Strong National Museum of Play houses the National Toy Hall of Fame, the National Center for the History of Electronic Games, and the world's largest collection of toys, dolls, games, and other items that celebrate play. Visitors may explore both interactive exhibits designed for children and display exhibits preserving and presenting the history of play. History-relevant exhibits for children include One History Place and TimeLab, which explore U.S. history and pop culture history, respectively.

The museum offers exhibits and a range of educational programs, including standards-based tours for student groups and orientation programs for educators.

The Upper and Lower Pontalba Buildings, which make up the 1850 House, were built by the Baroness Micaela Almonester de Pontalba, the daughter of Don Andres Almonester y Roxas, the Spanish colonial landowner associated with the neighboring Cabildo, Cathedral, and Presbytere. Inspired by the imposing Parisian architecture the Baroness favored, the rowhouses were intended to serve as both elegant residences and fine retail establishments.

To illustrate the landmark's historical significance, the State Museum has recreated what one of the residences would have looked like during the Antebellum era when the Baroness Pontalba first opened her doors. Furnished with domestic goods, decorative arts, and art of the period, the 1850 House depicts middle-class family life during the most prosperous period in New Orleans's history. Limited docent- and curator-led tours are available, as is self-directed viewing.

In 1772, George Washington purchased a house from Michael Robinson in Fredericksburg, Virginia for his mother. Mary Ball Washington spent her last 17 years in this comfortable home. A mirror Mrs. Washington called her "best dressing glass" and other possessions are on view in the house. Her sundial still tracks the time of day in the garden.

The house offers tours.

The Cabin stands as the site where 13-year-old Abbie Gardner was an eyewitness to one of the few violent conflicts between European-American settlers and American Indians in Iowa (what became known as the 1857 Spirit Lake Massacre). The cabin has been restored to resemble its approximate 1856 appearance. Nearby are a monument to those killed, a one-acre park, and a visitors center full of artifacts.

The site offers exhibits and tours.

"The cemeteries of Louisiana are a significant part of the state's history. They tell the story of those who laid the foundation for Louisiana as it exists today. A visit to Locust Grove State Historic Site provides an illustration of the small family cemeteries which were a part of most plantations. Several generations of family members are buried here. Strolling through the historic graves encourages reflection on the courage, determination and dedication of the early settlers in Louisiana.

The small site at Locust Grove, with only 27 plots, represents an era in Louisiana's romantic history. The cemetery is all that remains of what was once Locust Grove Plantation, owned by the family of Jefferson Davis' sister, Anna E. Davis Smith. In the summer of 1835, the future Confederate president brought Sarah Knox Taylor Davis, his wife of only three months, to the plantation for a visit. Both contracted malaria, and Mrs. Davis, the daughter of General Zachary Taylor, died at the age of 21. Her grave is situated among those of the other Davis family members."

"Standing atop the hill where South Middlebush and Blackwells Mills Roads meet, with a spectacular view of the Franklin countryside, fields and woods, of the Six-Mile Run Valley, the sunsets may have been one reason Peter Van Liew settled on this site back in the 1700's, and why Joseph Suydam later built part of the house that is seen today. The newest and largest portion of the house was built in 1875. Although the most recent long term owner of the house was named French, the house has been named
after its two founders builders, Van Liew-Suydam.The ornate woodworking on the porch and walls clearly demonstrates a perfect example of the architecture of a 19th century Victorian farmhouse. "