Got Here."

To view this electronic field trip, select "America on the Move, Part Two: Creating Stories" under the heading "Electronic Field Trips."

Edward L. Ayers of the University of Virginia looks at Northern and Southern responses to John Brown's Raid and John Brown's execution, focusing on the regional differences the responses brought to the fore and media manipulation of these responses.

To view this clip, select "John Brown's Raid and the American Sectional Crisis" under "Political Development Video."

Cultural resources manager of the Anacostia Museum Portia James displays and discusses a tool box painted in 1891, depicting a plantation owner and his family riding down into Hell and their slaves ascending to Heaven.

To view this video, select "Scholars," followed by "Portia James." From there, select one of the Windows Media viewing options.

Cultural resources manager of the Anacostia Museum Portia James displays and discusses a tourist's map from post-World War I or -World War II which specified hotels, restaurants, and other businesses where African Americans could receive service free of discrimination and segregation.

To view this clip, select "Scholars," followed by "Portia James." Next, select one of the two Windows Media options.

During the World War II years, a series of groundbreaking radio programs tried to mend the deep racial and ethnic divisions that threatened America. At a time when blacks were usually shown on the radio as lazy buffoons, the federal government and civil rights activists used radio for a counter attack. Did radio unify America in the face of war? This documentary is divided into three downloadable sections.

To listen to this documentary, select "Part One," "Part Two," or "Part Three" beside the text "Radio Fights Jim Crow."

For much of the 20th century, African Americans in the South were barred from the voting booth, sent to the back of the bus, and walled off from many of the rights they deserved as American citizens. Until well into the 1960s, segregation was legal. The system was called Jim Crow. In this radio documentary, Americans—black and white—remember life in the Jim Crow times. The documentary is divided into three downloadable sections.

To listen to this documentary, select "Part One," "Part Two," or "Part Three" under "Listen."

Curator Richard Murray examines Emanuel Leutze's painting Westward the Course of Empire Takes Its Way, looking at the mythological view of U.S. westward expansion it represents and how the painting's composition and individual elements justify Manifest Destiny.

Aircraft restorer Karl Heinzel and curator Dorothy Cochrane look at Amelia Earhart's Lockheed Vega aircraft, discussing its construction and the technological developments it represents. They discuss why aircraft are selected and restored for museum collections as examples of specific moments in history and technological advancement.

Smithsonian curators Candace Green and Emil Her Many Horses outline the nature of Lakota winter counts, pictorial documents which identified each year by an important event, and discuss what may be learned from these today.