Picturing America

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Picturing America homepage, NEH
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The Picturing America website, created by the National Endowment for the Humanities, presents 27 iconic images in American history designed specifically to encourage educators to use images as primary source documents in the classroom. The images range in time from 17th-century depictions of the Catholic mission in San Antonio to the contemporary art of Washington, DC native Martin Puryear.

The printed materials are no longer available, but you can read more about the online resources here.

Third Graders and Local History

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alexandria protest 1939
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A 1939 library sit-in in Alexandria, VA, is often called "the most famous civil rights protest you never heard of." And recently, third-graders from Samuel W. Tucker Elementary in Alexandria explored this episode in the history of civil rights in their own backyard.

They shared their findings to a standing-room-only audience at the Barrett Branch Library where the sit-in took place.

The Alexandria Library stands as a testament to one of the first challenges to Plessy vs. Ferguson. It began when George Wilson, a retired Army Sergeant, was persuaded by 26-year old Samuel Wilbert Tucker to challenge the status quo and apply for a library card at the Alexandria Library. The sit-in didn't desegregate Alexandria libraries, but it did lead to construction of a library branch for African Americans completed in 1940.

In 1939, the educational climate for African Americans in Virginia was abysmal.

The Alexandria, VA, Black History Museum bills this action as The Nation's First Sit-In in the lesson plan America's First Sit-Down Strike: The 1939 Alexandria Library Sit-In that emphasizes teaching with historic sites, exploration of primary source documents, and critical thinking. The introduction to the lesson plans places the sit-in in historic context, highlighting the educational climate for African Americans at the time. As Tucker recalled, "I finished the eighth grade in Alexandria and the state of Virginia said that was to be all the education I got." (Tucker was an attorney at the time of the sit-in; he had attended Howard University, graduated in 1933, and passed the Virginia Bar exam that same year.)

The eight-year-olds who recreated their research at the Library met the relatives of five African American men jailed the day of the protest as well as Frederick Day, the 91-year-old former chair of Alexandria's Board of Education who was also the first African American public school board chair in Virginia.

Day recalled, "A lot of people come to my hometown and think that it was like this years ago, but they are far wrong. It was a typical Southern port town, with all the problems of the deep South."

Women of World War II Anonymous (not verified) Fri, 10/29/2010 - 12:36
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Poster, date unknown (World War II)
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In 1943, at the peak of World War II, the United States military inaugurated the Women Airforce Service Pilots, or WASP, program. The program was designed to bring women pilots into the Air Force in light of the growing shortage of male pilots. More than 1,000 women served in non-combat positions, and eventually flew more than 60 million miles for the war effort. In March 2010, these women received the Congressional gold medal, among the highest civilian honors for courage, service, and dedication.

This website presents more than 250 photographs of women in the service during World War II, including 30 of the WASPs. The Women's Army Corp (WACS), Coast Guard SPARS, Navy WAVES (Women Accepted for Volunteer Emergency Service), Army nurses, and women Marines are also included. There are photographs of nine "notable women," such as Jacqueline Cochran, the founder of the WASPs program, and Lieutenant JG Harriet Ida Pickens and Ensign Frances Wills, the Navy's first African American WAVES officers.

Accompanying these photographs is a selection of close to 100 recruiting posters targeted at women. While other websites document the role of women during World War II, this website stands as one of the largest repositories of contemporary photographs of their military efforts.

Travel Grants for Jefferson-related Projects

Description

These grants fund travel for scholars and teachers wishing to make short-term visits to Monticello to pursue research or educational projects related to Jefferson.

Sponsoring Organization
Thomas Jefferson Foundation
Application Deadline
Award Amount
Not specified

Teaching with Artwork

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Photo, The Midnight Ride of Paul Revere, July 15, 2008, IslesPunkFan, Flickr
Photo, The Midnight Ride of Paul Revere, July 15, 2008, IslesPunkFan, Flickr
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What first comes to mind when you hear the phrase "primary sources?" Famous documents such as the Declaration of Independence? Newspaper articles reporting on Pearl Harbor? Letters from soldiers during the Civil War? Maybe you think of visual sources—antique maps or Lewis Hine photographs.

But what about artwork? What does a 1796 portrait of George Washington tell us—about the man, about the time, about the artist? What does an 1851 painting of Washington crossing the Delaware say? It can't be a primary source for the actual crossing, but what information does it convey about American mythology and historical understanding? What information can students bring away from a piece of art?

Like all primary sources, artwork offers unique opportunities and pitfalls when introduced to the classroom. Carolyn Halpin-Healy, of the Metropolitan Museum of Art, suggests seven steps students (and their teachers) should take when approaching art. After processing their initial emotional reactions and describing what they see, students move on to considering the art's original context and historical connections. They then reassess the piece using their new, fuller understanding.

For a sense of this process—though not a full exploration—watch professor David Jaffee analyze two 19th-century artworks, a family portrait and a popular print.

Interested in trying out this approach for yourself? For a ready-to-run lesson, EDSITEment's "Midnight Ride of Paul Revere: Fact, Fiction, and Artistic License" guides high school students in interpreting a 1931 painting of Paul Revere's ride.

If you have the time and resources for a field trip, search Teachinghistory.org's Historic Sites and Museums database for museums where students can examine art in person. Also consider contacting local museums about professional development opportunities—they may offer pre-trip orientations for teachers or workshops focusing on teaching with art.

If you can't take your students to the art, bring the art to them. The Internet hosts a wealth of virtual collections from museums across the country (and the world). Wherever you live, your students can draw on the resources of the
National Portrait Gallery
or the Smithsonian American Art Museum. A keyword search for "art" in Teachinghistory.org's Website Reviews brings up more than 150 archives and exhibits, free to access online.

And for suggestions of even more resources, see how our co-director, Daisy Martin, answers the question, "What resources or techniques would you recommend for teaching using art and its analysis in the social studies/U.S. history classroom?" in Ask a Master Teacher.

Film Series for Educators: Journey to Freedom

Description

From the Facing History and Ourselves website:

"This film [Journey to Freedom] tells the story of Waitstill Sharp, a Unitarian minister from Massachusetts, and his wife Martha, a social worker, who helped feed and shelter thousands of refugees and assisted anti-Nazi dissidents and Jews as they escaped to safety, first in Nazi-occupied Czechoslovakia and later in France. The Sharps were recognized as Righteous Among the Nations at Yad Vashem—the highest recognition accorded by the state of Israel to non-Jews who risked their lives to save Jews during the World War II. The Sharps' compelling story reveals a largely unknown chapter of Holocaust history and provides a new perspective on America's relationship to it. This film is an important addition to Facing History's collection of classroom resources that focus on rescue and resistance during the Holocaust. The Facing History Film Series is presented in partnership with the Denver Film Society.

The workshop is in two parts. Part 1 (4:30-6:30 pm) will be an educator workshop focused on pedagogy. Part 2 (7:00-9:00 pm) will include the film presentation. A light dinner will be served between the two parts."

Contact name
Karen Mortimer
Sponsoring Organization
Facing History and Ourselves
Target Audience
K-12
Start Date
Cost
Free
Duration
Four and a half hours

The Civil Rights Movement in Context

Description

"Too often, our students view Civil Rights in isolation—they don't understand the rich historical background of African American history or the legacies of the movement in the more recent past. They know the major civil rights figures like Martin Luther King, Jr. or Rosa Parks, but they don't grasp the complexities of civil rights leadership, or the experience of the movement's foot soldiers—the students in SNCC, the freedom riders, or the everyday people who marched, boycotted, protested, and volunteered to make the movement happen. This course will try to explore the movement from all of these perspectives using, where possible, first-hand accounts from the people who lived this important history.

The instructor will assume that the main historical outlines of the movement are familiar to K-12 teachers—instead of recounting that basic history, we'll spend much of our time delving into lesser-studied events of the movement and the primary sources that will allow us to explore our own ideas about the movement and its meanings in detail.

The best way to learn history is by doing history. This course will allow for the opportunity for deep historical analysis and interpretation using primary sources. We'll tackle documents, images, newspaper accounts, artistic expressions, film, and other sources. By doing so, we'll develop our own arguments and ideas about the movement, and help our future students do the same. Many of the resources we will use have been recently added to the Internet and they should be exciting additions to the course, and to historical scholarship more broadly. As you mine these sources, you'll hopefully enjoy the historical process and also get some great ideas for classroom activities for your students.

The instructor has selected websites and multimedia resources that will give participating teachers access to literally thousands of documents including newspaper accounts, oral history interviews, government documents, photographs, works of art, film clips, and more. As a participant, you will have the opportunity to analyze these sources through engaging activities to create a lesson plan for classroom use; to receive individualized, constructive feedback and answers to content-oriented questions from a well-versed instructor; and to join other teachers from across the state in lively online discussions throughout the course—all on your own schedule from home or from your school's computers."

Sponsoring Organization
Learn NC
Target Audience
PreK-12
Start Date
Cost
$225
Course Credit
3.0 CEUs
Duration
Eight weeks
End Date

The Great Plains: America's Crossroads

Description

From the Gilder Lehrman Institute of American History:

"To many, the Great Plains are part of the 'Great Flyover,' whose landscape and history alike are flat and featureless. But in this region in the middle of the nation, cultures have mingled and clashed for thousands of years. We will focus on the nineteenth century, though we will also examine the first peoples and the continuing cultural exchanges of the twentieth century. We will begin with the physical setting, plants, and animals, and consider early humans in both Native American traditions and anthropological/archeological studies. Europeans arriving in the sixteenth century accelerated the long history of change and evolution, initiating more than three centuries of converging peoples and cultures, new centers of power, flourishing trade, calamitous epidemics, and cultural and material intrusions from around the planet. We will visit Bent's Fort to see a cultural crossroads illustrated through one family. We will also examine cattle ranching, homesteading, scientific explorations, and the depiction of the Plains in art."

Registration Deadline
Sponsoring Organization
Gilder Lehrman Institute of American History
Phone number
6463669666
Target Audience
K-12
Start Date
Cost
Free, $400 stipend
Course Credit
"The Gilder Lehrman Institute of American History is proud to announce its agreement with Adams State College to offer three hours of graduate credit in American history to participating seminar teachers. Teachers are required to submit a reflection paper and a copy of one primary source activity completed during or immediately after the seminar."
Duration
One week
End Date