Thinking Like a Historian: Rethinking History Instruction

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Are students ever too young to start learning to think like historians? Not according to the historians and educators working through the University of Wisconsin, Whitewater, to develop Thinking Like a Historian: Rethinking History Instruction. Written materials and accompanying DVD demonstrate how educators always teach critical thinking to students of all grade levels.

"History as I learned it in the classroom had a lot to do with memorization of facts," explains Dr. Nikki Mandell of the University of Wisconsin. What Thinking like a Historian helps us do as historians and teachers is to help understand how those names facts and figures fit into historical knowledge. They are not history in and of themselves. They need to lead us to interpretation of what matters and why it matters."

The Thinking Like a Historian video demonstrates classroom applications of instructional techniques. Extensive emphasis on teaching methodology and student response in elementary and middle school classrooms gives this pedagogical tool added value. Both text and video can be ordered or viewed online.

Crafting a Love for History

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Today my students were assessed by the state of California on their knowledge of “the major turning points in American History.” After the test a few students came to tell me their reactions. One student said, “I think I did well, but you didn’t teach us about Jimmy Carter or what happened in the 1990’s.”

It is doubtful that with six weeks left in the school year I will teach my students about Jimmy Carter, the 1990s or the internet boom. Nor did I teach them about Tippecanoe or Bull Run and I am ok with that. A high school history course is not intended to provide the minutia of battles, dates or treaties. It is intended to inspire a love of history and a desire to learn more about the stories of history through the voices of real people.

I structure my yearlong US history course with 3 goals in mind: students do the work of a historian, they envision themselves in the history of this country, and they develop a desire to learn more.

The first day of school I tell my students that they are HIT MEN/WOMEN (Historians in Training). We begin the year discussing what it means to study history. I tell them that they will learn to do the same work that historians do: investigate by reading the words, studying the photos and images of history, formulating opinions about history, questioning what they have read, and writing about history. The past three years I have collaborated with the Stanford History Education Group and their development of the Reading Like a Historian curriculum. Each lesson in this curriculum begins with a debatable historical question that requires students to formulate answers based on their reading of historical evidence. My students leave my class with confidence in their reading, writing and understanding of how the story of history is told. They develop skills they can use beyond high school.

An average class at my school represents as many as ten different ethnicities. Unfortunately an average U.S. History textbook only discusses five. It is important that the Chinese experience in the U.S. is discussed throughout the curriculum, not simply related to the building of the railroads and the Exclusion Acts. Women should not only appear when discussing Seneca Falls and the ERA, but throughout the year. Equally important is that the lessons are about the achievements of these groups and not solely about their struggles.

A successful U.S. History class inspires students to learn more. Nothing pleases me more than when a student says, “Can we get more sources on this topic?” A budding historian has been born. I admit I don’t cover many events in history—instead I highlight the recurrent themes. I focus on building the skills and passions for learning history above the memorization of facts. Students will have the opportunity to study specific historical topics in college—my job is to imbue the interest to sign up for those courses.

In my end of the year survey I ask my students to reflect on the course. My favorite comments go something like this, “Doing the work of a historian is hard but fun. I always thought it was about memorizing facts in a textbook. Now I know that is about the people of history and their story. It is pretty cool.” A budding Howard Zinn.

Teaser

I structure my year long US history course with 3 goals in mind: my students do the work of a historian, they see themselves in the history of this country and they have a desire to learn more.

Historic Stories, Fictional Accounts: Achieving Multiperspectivity

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Photography, for heart and mind, 21 Jan 2010, Flickr CC
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What is the significance of examining historical events from multiple perspectives (i.e. use of fiction, nonfiction, etc.) on an elementary school level?

Answer
Multiple Perspectives

Examining historical events from multiple perspectives introduces elementary students to core aspects of history and historical thinking. And as with much of history, it has relevance to helping students become more prepared for the responsibilities of citizenship, college, and career.

Imagine that students are learning about early American settlements. Depending on where you teach and your curriculum, this might include learning about the Mayflower and Plymouth, Jamestown, or the Missions in California. Students read stories or textbook accounts of these early settlements and they learn the difficulties of the passage here and making a new life in a foreign land.

Students can learn to ask, whose voices are we not hearing?

Yet, this is only part of the story and to get a fuller picture, students need to consider the perspectives of those not necessarily represented in these accounts—most obviously, the perspective of the indigenous peoples who were here when the settlers arrived. (Viewing the settlements from this alternative perspective is not necessarily easy given that the historical record is incomplete, but using artifacts, surviving legends, historic sites, or even settlers’ first hand accounts can help students imagine this perspective.) Considering this missing perspective helps students recognize and articulate that people can experience the same event in different ways.

Students can learn to ask, whose voices are we not hearing? What perspective is not represented? What alternative stories are told about these events? Did participants in these events agree on their meaning? What might account for these differences in perspective?

This is a key piece of doing history—understanding that there are multiple perspectives and multiple stories that surround historical phenomena. And elementary students can learn this. Connections to daily life can be made, as students are familiar with such things as sifting through playmates’ differing accounts of recess events. Multiple perspectives can also be introduced in very concrete ways to young students. They could view something from different locations to see different aspects of it, or use tools such as a cardboard picture frame to see how a frame is selective--including some aspects of the view while ignoring others.

Ideally, students can learn to ask the same questions of daily life and sources that they learn to ask of history: Whose voices are we not hearing? What are the other stories that people tell about this issue? How and why do they differ?

Fiction & Nonfiction

You ask particularly about the use of fiction and nonfiction to teach multiple perspectives. See this entry about “book sets” a strategy for including both to engage students and guide them toward deep understanding of historical events. Also see this roundtable where panelists discuss the use of fiction in the elementary classroom or this blog.

Using both fiction and nonfiction allows students to engage with multiple kinds of text and it allows you, as teacher, to use the texts for different purposes. Good fiction can be used to engage and interest students in the past and help them imagine that past or create a picture of the historical context of the events you are studying. Non-fictional texts, such as primary sources, can be used to explore an experience or perspective in more depth and to represent missing perspectives. Both can be used to challenge students to look across and synthesize texts to create a fuller picture of the past.

A critical aspect of using both fiction and nonfiction texts together is that they give you an opportunity to teach students the difference between the two.

A critical aspect of using both fiction and non-fiction texts together is that they give you an opportunity to teach students the difference between the two. Young students can learn that history is an evidentiary discipline and strives for the most accurate and complete picture of the past, whereas fiction does not have this constraint. While there are examples of fictional stories that try to do the same, this basic distinction is an important one for students to learn.

Teaching young students that history includes multiple stories and perspectives aligns with the Common Core State Standards, and can prepare students for future history classes and academic work. But, more significantly, it is critical for helping students understand that their perspective can be partial and does not represent all peoples—it can help them develop empathy and be more skeptical of the single account as the one true answer in our complex world.

For more information

Also see this Ask a Master Teacher answer about the manner in which multiperspectivity can be used in the history classroom.

Welcome to Our Redesign, and Thank You

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The National History Education Clearinghouse, teachinghistory.org, is now about two years old. Our shakedown phase is over, and we have been listening to you when you tell us what works, what doesn't, and what we can do to help you teach American history to your K-12 students. Thank you for your feedback.

We've launched this redesign to reflect what educators have told us. You'll find new and improved content types, a new graphic interface, video overviews of historical thinking, suggestions for using teachinghistory.org by grade level, more comprehensive searching mechanisms and a backpack tool that helps you build and save content you need.

Don't miss these highlights!

Read conversations on topical issues in history education through Roundtables, discussions with historians and educators about the present and future of the field. The current topic: What should be the role of history departments in the preparation of future teachers?. Join the debate by adding your comments to those of panel members.

Teachinghistory.org integrates content, methdology, and educational context.

Do standard textbook narratives tell educators all they need to know to teach? Visit Beyond the Textbook for supplementary materials by expert historians on major topics in American history including essays, critical questions, and key primary sources exploring questions such as Was economic difference—manufacturing in the North and slave-driven agriculture in the South—http://teachinghistory.org/professional-development/ask-a-digital-historianthe primary cause of the Civil War?.

Teaching with technology can mean anything from using the internet for research to building projects and constructing narratives combining a variety of media, digital resources, and tools. But how to usefully, appropriately, and incrementally integrate technology into the history curriculum sometimes raises more issues than solutions. Visit Ask-a-digital historian to pose questions and find answers. (Tech for Teachers is also a growing content area of how-to and examples.)

Useful tools

Notice the Bookmark Backpack throughout the site. As the Directions explain, bookmarking articles enables you to save and annotate articles, then email selections you assembled during your visit.

Check Quick Links especially for elementary, middle, and high school consistently linked at the bottom of each page as well as on specialized pages. These selections highlighting content and methodology for each level will rotate periodically to help you find grade-appropriate materials more quickly.

We hope you'll join a dialogue about teaching American history and comment share your experience and perspectives via the comment boxes. You are welcome to post anonymously or to add your name. Your point of view is welcomed.

And there's more

Teachinghistory.org will also shortly launch a special section on teaching history to English Language Learners. Watch for this special announcement.

Brain-based Research

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MRI Scan, human brain, 23 Nov 2006, Kenny Stoltz, Flickr CC
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Cognitive/brain-based research is making leaps and bounds explaining the nature, make-up, and processes of the brain. Is anyone using brain-based research in the history classroom specifically? Is there a researcher or resource out there for teachers to go to?

Answer

In the past two decades, researchers in the United States have generated a substantial and informative body of knowledge about the nature of historical cognition, how students make sense of historical texts and tasks, and how teachers can promote or stifle students’ historical understanding. Below I identify a few key works and resources in this field that are useful for teachers.

Research

A definitive and accessible source for what we know about how students learn in K-12 settings and implications for classroom practice continues to be the National Research Council’s How People Learn series. The volume in this series titled How Students Learn: History in the Classroom is most relevant to your question. You can browse this volume for free at the National Academies Website. Here you will find Professor Robert Bain’s study where he put into practice core principles of learning in his World History classroom and investigated the impact those practices had on student understanding. For a brief summary of Bain’s study, see our research brief. Additional chapters introduce core principles of learning such as engaging students’ prior understandings and organizing knowledge around core concepts, and include reports of studies done by British researchers Rosalyn Ashby, Peter J. Lee, and Denis Shemilt.

You will also want to investigate Stanford professor and cognitive psychologist Sam Wineburg’s research. Wineburg’s seminal work on historical cognition uncovered specific reading processes that distinguished expert historical thinkers from those more novice in the discipline. You can find his book Historical Thinking and Other Unnatural Acts at your favorite bookstore. Check out Chapter Two of this book for an overview of investigations into history learning and teaching (still relevant even if first published a decade ago). Also see this research brief summarizing one of Wineburg’s important studies.

Browse additional research briefs to find more studies specific and relevant to history teaching and learning. The number of researchers working in this field is growing, and you will find several whose work is represented here. (With a few exceptions, we focus on research done by researchers in the United States. But the international landscape also encompasses a burgeoning and significant field.)

Exploring any of the above resources will lead you to additional useful studies if you pay attention to the works cited by the authors.

Research into Practice
  • Not only can you find studies and people who are investigating history teaching and learning through browsing our research briefs, each of these briefs includes a set of classroom implications or “teaching tips.”
  • Annenberg Media offers a free professional development course titled The Learning Classroom: Theory Into Practice that focuses on translating what scholars know about how people learn into classroom approaches and practices. This course, based on the How People Learn series, addresses all the subject areas; but there are a few segments focused specifically on history (find one here).
  • The Research and Practice feature that appears periodically in the National Council of Social Studies journal, Social Education, can be a good resource as can research journals like Cognition and Instruction where scholars initially publish their studies.
  • Cognitive research has much to offer educators in understanding how to structure and shape learning environments, teaching practices, and student tasks. Just beware of the cottage industry that has built up around this field. As with other educational hot topics, some vendors are building resources where profit, rather than accuracy or reliability, is the goal.

    Your approach is a good one to guard against this. Go to the studies, read the research yourself, and find trusted and reliable sources. Check the citations used by those marketing these ideas and ask questions like: are these studies published in respected and peer-reviewed scholarly journals? Do they build on existing bodies of scholarship? Is the theory sound? Are there empirical studies that back up these approaches? Are teaching implications closely tied to findings?

    Good luck!

Effective Feedback: Timing, Team, and Tone

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Our goal throughout Peopling the American Past—a Teaching American History (TAH) project partnership of seven small and rural Virginia school districts and George Mason University—was to support teachers in developing TAH skills, especially in teaching effectively with primary sources. To accomplish this goal with each of three teacher cohorts we provided feedback on classroom observations and on their written work.

Our intention was to keep feedback collaborative, something that was done with, not to, teachers.

Our intention was to keep feedback collaborative, something that was done with, not to, teachers. Our project team—project director, academic program director, and master teachers—was interested in fostering growth, not evaluating. Whether speaking in person with a teacher after observing her class, emailing teachers our thoughts on their lesson topics, or conducting extensive phone conferences on unit outlines, we framed our feedback so that teachers would want to use it to improve their work. This meant that we had to listen carefully to our teachers, notice if our goal was being achieved, and change our approach when necessary.

Learning from Lesson Plans

In our first year we required teachers to create an entire lesson plan that we then observed them teach whenever it fit into their curricula. We naively asked them to do it all: integrate TAH content knowledge, select high-quality online primary sources, use engaging teaching strategies, apply the Virginia Standards of Learning, and follow a prescribed template. And we sought to assess all this in our feedback. This approach had problems. While some taught their lessons in the first two months of school, others taught theirs as late as April or May, when our observation feedback was too late to be used in writing their units. Also we noticed that with all these requirements, teachers did not focus on what we considered most important: teaching effectively with primary sources.

Instead of the entire lesson plan we asked teachers first to create primary source infusions—select one or two viable primary sources and incorporate or infuse these into an existing lesson.

So for our second and third years we pared down our requirements. Instead of the entire lesson plan we asked teachers first to create primary source infusions—select one or two viable primary sources and incorporate or infuse these into an existing lesson. Each did this twice during September and October, and the project director, often joined by the academic program director, observed one class. Then we scheduled an informal conversation, first asking the teacher what she liked about the lesson and next what she might change, and we responded too. At each point we provided specifics about what we noticed. The project director provided written feedback in an email.

Providing Constructive Feedback

Here is an example from a middle school lesson on the Transcontinental Railroad:

I especially liked:
Your use of the Library of Congress website Railroad Maps, 1828—1900. This is an ambitious choice and there's a lot going on there. It was clear that you preselected some relevant maps to share with your students.

I wonder if:
You might, as we discussed, first model using one of the maps yourself as a primary source. Then you could ask students to work in pairs on a different preselected map or two and see if they could find their way around their map. The NARA website has a bunch of useful questions for examining maps, but don't feel compelled to use all of them—select and adapt.

Even veteran teachers appreciated this approach, many commenting that they rarely had colleagues or supervisors observing and discussing with them how they taught history. When we offered an optional second observation, many teachers asked us to return.

Ongoing Feedback

Next we asked teachers to use what they learned from observed infusions to write their unit. Instead of the first-year requirement of a seven- to ten-lesson unit, we asked for a two- to three-lesson mini-unit built on a few high-quality primary sources and a short historical background essay to contextualize these sources. Instead of waiting to give our major feedback until teachers completed their rough draft as in year one, we provided extensive feedback when it had maximum impact: right after teachers wrote their outline.

. . . we provided extensive feedback when it had maximum impact: right after teachers wrote their outline.

Each outline included a background essay, an annotated list of resources, and the primary sources to be used. Teachers got written feedback on their outlines from our project team, with our academic program director focusing on their historical narrative and sources, and our master teachers suggesting effective teaching strategies to meet the developmental needs of their students. The project director then scheduled individual phone conversations with teachers who were equipped with their outline, our comments, and Internet access to connect them to the websites we recommended. From here, teachers wrote their rough drafts, again received written feedback especially on their teaching strategies, completed their final drafts, and presented their mini-units to their colleagues and the project team.

This approach was definitely labor intensive and some teachers required more patience and persistence than others. Still, in the end we were fully satisfied with our revised feedback process.

Connections and Continuity: The Lead Historian Model

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One of the most unique and rewarding aspects of Teaching American History (TAH) grants is the opportunity they provide for K–12 teachers to work with college-level historians. Most classroom teachers find themselves isolated from the academic world, and tied to curricula and state standards that often take the complexity and richness out of history. TAH grants provide opportunities for teachers to enrich their historical understandings by connecting them with university professors and current research on historical topics. These connections are extremely interesting and valuable to teachers, but the content and knowledge exchanged in these interactions are not always easily translated into classroom practice. Teachers need ongoing support and structure to help bridge the gap between seminars they attend and their own classrooms.

Most classroom teachers find themselves isolated from the academic world, and tied to curricula and state standards that often take the complexity and richness out of history.

In the Foundations of U.S. History grant in Loudoun County, VA, we have continually adapted our program to address those needs and maximize the benefits of the relationship between teachers and historians who work with the program. In our first year of the grant, we provided a two-week summer course, with 12 different historians presenting half-day seminars on their areas of expertise. We also included two separate workshops on teaching strategies. During the year, we followed up with our teachers by providing additional workshops, book discussions, and film seminars with various historians, as well as assignments that required teachers to incorporate primary sources into their teaching. This "parade-of-presenters" model had certain strengths. Teachers were exposed to a wide array of historical interpretations and approaches. Like their own students, teachers have varied learning styles; the range of presentation styles from individual historians addressed some of those differences. Readings and workshop materials selected by the professors also introduced teachers to varied sources and perspectives.

In reflecting on our first year, though, we recognized some weaknesses. While teachers demonstrated improved content knowledge about the topics we covered in the institute, they were still missing some of the big picture ideas and themes that tied those topics together. With the "parade" approach, teachers didn't have the ongoing interaction with historians who presented or the opportunity to ask questions that would help make connections with later presentations. Even though we included a session on historical thinking skills, teachers continued to have difficulty articulating what those skills are and how to develop them in their students. In classroom observations and in reading teachers' primary source activities and curriculum units, we noticed that many still struggled with integrating primary source analysis and historical context in thoughtful and constructive ways. We realized that we hadn't provided enough opportunities to fuse content and strategies. We decided we wanted to develop more consistency in the program and provide more of an opportunity for teachers to benefit from a closer collaboration with historians.

With the "parade" approach, teachers didn't have the ongoing interaction with historians who presented or the opportunity to ask questions that would help make connections with later presentations.
Cementing the Bigger Picture

For the second year of our grant project, we created a Lead Historian role, which was filled by a George Mason University professor, Dr. Christopher Hamner. Instead of two new speakers each day of our Summer Institute, Hamner gave several lectures, interspersed with a handful of guest professors. With this model, Hamner was able to build connections and trace themes among the lectures and historical periods. We also identified key components of historical thinking that Hamner emphasized in his presentations, so that teachers would have an opportunity to practice and reinforce these skills before trying to teach them to their own students. Hamner modeled the use of primary sources and helped teachers see how they could use a few sources to get students to think about historical issues in a critical way, a way that both addressed and went beyond the standards for which teachers are responsible.

The teachers connected with Hamner not just because his lectures on historical topics were engaging, but because he shared his own experiences and thoughts on teaching. He described techniques he's used with his own students, and he modeled for them reflective teaching practices in examining the results of using various strategies with his students. He made it clear that the challenges he faces with graduate and undergraduate students are not unlike the challenges experienced by K–12 teachers. In those two weeks, the teachers developed a relationship with an academic historian. They learned new content, and they gained confidence in their ability to teach history more effectively based on his model. By inviting several guest presenters, we still maintained some of the valuable benefits of bringing multiple perspectives and interpretations to the discussion.

Subsequent to the Summer Institute experience, Hamner continued his involvement with the teachers in the program. During the year, he led three book discussions, and in those discussions continued to emphasize some of the core themes and ideas from the summer. As teachers developed lesson plans and primary source activities, he provided feedback and helped teachers shape their historical understandings and teaching strategies.

. . . the lead historian model has had a positive impact on teachers' knowledge and practices.

Evidence from our observations and evaluation measurements indicates that the lead historian model has had a positive impact on teachers' knowledge and practices. In an assessment at the end of the Summer Institute, teachers demonstrated significant improvement in content knowledge and historical thinking skills as compared to their performance on a pre-assessment. Through classroom observations and reading teachers' reflections, I've had the opportunity to see many of the skills being put to use. Teachers are selecting high-quality primary sources, they are asking more thoughtful analysis questions, and they are helping students focus on big ideas and themes, rather than just lists of details and "essential information" required by their standards.

Mutual Development

In addition to the measurable gains in knowledge and skills, we've noticed a less tangible, but equally impressive, increase in teachers' enthusiasm and confidence as their relationship with Hamner evolved. While part of this can be attributed to his personality, I believe this is a replicable model. Teachers benefit from this kind of investment, interest, and feedback from a college-level professor. It adds to a sense of feeling valued for what they do, and it encourages them to aspire to a certain type of thinking and teaching.

The benefits are also reciprocal; Hamner has expressed that his work in the Summer Institute was the most rewarding teaching he's done. It required him to reflect on and evaluate his own teaching practices, and he also benefited from the suggestions and strategies presented by teachers. He's used his experiences with TAH to reshape his own college-level teaching over the past semester.

As we prepare to launch our third cohort, we're still improving the program to build on the successes of the lead historian model. Throughout the Summer Institute, we've built in times to discuss teaching strategies in connection with the content that is being taught, instead of in isolated seminars. We've used Hamner's input to develop new assignments that focus more closely on historical research and primary analysis. We have added additional opportunities for teachers to meet individually with Hamner to discuss their culminating projects throughout the year, and believe that these discussions are important opportunities for teachers to develop their thinking on historical topics. We also plan to include Hamner in some classroom observations. In addition to providing feedback to teachers, this will provide him an opportunity to be more closely connected with the realities of teachers' classrooms.

Our model demonstrates some of the benefits of collaboration, as well as some of the challenges that continue to face us all as history educators. Changing teaching practices takes time and continued support. Sitting and listening to a professor's lecture can be interesting and engaging, but that rarely translates directly into substantial change in K–12 classrooms. It is not an automatic process. Teachers need the opportunity to revisit and reinforce the skills and content they have learned. They need feedback and support as they incorporate primary sources and develop analysis tools. This requires a sustained commitment from historians and teachers. The resources provided by the TAH grant help to support that relationship and help make possible real change in both K–12 and post-secondary history education.

The Challenge of Assessing U.S. History Knowledge Growth Among Teachers

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What should Teaching American History (TAH) evaluation programs evaluate? Of course, the most obvious answer would be that they should evaluate the success of the programs. But what constitutes success? This is a much more challenging question.

Our team of researchers at the University of Maryland has been conducting evaluations of TAH programs since first-round grants were vetted. This fall we begin evaluating the fifth of these programs here in Maryland. As we began our evaluation work, we conceptualized the question of measuring success around trying to understand knowledge growth among the history teachers who participated in these programs. After all, it seemed to us, that's what these programs were fundamentally designed to do—enhance the knowledge of participants in order to better prepare them to teach history. Here again, we encountered tough questions: What does it mean to enhance teachers' historical knowledge? What do we mean when we say knowledge? And how do you measure gains?

What do we mean when we say knowledge?
Conceptualizing Evaluation Criteria

Drawing from a growing body of research in history education, we conceptualized that knowledge as of three tightly interwoven types: (a) foreground substantive knowledge, (b) background substantive knowledge, and (c) procedural or strategic knowledge.

We defined foreground substantive knowledge as ideas and understandings of what happened in the American past, engaged in by whom, for what reasons, and to what end results. This form of knowledge is what we typically read about in American history books—accounts of what happened and what they meant. Background substantive knowledge turns on ideas historical investigators impose on an unruly, broadly temporalized past in order to corral its unwieldy nature and give it some meaning useful to readers. Ideas such as historical significance, causation, change over time, chronological sweep, evidence, and historical contextualization make up concepts of the background type. Procedural or strategic knowledge involves using background concepts together with cognitive processes in order to arrive at foreground substantive understandings. Being able to ask historical questions, to seek out and assess sources as evidence for making claims, to know how to evaluate the validity and reliability of sources, and to build interpretations require strategic knowledge.

Time-series Design

To assess change in teachers' knowledge of the three types, we created a complex instrument that we could use in a time-series design. This meant that we could administer the instrument before teachers began the TAH program and again after they had completed it, or at various intervals along the way to the end of the three-year funding cycle. This allowed us to measure baseline knowledge against changes brought about by the program's intervention elements. It also allowed us to ask TAH program directors to solicit comparison group teachers to take the assessment so that we could compare scores between participants and nonparticipants in a quasi-experimental design. This has proven workable and productive, although it sometimes has been difficult to get comparison group teachers to return to take the assessment a second time.

Our most significant challenge involved figuring out what sort of items to create to measure these differing types of knowledge. The assessment needed to be relatively efficient to administer, repeatable without practice effects, reasonably reliable, and high in construct validity. We settled on a rather heavy reliance of multiple, forced-choice items in each of the knowledge types. However, because history is an ill-structured knowledge domain (meaning that problems worth studying can be defined in multiple ways with varying interpretive results), we turned the multiple-choice items effectively upside down. By this I mean that, instead of positing only one correct answer to the items, we offered three possibilities with only one distractor of the four being patently incorrect.

. . . because history is an ill-structured knowledge domain [. . . ] we offered three possibilities with only one distractor of the four being patently incorrect. . .

With considerable effort, we structured the three remaining acceptable distractors into a descending order from most-to-least acceptable and weighted them. This structure has allowed us to disaggregate item scores to show the direction of movement in teachers' responses (towards stronger or weaker knowledge) and to map the multiply-interpretive, ill-structured nature of history domain knowledge onto the items themselves.

Assessment Tools

To augment these items, we constructed a DBQ-style essay we ask teachers to write. We purposely chose events about which a variety of interpretations are possible based on conflicting testimony provided in the four documents teachers read and on the basis of which they are asked to craft their responses. We score these essays using a complex 21-point rubric that has five key categories (e.g., contextualizes interpretation, assesses the status of sources used). This single essay, we have found, is the most knowledge-sensitive element of the assessment and correlates highly with the three types of knowledge the multiple-choice items measure.

We also borrowed from the research literature in educational psychology to design two additional scales that we include in the instrument—interest and epistemological stance. We know from the research literature that if an intervention program does not elicit interest from participants, their knowledge is unlikely to change. We also know from a different research literature that to think historically in ways that enable deeper historical understandings, teachers need to conceptualize history as an interpretive domain, ill-structured in its problem spaces, and prone to regular revision.

To understand history as such, those who investigate it and apply its forms of knowledge need to work from a set of criteria for what counts in making sense of the past. Assuming that history falls from the sky, authorless and ready-made, tends to cognitively handcuff teachers, especially when facing conflicting testimonies from the past. The epistemology scale attempts to measure changes in teachers' understandings of the bases and warrants for historical knowledge and correlates them with other items on the assessment.

Assuming that history falls from the sky, authorless and ready-made, tends to cognitively handcuff teachers, especially when facing conflicting testimonies from the past.

This instrument—called the HKTA for Historical Knowledge and Teaching Assessment—produces a rich array of powerful data. It sheds considerable light on what teacher participants know, can do with what they know, and how their ideas change (or not) across the programs' durations. Most importantly, results provide project partners with feedback on the strengths and weaknesses of the interventions and ways they can go about making changes as the programs evolve in growing participants' knowledge of American history.

What We Learned

We have learned many things from using this assessment tool. Because of its complexity and number of scales, we have struggled to keep its length reasonable so it can be administered in a relatively short timeframe. We have found that after about an hour's duration, teachers begin to tire (although generally they take the assessment in good spirit and sometimes seek out their personal scores which we release only to them on individual request). Given the richness of ideas and constructs we are trying to sample—so as to provide sound feedback to project partners—this creates tradeoffs for us that we have had to manage carefully. Rich data collection has to be weighed against economies of efficiency in assessment administration time.

The epistemology scale has created additional concerns. The items presented in Likert-scale format have a tendency to be prone to social-desirability item-selection effects. To date we have been reluctant to release this scale's outcomes because we are still sorting out how validly it measures epistemological stances among teachers.

The most important learning aspect of administering the assessment has come when we report out data to project partners. As I noted, the HKTA exposes both strengths AND weaknesses in the TAH programs. Though this is as intended, we have found it frequently difficult to communicate weaknesses to partners who invest much energy in producing powerful programs.

The struggle here often turns on helping historians, who operate as content experts, to understand what the assessment tells us about what it means to transfer that content into history lessons for pre-collegiate students. This is a language historians are understandably least familiar with. In particular, the assessment reveals gaps between the efforts of the historians and that of the pedagogy experts assigned to the projects. Such gaps can be delicate observations to convey. It has helped that the various scales on the HKTA generate data useful for the purpose of strengthening these connections.

Bibliography

Maggioni, L., Alexander, P., VanSledright, B. (2004). "At the crossroads: The development of epistemological beliefs and historical thinking." European Journal of School Psychology, 2, 169-197.

VanSledright, B.A., Meuwissen, K., & Kelly, T. (2006). "Oh, the trouble we've seen: Researching historical thinking and understanding." In K. Barton (Ed.), Research Methods in Social Studies Education: Contemporary Issues and Perspectives (pp. 207-233). Greenwich, CT: Information Age Publishing.

VanSledright, B.A., & Limon, M. (2006). "Learning and teaching in social studies: Cognitive research on history and geography." In P. Alexander & P. Winne (Eds.), The Handbook of Educational Psychology, 2nd Ed. (pp. 545-570). Mahweh, NJ: Lawrence Erlbaum Associates.

Making the Rubber Hit the Road

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"These documents are too hard for my students."
"But this topic is never on the Regents."
"My Assistant Principal doesn’t want me to spend time on that"

When we began our Teaching American History (TAH) grant, our effort to immerse participants in recent social history was often met with friendly, but firm resistance. Indeed, the refrains we heard from middle and high school teachers in New York City echoed the very gap between university-based historians and K-12 history educators that our TAH program was designed to bridge.

Changing what happens in classrooms is where the rubber hits the road.

While most teachers expressed personal interest in our lectures, readings, and primary documents, they were uncertain about the utility of such content for their students. During our first summer institute, when teachers were asked to create curriculum, many retreated into familiar territory, developing activities far afield from what we had covered at the content-rich school year seminars.

While eager to foster the intellectual growth of participants, changing what happens in classrooms is where the rubber hits the road. In this case, the rubber represented nearly a million dollars in federal funding and huge investments in time and energy from professional developers, school administrators, and teachers.

Closing the Gap

With generous input from our program evaluator Dr. William J. Tally and our colleague Frank Poje, a veteran teacher, we set out to close the gap between what teachers learned in our professional development and what they taught their students. Over the past several years, we’ve learned many lessons, but two stand out:

First, articulate clear historical understandings—big ideas and questions about U.S. history—that will engage both you and teachers over the course of three years. Good historical understandings help us think like historians and make connections among past events and between past and present.

Second, provide a variety of compelling documents that are accessible to students. A good mix of documents can reveal a range of viewpoints, present different types of evidence, or pose a historical problem to be investigated.

Previously, we had organized seminars around a loosely-defined theme (e.g. foreign policy) and set of related topics (e.g. Westward Expansion, 1890s Imperialism, World War II), yet struggled to choose from the volume of available materials. As history educators Nikki Mandell and Bobbie Malone have observed, "Knowing that a class must study the American Civil War or Ancient Rome does not, by itself, tell us what students should know about that topic."

We decided to reshape our foreign policy year to focus more narrowly on “America Goes to War.” Specifically, we wanted to examine:

  • the ideas that have led the nation into war and have shaped how the U.S. has fought its wars
  • the perspectives of other nations and people that change and enhance our understanding of war
  • the impact of war abroad on U.S. society and politics at home
We juxtaposed official articulation with actual experience.

During our World War II seminar, for example, we explored the 1st and 3rd of our historical understandings by juxtaposing official articulations of why Americans needed to mobilize for war with the actual experiences of soldiers and homefront workers. Readings on Roosevelt’s "Four Freedoms" speech, along with posters and newsreel footage, conveyed the ideals the U.S. government communicated to motivate support for the war: the need for racial equality and unity; the emphasis on femininity among women who took industrial jobs; the value of democracy and freedom for people around the globe.

In contrast, Dr. Roscoe Brown, a veteran of the famed African American army air unit the Tuskegee Airmen, gave a compelling talk about his experiences in the segregated military, while the documentary Rosie the Riveter Revisited conveyed the voices of “real life Rosies” whose lives bore little resemblance to government propaganda messages about women performing war work.

Supporting Thematic Selection

When it came time for teachers to create activities during the summer, we equipped them with a set of primary documents designed to support our historical understandings. Already armed with the historical understanding about the impact of war abroad on U.S. society at home, teachers analyzed:

  • a photograph of black and white workers leaving a Beaumont, Texas, shipyard in 1943
  • "Beaumont to Detroit: 1943,"a poem by Langston Hughes decrying wartime violence against African Americans
  • a "United We Win" government poster promoting interracial cooperation on the job
  • a Pittsburgh Courier editorial explaining their "Double V" campaign for victory over fascism abroad and victory over racism at home
Primary sources enrich teaching and learning experiences.

Embracing these documents, teachers designed activities through which their students can explore gaps between idealized propaganda messages and the lived experiences of diverse Americans, and the ways that support for the war effort became linked to African American demands for full equality.

As one participant shared, "I am more determined than ever to make the time to use documents and aim for a richer experience for my students. Simply covering the material may get you to the end but does not usually yield much understanding or generate much passion from anyone involved."

Sources

Nikki Mandell and Bobbie Malone, Thinking Like a Historian: Rethinking History Instruction (2007), 24.
Rosie the Riveter Revisited (Clarity Films, 1984)
John Vachon, "Workers leaving Pennsylvania shipyards, Beaumont, Texas," photograph, June 1943, Farm Security Administration, Office of War Information Collection, Library of Congress.
Langston Hughes, "Beaumont to Detroit: 1943," from The Collected Poems of Langston Hughes (Alfred A. Knopf, Inc., 1994).
Alexander Liberman (photographer), "United We Win," poster (Washington, D.C.: Government Printing Office for the War Manpower Commission, 1943); from National Archives, “Powers of Persuasion: Poster Art from World War II"
"The Double V Campaign," Pittsburgh Courier, 28 March 1942, 6.

Teachers as Historians, Historians as Teachers

Video Overview

Andy Mink talks about the characteristics of a successful TAH project, which, he says, should be like "a good conversation," blurring the lines between teacher and expert. He then gives an example of teachers learning to think like and taking on the work of historians, in connection with the Virginia Center for Digital History project Television News of the Civil Rights Era, 1950 to 1970.

Video Clip Name
LL_Andy1.mov
LL_Andy3.mov
Video Clip Title
The Shared Learning Experience
Teachers as Researchers
Video Clip Duration
2:14
2:51
Transcript Text

I'm the director of outreach and education of the Virginia Center for Digital History at the University of Virginia, and our center is squarely located in the College of Arts and Sciences, not the School of Education. And I think that's probably an important element in describing all of the work that we do in outreach as ideally a bridge between historian and practitioner, academic content and best practice.

A Feedback Relationship

The historians ideally are prompted to really think through their own craft, think about their teaching of a topic, as well as their knowledge of a topic, and that the practitioners or the teachers or the educators see themselves as maybe not the same experts as the person in front or the person with, but as experts nonetheless. And so, this sort of collegial relationship over time is built, so that it's not me, the student, listening to you tell me something and I write it down and we all walk away, but rather a conversation.

And maybe for me, at the heart of all successful TAH projects or other outreach projects, is that sense that good professional development is a good conversation, one that is provocative on both sides and leaves as many questions as answers, and then continues.

. . . good professional development is a good conversation, one that is provocative on both sides and leaves as many questions as answers, and then continues.
Transformation

The most valuable of the projects lead teachers down a path in which they're not just participating and attending, but they're actually engaging in and creating something new. There's some sort of transformation. And I think in looking at lessons learned over time that that transformation at the beginning is very personal.

It's that sort of personal transformation that I bet you'll hear from a lot of TAH projects. Teachers who leave and they're high-fiving each other and they feel great about it. Historians who leave and say, "Wow, I had the greatest audience ever, and they were engaged and they asked questions."

So, my lesson learned I guess to start with, would be that the personal transformation happens first. That then affects the practical transformation, which then affects the student learning. And it's a much larger process than just sort of the 'sit and get' professional development that a lot of teachers are used to.

Emotional Involvement as an Inspirational Bellwether

One of the digital projects that we have at the Center for Digital History is the "Television News of the Civil Rights Era, 1950 to 1970," and essentially this was a warehouse of eight-millimeter and 60-millimeter film discovered by two telephone stations, national TV affiliates, in the Roanoke area, about six or seven years ago. And they came across, what I imagine to be this huge storeware full of old, yellowed boxes with the narrator's notes on it and the grease marks.

And what our folks did was go through and section out particular clips that had anything to do with civil rights and a local or a state-wide, regional emphasis. And, so you can imagine now this digital archive of hundreds of video clips, digitized video clips, that are provocative and ask a ton of—it brings a ton of questions to mind, but there's no historical context to it. There's no interpretation. There's no annotation. There's no footnotes. It's just raw material, raw primary source material.

So, the Roanoke TAH grant was structured and framed around the idea that a cohort of teachers would work with a University of Virginia historian to better understand civil rights and Virginia history, then develop their own, very intentional, first-person research questions on that digital archive, and then spend a year investigating their answers. Doing research, primary research. Doing secondary research. Essentially, creating a multimedia research product that answers their questions and is then folded back both into their classroom and into the community, to better educate the Roanoke area about their legacy of civil rights based on this original footage.

So, we saw that go through a full, probably 14-month process, and the teachers who participated were drastically affected. But, even more importantly, they created material that was historically valid, that was meaningful in terms of the historical dialogue, but also could be used in their classroom for teaching and application.

So, to do something like that was incredibly immersive for the teachers and heartbreakingly, painfully difficult, because as soon as you add that first-person element, it was actually the teachers who extended it to the point where it was almost too much. But isn't that what learning is? It's when, "I can't stop because it's so important."

. . . as soon as you add that first-person element, it was actually the teachers who extended it to the point where it was almost too much. But isn't that what learning is? It's when, "I can't stop because it's so important.

And then we asked them to sort of unpeel what they did and think about how they might do similar things with their own classes and students. So, that's sort of the bellwether of that immersion.