The ratification of the 13th Amendment to the Constitution in December 1865 abolished slavery in the United States, formally, officially, and legally. A century and a half after Emancipation, however, the question of slavery still roils the waters of American life. This seminar, led by Ira Berlin, will view the development of chattel bondage in mainland North America from the perspective of the larger Atlantic world. Topics include the nature of the slave trade, the distinction between societies with slaves and slave societies, the evolution of plantation slavery, the transforming face of the Age of Revolutions, the remaking of slavery in the 19th century, and the contemporary debate about the meaning of slavery for American life.

Teachers of all levels and settings are invited to join Spertus Museum educators to tour the new exhibition "A Force for Change: African American Art and the Julius Rosenwald Fund" and participate in an interactive printmaking workshop with Master Printer Thomas Lucas.

From 1919 to 1929, Langston Hughes noted, "Harlem was in vogue." Black painters and sculptors joined writers and musicians in an artistic outpouring that established Harlem as the international capital of African American culture. Participants will study the evolution of the Harlem Renaissance through the music of Duke Ellington and Ethel Waters, the art of painter Archibald Motley and sculptor Augusta Savage, and the literary works of Hughes, Zora Neale Hurston, and Jean Toomer, among others.

Constructed around an online "toolbox" of texts and documents collected at the National Humanities Center in Research Triangle Park, North Carolina, participants in this seminar will discuss four themes that are central to the Gilded Age: City and Country, focusing on Arcadian mythology, urban realism, and nostalgia; Citizens and Others, especially immigrants, African Americans, and children; Work and Leisure, especially craft, industrialization, and consumerism; and Politics and the State, including party culture, populism, and progressivism. Within each thematic unit, participants will be searching for characteristic sensibilities of the age, as manifest in public life, literature, and/or the arts. Across the discussions, they will try to identify those documents, questions, and exercises that might best enliven their own classrooms.

Attendees at this lecture will join two Chicago-area archivists, a public historian, and an historian of women in a conversation about collecting, preserving, accessing, and using papers of African Americans and women. Following 10–15 minute presentations by the speakers, drawn from their own projects and institution's missions, they will engage in a panel discussion with each other and audience members on what local research institutions and community organizations are doing to collect and make accessible manuscripts and other primary sources that will fuel future historical narratives.

Linda B. Osborne discusses her book for young people, Traveling the Freedom Road: From Slavery and the Civil War Through Reconstruction, which draws on the Library of Congress collections of former slave interviews to convey the aspirations, sorrows, courage, and hopes of ordinary people living through this period. Osborne mined the Federal Writers' Project slave narratives and materials in the Library's Manuscript, Prints and Photographs, Rare Book and Special Collections, and Geography and Map divisions for this work that focuses on the experiences of African American children. More than 80 archival images complement the text. Major events covered include the rise of the domestic slave trade, the Emancipation Proclamation, and the Republican Congress' Reconstruction policies. From Charles Cowley, an enslaved child who had no shoes with which to walk through the snow, to Richard Slaughter, who enlisted in the Union Army at 17, this book reveals the personal hardships and courageous endurance of black youth in 19th-century America.

Too often, students view Civil Rights in isolation—they do not understand the rich historical background of African American history or the legacies of the movement in the more recent past. They often know some of the major civil rights figures like Martin Luther King, Jr. or Rosa Parks, but they do not grasp the complexities of civil rights leadership, or the experience of the movement's foot soldiers—the students in SNCC, the freedom riders, or the everyday people who marched, boycotted, protested, and volunteered to make the movement happen. This course will try to explore the movement from all of these perspectives using, where possible, firsthand accounts from the people who lived this important history.

The instructor will assume that the main historical outlines of the movement are familiar to K–12 teachers—instead of recounting that basic history, participants will spend much of the time delving into lesser-studied events of the movement and the primary sources that will allow them to explore their own ideas about the movement and its meanings in detail.

This course will allow for the opportunity for deep historical analysis and interpretation using primary sources. The best way to learn history is by doing history. Participants will tackle documents, images, newspaper accounts, artistic expressions, film, and other sources. By doing so, they will develop their own arguments and ideas about the movement, and help future students do the same. Many of the resources participants will use have been recently added to the internet and they should be exciting additions to the course, and to historical scholarship more broadly. As participants mine these sources, they will hopefully enjoy the historical process and also get some great ideas for classroom activities for their students.

The instructor has selected websites and multimedia resources that will give participating teachers access to literally thousands of documents including newspaper accounts, oral history interviews, government documents, photographs, works of art, film clips, and more. Participants will have the opportunity to analyze these sources through engaging activities to create a lesson plan for classroom use; to receive individualized, constructive feedback and answers to content-oriented questions from a well-versed instructor; and to join other teachers from across the state in lively online discussions throughout the course.

Participants in this course will examine African American history in the contexts of United States, North Carolina, and world history. They will begin by connecting the experiences of African Americans in early U.S. history to the histories and cultures of the African communities of their ancestors and will follow those cultural connections between Africa and the United States throughout the course.

Course topics include African Americans in the colonies and the early Republic, the Middle Passage, American slavery and the experiences of free African Americans in the antebellum period, the abolition movement, the Civil War and Reconstruction, Jim Crow, the Great Migration, the Harlem Renaissance, and the experiences of African Americans during World War I, the Great Depression, and World War II. Throughout the course, participants will discuss African American activism through churches, political organizations, and communities and discover African American culture through art, music, and other cultural forms.