Monuments to a Dream: Martin Luther King, Jr. Memorials

Quiz Webform ID
22415
date_published
Teaser

Answer these questions about memorials to the life and ideals of MLK.

quiz_instructions

Ever since Martin Luther King, Jr.'s assassination in 1968, communities across the U.S. have sought ways to memorialize the ideals King and the civil rights movement came to stand for. Identify the locations of the following monuments to King, each presenting a unique view of his life and legacy.

Quiz Answer

1. A statue of Martin Luther King, Jr. stands on a pedestal engraved with these words: "His dream liberated [. . .] from itself and began a new day of love, mutual respect, and cooperation." Which city fills in the gap?

a. Birmingham, AL

The statue stands in Kelly Ingram Park in Birmingham, AL. The park, which predates the civil rights movement, was used by Martin Luther King, Jr. and the Southern Christian Leadership Conference (SCLC) as a staging point for nonviolent protests in 1963. Protesters, many of them local schoolchildren, massed here to organize for sit-ins, boycotts, and marches; in the streets around the park, law enforcement officers drenched protestors with fire hoses and menaced them with dogs. Photographs of these events created some of the most enduring images of the movement.

Today, the park contains the Freedom Walk, which leads visitors past a number of statues related to the protests, including statues of the dog attacks and children in jail.

2. A 30-foot-tall black granite pinnacle encircled by spirals of steel rises from a pool of water in front of you. You're standing in front of a memorial to Martin Luther King, Jr. in what city?

d. Seattle, WA

The Martin Luther King, Jr. Memorial Park in Seattle, WA, honors the memory of King with an abstract sculpture inspired by his final speech, "I've Been to the Mountaintop." No specific event in the civil rights movement or in King's life took place at this location; like memorials, events, and other observances nationwide, the Memorial Park sculpture, by Seattle artist Robert Kelly, reminds the surrounding community not of specific historical events but of the assumed spirit of King's life and of the civil rights movement.

3. A well-muscled African American man, wearing only a loincloth, holds his newborn up to the sky. Which city are you visiting now?

d. Atlanta, GA

Sculptor Patrick Morelli's BEHOLD stands in the Peace Plaza in Atlanta, GA. Around the plaza range sites important in the life of Martin Luther King, Jr., including his birth home and Ebenezer Baptist Church, where King preached as co-pastor with his father. Newer sites also surround the statue and plaza: The King Center, the location of King's tomb, founded by King's widow, Coretta Scott King, and the Martin Luther King, Jr. Visitor Center, maintained by the National Park Service.

4. Surrounded by trees, you walk from one upwelling of water to the next. Each small fountain, set back into a semicircular niche of stone, commemorates a martyr to the civil rights movement. You're strolling through the King memorial in which city?

c. Washington, DC

The Martin Luther King, Jr., National Memorial does not yet exist, but the memorial's design has been completed and ground broken, ceremonially, on the proposed site. When finished, the envisioned four-acre memorial will be positioned along the edge of the Tidal Basin, along a sightline stretching from the Lincoln Memorial to the Jefferson Memorial. Difficulties and controversy have dogged the memorial's progress, including backlash when Chinese sculptor Lei Yixin was chosen to carve the nearly-three-story-tall statue of King that will anchor the memorial.

For more information

mlk_image-ctlm.jpg The National Park Service's travel itinerary We Shall Overcome: Historic Places of the Civil Rights Movement describes the historical significance of the Kelly Ingram Park (also known as West Park). Adjoining the park, the Birmingham Civil Rights Institute preserves and interprets the history of the Birmingham protests and the civil rights movement as a whole.

For images of the Martin Luther King, Jr. statue and the park's other statues, try a Google images search using the keywords "Kelly Ingram Park."

Seattle's official website for the Martin Luther King, Jr. Memorial Park offers very little information, but the Historical Marker Database's entry provides photos of the sculpture and the plaques describing events in King's life that surround the memorial.

For the full text and audio recording of King's "I've Been to the Mountaintop" speech, refer to American Radioworks' page on the speech, part of its Say It Plain feature, examining speeches by 12 great African American speakers.

The National Park Service's website for the Martin Luther King, Jr. National Historic Site features an article on BEHOLD's artist's intentions and a photo of the statue. For more on the nearby King Center, try our Museums and Historic Sites listing.

At BuildTheDream.org, the Martin Luther King, Jr. National Memorial Foundation describes the history and goals of the project to build the King national memorial. Sections of the website provide a timeline of the project, evocative descriptions of its proposed design, press releases and news articles related to the memorial, and suggestions for students to get involved. A Google search using "Lei Yixin" and "Martin Luther King" will bring up a number of articles on the controversy over Lei Yixin's selection as sculptor; students might look at these to consider the range of viewpoints on the issue, and the emotion and ideals involved in creating a monument like the King memorial.

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Classroom Glory

Quiz Webform ID
22413
date_published
Teaser

Historical accuracy or fiction? Decide if these film moments are factual.

quiz_instructions

Film’s dynamic narratives and living characters draw students in—but are they useful teaching tools? The film, "Glory," frequently shown in classrooms, tells the story of the 54th Massachusetts, a famous African American regiment in the Civil War. Decide whether the following “truths” suggested by the film are true or false.

Quiz Answer

1. The 54th, led by Robert Gould Shaw, son of prominent (white) abolitionists, consisted largely of former slaves. False.

Glory leads viewers to believe that most (though not all) of the men who served under Shaw (pictured here) were former slaves. Although this conceit adds to the impact of the film—making the 54th's struggle for recognition and an equal place in the war a mirror of the general African American struggle for freedom and equality—it veers far from historical fact. Most of the men who volunteered for the 54th were born freemen from middle-class backgrounds. In fact, two soldiers in the 54th were sons of the abolitionist Frederick Douglass.

2. The unsuccessful but heroic attack on Fort Wagner, SC, in which the Confederates killed or captured approximately 50% of the regiment, was the last battle in which the 54th served. False.

Glory ends with the 54th's attack on Fort Wagner, and the losses its men suffered. This gives the impression that the regiment dissolved after the Fort Wagner assault. In reality, the 54th went on to fight in several more battles and skirmishes, including the Battle of Olustee (in Florida) the Battle of Honey Hill (in South Carolina), and the Battle of Boykin's Mill (also in South Carolina).

3. The bravery of the 54th at Fort Wagner inspired Congress to authorize raising other African American troops for the Union army. False.

The ending caption in Glory—"As word of their bravery spread, Congress at last authorized the raising of black troops throughout the Union"—is inaccurate. According to historian James M. McPherson, Congress had authorized the mustering of further African American troops "months earlier."

Further, though it might be easy to believe otherwise while watching the film, the 54th was not the first African American regiment—the U.S. government began enlisting African Americans as early as 1862, almost a year before the 54th's formation in March 1863.

4. A member of the regiment was flogged for desertion, in keeping with standard military punishments at the time. False.

One of the most often described moments in the film, when former slave Trip reveals his scarred back before receiving a flogging for desertion, is unlikely to have ever happened in life. Leaving aside the character's fictional nature (like many of Glory's characters, except Shaw, Trip was created for the film), a soldier would not have been flogged as punishment in 1863—according to historian Joseph T. Glatthar, flogging was outlawed in the U.S. military in 1861.

For more information

Do its historical inaccuracies make Glory (and other historical films) inappropriate for the U.S. history classroom? No, say many historians and educational experts—the trick lies in making students aware that films manipulate historical facts and create new "facts" in order to tell dramatic stories, convey themes, and trigger emotions. Educators who use films in the classroom must use them as more than just compelling emotional "hooks" into a time period; they must teach students to ask questions about the accuracy of what they see, and about why filmmakers have chosen to either stick to or stray from the facts in their stories.

According to a Washington University study, educators must warn students of a film's specific historical inaccuracies prior to showing the film. A number of articles examine Glory and point out its accuracies and inaccuracies in detail. In "The Burden of Historical Representation: Race, Freedom, and 'Educational' Hollywood Film" (Film & History: An Interdisciplinary Journal of Film and Television Studies 36.1 [2006] 26-35), professors and former social studies teachers Jeremy D. Stoddard and Alan S. Marcus look at the messages conveyed by filmmakers' choices in both Glory and the film Amistad (requires JSTOR or MUSE access). Daniel A. Nathan discusses his experiences using Glory in the classroom in "The Massachusetts 54th on Film: Teaching Glory" (OAH Magazine of History, Vol. 16, No. 4, Film and History [Summer, 2002] pp. 38-42); and Joseph T. Glatthar goes point by point through the film's historical inaccuracies in "Glory, the 54th Massachusetts Infantry, and Black Soldiers in the Civil War" (The History Teacher, Vol. 24, No. 4 [Aug., 1991], pp. 475-485) (require JSTOR or MUSE access).

For further thoughts and guidelines on productively introducing historical films into the classroom, try Past Imperfect: History According to the Movies (Mark C. Carnes, ed., New York: Henry Holt, 1996). Past Imperfect looks at the historical accuracy (or inaccuracy) of over 60 films, including Glory, Apollo 13, Malcolm X, JFK, All the President's Men, and other films on U.S. figures and events. Another historian and former social studies teacher, Scott Alan Metzger, reviews steps of analysis that he believes students should be guided through in approaching films in "Pedagogy and the Historical Feature Film: Toward Historical Literacy" (Film & History: An Interdisciplinary Journal of Film and Television Studies 37.2 [2007] 67-75) (requires JSTOR or MUSE access).

You might also read the Clearinghouse's Research Brief What Do Students Learn from Historical Feature Films?, in which historian and professor Peter Seixas considers ways to get students questioning their initial, emotional reactions to films.

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Baseball in Black and White

date_published
Teaser

Steal away, steal away, steal away to home plate. Baseball has prompted many fights and conflicts among the American population, but it has also unified the public around the game. It has proven a source of leisure, and Americans continue to express their constant loyalty and devotion to it.

quiz_instructions

Baseball has been popular in the U.S. for more than 150 years and many things have changed over that period. Are the following statements about African American baseball players and the Negro League true or false?

Quiz Answer

The "national game" was long played in parallel nations, existing side by side in America.

1. An African American played semi-professional baseball on a white team shortly after the game became "the national pastime" following the Civil War.

True. In 1872, Bud Fowler joined a white semipro team in New Castle, Pennsylvania.

2. By 1887, about 30 African Americans were playing on minor league teams with whites.

True. But by the turn of the century, African Americans found themselves no longer able to play on white teams--although black teams continued to frequently play white teams in exhibition games.

3. Jackie Robinson was the first African American to play on a professional major league baseball team.

False. Moses Fleetwood Walker, an Oberlin College star, played for one season, in 1884, with the Toledo team of the American Association, before he was forced out the following year because of racism.

4. When Brooklyn Dodgers president and general manager Branch Rickey signed Jackie Robinson to play, Robinson had already demonstrated that he was the best player in the Negro Leagues.

False. Robinson, although generally regarded as an excellent player, was not seen as even the best player on his team, the Kansas City Monarchs. Rickey signed him because of a combination of qualities--not only his proven and potential talent and skill at the game, but also his personal integrity and his likely strength (as Rickey saw it) at withstanding the abuse that Rickey thought Robinson would face on and off the field for breaking the color barrier in major league baseball.

5. Professional baseball's night games, played under lights, first appeared in the Negro Leagues as a way to cope with the heavy scheduling demands of barnstorming play.

True. The Kansas City Monarchs' owner, J. L. Wilkinson, developed a portable light system consisting of light towers on truck beds in 1929-30. The light trucks traveled with his team and allowed them much more flexibility in scheduling their games. White major leagues did not have night games (with lights) until 1935 in Cincinnati.

Sources
  • Detail from cover of the sheet music for "Baseball, Our National Game" (1894).
  • Satchel Paige and Jackie Robinson. Courtesy of the Negro Leagues Baseball Museum.
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The Many Roots of African American Cooking

Quiz Webform ID
22414
date_published
Teaser

Africa, Europe, and North America—mix, and serve. Explore the foods that African Americans developed in the colonies, and later in the nation.

quiz_instructions

In their cooking, African Americans, from the beginning, freely combined foods from Africa with foods they found in America. In each list, check the item that does not belong.

Quiz Answer

1. These foods from the Americas, spread via Portuguese contact, were cultivated widely in West Africa in the 18th and 19th centuries.

Select the item that does not belong:
a. Peanuts
b. Tomatoes
c. Apples
d. Peppers

2. Introduced to the Americas early in the transatlantic slave trade, these foods were particularly associated with the food preferences of African slaves.

Select the item that does not belong:
a. Okra
b. Watermelons
c. Pineapples
d. Bananas

3. These foods, common in Europe and Africa, were introduced to the Americas by the earliest generation of European colonists.

Select the item that does not belong:
a. Onions
b. Celery
c. Pork
d. Chicken

4. Grown in Europe but not Africa, these foods were introduced to the Americas by early Europeans colonists.

Select the item that does not belong:
a. Collards
b. Kale
c. Turnips
d. Potatoes

5. African slaves newly arrived in America adopted these American foods into their cooking.

Select the item that does not belong:
a. Sweet potatoes
b. Corn
c. Oats
d. Lima beans

For more information

quiz-foodways-ctlm.jpg If you're in Louisiana, the River Road African American Museum offers an exhibit on African American influence on local foodways—the museum offers tours for school groups.

Online, watch a short video clip in which Dianne Swann-Wright, Director of African American and Special Programs at the Thomas Jefferson Foundation, talks briefly about food culture among the slaves at Monticello.

For recipes compiled by an African American former slave, skim the full text of What Mrs. Fisher Knows about Old Southern Cooking at Michigan State University's Feeding America: The Historic American Cookbook Project. Published in 1881, after imported food plants and foodways had become an established part of U.S. culture, this cookbook includes recipes for Southern standbys like gumbo, corn fritters, and "jumberlie" (or jambalaya). Feeding America also includes four other texts, dating from 1827 to 1917, written by African Americans who worked in food-related positions.

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When Whales Lit the World

Quiz Webform ID
22414
date_published
Teaser

Up to the 20th century, whalers provided oil for the industrial revolution.

quiz_instructions

Up to the 20th century, men shipped out whaling—risking their lives and spending up to five years at sea per voyage. Why? Because whalers lit the world, providing oil for lamps and for the machines of the industrial revolution—at no small cost to the whale population. Test your whaling knowledge.

Quiz Answer

1. Many idioms and words we use today arose from maritime jargon. Which of the following is not true?

b. "Blackstrap" was a sailor's nickname for tar.

"Blackstrap," today used for thick molasses, was a nickname not for tar, but for a cheap wine typically served in the Mediterranean. Sailors stationed in the area were said to be "black-strapped."

As for the other terms, cooks were permitted to keep a portion of the "slush," or fat scum from boiling meat, in the ship's stores. They then sold the fat to tallow merchants, providing the cooks with a handy "slush fund." Plates were generally square in the British Navy, for easier storage—leading to our adoption of the phrase, "a square meal." Finally, the word, "junk" originated as a word for rope worn to the point that it was useless for anything beyond making fenders or friction-reducing sail cushioning (baggywrinkle). Eventually, according to the American Heritage Dictionary of the English Language, it also was used to refer to the meat, often of poor quality, fed to sailors, and then to anything discarded or broken.

2. There are many whales in the sea, and each had its own peculiarities noted by whalers. Which of the following is not true?

a. American whalers sought out the blue whale, as its immense size provided the most blubber, and therefore, profit.

Blue whales were unmanageable with American whaling technology. (Groups with more advanced tools, such as the Scandinavians, did hunt them.)

Right whales were given their name based on their by-products and the comparative ease of the kill. Sperm whales were similarly prized; however, they often dove deeply when injured. Secured to the line of a harpoon, attendant whalers had to sever the line fast, or follow the whale to the bottom. John Smith was interested in whaling in early America. However, he failed to locate any whale species considered valuable at the time.

3. Among seafaring tales, few are as well known as Herman Melville's Moby Dick. Which of the following is not true?

c. The name of Ahab's vessel, the Pequod, is taken from a type of indigenous vessel used in Rokovoko, the island from which the character Queequeg came.

The Pequod is likely named after the Pequot, a Native American group native to what is now Connecticut. Rokovoko (or Kokovoko in some versions) is a fictional island created by Melville.

Moby Dick is thought to be based on a real white sperm whale, known as Mocha Dick. As for the chapel in New Bedford, the pulpit was added after the release of the 1956 film Moby Dick, starring Gregory Peck. The pulpit was redesigned to meet the expectations of tourists, disappointed by the lack of the prominent film feature. Finally, the Coffin and Starbuck families intermarried in the 17th century, creating a long line of Quaker whalers. Both Coffin and Starbuck remained Nantucket surnames.

4. Different groups of people were considered bad luck on ships, and treated with suspicion when on board. Which of the following groups was not considered a risk?

b. One-eyed men

There was no stigma attached to sailors or passengers with one eye—although this was not true of the cross-eyed or "swivel-eyed."

Finns were believed to whistle the winds, have the second sight, or be in league with the Devil. In contrast, preachers, as men of God, could cause harm to vessels carrying them, as the sea was considered godless. Bringing a godly individual aboard was taunting the sea. Similar superstitions, although less common, applied to the Bible. Last, but not least, women were generally considered ill luck on board. However, a naked woman would bring favor to the voyage by shaming the sea into submission. This sparked the tradition of naked female figureheads. Women were also believed to be the best navigators.

5. One final question, a "grab bag" of whaling fact and fiction. Which of the following is not true?

a. A sea shanty is a type of dance, akin to a jig, in which the watch would take turns performing.

Sea shanties were, in fact, work songs, used to time tasks that required group coordination, such as furling sails. They featured call and response singing and were highly rhythmic.

Whaling expeditions chose to freeze their vessels into the ice knowing that they would be among the first whalers in prime hunting locations come the thaw. One of the better known captains involved in the practice, George Comer, also used the winter to conduct ethnographic studies of the local Inuit. Lewis Temple, an African American man, did invent the toggle head harpoon, which released a hook on the harpoon head when it entered the whale. This prevented the harpoon from easily sliding out of the wound, and revolutionized the whaling industry. Scrimshaw was a recognized whalers' art. Common forms included pie crimpers, walking sticks, and corset busks, frequently given to sweethearts as gifts.

For more information

Want to know more about the history of whaling in America? The best place to start would be the museum of "the city that lit America," New Bedford, MA. The New Bedford Whaling Museum offers a multitude of sources to introduce you to the fascinating world of the country's now defunct whaling industry, from the biology of whales to the life of the whalers. Six online exhibits cover everything from whaling ports to U.S. whalers and the opening of Japan. Also be sure to read over the curriculum guide which looks at the uses of whale products, signing up for a whaling voyage, conditions at sea, sailors' free time, whaling tasks, and information on whaling and conservation today. The packet includes primary sources, making it easy for educators to introduce whaling as a vital part of U.S. history—without ignoring its environmental implications. Finally, the Collections Search (accessible from the main page) is a fantastic resource for artifacts and prints to illustrate handouts, PowerPoint presentations, or other materials.

Should the opportunity ever arise, be sure to visit in person! In addition to the museum, the area offers the sailors' chapel mentioned in Moby Dick, a National Park Service visitor's center, and a modern working waterfront.

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Presidential Academy for American History and Civics

Description

From the Ashbrook Center website:

"This Presidential Academy will lead teachers in a careful study of three turning points in American history: The American Revolution, the Civil War, and the Civil Rights Movement. Our study will be framed by the three famous documents that memorialize these American epochs: the Declaration of Independence, the Gettysburg Address, and the "I Have a Dream" speech. Participants will spend five days in Philadelphia, six days in Gettysburg, and six days in Washington, DC.

The professors conducting the Academy are among the finest scholars of American history and government from across the country. They include a Pulitzer Prize winning author and many recipients of teaching awards at their respective colleges and universities."

Registration Deadline
Sponsoring Organization
Ashbrook Center
Target Audience
Middle and high school
Start Date
Cost
Free; $1500 stipend
Course Credit
"Teachers may choose to receive four hours of Master's degree credit from Ashland University. This credit can be used toward the Master of American History and Government offered by Ashland University or may be transfered to another institution. The four credits are offered at a discounted cost of $880 ($220/semester credit hour)."
Duration
Nineteen days
End Date

William Robertson Coe Workshop in American History: Revolutions in American Life

Description

From the Stanford University Department of History website:

"The 2010 William Robertson Coe Summer Workshop in American History will be organized around the theme of 'Revolutions in American Life.' Participants will explore problems of historical change and continuity through a close examination of three watershed periods in American history: the American Revolution, the Civil War and Reconstruction, and the Civil Rights era. Each period was marked by bitter conflict and momentous change, not only in the realm of politics but also in American social, cultural, and political life. Not surprisingly, each has generated intense debate among historians.

Participants in the Coe Workshop will examine these three periods, as well as the historiographical debates to which they have given rise. Salient themes include changing conceptions of citizenship and of the relationship between individuals and the state; struggles over the meaning of federalism; and the continuous struggles of women, African Americans, and other historically marginalized groups to claim their full portion as American citizens.

Instruction will include daily lectures by Stanford University historians, as well as group discussions of select primary and secondary sources. (Participants will receive a resource packet, including books, documents, and sample curricula, about one month before the workshop begins.) These lectures and discussions, convened daily from 9:00 am to 12:00 noon, will be supplemented by evening movie screenings, as well as by occasional field trips to local museums, archives, and historical sites. While the primary focus is on content enrichment, the workshop will also include dedicated pedagogy sessions, enabling participants to debate and exchange effective teaching strategies. In addition, each participant will create a lesson examining one of the three historical periods under consideration, which he or she will then share with other workshop members."

Registration Deadline
Sponsoring Organization
Stanford University
Target Audience
11-12
Start Date
Cost
Free; fellowship stipend provided
Course Credit
"Fellows who wish to receive credit for participation in the workshop may request a certificate of completion (an equivalent of 3 units of graduate credit, or 2 semester units)."
Duration
Twelve days
End Date

The Freedom Rights Movement in Alabama: From the 13th Amendment through the Voting Acts of 1935

Description

From Alabama Humanities:

This six-day, interdisciplinary teachers' institute will explore African Americans' attempts to achieve full equality in Alabama and neighboring Southern states. Resident scholars will assist participants in determining, assessing, and articulating the continued importance of past human and civil rights successes in Alabama—and elsewhere in the South.

Contact name
Thomas E. Bryant
Contact email
Sponsoring Organization
Alabama Humanities
Phone number
2055583997
Target Audience
4-12
Start Date
Course Credit
"45 contact hours"
Duration
Six days
End Date

Great American Texts: Frederick Douglass

Description

From the Ashbrook Center website:

"To reflect on the life of Frederick Douglass is to be reminded of the famous self-description attributed to his great contemporary, Mark Twain: 'I am not an American; I am the American.' A classic self-made man, Douglass, like his country, rose from a low beginning to a great height; he gained freedom by his own virtue and against great odds in a revolutionary struggle; and he matured into an internationally renowned apostle of universal liberty. In this course, we consider Douglass' telling of his own story, taking as primary texts his three autobiographies: Narrative of the Life of Frederick Douglass (1845), My Bondage and My Freedom (1855), and Life and Times of Frederick Douglass (1881; 1892). We will find in these texts not only the annals of an unforgettable life but also Douglass' reflections on enduring issues in American political thought such as the nature and specific evil of slavery, the nature and grounds of human rights and freedom, and the meaning and mission of the American Republic."

Registration Deadline
Sponsoring Organization
Ashbrook Center
Phone number
8772895411
Target Audience
K-12
Start Date
Cost
Free; $500 stipend
Course Credit
"Teachers may choose to receive two hours of Master's degree credit from Ashland University. This credit can be used toward the Master of American History and Government offered by Ashland University or may be transferred to another institution. The two credits will cost $440."
Duration
Six days
End Date

The Power of a Song: The Impact of African American Music on History

Description

From the Tennessee State Museum website:

  • "Take a guided tour of the temporary exhibit We Shall Not Be Moved: The 50th Anniversary of Tennessee's Civil Rights Sit-ins.
  • Learn what role music played in the sit-in movement in Tennessee during the Civil Rights Movement.
  • Receive teaching strategies on how to integrate historical music into the Social Studies and Language Arts curriculum.
  • Discover the importance of music, such as the spiritual, to the African American struggle for freedom and equality."
Contact name
Kelly Tabeling
Contact email
Registration Deadline
Sponsoring Organization
Tennessee State Museum
Phone number
6152530134
Target Audience
K-12
Start Date
Cost
Free
Course Credit
Two hours in-service credit.
Duration
Two hours