Kaua'i Historical Society [HI]

Description

The Kaua'i Historical Society is dedicated to preserving the unique historical heritage of the Hawaiian island of Kaua'i. The society works with local historic sites in order to expand their offerings, often offering tours and other special events across the island.

The society offers tours of local historic sites, special events including presentations and performances, and a historical archive. The website offers information about historic sites on the island, information regarding upcoming events, and a history of the island.

Merchants House Museum [NY]

Description

The Merchant's House Museum is New York City's only family home preserved intact, both the interior and exterior, from the 19th century. Built in 1832, this red-brick and white-marble late Federal and Greek Revival row house on East Fourth Street was home to a prosperous merchant family for almost 100 years (1835–1933). The façade, with its steeply pitched roof, dormer windows, marble door surround, and elaborate fan light recalls earlier Federal-style homes; while, inside, the formal Greek Revival parlors reflect the latest architectural fashion of the day. The Merchant's House is considered New York City's prime example of a Greek Revival home. Complete with the family's original furnishings and personal possessions, the house offers a rare and intimate glimpse of domestic life during the pivotal era of the 19th century when New York City was transformed from a colonial seaport into a thriving metropolis and the center of U.S. commerce. Three floors and eight period rooms display the possessions of the inhabitants—including their furnishings, clothing, and personal items. The costume collection includes 420 articles of clothing—primarily women’s dresses and their accompanying accessories, such as petticoats, collars, undersleeves, and chemisettes. The majority of the dresses range from 1840–1885, with two examples of 1830s dresses and an extremely rare dress ca. 1813-1815 that is in excellent condition, as well as a rare mid–19th–century corset. The 19th–century rear garden is also open for viewing.

The museum offers self-guided tours, mp3 download or cell phone audio tours, guided house tours on a variety of subjects, guided neighborhood tours, an introductory slide show, docents available to answer questions, an outreach slide show and lecture program, a traditional afternoon tea, period rooms, online exhibits, and the option of friending Gertrude Tredwell (one of the houses residents, 1840–1933) on My Space or Facebook.

Thomasville Landmarks [GA]

Description

Thomasville Landmarks is an organization dedicated to preserving architectural and historical landmarks throughout Thomas County.

The organization offers educational programs for students. The website offers an events calendar, visitor information, lesson plans for teachers, and information on upcoming events and programs.

Chadds Ford Historical Society, Barn Visitors Center, and Historic Sites [PA]

Description

The Society maintains the Barn Visitors Center, as well as three 18th-century historic sites: the 1725 John Chads House, the John Chads Springhouse, and the 1720s Barns-Brinton House.

The society offers educational programs, lectures, research library access, and occasional recreational and educational events; the Center offers exhibits; the John Chads House offers tours; the Barns-Brinton House offers tours.

Louisiana State Archives

Description

The Louisiana State Archives, a division of the Louisiana Secretary of State's office, is mandated to identify, to collect, to preserve, to maintain, and to make available those records and artifacts that enhance our endeavors to understand the dynamics and nuances of the state's history.

The archives offers exhibits and research library access.

Constructivism: Actively Building Knowledge

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Photo, 1940, of Jess Dixon, Kobel Feature Photos, Flickr Commons
Question

Is the theory of constructivism applied in today's history classroom and curriculum?

Answer

Constructivism is a broad theory with a variety of perspectives. However the basic tenet of constructivism is that learning is an active process where the learner constructs knowledge rather than acquiring it. The emergence of an inquiry-based approach to history education along with the new opportunities made possible by advances in technology have made constructivist approaches quite applicable in today’s history classroom.

There is a growing emphasis in history education on students being able to construct and analyze historical arguments. Many state standards, such as California’s History and Social Science Standards, call for students to be able to "construct and test hypotheses." Increasingly, both state standards and scholarship in history education are calling for students to analyze primary documents and assess various interpretations of the past.

Constructivism’s focus on the learner constructing knowledge might lead one to ask: what then is the role of the teacher? While students learn from experience from the constructivist view, a main function of the teacher is to shape those experiences. In many cases it is necessary for the teacher to provide scaffolds for students to construct knowledge. For example, sending students to an archive for an hour might not be the most productive way for them to learn how to construct an historical argument. Rather, providing them with a set of modified primary sources can create the conditions where students can begin to develop their own interpretations of the past.

While students learn from experience from the constructivist view, a main function of the teacher is to shape those experiences.

Modeling how to construct an historical argument is also an important role of the history teacher. While an inquiry approach to history education is on the upswing, many students have been taught to simply recall facts. Modeling the complexity of constructing an historical interpretation based on evidence helps students develop their own historical interpretations.

Critics of constructivism fear that such an approach leads to completely subjective understandings of the past and fails to provide the common understandings of the past. Constructivists respond by saying that they are not proposing that students should discover just any ideas about the past, but rather that students develop the skills and dispositions to discern what to believe based on the available evidence.

Many constructivists also believe that students need to apply their understanding to concrete examples and point out that content standards can be mined for deeper concepts that in turn are exemplified by the several facts that are typically included in the content standards.

. . . students need to apply their understanding to concrete examples and point out that content standards can be mined for deeper concepts. . .

Technology facilitates constructivist’s approaches in the history classroom. Technology now offers unprecedented access to historical records and has made the goals of constructivism more attainable. Doolittle and Hicks (2003) outline six strategies for using technology to advance the basic tenets of constructivism in the social studies classroom. Theses strategies include using technology as a tool for inquiry, accessing authentic materials, and fostering local and global social interaction. Each strategy is accompanied by several websites that serve as exemplars.

Finally we should note that no single theory or approach should define a teacher’s practice. Students should inquire about the past, but history teachers still need to provide background materials for students. The theory of constructivism is not a prescription for how to teach, but rather provides a useful way for a teachers to think about their practice.

For more information

Here are some additional readings on constructivism and the history classroom:

Doolittle, Peter E. and David Hicks. "Constructivism as a Theoretical Foundation for the Use of Technology in Social Studies." Theory and Research in Social Education 31, no 1 (2003): 33.

Duffy, Thomas M. and Donald J. Cunningham. "Constructivism: Implications for the Design and Delivery of Instruction." In Handbook of Research for Educational Communications and Technology, edited by David H. Jonassen, 170-198. New York: Macmillan Library Reference, 1996.

Jadallah, Edward. "Constructivist Learning Experiences for Social Studies Education." Social Studies 91, no 5 (2000): 221–225.

Tackling Tough Topics

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India ink and pencil, Section four. . . (detail), 1921, Art Young, LoC
Question

What are some of the difficult or charged issues that Social Studies teachers (grades 5-9) deal with? How can history teachers foster a sense of empathy among their students as a way of dealing with difficult or charged topics?

Answer

The broad scope of Social Studies that examines past and present human behaviors and interactions provides potentially rich topics for the Social Studies classroom. However, as a result of examining the human condition through such a broad lens, Social Studies teachers invariably encounter a variety of charged or difficult topics.

Issues around personal values, race, ethics, and stereotypes highlight just a few of the topics that can be potentially charged and consequently challenging for the Social Studies teacher. Teachers can also struggle with how to present controversial or contested interpretations of the past.

The Curriculum Guidelines for Multicultural Education issued by the NCSS recommends "Students should also be encouraged to examine alternative interpretations of the discrepancies between ideals and realities in the life and history of the United States."

Students should also be encouraged to examine alternative interpretations of the discrepancies between ideals and realities in the life and history of the United States.

The NCSS suggests that teachers provide students with a conceptual framework for understanding and identifying multiple perspectives. The Canadian Benchmarks of Historical Thinking offers some guidance for teachers to develop such frameworks for their students. The document describes the aspects of perspective taking as well as identifies two potential tasks that ask students to assume or critique perspectives.

Lastly, while some teachers find role-playing to be an effective way to teach perspective, other educators view such simulations as being superficial or potentially harmful to students. Regardless of what approach teachers use, students should be equipped with the skills necessary to identify and understand multiple perspectives about the past and present.

For more information

Here are some other resources that may be of use to Social Studies educators teaching difficult or charged issues:

  1. Simulations
  2. Multiple perspectives
  3. Using primary resources to tell both sides of the story
  4. Confronting the "official story" of American history

Jennifer Orr on Primary Sources in Primary Classrooms

Date Published
Image
Photo, Participants...marching...from Selma to Montgomery, 1965, Peter Pettus
Photo, Participants...marching...from Selma to Montgomery, 1965, Peter Pettus
Article Body

Using primary sources in a primary classroom is a challenge. Many of the most wonderful sources are text-based. For students who cannot read and who are still developing their vocabulary these sources are very difficult. Simply understanding the Pledge of Allegiance, words students recite every day, can be frustrating for young children.

As a result images are often a better way to offer primary grade students a window into the past. They are accustomed to looking carefully at pictures in books and they notice things that adults frequently miss. Allowing them the opportunity to do the same with historical images is a powerful way to teach.
Many schools across the nation have a collection of posters from the National Endowment for the Humanities, Picturing America. This collection includes 40 large reproductions of artwork, including paintings, sculpture, architecture, photography, and crafts. There are images of Native American pottery and a Catholic mission in Texas. Portraits of George Washington and Paul Revere as well as photographs of statues of Ben Franklin and Robert Gould Shaw and the 54th Regiment are also included. There is a painting of Allies Day in 1917 and a photograph of quilts from the 18th and 19th centuries.

Photo, Participants...marching...from Selma to Montgomery, 1965, Peter Pettus Around a specific holiday or as we begin to study a person or period I post one or two of these pieces up in my classroom. For several days the art hangs there for students to enjoy and think about. Before Martin Luther King, Jr. Day, I use a photograph of the Selma to Montgomery march in 1965. Some students will notice the photograph immediately and begin asking questions. Typically I'll answer them briefly, just enough to keep them interested. After a couple of days we'll bring the photograph over to the carpet and talk about it. The questions the students ask frame our eventual discussion of King and the Civil Rights Movement. I'll keep the photograph up for a while as we continue to study the issue so that we can refer to it or simply soak in the image.
Other pieces I use are the Stuart portrait of George Washington and the Leutze painting of the Crossing of the Delaware. These offer the opportunity to analyze our first president and the many roles he played in his life and in the formation of our country.

The collection comes with a resource book full of information about the artwork and the artists and lesson ideas. In addition, the website has more resources. Even without the collection of artwork the website can guide teachers in the use of art as primary sources. Any of these images can be shown from the internet with a projector for students to study. Art teachers often have reproductions of art available as well.

Young children are highly visual and images allow them to see the past. Simply hanging historical art and images in your classroom will spark questions and discussions. Not only will students begin learning about a person or period though their own observations, but the image is something they can hold onto throughout the study and in the future.

For more information

Check out the Picturing America website to view all of the images Orr describes—and more.

With field trips often harder to find time and money for these days, you and your students can take a virtual trip to an art museum with Google's Art Project. More than 100 websites we've reviewed also include art in their primary source collections.

Depending on your students' level, you may want to guide them through the steps in analyzing composition when introducing them to artwork as primary sources.

Want to learn more about teaching with art? Daisy Martin provides some ideas and Carolyn Halpin-Healy offers hers.