Celebration of Negro Spirituals, Part Five
A series of speakers, primarily professors, open a symposium celebrating the history and impact of African-American spirituals.
A series of speakers, primarily professors, open a symposium celebrating the history and impact of African-American spirituals.
A series of speakers, primarily professors, open a symposium celebrating the history and impact of African-American spirituals. This presentation continues from the presentation "Celebration of Negro Spirituals, Part One."
A series of speakers, primarily professors, open a symposium celebrating the history and impact of African-American spirituals.
Pulitzer Prize-winning author James M. McPherson examines the contemporary popular perspectives on the Civil War, both of Northerners and Southerners, civilians and soldiers. McPherson uses the popular music of the period as a framework for discussing the changing views, and focuses on the growing desire to end the war and the increasing sense of hopelessness that it would ever end.
An audio version can be downloaded.
Scholar and author Emily Thompson describes the study of aural history—the study of not just music, but of noise and soundscapes as a whole, what cultures heard and how they heard it—and discusses the aural culture in the U.S. from 1900 to 1933. She looks at how sound at the time was influenced by technology and at the consumption of sound, focusing particularly on architecture's influence on sound.
Emily James, an interpreter at Colonial Williamsburg, discusses the place of music in slaves' lives, looking at the double meanings of many of the songs' lyrics.
To listen to this podcast, select "All 2006 Podcasts," and scroll to the June fifth program.
Tunes, lyrics, recordings, sheet music—all are components of popular songs, and all can serve as evidence of peoples, places, and attitudes of the past. Written by Ronald J. Walters and John Spitzer, the guide "Making Sense of American Popular Song" provides a place for students and teachers to begin working with songs as a way of understanding the past.
The Country Music Hall of Fame and Museum presents the history of country music through its permanent exhibit, "Sing Me Back Home," showcasing both the music and the artifacts behind and surrounding it—costumes, lyrics sheets, musical instruments. It also hosts traveling and changing exhibits and programs and performances.
The museum offers exhibits, tours and in-museum workshops for school groups, curriculum guides, and educational and recreational events.
This institute will "explore topics in American music from two distinct yet complementary angles. First, analysis of popular songs as primary source documents offers fresh material to enrich the understanding of social studies and language arts. Second, field trips and authentic performances offer a uniquely engaging evocation of an historical context. Aided by historians, musicologists, and teaching performers, participants strengthen their skills as historians and develop innovative strategies to integrate music into their teaching." Week by week, themes will include "Moving Along," "Work," War and Peace," "United/Divided," and "Home."