Camp Dennison Civil War Museum

Description

Camp Dennison, just outside of Cincinnati, was a military training camp and hospital camp during the Civil War. Today, visitors to Camp Dennison will find the 1804 Waldschmidt House Historical Museum and the Ohio Civil War Museum on site. The area offers information and insight into the Civil War and the happenings at Camp Dennison during this time period.

The museum offers tours, exhibits, and educational and recreational programs.

Phelps County Historical Society and Nebraska Prairie Museum

Description

The mission of the Nebraska Prairie Museum is to be a historical, interactive resource for the community, through the collection of artifacts, archival documents, and memorabilia that explain the lifestyles of the area's past residents. The Museum contains over one acre of indoor exhibits, including collections of period clothing, antique toys, farm equipment, tools, and household items, as well as a unique World War II German POW exhibit room.

The museum offers exhibits, tours, and research library access.

Sherman House Museum and Georgian Museum [OH]

Description

Maintained by the Fairfield Heritage Organization, the 1811 Sherman House was the birthplace of General William Tecumseh Sherman and his brother, U.S. Senator John Sherman, and has been restored and furnished to period. Exhibits in the space include Sherman family memorabilia; a recreation of General Sherman's Civil War field tent including several items he used during the war; and a sound and light presentation depicting his passion for the Union.

The Georgian Museum is housed in an 1832 Federal-style home has been restored and furnished today as it would have been in the 1830s with some original pieces and numerous early Fairfield County items.

Both museums offer exhibits and tours, as well as educational programs.

Diana Laufenberg on Teaching History Thematically

Date Published
Image
Lithograph, U*S*A Bonds - Third Liberty Loan Campaign, 1917, J. C. Leyendecker
Article Body
The Pitfalls of Chronology

History is a series of events and causal relationships, stories and tragedies and successes, that when strung together weave narratives of peoples and places. To teach this has proven quite tricky throughout American education. Any history teacher watching Jay Leno and his random trivia questions cringes in horror at the utter lack of historical understanding in the greater American populace. However, one must ask, "If we teach history every year in school, why do the students retain so little of the information?"

This is the perfect time to invoke Einstein's famous quote, "Insanity: doing the same thing over and over again and expecting different results." After a number of years of teaching history chronologically, I made the curricular decision to shift to a thematic approach. I am privileged to work in schools that allow me the flexibility to make these types of classroom decisions.

My rationale for this change was grounded in a number of gut-check teacher experiences but also in the writings of Sam Wineburg, Eric Foner, David Perkins, and James Loewen. America has never excelled at knowing its own past. As I watched the school days pass, I observed that students participated and engaged, but still did not meaningfully retain the information. Something had to give. I ditched chronological teaching.

In my classroom, each of the themes then becomes a shelf and as students understand the greater historical narrative they look for patterns and trends and flow over time.

The way that I choose to envision the problem for the average student of history involves papers, books, and bookshelves. We teach students history by giving them pieces of paper (facts) with no real understanding of how to connect or make meaning. These papers stack up, but the learner can never find anything because the information is without structure or organization. Our students need bookshelves before we can really expect them to put any of the information away. Once the bookshelves exist, they can then begin to shelve their information in a way that allows for understanding and recall. In my classroom, each of the themes then becomes a shelf and as students understand the greater historical narrative they look for patterns and trends and flow over time. This long look at history invites the student into the story. Also, it provides shelves on which they can then store historical knowledge as they move into adult life.

But What are the Themes?

The themes that I teach in American History are: American Identity, Political Participation, War, Business, Balance of Power, The American Dream, Environment, and Pivot Points. This is certainly not a comprehensive list or the "right" list, but it is the one that I settled on after much collaboration, discussion, and debate with a number of teachers. We work through two themes per quarter and have a project attached to the learning goals of each theme.

A Closer Look

One unit that gets better each time I teach it is the War unit. Many K-12 history students feel like history class is one long study of America at War, rather than of the rich narrative that accompanies the nation’s endeavors. My War unit asks students to define war. One would think that with the amount of conversation about war we foster in America that this would be an easy process. Let me assure you it is not.

I start by asking students to write their own definition, then work with a partner to get one definition between the two.

In the end they have a definition, but they also have a sense of the concept that I could not possibly instill in them in any other way.

After that, the partners join another partnership. We stop for a bit at this point and the students take their group definition and apply it to the American historical record. Each student is responsible for a section of years and applies their group's war definition to determine if America was at war that year. They then name the war and the place it occurred and report the death tolls. This is a bit time consuming, but I find that this process makes students reconsider the definition as well as thoroughly examine the historical record. We then return to the definition activity and repeat the consensus process until we get to a whole-class discussion.

The goal of the whole-class discussion is for the students to come to consensus on the definition of war. It takes all 65 minutes of class. I do not actively participate at all; I observe. This is about them and their ideas. The students sit in a circle and decide a process and go. Watching it unfold this year was like educational bliss: students asking really tough questions, listening hard to the answers, pushing back when they did not agree—but doing so respectfully, other students making sure each person’s voice was honored in the process. In the end they have a definition, but they also have a sense of the concept that I could not possibly instill in them in any other way. They did this. The creation of the definition was also the creation of their learning.

We then layer this theme over the previous themes and discuss connections and patterns and flow and trends that exist when we look at multiple themes at once. Then we move forward with another theme. By the end of the year they have seven shelves onto which to load their learning. The final unit has students choose a pivotal point in history and change the outcome. This final unit draws upon all the previous themes to craft a story that retells history.

Closer to the Goal
…in my 14 years of teaching, I have never felt more confident that my students are learning history in a way that allows them to learn beyond my classroom…

Thematic teaching may not be the answer to improve the responses for the Jaywalk All-Stars, but in my 14 years of teaching, I have never felt more confident that my students are learning history in a way that allows them to learn beyond my classroom, beyond the textbooks, and beyond the boredom that many of them attribute to history class. Our struggles as a nation require a populace that is engaged and informed. Our history classes need to be a place that establishes the framework that assists them in becoming the citizens we need them to be. I believe that thematic teaching moves us closer to that goal.

For more information

For more ideas on teaching strategies that stretch beyond the conventional chronological, browse our Teaching Guides. In one example, high-school teacher Lori Shaller offers another way of interrupting and challenging students' understanding of history as monolithic narrative with the "Stop Action and Assess Alternatives" strategy.

My Lai Massacre (Vietnam War)

Description

Michael Ray narrates a basic overview of the 1967 My Lai Massacre, including the events that led up to the Massacre and those that followed it. The presentation posits ethical questions that events like the Massacre raise.

To listen to this lecture, scroll to and click on "My Lai Massacre (Vietnam War)."

This series of lectures freezes my Firefox browser. I also believe that it is meant to be audio and video, but I only receive the audio.

Team of Rivals: The Political Genius of Abraham Lincoln

Description

Using stories from her prize-winning book, Doris Kearns Goodwin examines the life and legacy of Abraham Lincoln. Goodwin argues that Lincoln's voracious intellect, his kind and generous demeanor, his empathy, and his appreciation for the talents of others led him to assemble what she calls "the most unusual cabinet in history." Goodwin also provides an insider's look into her research methods, as she recounts combing through thousands of pages of letters and diaries.

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