Joe Jelen on Digital Timelines

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Homepage, Timeline, detail
Article Body
Beyond Butcher Paper

History teachers have long asked students to create timelines to help conceptualize and understand historical events. Student-created timelines were often limited by the space they occupied. Often teachers would have students focus on a few events and ask them to write very small on their notebook paper to squeeze in events. Clever teachers invested in rolls of butcher paper or banner paper to have students create long timelines. But thanks to today's web designers, timelines are no longer limited in space. Using free timeline builders online allows students to see concepts over time without the constraints of paper and a straightedge.

I have always liked using timelines in my classroom to help students see change over time and help students remember chronology (an oft-heard complaint for students of history).

I have always liked using timelines in my classroom to help students see change over time and help students remember chronology.

My students have made standard social, political, and economic timelines of eras of U.S. history in preparation for exams. My students have also created the popular timeline of events leading up the Civil War. I thought myself a clever teacher using large rolls of butcher paper for these timelines to maximize the number of events included and student participation. It was not until I sat down to read the new National Curriculum Standards for Social Studies put out by the National Council for the Social Studies that I saw another way for students to create timelines. "Learners demonstrate understanding by using graphic software to create a timeline depicting a scientific idea of the evolution of a technological innovation, and predicting how that idea or technology might develop in the next 10–20 years." (NCSS 57) With this, I began my search for digital timeline-building websites.

Finding and Using Timeline Tools

A quick search revealed lots of possibilities for creating timelines online for free. I had to spend a little time playing with each one to find the site that would best work for my needs and students. There are sites that are better tailored to elementary students. There are also those that are more powerful, but less user-friendly. This site provides a nice review of the various digital timeline sites available for free. My project required students to create events with years BCE and CE, which limited the sites I could use and may be a consideration in your site choice. You may also wish to consider what types of multimedia features you would like students to be able to embed in their timelines. Some sites offer the ability to embed pictures and videos. Most timeline-building sites allow users to embed their timelines in blogs or other websites, making sharing timelines easy.

Digital timelines allow teachers greater flexibility and creativity in assigning timeline activities to students over the old paper timelines.

Adapting the product recommended by NCSS, I asked students to create a timeline showing the impact of the Scientific Revolution on a specific field of modern science. To go one step further, students were to make some predictions about future developments in that field (i.e. chemistry, geology, meteorology, etc.). My students quickly caught on to the user interface for the timeline builder and in three 45-minute class periods had researched and created a timeline specific to their field of modern science. You can see an example of one student's timeline here. With more time and practice, I believe that my students will become better at creating richer timelines. After they had created their timelines, students were able to view each others' and comment on them. Ultimately, we created a class timeline merging events from each student's timeline to see the broader impact of the Scientific Revolution.

Digital timelines allow teachers greater flexibility and creativity in assigning timeline activities to students over the old paper timelines. They also allow students to collaborate in a way that fosters chronological thinking and in-depth analysis of eras in history. I hope that you will experiment with digital timelines and share the creative ways you use them in your classroom.

Bibliography

National Council for the Social Studies. "National Curriculum Standards for Social Studies." Silver Spring, MD: NCSS, 2010: 57.

For more information

Looking for more ideas for teaching with tech? Try Joe Jelen's earlier entry on teaching with document cameras, or check out our Digital Classroom section for articles and videos demonstrating more tools and techniques for using technology in your classroom.

Conventional timeline techniques can be used with digital timelines—the Teaching Guide Teaching with Timelines makes suggestions you can easily adapt to digital tools. EdTechTeacher also overviews digital and conventional timeline tools and strategies.

Why Did It Happen? Making Claims about Cause and Effect

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For more information

Christie, F., & Derewiank, B. (2009). School Discourse: Learning to Write Across the Years of Schooling. New York: Continuum.

As we ask students to become more sophisticated in their historical thinking, we expect them to move from reporting historical events to explaining and interpreting them. Making claims about historical events requires a shift in writing that requires new language tools.

Many students, especially English learners, will require more support in the form of explicit instruction in writing explanations about relationships between events and conditions in history. One central relationship in history is cause and effect.

Nature Transformed: The Environment in American History

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Detail, Nature Transformed
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This collection of essays, commissioned from distinguished scholars, is designed to deepen content knowledge and offer fresh ideas for teaching. Essays begin with a thorough overview of the topic. “Guiding Discussion” offers suggestions on introducing the subject to students, and “Historians Debate” notes secondary sources with varied views on the topic. Notes and additional resources complete each essay. Essays include links to primary sources in the National Humanities Center’s Toolbox Library and are part of the larger TeacherServe project.

Visitors can browse 17 essays, divided into "Native Americans and the Land," "Wilderness and the American Identity," and "The Use of the Land." These focus on the changing ways in which North Americans have related to the natural world and its resources. Topics include, among others, “The Columbian Exchange,” “The Effects of Removal on American Indian Tribes,” “Cities and Suburbs,” and “Environmental Justice for All.”

Useful for teachers looking to expand their content knowledge beyond the information and viewpoints presented in textbooks, and to get a taste of historians' debate over the interpretation of history.

Teaching with Timelines

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Image, Timeline, 21 Sept 2009, George Boyce, Flickr CC
Article Body
What Is It?

Throughout a school year or history course, students collectively construct an illustrated timeline of historic events and people they have studied.

Rationale

Researchers have found that students too often encounter little bits and pieces of history out of context and unconnected to larger historic themes (1). Consequently, students don’t develop a sense of historic era and they don’t connect individual events to larger movements and themes (2). These limitations not only affect students’ grasp of history topics; they may also restrict students’ engagement in critical analysis. As a recent middle school study found, "Without proper background knowledge, students have difficulty developing the contexts for historical thinking" (3).

Use [timelines] to categorize similar or related events into themes, eras, and topics, and to help students compare elements in different time periods.

Timelines help students understand the chronology of historic events, and help students situate newly encountered events and figures in relation to those they’ve already studied (4). They provide a visual aid for identifying cause and effect relationships between events, and a visual prompt to activate student prior knowledge. They allow students to recognize how historic events, eras and topics overlap in time. Use them to categorize similar or related events into themes, eras, and topics, and to help students compare elements in different time periods.

All of these purposes are important singly, and collectively they help students develop a long-range understanding of historic chronology.

Description

In this ongoing activity, a timeline is collectively constructed by students. It may be made of butcher paper and covered in student drawings, primary sources, and recipe-sized cards noting laws and events. Or, if fire codes allow, it may be made of rope, with images, dates, and documents hung from paper clips and clothespins. The main classroom timeline may be supplemented by smaller posterboard-sized lines that include only a few elements, such as changes in farming or in environmental regulation over time, or a chronology of legislation related to voting rights and disenfranchisement. But timelines should always be constructed by students so they reflect the students’ own learning.

Teacher Preparations
  1. Cut a long strip of butcher paper. Your class timeline should be displayed     as prominently as possible in your room, and should be easily reached for     adding new elements. If it’s hard to reach, you’ll be less likely to add     elements daily. But if you don’t have space in your classroom for your     timeline, try hanging it in the hallway near your class.
  2. In bold colored marker, place marker dates on the paper. These will be     determined by the course content. If you are teaching 19th- and 20th-    century U.S. history, you may wish to label the timelines with 10 or 20     year increments, or you may wish to only list century markers. Be sure to     leave space for dates before and after the time period your class will     explore, however, as your class will almost certainly encounter events that     precede and follow the designated beginning and conclusion of your unit     explorations.
  3. Decide how the class will display elements on the timeline. Will you ask     for volunteers to illustrate events that go on the line? Will you ask the     class to vote on how they wish to illustrate various elements—with a     student illustration, a copy of a primary source, a historic image or...? Will     you decide each time how an element that goes on the line will be     represented?
In the Classroom
  1. Start your classroom timeline at the beginning of the school year. Add to     it throughout the year.
  2. At the conclusion of an exploration of a significant event or person, ask     the class if they would like to include that person or event on the class     timeline. Tape the representation of the new element to the timeline, with     a date and title prominently visible. When posting a person’s life rather     than a single action by a person, you may wish to list dates of birth and     death.
  3. Every day or two, begin your history study with a review of the timeline.     Settle your students on the floor in front of the line and invite them to do     a silent “walk and talk” of the events on the line. Allow a minute or two     for this activity, and then invite a student to stand and do a walk-and-    talk aloud (see video). The students don’t need to account for every     element on the line; they should just use the elements as prompts to     tell a story about a particular era or theme, or inventory various things     that were happening during the same time period. Let students finish     before correcting any mistakes they may make in their storytelling.
  4. When deciding which elements to put on your timeline, it’s better to err on     the side of generosity than stinginess. The more elements on your line, the     better it reflects your class's learning, at least if you are engaged in rich     history explorations. But don't limit your dates to events you explore in     formal history lessons; include elements from other disciplines as well.     Language arts, science, music, math; if you encounter a historic topic in     one of those areas, add it to the class line. If a student finds something at     home that relates to history, invite them to add it to the line. A dynamic,     full-to-the-brim timeline is a sign of a class that’s engaged in history full-    tilt.
  5. As your class explores history, allow and encourage your students to view     and reference the timeline spontaneously to situate new evidence in     relation to what they’ve already studied, or to infer the timing of a new     historic element for which they have no date.

Watch this video and listen to a student walk and talk her way through her class timeline.

For more information

Lesson plans and units that incorporate timeline activities are available on the Bringing History Home project website. Additional information about using timelines in elementary and college history classrooms is also available on the site.

See this entry about Docs Teach from the National Archives to explore their “Finding a Sequence” timeline tool that allows teachers to create their own document-based timeline activities.

EdTechTeacher overviews online timeline creation tools and techniques.

Bibliography

1 Barton, K. (2002) “Oh, that’s a tricky piece!”: Children, mediated action, and the tools of historical time. The Elementary School Journal, v.103, n.2.

2 Shemilt, D. (2000) The Caliph’s Coin: The currency of narrative frameworks in history teaching. Knowing, Teaching & Learning History, eds. Stearns, P. et. al., New York: New York University Press.

3 Twyman, T., et.al. (2006) Using concepts to frame history content. The Journal of Experimental Education, 74 (4), 331-349.

4 Fillpot, E. (2007, 2008) These findings are from unpublished studies conducted with children in the Bringing History Home K-5 curriculum and professional development project.

Storytelling with Scrapbooks

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Scrapbook, time and eternity, mary bailey, 7 Nov 2010, Flickr CC
Question

I like to scrapbook. How can I incorporate this craft into an elementary classroom (Grades 2-5)?

Answer
Using Scrapbooks

Making scrapbook pages can be a fun activity for students in the elementary grades. You will want to help students understand that, in this case, a scrapbook—like all history—uses pieces of the past to tell a story. Students can make their own scrapbook pages that tell a story and these pages, when bound together, can tell a larger story or multiple stories about the same theme, historical event, or era.

Students could construct pages that tell family history or pages that focus on an historical figure like George Washington, Elizabeth Cady Stanton or César Chávez. Such scrapbooks might integrate photos, portraits, maps, timelines, and age-appropriate primary documents. Another option for scrapbooking is to examine a topic related to local history. Students might construct pages about historic sites in their own community, including important buildings, parks, and graveyards, pages about people from the past who made a difference in their local areas, or pages about daily life in the past. These pages could be bound together and used as a resource for future activities like writing a town history. Naturally, you will want to tailor the assignment’s topic and requirements to the particular age-group that you’re working with, asking older students to use more materials and craft more complete and clear narratives.

Assignment’s Requirements

You’ll want to guide students in terms of what their scrapbooks should include. First, you’ll want to help students understand the kinds of sources they should use. Have a conversation with them about where they might gather the ingredients for a scrapbook page, and consider working with your school librarian to ensure that students have the necessary materials they will need to tell their story—photos and pictures from the internet, old newspapers and magazines, etc. You will also want to help students understand that a scrapbook, like all history, uses pieces of the past to tell a story. Selecting and ordering their materials chronologically, by theme, or in some other manner, will affect the nature of their narrative—and they’ll want to consider this when choosing sources to paste on their page. Consider if you will require specific sources, for example, will they need to include a map? Two photographs?

Students will need coaching in creating titles for their pages and captions for the “scraps” they include on that page. Remind them to use details in those captions and include information about names, dates, and places. Again, consider your students’ abilities in deciding what prose will be required in the assignment, and the choices (e.g., page title) you will leave to them and the choices you will make for them. Your experience with creating scrapbook pages will likely make it easy for you to model how you plan your page and what finished pages look like. This kind of modeling is always helpful for students. We also recommend using the creation of scrapbook pages as a prewriting or presentation assignment, where they put into words the story they have created on their page.

Scrapbooking, in short, can be a useful tool in the history classroom, as long as you take the time to create assignments that focus on understanding the past. Teaching opportunities in the activity include students learning more about the use and selection of evidence to tell a story, and cultivating a deeper understanding of primary sources and the specific historical stories they illustrate. Be sure to define your learning objectives thoughtfully so it is an activity with significant purpose. Try this backwards design model for planning, where those objectives determine the specific shape and nature of the activity that you design.

The Condition of History in Elementary Schools

Article Body

In my elementary social studies methods classes, I ask students to share examples of history lessons they observe in their field experiences. Though there are always a few inspiring stories of teachers engaging K–6 students in meaningful historical thinking and creative activities, the vast majority of pre-service teachers report that they observe no social studies whatsoever. Similarly, many of my colleagues teaching in elementary schools report that their principals have explicitly instructed them to no longer teach history in order to focus on test preparation for math and literacy.

Eliminating history from the elementary curriculum is irresponsible and, ultimately, unnecessary.

This focus on student achievement as measured by standardized tests has dramatically narrowed the curriculum (1) and framed the social studies, history included, as a non-essential field of study (2). Whether one thinks of the purpose of public schools as being preparation for jobs, college, democratic citizenship, or some combination of the three, eliminating history from the elementary curriculum is irresponsible and, ultimately, unnecessary.

For even if one acquiesces to a curriculum that is explicitly focused on mathematics and literacy, the best math problems and reading materials are not decontextualized, empty vessels—they are about something real (3). When students practice reading, for example, they can read about history, and when they do calculations, they can use historical data. The choice between teaching math and literacy or teaching history is a false one. Though time is indeed limited and teachers justifiably feel pulled in many directions, the excuse that there “isn’t enough time” is, in the end, a weak one.

For those teachers willing to overcome real and perceived time constraints, they must also contend with state standards and district materials presenting a narrow, reductive, and, at times, erroneous history. I am most familiar with the situation in Virginia. The state’s standards represent a cultural literacy model of canonical facts in lieu of a more progressive “Expanding Horizons” approach (read the Virginia standards here). A recent article by Van Hover, Hicks, Stoddard, and Lisanti (4) details the highly politicized evolution of the “Standards of Learning” and rightly critiques what is now considered natural and normal social studies instruction in the state.

In spite of their many weaknesses, these standards can serve as a foundation upon which to build rich social studies experiences. Stacy Hoeflich, an award-winning teacher in Alexandria, is one fine example of a teacher doing just that (watch her in action by clicking here). More often than not, however, these standards dictate what is taught in restrictive, retrogressive ways and keep teachers from developing curriculum informed by multiple perspectives and connected to the lives and questions of their students.

The standards appear to be neutral and safe rather than what they really are: intensely political and inherently exclusive.

My pre-service teachers, for instance, express anxiety about straying from the standards by including any historical information that may be perceived as “controversial.” Though they acknowledge that lessons celebrating the friendship of Pilgrims and Indians during the first Thanksgiving, Columbus’ “discovery” of America, or Rosa Parks’s spontaneous decision to stay seated represent historical narratives that are (at best) misleading, many of them admit they will continue to teach these myths so as not to upset administrators or outspoken parents. To them, the standards appear to be neutral and safe rather than what they really are: intensely political and inherently exclusive. In addition, many of my students express a lack of confidence in their historical background knowledge and thus plan to rely heavily on district-supplied textbooks and resources. While I empathize with their situation, this is worrisome given the recent report of dozens of errors in textbooks used widely throughout the state (5).

In sum, the condition of history in the elementary classroom is one of great concern. History is rarely included as part of the curriculum and, if it is taught, relies upon a conventional and canonical perspective that ignores historical scholarship and excludes multiple perspectives. Our best hope is that current and future teachers become critical consumers of state standards and district-sponsored materials and see themselves as “smugglers” of good history back into the school day.

Footnotes

1 P.B. Joseph, et al. (2010), "Narrowing the Curriculum," in Cultures of Curriculum, ed. P.B. Joseph (2010): 36–54.

2 G. Bailey, E. Shaw, and Hollifield, D, "The Devaluation of Social Studies in the Elementary Grades," Journal of Social Studies Research, 30(2) (2006):18–29.

3 National Council of Teachers of Mathematics, Principles and Standards of School Mathematics (Reston, VA: NCTM, 2000).

4 S. Van Hover, et al, "From a Roar to a Murmur: Virginia's History & Social Science Standards, 1995 to the Present," Theory and Research in Social Education, 38(1) (2010): 82–115.

5 K. Sieff, "Erroneous History Textbook ‘Our Virginia’ to Be Pulled from Fairfax Schools," Washington Post, January 7, 2011.

Teaser

Our best hope is that current and future teachers become critical consumers of state standards and district-sponsored materials and see themselves as “smugglers” of good history back into the school day.

TR Workbench

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What is it?

What is it?

TR Workbench is a web authoring application that allows users to create single pages or full sites, portfolios, and classroom and conference presentations—"any content you could imagine!"—and save them.

TR Workbench features include integrated use of text and images, tools for image manipulation, and ample facility for substance-laden content. Easy drag-and-drop tools promote coherent content and graphic quality. Projects can also be downloaded or embedded in a blog, wiki, ning, or ordinary HTML screen. There's no software to download and Workbench is compatible with Firefox, Explorer, and Safari.

Founder, Ron Gwiazda, started TR Workbench after 27 years in the Boston Public Schools as a teacher, department head, and curriculum and program developer. According to Gwiazda, his goal "has been to create the software that we wished that we had while in school, software that would allow non-technical teachers and students to collaborate, create and share all kinds of online content."

This concern is reflected in introductory, teacher-narrated videos which not only take the user through the mechanics of establishing a site, but explain the teaching methodology, lesson module progression, and relevance of selected resources.

Getting Started
...our goal is to create the software that we wished that we had while in school...

Ease of use and technical support are hallmarks of TR Workbench and geared to a variety of student and educator needs. Tutorials explain how to create a classroom group, control permissions and privacy for different kinds of use and access, and talk about how group members may work collaboratively on specific projects.

Workbench tutorials are comprehensive and step-by-step, and incorporate a learning-by-doing approach supplemented with thorough explanations. It's an excellent program for beginners and the advanced alike.

An extensive collection of tutorial materials occupy their own searchable site.

A site blog talks about updates and projects and offers tips and tricks.

The basic free use of the site limits the number of projects and web screens. A special subscription for a teacher and 20 students costs $46 per year (February 2009 quote); additional blocks of 10 students are $15 each. This subscription level offers a variety of tools for group projects. Information about opening a block of school accounts including students, teachers, administrators—any school staff—is available on request.

Examples

Third graders through graduate students currently use Workbench. Current projects include school and teacher websites, digital publications, and a diverse array of classroom and conference presentations. Examples of the variety of student individual and group work and teacher presentations are available on the TWorkbench website. They are flash presentations accessed and viewed via a browse page.

Educators may also contact TRworkbench about free accounts. Gwiazda can offer large blocks of accounts free to teachers and programs with a keen interest in experimenting with online collaborating, creating and sharing, and will offer tech support as needed.

Historic Place and Interpretation

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Looking Past First Reactions
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Transcript Text

Before you do any kind of field trip, you as a teacher have to do your own homework. You have got to do the groundwork and if you continue to go back to the same site, as I do with Gettysburg, it becomes an evolutionary process. And you as an independent learner and an independent thinker develop your own ideas, and you come to then understand that, and you come to recognize, after going back time and time and time again, that this was a place of great trauma—great tragedy—and that only comes to you once you've gotten beyond your initial reading because I think once in your initial reading, you're caught up in the excitement, you're caught up in the drama that history sometimes imposes on the present. And it's when you get beyond that, that you really begin to understand, and that comes with experience.

If I were a teacher, developing a field trip experience for my teachers in my Teaching American History grant program—first I would do the homework, I would make sure it's a site in which you as an individual feel you are competent to deal with as an adult. I would encourage you to do as much reading as possible and particularly a look at the more recent scholarship that's been written about different sites. You'll find that those things that attract you to that particular vignette or that particular story will take on a life of itself for you, so you will get a different experience. So, the experience that I would give at Gettysburg may very well be different from the experience that teacher A, B, or C gives at Gettysburg because you've read different books, you've seen different things, you've brought your own biases to it and you see things differently. And that's kind of the magic of history; that there is no real one certifiable truth. I mean we all know the battle of Gettysburg took place. We all know it was July 1st, 2nd, 3rd, 1863, but what is the meaning of Gettysburg? Did the Union win? Did the Confederacy lose? Was it the turning point in the war? What are the other things? I mean there's questions that always revolve around it. So, you need to be, I think, for best practices, always willing to be open to the fact that your reading, your development is going to lead to more questions and invariably that's what you want your students to do.

One option is to go to the National Park Service and use their Teaching with Historic Places website. I mean, it's a dynamic powerful website that really cuts across all elements of American history in a very rich engaging way for teachers and their students. Every area has a historical memory and I think part of the problem in America has been, that we have so often focused on military history and political history. And it's really been in the last generation that social history has made such important inroads into the interpretation of American history that places like New Bedford, places like the Amoskeag Mill in Manchester, New Hampshire, that places like Butte, Montana, which had a huge mining industry—that these places have a resonance in and of themselves that are important for that local community.

Another way, look for local trails. I mean the United states is dotted with national historical trails. Whether they be short ones from Selma to Montgomery, Alabama, marking the march from Selma to Montgomery in 1965 or they be the Lewis and Clark Trail or they be the Trail of Tears or they be the Nez Perce trail. We have got trails all over the United States—even if you can't do the whole trail you can do part of it and you can make that part of the trail and give it a kind of immediacy for the young people or the young teachers that you are working with. So the environment really, I mean history doesn't happen, and I always tell my students it didn't happen in these four walls; it happened out there and I point out the window.

And again I certainly wouldn't expect teachers to be able to take their students everywhere, but there are places ripe for this and I think one of the great things about the Teaching American History grant program is that there is such an emphasis on training teachers locally. That they can use the local museums, they can use the local cemeteries, they can use the local archives as part of it, and I think that's been one of the geniuses of the Teaching American History program is that it has led teachers in that direction.

Before you do any kind of field trip, you as a teacher have to do your own homework. You have got to do the groundwork and if you continue to go back to the same site, as I do with Gettysburg, it becomes an evolutionary process. And you as an independent learner and an independent thinker develop your own ideas, and you come to then understand that, and you come to recognize, after going back time and time and time again, that this was a place of great trauma—great tragedy—and that only comes to you once you've gotten beyond your initial reading because I think once in your initial reading, you're caught up in the excitement, you're caught up in the drama that history sometimes imposes on the present. And it's when you get beyond that, that you really begin to understand, and that comes with experience.

If I were a teacher, developing a field trip experience for my teachers in my Teaching American History grant program—first I would do the homework, I would make sure it's a site in which you as an individual feel you are competent to deal with as an adult. I would encourage you to do as much reading as possible and particularly a look at the more recent scholarship that's been written about different sites. You'll find that those things that attract you to that particular vignette or that particular story will take on a life of itself for you, so you will get a different experience. So, the experience that I would give at Gettysburg may very well be different from the experience that teacher A, B, or C gives at Gettysburg because you've read different books, you've seen different things, you've brought your own biases to it and you see things differently. And that's kind of the magic of history; that there is no real one certifiable truth. I mean we all know the battle of Gettysburg took place. We all know it was July 1st, 2nd, 3rd, 1863, but what is the meaning of Gettysburg? Did the Union win? Did the Confederacy lose? Was it the turning point in the war? What are the other things? I mean there's questions that always revolve around it. So, you need to be, I think, for best practices, always willing to be open to the fact that your reading, your development is going to lead to more questions and invariably that's what you want your students to do.

One option is to go to the National Park Service and use their Teaching with Historic Places website. I mean, it's a dynamic powerful website that really cuts across all elements of American history in a very rich engaging way for teachers and their students. Every area has a historical memory and I think part of the problem in America has been, that we have so often focused on military history and political history. And it's really been in the last generation that social history has made such important inroads into the interpretation of American history that places like New Bedford, places like the Amoskeag Mill in Manchester, New Hampshire, that places like Butte, Montana, which had a huge mining industry—that these places have a resonance in and of themselves that are important for that local community.

Another way, look for local trails. I mean the United states is dotted with national historical trails. Whether they be short ones from Selma to Montgomery, Alabama, marking the march from Selma to Montgomery in 1965 or they be the Lewis and Clark Trail or they be the Trail of Tears or they be the Nez Perce trail. We have got trails all over the United States—even if you can't do the whole trail you can do part of it and you can make that part of the trail and give it a kind of immediacy for the young people or the young teachers that you are working with. So the environment really, I mean history doesn't happen, and I always tell my students it didn't happen in these four walls; it happened out there and I point out the window.

And again I certainly wouldn't expect teachers to be able to take their students everywhere, but there are places ripe for this and I think one of the great things about the Teaching American History grant program is that there is such an emphasis on training teachers locally. That they can use the local museums, they can use the local cemeteries, they can use the local archives as part of it, and I think that's been one of the geniuses of the Teaching American History program is that it has led teachers in that direction.

Teachinghistory.org’s AHA Workshop: Teaching the Past in a Digital World

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For those of you who couldn’t make it to Chicago on January 7 for our workshop, “Teaching the Past in a Digital World: New Perspectives for History Education,” at the American Historical Association (AHA) Annual Meeting, you not only missed the balmy 50 degree temperatures (not bad for Chicago in January!), but also quite a few great resources worth sharing. Here’s a recap:

After a welcome by Anne Hyde of Colorado College, I provided a brief overview of Teachinghistory.org. With about half the audience already familiar with the site, I was able to get everyone up to speed and highlight a few new features, including the newly unveiled Favorites tool, as well as the new Spotlight Pages. Responding to a commonly asked question about world history, I highlighted the many teaching materials and best practices that can apply to all historical topics, whether you teach the American or the French Revolution.

From adrenaline to Vimeo, we covered a lot of ground in Chicago.

Fitting for Chicago, Dr. Daniel Graff from the University of Notre Dame introduced ideas and resources to help teachers integrate labor history into their teaching. He provided a packet of primary sources that participants analyzed in small groups and then discussed as a whole group. The workshop helped me see new classroom connections for bringing labor history into discussions about slavery, women’s history, and the civil rights movement.

My colleague, Rwany Sibaja, presented an interactive workshop with handouts on teaching American history with digital tools. He introduced the participants to Vimeo, Prezi, and Animoto among others. I always learn new things from my Teachinghistory.org colleagues (Rwany introduced me to Prezi last year) and you can check out some of his write-ups on various tools in our Tech for Teachers section.

Next up, Paul Kolimas of Homewood Flossmoor High School moderated a session with fellow Homewood Flossmoor High School teachers Jeff Treppa and John Schmidt. They offered a presentation on a “new school” approach to the classic research paper. It was interesting to see how their techniques related back to Teachinghistory.org’s emphasis on historical thinking skills. The audience had lots of questions, so they definitely hit on a popular topic.

Molly Myers of Lindblom Math and Science Academy then turned our attention back to digital tools, focusing her talk on how she uses technology for the 3 c’s: collaboration, communication, and community building. Her presentation helped me see a lot of new possibilities and I particularly loved hearing how Molly turned to Twitter to get input from teachers on #SSChat about how they use digital tools for her presentation.

We ended the workshop with an inspiring talk by Patricia Nelson Limerick, vice-president of the AHA’s Teaching Division and professor at the University of Colorado, Boulder. She titled her talk, “Facing Down Fear: Innovation, Experimentation, and Adrenaline in the Teaching of History.” The talk lived up to the title. She spoke about the importance of trying new things, even things you might fear such as using new technology. She also talked about the importance of personal connections in the classroom (and in life) and raised the question of whether digital tools enhance or distract us from these personal links. She graciously agreed to write up her talk for Teachinghistory.org, so look for her post in the coming weeks.

So from adrenaline to Vimeo, we covered a lot of ground in Chicago. Our next stop? Kansas City for the National Council for History Education conference, March 22-24. Hope to see you there!

For more information

What did we cover at least year's AHA annual meeting? Rwany Sibaja reports on one presentation at our 2011 workshop, "Teaching and Learning History in the Digital Age."

Asian Pacific American Heritage Month 2011

Date Published
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Photo, Princess of Hawaii Kaiulani, c.1893, E. Chickering, Library of Congress
Photo, Princess of Hawaii Kaiulani, c.1893, E. Chickering, Library of Congress
Photo, Princess of Hawaii Kaiulani, c.1893, E. Chickering, Library of Congress
Article Body

In 1992, Congress passed Public Law 102.42, permanently designating May as Asian Pacific American Month. Just as with other heritage months, May is barely enough time to scratch the surface of the many strands of history the month memorializes. In May 2009, Teachinghistory.org suggested some places to start digging. Continue to dig this year, with more suggestions.

Japanese Americans and World War II

Modern history textbooks now recognize the internment of Japanese Americans in prison camps during World War II, and its violation of the U.S. understanding of citizenship has increasingly become a core strand in narratives about the war. Digital archives offer rich collections of primary sources related to the internments. Many of these sources feature children, making them a natural choice for drawing students into the story of history. Others focus on law, press, and the choices adults made both during and after the internment years.

  • Students describe their own experiences of internment in the University of Arkansas's Land of (Un)Equal Opportunity. World War II-era high-school students' essays, poems, and other documents record the thoughts of modern students' historical peers.
  • Densho: The Japanese American Legacy Project's archives preserve more than 900 hours of oral history interviews on Japanese American experiences, as well as 10,830 photographs, documents, and newspapers. Browsing them by topic reveals sources on little-covered aspects of the World War II era, such as the experiences of Japanese Hawaiians.
Chinese Americans

Photo, Manpower. Boatyard workers, Jul. 1942, Howard R. Hollem, LoC The lives and experiences of all groups in the U.S. overlap and intertwine with each other, and no group's history exists in isolation. Japanese American history didn't begin and end with World War II, nor did it exist in a vacuum. Enter the keywords "registration certificate 1942" into the search box at the Columbia River Basin Ethnic History Archive for a primary source that captures the complicated nature of identity, perception, and categorization in U.S. history. Remember that Chinese and Japanese Americans are not the only groups represented by this artifact—consider what groups' views motivated the creation of this source.

Filipino Americans

Groups within the U.S. have often banded together based on shared identities to push for change. The Seattle Civil Rights & Labor History Project tells the story of Filipino Americans and unionism in the Seattle canning industry.

Korean Americans

World War II, the Korean War, and the whole span of U.S. international history and involvement (and lack of involvement) can shift when seen from different perspectives. The University of Southern California's Korean American Digital Archive includes photographs and documents related to international events—and to daily life.

Hawaiians

Photo, Princess of Hawaii Kaiulani, c.1893, E. Chickering, Library of CongressBoth a Pacific Island and a U.S. state, Hawaii has a unique position for Asian Pacific American Month. Many different cultures come together here, including Native Hawaiian, Filipino, Japanese, Korean, and Chinese, among others, and it is one of only four states where non-Hispanic whites do not form the majority. Sources on the history of many of these groups can be found in the digital archives of the University of Hawai'i at Manoa.

More Resources

These resources touch on only a scattering of the many Asian American and Pacific American groups represented in the history of the U.S.—and only a scattering of the resources available to teachers. Comment and tell us what you use to teach Asian Pacific American history this month—and the rest of the year. What books, lesson plans, films, primary sources, and other materials have their place in your classroom and curriculum?