Civil War Poster!

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Note: Thank you for your interest in our posters. We no longer have the Civil War poster in stock, but you may print a copy or visit the interactive online version.

What can a quilt, a map, some photographs, a haversack, and a receipt tell you about the past? Thanks to Teachinghistory.org’s new FREE poster, “How Do You Piece Together the History of the Civil War?,” these objects can teach a lot about the Civil War and about how historians piece together the past.

Click image to enlarge

This 24 x 36 inch poster features an engaging collage of primary sources and related questions that get students thinking about how we know what we know about the past, especially in relation to our country’s most devastating conflict, the Civil War. The question, “How can geography impact a battle?,” accompanies a map of Gettysburg while a slave receipt prompts students to think about the laws, economics, and people involved in the institution of slavery.

As a special bonus for teachers, Teachinghistory.org has created an interactive version of this poster with links to teaching materials and websites related to the Civil War. Topics include children’s voices during the Civil War, African American perspectives, women’s roles, Civil War era music, and emancipation, as well as military history and life on the battlefield.

This poster and online resources illustrate that it takes many sources and perspectives to develop a rich understanding of the Civil War in all of its complexity.

Treason and Trials: Aaron Burr

Teaser

Examine the definition of treason in the cases of Aaron Burr and John Walker Lindh.

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"The trial of Aaron Burr. Chief Justice Marshall," NYPL
Description

Unpublished because Lesson Plan no longer exists at the Bill of Rights Institute Students apply rulings from Burr's Supreme Court trial to a contemporary case using historical documents.

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Examining a historical Supreme Court case is a great opportunity to teach students about the past as well as about the precedents that shape the American legal landscape.

In this lesson, students examine the 1807 trial of Aaron Burr in which the former Vice President was indicted for treason. After examining Chief Justice John Marshall’s decision, students are asked to apply his interpretation of the Constitution to the more recent case of John Walker Lindh, American Taleb.

The lesson centers on three primary documents: Article III, Section 3 of the U.S. Constitution, an excerpt from Burr’s indictment, and an excerpt from Marshall’s ruling. These documents allow students to explore the legal definition of treason, the claims made against Burr, and Marshall’s reasons for finding Burr innocent. Examination of Lindh's case teaches students to apply Constitutional definitions and past interpretations thereof, in the form of legal precedent, to recent events.

While the primary documents are a bit challenging, they are accompanied by specific questions that help students identify key points in the texts. Teacher answer keys with multiple possible answers are included with all activities.

Topic
Aaron Burr, Treason, Justice Marshall
Time Estimate
One day
flexibility_scale
5
Lithograph, "Aaron Burr. . . ," c. 1836, James van Dyck, fl., NYPL
Rubric_Content_Accurate_Scholarship

Yes

Rubric_Content_Historical_Background

Yes
This link provides useful background information for both teachers and students.

Rubric_Content_Read_Write

Yes
Students are required to read two primary sources, excerpts from the Constitution, and secondary sources on a related contemporary case. Students are asked to write a 1-2 page response where they apply Marshall’s decision to this contemporary case.

Rubric_Analytical_Construct_Interpretations

Yes

Rubric_Analytical_Close_Reading_Sourcing

Yes
Student handout specifically asks students to consider source information.

Rubric_Scaffolding_Appropriate

Yes
The text is a bit challenging, but the excerpts are brief and several guiding questions are included to help students identify key points.

Rubric_Scaffolding_Supports_Historical_Thinking

Yes
To help students interpret the documents, they are presented with questions that help them consider the source information of the document.

Rubric_Structure_Assessment

Yes
While the main assessment asks students to consider a contemporary court case, the guiding questions and answer key for the historical documents focus on historical understanding.

Rubric_Structure_Realistic

Yes

Rubric_Structure_Learning_Goals

Yes

What Do Students Learn from Historical Feature Films?

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A screen capture from "How to Use Classroom Films (1963)". Prelinger Archives
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Historical feature films are a popular tool history teachers use to engage their students. But what is it that students actually learn from the films they watch? Peter Seixas, a historian and professor of education at the University of British Columbia, showed that while students often empathize with the past they see on the screen, they also approach film history uncritically. Sometimes they even interpret a film's presentation of history to be as it actually happened. In a landmark article, Seixas described the difficulty students have in analyzing films for historical accuracy.

Contemporary Films vs. Old Films
Seixas showed ten students Dances with Wolves (1990), directed by and starring Kevin Costner, and John Ford's The Searchers (1956), starring John Wayne. Students watched and summarized segments from each film. After showing each film, students answered questions about the film's historical accuracy.

Students found Dances with Wolves to be more accurate than The Searchers for two main reasons—reasons that have more to do with film technique and contemporary beliefs than historical accuracy. Dances with Wolves used modern techniques and promoted a contemporary interpretation of the past. Students noted that the use of blood in violent scenes and the quality of the acting made this film more believable than the older John Wayne film.

Students criticized The Searchers for poor acting, and outdated cinematography (e.g., old folky music). Students also found Dances with Wolves to be more believable because they shared the film's critique of America's treatment of Native Americans. On the other hand, The Searchers' negative representation of women and Native Americans caused many students to question its historical accuracy.

Contemporary Films and Old Films
Seixas argued that students' acceptance of Dances with Wolves as historically accurate reflects a larger problem with showing films in history class. Students are often so engaged by such films that they fail to question the films' historical merits. They blindly accept such films as accurate mirrors of the past. However, Seixas found that The Searchers' blatant misrepresentation of the past prompted students to question the historical accuracy of Dances with Wolves. After viewing both films students still found Dances with Wolves to be more accurate than The Searchers—yet now they at least questioned Dances with Wolves, saying they needed more information to determine its truthfulness.

Historical Films and The Classroom
The visual imagery and powerful audio of film can engage students in ways that lectures and textbooks cannot. However, what makes these films engaging—their use of cutting-edge techniques and their contemporary perspective on the past—often results in students passively accepting these stories as historical truth. So how then can films be used to promote a more critical stance?

Seixas' research suggests that one place to begin is for history students to learn to question how the past is presented in this media. To do this, teachers can have students compare an older film on the same topic with a more contemporary film. This juxtaposition helps students see that no film is a direct mirror to the past.

In the Classroom
  • Use older films in the beginning of the year as a touchstone experience for critiquing a film's accuracy and realism.
  • Provide students with the vocabulary, concepts and approaches needed to discuss both the cinematic conventions as well as the historical accuracy of the film. One important concept for students to learn is that the time period in which a film is created influences the way it depicts an historical event.
  • Use historical documents in conjunction with a film to provide students with information to help them determine the historical accuracy of the film.
Sample Application

Initially students accepted Dances with Wolves uncritically as historical truth. One student stated that Dances with Wolves taught her "things I didn't know before . . . things about the culture."

After seeing The Searchers, students questioned the accuracy of Dances with Wolves. Students also recognized the need for more information to determine the truthfulness of Dances with Wolves.

Student: I can't really say, well, if I had to say which one is more accurate I'd probably say Dances with Wolves but I'd probably just say that because it's more modern.
Researcher: When you saw Dances with Wolves originally . . . did the question ever occur to you how accurate it is?
Student: No, because it was just a show that I was watching and I was so wrapped up in feeling and crying that I didn't stop . . . to wonder if this is right. In The Searchers, it's a lot easier.

For more information

Mark C. Carnes ed., The Past Imperfect: History According to the Movies, (New York, NY: Holt,1996).

Natalie Davis, Slaves on Screen: Film and Historical Vision, (Cambridge, Massachusetts: Harvard University Press, 2000).

Bibliography

Peter Seixas, "Confronting the Moral Frames of Popular Film: Young People Respond to Historical Revisionism," American Journal of Education, 102, no. 3 (May, 1994):261–85.

Games Require Active, Skilled Teaching

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Games are everywhere. Digital games have a long history of research and development in education. Yet despite this, there's still much confusion amongst the generation population, and even teachers. Are games good? Safe? A waste of time?

It's not hard to understand why there is still confusion. The field of games is vast—and therefore, confusing. Some games are aimed at skill-and-drill, some at learning specific facts, and others have been designed for deep learning—creating rich environments with dynamics that confront a student's conceptions and require complex decisions and collaboration with peers. Even some commercial games, not specifically designed for learning, fall into this last category. With such a complex landscape, it can be tricky for a teacher to know if and how to leverage games for learning, let alone which ones.

Research

Well-designed digital games for learning provide learners with experiences that are built on principles confirmed by research in the learning sciences. The research in the field of educational games has shown that at the very least, well-designed games have the ability to dramatically increase engagement and motivation in students, as well as more critical skills like strategic thinking, problem-solving, and planning social skills such as communication and collaboration, and even personal skills such as initiative and persistence.

What does this really look like in the classroom? The MIT Education Arcade gives a nice overview of games in education, with examples and strategies for how teachers can begin using them (Editor's note: The author cowrote a white paper for the Arcade.). Their first vignette describes Ross, a middle school teacher who used the games Civilization and Diplomacy (commercial, off-the-shelf games) to explore the political causes of World War I. At a school that is not very big on technology, Ross found numerous benefits in using the game versus more traditional instructional methods, including teaching students skills in negotiation, how to problem-solve collaboratively, and how to be mindful of actions and impacts on others (systems thinking). Ultimately, Ross described the most beneficial aspect being that the game framed the context and content, providing a rich scenario with which the students could engage.

Ross found numerous benefits in using the game [. . . ] including teaching students skills in negotiation, how to problem-solve collaboratively, and how to be mindful of actions and impacts on others (systems thinking).

What's even more incredible is how Ross has described the advancement of his students' moral development through these learning experiences, as they forced students to negotiate and understand others' perspectives in order to achieve a mutually agreeable goal.

What this highlights is that games are often more than just a 1:1 exchange between the computer and the student. For many games, it's the dynamic created by the context of the game and the social interactions amongst learners and the teacher that are critical not only to the gaming experience, but more importantly, the learning experience.

While some argue that games can create learning experiences that bypass the teacher—and indeed, some games are designed for that—in general, games are not meant to replace or remove the teacher from the learning experience. In fact, the example of Ross and many others like it underscores the opposite—that games create scenarios in the classroom where the stakes are raised and the learning is deeper, thereby requiring highly skilled and engaged teachers facilitating the process.

This makes games used for learning history and the social sciences anything but fluff.

In reality, these games are some of the most robust learning vehicles, as they afford the opportunity to confront and tease out the complex historical and societal dynamics of our world. . .

In reality, these games are some of the most robust learning vehicles, as they afford the opportunity to confront and tease out the complex historical and societal dynamics of our world, unlike many other disciplines, which can be parsed and truncated into short, discrete topics and smaller learning games.

Certainly, in general games can do many things that benefit learners, it's their intersection with history that is particularly unique (1):

  • they allow students to explore four dimensions (both space and time) of worlds they would otherwise never get the chance to experience;
  • they engage students' identities rather than asking them to gradually acquire facts and knowledge;
  • they provide pathways into marginalized societies, creating a safe space to explore issues of race, power, and class; and
  • they create historical simulations where students can create models and run cycles of inquiry with past events.
Limitations

These opportunities make games in education worth paying attention to, but it's also worth noting their limitations as learning tools. For one, they are oversimplified, since a digital game can't represent reality absolutely. While simplification isn't inherently bad, as it lets you weed out the noise and focus on critical variables, it's important to help your students understand these limitations.

Secondly, students may grasp symbols and elements in the game but not always be able to transfer those symbols back to their real-world referents. Supplementing gameplay with other resources such as videos, primary documents, and case studies can assist with this.

In short, games matter in history education. Play is not a one-way flow of information—the player's actions matter. That play allows learners to embody the rhetorics, arguments, and actions of the past in code, so that they may be unpacked in the present.

Which game(s) are right for you and your students? A variety of good learning games are available for students of various ages, across the disciplines—many of them researched and developed by leading universities and institutions. Some more advanced commercial games that have been used in education include Civilization III, Rise of Nations, Pirates!, Gettysburg, Patrician, Age of Empires, 1602 AD, and Europa Universalis.

So while navigating the landscape of games to choose those that fit the needs of your students can feel like a game in and of itself, it's certainly not all fluff. If you want to see the effects of games in learning with your students, all you have to do is start playing.

1 For more information on this, see Kurt Squire's work.

Teaser

Games create scenarios in the classroom where the stakes are raised and the learning is deeper, thereby requiring highly skilled and engaged teachers facilitating the process.

Great Unsolved Mysteries in Canadian History

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Great Unsolved Mysteries in Canadian History

The Great Unsolved Mysteries in Canadian History project offers teaching resources and guidance for conducting document-centered inquiry in middle and high school classrooms. This wealth of resources includes vast archives of documents, (for example Montreal is Burning) and several guides for teaching students to think critically about history. Materials are available in both French and English.

World Digital Library

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A Guide for the Perplexed on the Drawing of the Circle of Projection

The World Digital Library, a collaborative project of the Library of Congress, UNESCO, and other partners, is a collection of primary documents from around the world. Particularly useful for working with ELL students, the site has a drop-down language menu, which allows teachers to translate the site’s accompanying materials into a number of languages including Spanish and Chinese.

Setting the Tone: Introducing Students to World War II

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Photo, American soldier with cattle dog. . . , 1941-1945, Flickr Commons
Question

I teach in the inner city. What's a good opening lesson for teaching World War II?

Answer

Any day 1 lesson—regardless of the topic—should align with and introduce goals, objectives, and essential questions for a larger unit of study. Using a backwards design approach to developing curriculum, creating individual lesson plans comes after you have determined what you want students to know and be able to do throughout the unit. A good day 1, therefore, necessitates a significant amount of planning beyond the opening activities. Some sample objectives and questions for a unit of study on World War II might include: Why, after the costs of World War I, did nations choose to fight another World War? Why were the civilian costs of World War II so much higher than World War I? Why were the allies victorious?

[. . .] creating individual lesson plans comes after you have determined what you want students to know and be able to do throughout the unit [. . .]

In addition to introducing the unit, you might consider using part of the first day to investigate what your students already understand—or misunderstand—about the war, introduce key vocabulary for the unit, or preview a timeline of events that you will be studying.

You could also focus an opening lesson on investigating the origins of the war. Activities for this approach might include a multi-media slide lecture on the long and short term causes of the war, an examination of primary documents such as the Treaty of Versailles, excerpts from newspaper reports on German, Italian, and Japanese aggression, or parts of important speeches made by world leaders in the years prior to the war.

Another approach is to begin by considering the significance of the war. To do so, you could examine some statistics that indicate the enormous human cost of the war, or introduce ways that the war fundamentally changed the United States and the world. On a smaller scale, ask students what their family history is with the war and whether the war holds any significance for their family’s story.

There is no shortage of lesson plans and curriculum materials for World War II online. PBS, for example, includes several lessons to accompany Ken Burns' critically acclaimed documentary, The War. The California Department of Education's Course Models contain background information and activities for each of the state's standards, including materials on the war. And, National Geographic’s Xpedition archive includes several lessons on the war. The quality of lesson plans posted online, however, varies wildly. Consider using our rubric for evaluating lesson plans to help you make your choice.

Explore these resources for inspiration, then make some choices. Good luck!

Questioning History Using the Census

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Table, Census data
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What can we learn about the importance of population change and industrial development in Detroit, MI? What does the Detroit story tell us about industrialization in American history? Do upsurges or downturns in the population become permanent? Or do they change direction again? Where do the people come from who determine the population changes, and where do they go? The 2010 Census and other demographic data helped me answer these questions for myself. Students can use demographic data to answer questions in similar ways.

Looking for More Information

Detroit's volatile population changes drew media attention in the spring of 2011 as the 2010 Census figures were being rolled out. I became curious about the reasons for this population change. The overall U.S. population reached 308 million in 2010, about a 10% growth rate, from 2000. Most states and major urban areas grew at a 1% per year rate. There were, however, a few areas which did not grow, but declined. One of those was Detroit.

I wanted to know more about the situation with Detroit and why people came and left at different times in its history. I looked into Detroit's population history through the once-a-decade census reports that are available from the U.S. Census Bureau, the 2010 Census website, and the University of Virginia's Historical Census Browser. The Census Bureau also published the American Community Survey in the years 2005–2009 that covers occupations, social statistics, housing, mobility, language use, country of origin, and other data. These surveys are available on Detroit's Population and Housing Narrative Profile and in its American FactFinder.

To get a feel for the demographic volatility in the history of Detroit since 1850, I examined the Census figures for each year and the percentages of increase or decrease:

Table, Census data

Comparing Interpretations

Now that I had the numbers, I looked for interpretations. An NBC analysis of Census figures attributes the Detroit population decline to "steady downsizing of the auto industry":

Detroit's population peaked at 1.8 million in 1950, when it ranked fifth nationally. But the new numbers reflect a steady downsizing of the auto industry—the city's economic lifeblood for a century—and an exodus of many residents to the suburbs. Detroit's population plunged 25% in the past decade to 713,777, the lowest count since 1910, four years before Henry Ford offered $5 a day to autoworkers, sparking a boom that quadrupled the Motor City's size in the first half of the 20th century.

This led me to ask, what did Detroit's actual population look like in earlier years? I examined some of these periods of time, using older census data. The 1950 U.S. Census found that the population of the city was 1,849,568. It had grown by over 200,000 from its 1940 population of 1,623,452. The foreign-born population was 276,000 from Canada, Poland, Italy, Germany, the USSR, England/Wales, and Scotland. The black population was 300,506. The 1910 U.S. Census revealed that the total population was 465,786. The native white population was 115,106, the black population was 85,000, and the foreign born was 156,555. The foreign born of this era came from Germany, Canada, Russia, Austria, Hungary, Ireland, and Poland.

Finally, I checked Detroit's pre-industrial censuses from 1850 to 1880 and found the area to be rural but commercially active as a Great Lakes port. It grew rapidly in these years, but had only a small fraction of the population it would later have during the rapid growth of the auto industry.

Questions Lead to Questions

Now I had another question. Where did the people who contributed to this growth come from? The Detroit News' website, detnews.com, gave me an answer in an article by Vivian Baulch entitled "Michigan's Greatest Treasure-its people." This article presents an ethnic description of Detroit from the time that it was an important stop on the Underground Railroad through the boom years of the auto industry. The article concludes with a quote by historian Arthur Woodford:

Detroit has "the largest multi-ethnic population of any city in the United States. Detroit has the largest Arabic-speaking population outside of the Middle East, the second largest Polish population in America (only Chicago has more), and the largest U.S. concentration of Belgians, Chaldeans and Maltese."

Another source is the U.S. Senate's hearings in 1908–1911 on Immigration and Industry. Known as the Dillingham Commission, the hearings' 31 volumes have been digitized by Stanford University's e-brary. Volume 8 provides an insight into Detroit's diversity as shown by the children of immigrant workers in their school settings.

Synthesizing My Findings

These population figures, when I connected them to the rapid growth and consolidation of the auto industry and the upsurge in immigration and internal migration, gave me an overview of what happened in Detroit. It showed a boom and bust cycle in industry and the apparent willingness of many people to leave the city and/or metropolitan area when economic conditions are bad. The rise and decline of the American auto industry helped me get a grip on industrialization as a major factor in population growth and decline. Other industries such as iron, steel, car parts, batteries, tires, and glass are at least partially dependent on, or tied to, the fortunes of the auto industry, and thus whatever happens to the auto industry in Detroit has an impact on the national industrial scene. Other nearby formerly industrial cities have demographics similar to Detroit's. However, the decline may not be permanent. The auto industry has begun a modest revival and may continue to grow in the near future. Detroit is still the center of this industry and may again rise to a greater position of prominence among American cities.

By exploring census and other demographic data, students can form their own historical questions and answer them by tracing quantitative and interpretative information, just as I did. Population and industry shifts can rarely be understood from one source. Ask a question and use the information you find to assemble you own answer.

Bibliography

Associated Press. "Census: Detroit's population plummets 25 percent". March 22, 2011. Accessed May 26, 2011.

Baulch, Vivian. "Michigan's Greatest Treasure-its people." Detroit News. September 4, 1999. Accessed May 26, 2011.

For more information

Intimidated by the thought of working with quantitative data (numbers)? Professor Gary Kornblith guides you through finding and interpreting such data.

If you're looking for some numbers to crunch, more than 50 websites we've reviewed feature quantitative data. Last year, our blog also suggested ideas for teaching with census data.

Scholars in Action: Analyzing Abolitionist Speeches

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Note: Unpublished; converted to Examples of Historical Thinking entry

Scholars in Action presents case studies that demonstrate how scholars interpret different kinds of historical evidence. These two speeches, one by Sojourner Truth (1852) and one by Frances Watkins Harper (1857) reveal the ways that African American women presented their cause and themselves. For many reform-minded men and women in the 19th century, the movement to abolish slavery was the most important cause in American society.

Radical abolitionists who sought to create a democratic and egalitarian movement allowed women and African Americans to have unprecedented influence and public roles. Some women within the abolitionist movement noted the links between the plight of slaves and the plight of women and thus became active in some of the first women's rights organizations. Sojourner Truth (born Isabella Baumfree) was enslaved for 30 years prior to the abolition of slavery in New York. Once free, she was guided by spiritual revelation to change her name and become a preacher and an active abolitionist. Born to free blacks in Maryland, Frances Watkins Harper was a poet and a teacher who became active in the abolitionist struggle in the 1850s.

In Remembrance: September 11, 2001

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Photo, Staten Island Memorial, Aug. 5, 2007, yuan2003, Flickr
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Some students in class today may have clear memories of the events of September 11, 2001. Some may have vague memories. Others may have been born years after the attacks. The 10th anniversary of 9/11 presents an opportunity for educators to explore with students what it means to experience history. Were students alive during the attacks? Do they remember them? How do their parents remember the attacks? How did adults they know make sense of the events as they happened? How do people who were alive during the attacks interpret the past when its events are close and painful? How long does it take for historians to find a framework in which to fit events such as 9/11? People watching the World Trade Center towers collapse knew that 9/11 would appear in history books later—what has happened during students' lifetimes that they think was "history in the making?"

One way to teach 9/11 is to compare and contrast it with other past events that witnesses believed were history in the making. Lesson plans often feature the bombing of Pearl Harbor and the assassination of JFK as comparable to 9/11, but what about the bombing of Hiroshima and Nagasaki? The assassination of Abraham Lincoln? The assassination of William McKinley? The Boston Massacre? The Springfield Race Riot of 1908?

How many people witnessed those events? How many of them witnessed them in person? How well were the witnesses prepared for the events? Did they know ahead of time what the effects might be? Did they share their eyewitness knowledge freely with others, or keep it secret? What did people write about these events immediately after they happened? Years after they happened? Does where something happens make a difference in how people react to it? Has technology made a difference?

Teachinghistory.org Resources

September 11 Spotlight

Regardless of how you choose to teach 9/11 and whether or not you contrast it with other historical events, approach the subject thoughtfully and with clear goals. To honor the anniversary and to help you as you learn about, teach, and remember the day and its effects, we've gathered together our 9/11 resources on one page: "In Remembrance: Teaching 9/11."

Teaching the Recent Past

Our spotlight doesn't include all of the many resources available online. More examples follow. Some were created in the immediate wake of 9/11 and some were created 10 years later, in the present day. You can use the older materials as they are, or use them as primary sources in their own right. They represent snapshots of writers, publications, and educators trying to make sense of a sudden, horrifying event.

If you are contrasting 9/11 with other traumatic events in U.S. history, you may want to compare these early reactions with early reactions to those events. How did schools, educators, and students react to violence in the past?

From 2001:

  • A New York Times lesson plan published on September 12, 2001, suggests ways educators can help students think about and process the attacks.
  • A Special Report from Rethinking Schools discusses teaching in the wake of the attacks.
  • America Responds, a PBS website, documents PBS stations' responses to 9/11, maintained throughout 2001; it includes nine lesson plans.
  • Scholastic catalogs its student and teacher resources published during 2001, on a subsite of its page created for the 1st anniversary of 9/11.

From 2011:

  • Recordings of presentations from September 11: Teaching Contemporary History, a two-day conference presented by the Smithsonian National Museum of American History, National September 11 Memorial and Museum, Pentagon Memorial Fund, and Flight 93 National Memorial, consider how understanding of 9/11 has changed.
  • Articles from the Organization of American Historians on teaching 9/11 draw on memories of 9/11 submitted to websites (follow the link and scroll down to the "Editor's Choice" selections).
  • A free curriculum guide from the 4 Action Initiative includes more than 130 lesson plans for K-12.
  • A call for teachers from the New York Times asks educators to contribute their strategies for teaching 9/11, and a later article pulls together NYT resources
  • Two simple timelines look at themes related to the attacks at Pearson's Online Learning Exchange
  • A free oral history lesson plan from Brown University's Choices program
  • EDSITEment's lesson plans on 9/11 and heroism
Additional Resources

Many websites and publications also offer primary sources, yet to be interpreted for educational use or packaged into lesson plans. If you have the time to search for and browse these materials, they can provide a rich base from which to assemble your own comparison of past and present. Here are some examples:

  • The New York Times' "Times Topics" page collects all NYT articles and photographs that mention 9/11. It archives original coverage of September 11 and NYT anniversary pages from 2002 to 2006, as well as short biographies memorializing the victims of the attack (see "Portraits of Grief").
  • Lectures and panels from Columbia University respond to and attempt to contextualize 9/11.
  • Columbia University also created a guide to key documents on presidential, administrative, congressional, and international responses to 9/11.
  • Archived television footage from ABC, BBC, CBS, CNN, FOX, and NBC spans September 11–13.
  • Legacy.com's Remember: September 11 preserves biographies of the 9/11 victims, searchable by name, home city and state, and flight.
  • Sourcebooks from the National Security Archive gather up primary sources related to U.S. policies on terrorism, Afghanistan, biological warfare, anthrax attacks, the Taliban, and Osama Bin Laden.
  • More than 50 eyewitness interviews share memories on topics such as "Hijackers," "FBI," and "1993 WTC Bombing," courtesy of National Geographic.
  • The American Red Cross's Exploring Humanitarian Law curriculum, while not focused on 9/11, models strategies for teaching about difficult subjects and thorny emotional and ethical questions.