Building the Bomb, Fearing Its Use: Nuclear Scientists, Social Responsibility and Arms Control, 1946-1996

Description

From the Library of Congress website:

"The John W. Kluge Center held a panel discussion on 'Building the Bomb, Fearing Its Use: Nuclear Scientists, Social Responsibility and Arms Control, 1946-1996.' Speakers were Mary Palevsky, Black Mountain Institute fellow at the Kluge Center, along with Hugh Gusterson, William Lanouette and Martin J. Sherwin. After the atomic bombings of Hiroshima and Nagasaki at the end of World War II, statesmen and scientists confronted the unprecedented destructive power of nuclear weapons, according to Palevsky. Early postwar efforts for international control of atomic energy failed, and by the mid-1950s both American and Soviet scientists had invented the hydrogen bomb, a weapon of greater destructive potential than the atomic bomb. Yet arms-control efforts were ongoing even during the Cold War's darkest days. Within a year of the 1962 Cuban Missile Crisis, the United States, Great Britain and the Soviet Union signed the Limited Test Ban Treaty, prohibiting nuclear tests in the atmosphere, underwater and in outer space.

International treaty negotiations directly affected the daily lives of thousands of American scientists, engineers and support personnel who designed, built and conducted the tests of new weapon designs. Some of the questions that these scientists and statesmen encountered still exist today, and those questions are the basis for the panel discussion."

Andy Bozanic Explores the History of the Acoustic Guitar

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From the Lemelson Center website:

"Andy Bozanic talks about his research, supported by a fellowship from the Lemelson Center, on the history of the acoustic guitar. In this podcast, Bozanic explains how the unique qualities of the acoustic guitar—its portability, affordability, and adaptability to different styles of music—brought it into the mainstream of American music in the 20th century."

Embroidering History

Description

Kansas Museum of History curators look at a story cloth, brought to Kansas by Hmong refugees from Laos. The cloth depicts the escape of Hmong from Laos across the Mekong River, fleeing attacks by the communist group Pathet Lao, after the U.S. military pulled out of Laos in 1974. The cloth, designed to appeal to a Western audience, represents a piece of Vietnam War history and a reminder of global contact and the impact of international relations on the lives of individuals.