From the Facing History and Ourselves website:

"Join us as we explore the history of voting in the United States with a special emphasis on the gains and struggles during the civil rights movement. We will showcase Facing History resources that examine the Voting Rights Act of 1965, the Selma March, voter registration drives, the role of non-violent protest and more. We will also investigate the impact of youth in the movement and their role in politics then and now."

From the Facing History and Ourselves website:

"This film [The Reckoning] chronicles the battle for the establishment of the International Criminal Court (ICC) in response to mass atrocities around the world in the late 20th century. The Reckoning follows ICC Prosecutor Luis Moreno Ocampo and his team for three years across the four continents as he issues arrest warrants for Lord's Resistance Army leaders in Uganda, puts Congolese warlords on trial, shakes up the Colombian justice system, and charges Sudan's President Omar al-Bashir with genocide in Darfur. This film is an important addition to Facing History's collection of classroom resources that deal with questions of justice after genocide.

The workshop is in two parts. Part 1 (4:30-6:30 pm) will be an educator workshop focused on pedagogy. Part 2 (7:00-9:00 pm) will include the film presentation. A light dinner will be served between the two parts."

From the Facing History and Ourselves website:

"Join us as we explore the history of voting in the United States with a special emphasis on the gains and struggles during the civil rights movement. We will showcase Facing History resources that examine the Voting Rights Act of 1965, the Selma March, voter registration drives, the role of nonviolent protest and more. We will also investigate the impact of youth in the movement and their role in politics then and now."

From the Facing History and Ourselves website:

"Facing History is working in close partnership with Skylight Pictures to bring the documentary film The Reckoning: The Battle for the International Criminal Court, and additional film modules into classrooms around the globe.

Educators are invited to join this free online workshop about the International Criminal Court. The workshop will highlight the various ways these films, and the website (ijcentral.org), can be used with students to explore both the history of the International Criminal Court and various questions around justice in a global society."

From the National Humanities Center website:

"'A growing number of historians now look at the Civil Rights Movement not just as something that happened in the 1960s, but as a historical process that spanned decades beginning in the World War II years or even earlier. While the African American freedom struggle is most remembered for its stirring sit-ins and other dramatic clashes to dismantle segregation in public accommodations and to win the vote, it has long had a strong economic and political focus, too. Among the topics the workshop will tackle are how and when the movement began; what demands it placed before the nation; the organizations that came into being and their strategies; how the movement changed between the 1930s and 1970s; and how the movement changed America."

From the National Humanities Center website:

"The Civil War destroyed the institution of slavery and transformed the United States socially, politically, economically, and artistically. Not only did the subject inspire some of the nation's best painters, sculptors, photographers, and illustrators, it also changed the face of town and countryside as monuments to soldiers and statesmen of the Civil War era spread across the landscape. This workshop will pay close attention not only to the imagery of battle but also to the social and political issues which shaped the image of the war and which in many respects continue to shape us today. How did artists come to grips with the new realities of warfare and the unprecedented scale of death it caused? How did the new media of that era (especially photography) change the way that war was represented and understood? What insights did artists offer into the social and political changes happening both on the homefront and battlefront? Did the memorialization of the war in public art create new understandings of the conflict or perpetuate old myths?"

From the Center for Interactive Learning and Collaboration website:

"Learn about key American photographers and photographic processes and styles, as well as how photography from 1839 to the present day relates to American history. Receive digital images, image guides, and other materials to make connections between photography's history and levels of language arts, science, social studies, and visual art."

Program provided by the Amon Carter Museum.

From the Newberry Library website:

"This course approaches poetry as a force that shapes ideas of citizenship and cultural identity. We will examine the form and content of familiar and less familiar poems from the period of the American Revolution to the present, including works by Longfellow, Whitman, William Carlos Williams, Allen Ginsberg, Adrienne Rich, and Joy Harjo."