Minnesota: 8th-Grade Standards

Article Body

Grade eight features geography as the lead discipline with a strong
secondary emphasis on contemporary world history. Content drawn from citizenship and government, and economics, enriches the study of world regional geography, and further develops the interdisciplinary “Studies” approach. The Global Studies benchmarks pertain to four themes (listed below), offering students additional opportunities for integrated learning experiences.

Students in Global Studies explore the regions of the world using geographic information from print and electronic sources. They analyze important trends in the modern world such as demographic change, shifting t rade patterns, and intensified cultural interactions due to globalization. Students participate in civic discussion on contemporary issues, conduct historical inquiry and study events over the last half century that have shaped the contemporary world. They analyze connections between revolutions, independence movements and social transformations, and understand reasons for the creation of modern nation states. They learn that governments are based on different political philosophies and serve various purposes. By learning economic principles of trade and the factors that affect economic growth, students understand why there are different standards of living in countries around the world.

The following regions are addressed by the geography benchmarks: (1) North America (2) Europe and Russia (3) Southwest Asia and North Africa (4) East Asia and Southeast Asia (5) South Asia and Central Asia (6) Africa South of the Sahara 7. Australia/Oceania

Each Global Studies benchmark relates to one of four themes (or a Skills category): (1) Cultural Characteristics, Technology, and Ideas (2) Economic Development and Trade (3) Population and Migration (4) Human Interaction with the Environment (5) Skills such as civic skills, economic reasoning skills, geographic inquiry and geospatial technology skills, historical inquiry

Social Studies Strand 1: Citizenship & Government

Substrand 1: Civic Skills

  • 1. Democratic government depends on informed and engaged citizens who exhibit civic skills and values, practice civic discourse, vote and participate in elections, apply inquiry and analysis skills, and take action to solve problems and shape public policy.
    • 8.1.1.1.1 Exhibit civic skills including participating in civic discussion on issues in the contemporary world, demonstrating respect for the opinions of people or groups who have different perspectives, and reaching consensus.
    • For Example:
      Civic discourse skills—speaking, listening, respecting diverse viewpoints, evaluating arguments. Issues in the contemporary world might include participation in international treaty organizations, positive discrimination/affirmative action, environmental issues.

Substrand 5: Relationships of the United States to Other Nations and Organizations

  • 12. International political and economic institutions influence world affairs and United States foreign policy.
    • 8.1.5.12.1 Explain why governments belong to different types of economic alliances and international and regional organizations.
    • For Example:
      United Nations, World Trade Organization, Arab League, African Union, European Union, North Atlantic Treaty Organization, Organization of American States.

  • 13. Governments are based on different political philosophies and are established to serve various purposes.
    • 8.1.5.13.1 Explain how different types of governments reflect historically and culturally specific understandings of the relationships between the individual, government and society.
    • For Example:
      The rise of Confucianism reflected an emphasis on social harmony, the rise of dictatorships in Europe reflected an emphasis on stability, and the rise of theocracies in contemporary Iran reflects an emphasis on the primacy of religious values.

Social Studies Strand 2: Economics

Substrand 1: Economic Reasoning Skills

  • 1. People make informed economic choices by identifying their goals, interpreting and applying data, considering the short- and long-run costs and benefits of alternative choices and revising their goals based on their analysis.
    • 7.2.1.1.1 Apply reasoned decision-making techniques in making choices; explain why different governments faced with the same alternatives might make different choices.
    • For Example:
      Techniques—PACED decision-making process (Problem, Alternative, Criteria, Evaluation, Decision), benefit-cost analysis, marginal analysis, consideration of sunk costs, results of behavioral economics.

Substrand 3: Fundamental Concepts

  • 4. Economic systems differ in the ways that they address the three basic economic issues of allocation, production and distribution to meet society’s broad economic goals.
    • 8.2.3.4.1 Identify factors which affect economic growth (percentage changes in Gross Domestic Product—GDP) and lead to a different standard of living in different countries.
    • For Example:
      Factors—investment in physical capital, use of natural resources, application of new technologies, education and training, political stability.

    • 8.2.3.4.2 Identify characteristics of command, mixed, and market-based (capitalist) economies; classify the economic systems of countries in a given region.

Substrand 5: Macro-economics

  • 12. International trade, exchange rates and international institutions affect individuals, organizations and governments throughout the world.
    • 8.2.5.12.1 Explain why trade is mutually beneficial to countries; define and apply absolute and comparative advantage with respect to international trade.
    • For Example:
      Absolute advantage—using fewer resources to produce a good (based on differences in productivity).
      Comparative advantage—giving up fewer other goods to produce a good (based on differences in opportunity costs). A worker in Country A can produce two rugs or four pizzas in one day, while a worker in Country B can only produce one rug or one half of a pizza. Country A has an absolute advantage in producing both rugs and pizzas (workers can produce more of both). However, Country B has a comparative advantage in producing rugs (one rug costs one half of a pizza in Country B, while in Country A one rug costs two pizzas). Both countries would be better off if Country A specialized in producing pizzas and Country B specialized in producing rugs and they traded at a rate of one rug for one pizza.

Social Studies Strand 3: Geography

Substrand 1: Geospatial Skills

  • 1. People use geographic representations and geospatial technologies to acquire, process, and report information within a spatial context.
    • 8.3.1.1.1 Obtain and analyze geographic information from a variety of print and electronic sources to investigate places or answer specific geographic questions; provide rationale for its use.
    • For example:
      Sources—Geographic Information Systems (GIS), online atlases and databases, Google Earth or similar programs, maps, aerial photos and other images.
      Geographic questions—Where are we? What is this location like? What are the characteristics of this location? How has this place been affected by the movement of people, goods and ideas? How do people modify the environment to fit their needs? How do people organize locations into regions? How is this place similar to or different from other places? Questions might also relate to urban development, environmental concerns, transportation issues, flood control.

    • 8.3.1.1.2 Create and use various kinds of maps, including overlaying thematic maps, of places in the world; incorporate the “TODALSS” map basics, as well as points, lines and colored areas to display spatial information.
    • For Example:
      “TODALSS” map basics—title, orientation, date, author, legend/ key, source, scale.
      Spatial information—cities, roads, boundaries, bodies of water, regions.

  • 2. Geographic inquiry is a process in which people ask geographic questions and gather, organize, and analyze information to solve problems and plan for the future.
    • 8.3.1.2.1 Formulate questions about topics in geography; pose possible answers; use geospatial technology to analyze problems and make decisions within a spatial context
    • For Example:
      Questions about geographic issues might relate to urban development, environmental concerns, transportation issues, flood control.
      Geospatial technology—Geographic Information Systems (GIS), online atlases and databases, Google Earth or similar programs.

Substrand 2: Places and Regions

  • 3. Places have physical characteristics (such as climate, topography and vegetation) and human characteristics (such as culture, population, political and economic systems).
    • 8.3.2.3.1 Use appropriate geographic tools to analyze and explain the distribution of physical and human characteristics of places.
    • For Example:
      Physical characteristics—landforms (Rocky Mountains, Mount Everest), ecosystems (forest), bodies of water (Hudson Bay, Indian Ocean, Amazon River), soil, vegetation, weather and climate.
      Human characteristics—structures (Great Wall of China, Eiffel Tower), bridges (Golden Gate Bridge), canals (Erie Canal), cities, political boundaries, population distribution, settlement patterns, language, ethnicity, nationality, religious beliefs.

Substrand 3: Human Systems

  • 5. The characteristics, distribution and migration of human populations on the earth’s surface influence human systems (cultural, economic and political systems).
    • 8.3.3.5.1 Describe the locations of human populations and the cultural characteristics of the United States and Canada.
    • For Example:
      Locations of human populations—density and distribution of population, patterns of human settlement, location of major urban centers, dynamics of population growth, migration, refugees, rural to urban movement, suburbanization, migration of labor.
      Cultural characteristics—patterns of government, international relations, colonialism, patterns of language, patterns of religion, distribution of major cultural groups and minority groups, significant current changes in culture and economy.

    • 8.3.3.5.2 Describe the locations of human populations and the cultural characteristics of Latin America, including how the contemporary pattern of cities resulted from a combination of pre-European contact, colonial, and industrial urban societies.
    • For Example:
      Mexico City (site of former Aztec Capital), Brasilia (twentieth century planned city).

    • 8.3.3.5.3 Describe the locations of human populations and the cultural characteristics of Europe and Russia, including the role of migration patterns, and the impact of aging population and other effects of demographic transition.
    • For Example:
      Demographic transition caused by industrialization, warfare and European immigration.

    • 8.3.3.5.4 Describe the locations of human populations and the cultural characteristics of Southwest Asia and North Africa.
    • 8.3.3.5.5 Describe the locations of human populations and the cultural characteristics of East Asia and Southeast Asia, including how the demographic transition has influenced the region’s population, economy and culture.
    • For Example:
      The aging population of Japan, population policies of China and Japan, rural to urban migration in China, movement of Chinese and South Asian workers into Southeast Asia, migration of Hmong into Southeast Asia.

    • 8.3.3.5.6 Describe the locations of human populations and the cultural characteristics of South Asia and Central Asia, including causes for the differences in population density in the region, and implications of population growth in South Asia on the future world population.
    • For Example:
      Relative stability of steppe nomads (herders) over time in Central Asia, intensive agricultural development and demographic transition in South Asia.

    • 8.3.3.5.7 Describe the locations of human populations and the cultural characteristics of Africa South of the Sahara, including the causes and effects of the demographic transition since 1945.
    • For Example:
      Industrialization of South Africa, rural to urban migration, the AIDS epidemic, transnational migration.

    • 8.3.3.5.8 Describe the locations of human populations and the cultural characteristics of Australia/ Oceania
  • 6. Geographic factors influence the distribution, functions, growth and patterns of cities and human settlements.
    • 8.3.3.6.1 Describe how the physical and environmental features of the United States and Canada affect human activity and settlement.
    • For Example:
      Physical and environmental features—Climate, landforms, distribution of resources, waterways, ecosystems.

    • 8.3.3.6.2 Describe how the physical and environmental features of Latin America affect human activity and settlement.
    • 8.3.3.6.3 Describe how the physical and environmental features of Europe and Russia affect human activity and settlement.
    • 8.3.3.6.4 Describe how the physical and environmental features of Southwest Asia and North Africa affect human activity and settlement.
    • 8.3.3.6.5 Describe how the physical and environmental features of East Asia and Southeast Asia affect human activity and settlement.
    • 8.3.3.6.6 Describe how the physical and environmental features of South Asia and Central Asia affect human activity and settlement.
    • 8.3.3.6.7 Describe how the physical and environmental features of Africa South of the Sahara affect human activity and settlement.
    • 8.3.2.6.8 Describe how the physical and environmental features of Australia/ Oceania affect human activity and settlement, including how the human populations have adapted to and changed the landscape differently over time.
    • For Example:
      Aboriginal peoples, gold rush, opal mining, expansion of commercial agriculture, development of the Outback.

  • 7. The characteristics, distribution and complexity of the earth’s cultures influence human systems (social, economic and political systems).
    • 8.3.3.7.1 Describe independence and nationalist movements in Sub-Saharan Africa and Asia, including India's independence movement.
    • For Example:
      Creation of South Sudan, attempted Biafran independence movement, separation of Singapore from Malaysia, separation of Bangladesh from Pakistan.

  • 8. Processes of cooperation and conflict among people influence the division and control of Earth’s surface.
    • 8.3.3.8.1 Describe the impact of nationalist movements in the twentieth century on contemporary geopolitics in Southwest Asia and North Africa.
    • For Example:
      Turkish War of Independence, Israeli and Palestinian territorial dispute, various nationalist parties, “Arab Spring”.

Substrand 4: Human Environment Interaction

  • 10. The meaning, use, distribution and importance of resources changes over time.
    • 8.3.3.10.1 Explain how the changing patterns of industrialization and trade between the United States, and Canada or Mexico, have resulted in close connections between the countries in terms of manufacturing, energy and finance.
    • For Example:
      Trade patterns between Minnesota and Mexico, North American Free Trade Agreement, trade patterns between Minnesota and Canada, the building of the Great Lakes Seaway, the manufacturing of automobiles and other products in the Great Lakes Industrial Region, the development of the Canadian oil and gas fields and the pipelines connecting them to markets in the United States.

    • 8.3.3.10.2 Describe the impact of comparative advantage, the international division of labor, and de-industrialization on manufacturing regions and commercial districts within urban areas in the United States and Canada.
    • For Example:
      Decline of the Midwest as an industrial region because of the outsourcing of manufacturing, the rise of export focused garment manufacturing in China, Southeast Asia and elsewhere, the development of call centers and computer technology support services in India.

    • 8.3.3.10.3 Describe the changing role of Latin America in global trade networks.
    • 8.3.3.10.4 Describe the role of Europe in the global economy today.
    • 8.3.3.10.5 Describe how the distribution and development of oil and water resources influence the economy and societies of Southwest Asia and North Africa.
    • 8.3.3.10.6 Identify the characteristics of a market economy that exist in contemporary China; describe how China's changing economy has impacted the United States and the global economic system since 1970.
    • 8.3.3.10.7 Analyze the role of comparative advantage in the rise of the Indian market economy in the global economic system.
    • For Example:
      Large number of educated speakers of English able to work in call centers, development of manufacturing based on local capital, labor and markets, development of high-tech industry, international finance.

Social Studies Strand 4: History

Substrand 1: Historical Thinking Skills

  • 2. Historical inquiry is a process in which multiple sources and different kinds of historical evidence are analyzed to draw conclusions about what happened in the past, and how and why it happened.
    • 8.4.1.2.1 Pose questions about a topic in world history; gather and organize a variety of primary and secondary sources related to the questions; analyze sources for credibility and bias; suggest possible answers and write a thesis statement; use sources to draw conclusions and support the thesis; and present supported findings and cite sources.

Substrand 4: United States History

  • 13. Post-World War II political reorganization produced the Cold War balance of power and new alliances that were based on competing economic and political doctrines. (The World After World War II: 1950-1989)
    • 8.4.3.13.1 Analyze connections between revolutions, independence movements and social transformations during the Cold War era. (The World After World War II: 1950-1989)
    • For Example:
      Revolutions—Latin America, Iran; independence movements in Africa, Southeast Asia.
      Social transformations—demographic changes, urbanization, Westernization.

    • 8.4.3.13.2 Explain the major differences in the political and economic ideologies and values of the Western democracies and the Soviet bloc. (The World After World War II: 1950-1989)
    • 8.4.3.13.3 Describe political challenges and struggles of newly independent countries during the Cold War era. (The World After World War II: 1950-1989)
    • For Example:
      Ghana (1957), Uganda (1962), Algeria (1962), Belize (1945), Mozambique (1975), Cambodia (1953), Indonesia (1949), Philippines (1946).

  • 14. Globalization, the spread of capitalism and the end of the Cold War have shaped a contemporary world still characterized by rapid technological change, dramatic increases in global population and economic growth coupled with persistent economic and social disparities and cultural conflict. (The New Global Era: 1989 to Present)
    • 8.4.3.14.1 Describe causes of economic imbalances and social inequalities among the world’s peoples in the post-colonial world and efforts made to close those gaps. (The New Global Era: 1989 to Present)
    • For Example:
      Causes of imbalances—political conflicts, natural disasters, the economic legacy of colonialism, access to health care, technology, education.
      Efforts made to close the gaps—human rights organizations, United Nations Millennium goals.

    • 8.4.3.14.2 Compare and contrast the development of diasporic communities throughout the world due to regional conflicts, changing international labor demands and environmental factors. (The New Global Era: 1989 to Present)
    • For Example:
      Diasporic communities such as those originating from the Horn of Africa, Latin America, West Africa, Southeast Asia, India.

    • 8.4.3.14.3 Describe varieties of religious beliefs and practices in the contemporary world including Shamanism/Animism, Hinduism, Buddhism, Judaism, Christianity and Islam. (The New Global Era: 1989 to Present)
    • 8.4.3.14.4 Analyze how Pacific Rim countries have achieved economic growth in recent decades. (The New Global Era: 1989 to Present)
    • For Example:
      Pacific Rim Countries—Four Tigers (South Korea, Singapore, Taiwan, Hong Kong), Japan, China.

    • 8.4.3.14.5 Assess the state of human rights around the world as described in the 1948 Universal Declaration of Human Rights. (The New Global Era: 1989 to Present)
    • 8.4.3.14.6 Describe how movements and social conditions have affected the lives of women in different parts of the world. (The New Global Era: 1989 to Present)
    • For Example:
      Social status, education, economic opportunity, political and civil rights.

    • 8.4.3.14.7 Assess the influence of television, the Internet and other media on cultural identity and social and political movements. (The New Global Era: 1989 to Present)
    • For Example:
      Social media, cell phones, blogs, government censorship. Social and political movements such as “Arab Spring”.

    • 8.4.3.14.8 Describe how groups are reviving and maintaining their traditional cultures, identities and distinctiveness in the context of increasing globalization. (The New Global Era: 1989 to Present)
    • For Example:
      Revitalizing a dying language, resisting western influence.

World War and Literature

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Poster, Books wanted for our men in camp..., c.1918-1923, C.B. Falls, LoC
Question

Can you suggest any literature covering World War I to World War II that my 10th-grade world history class can read? I am looking for short stories or novels from that period that would interest my students. I would like stories that include what life was like during these years for young people.

Answer

Historical literature can really grab your students' interest. Consider the following excerpt:

They had come for him just after midnight. Three men in suits and ties and black fedoras with FBI badges under their coats. 'Grab your toothbrush,' they’d said. This was back in December, right after Pearl Harbor, when they were still living in the white house on the wide street in Berkeley not far from the sea. The Christmas tree was up and the whole house smelled of pine, and from his window the boy had watched as they led his father out across the lawn in his bathrobe and slippers to the black car that was parked at the curb.

He had never seen his father leave the house without his hat on before. That was what had troubled him most. No hat. And those slippers: battered and faded, with the rubber soles curling up at the edges. If only they had let him put on his shoes then it all might have turned out differently. But there had been no time for shoes.

Grab your toothbrush.
Come on. Come on. You’re coming with us.
We just need to ask your husband a few questions.
Into the car, Papa-san

Later, the boy remembered seeing lights on in the house next door, and faces pressed to the window. One of them was Elizabeth's, he was sure of it. Elizabeth Morgana Roosevelt had seen his father taken away in his slippers.

The next morning his sister had wandered around the house looking for the last place their father had sat. Was it the red chair? Or the sofa? The edge of his bed? She had pressed her face to the bedspread and sniffed.

"The edge of my bed," their mother had said.

That evening she had lit a bonfire in the yard and burned all of the letters from Kagoshima. She burned the family photographs and the three silk kimonos she had brought over with her nineteen years ago from Japan. She burned the records of Japanese opera. She ripped up the flag of the red rising sun. She smashed the tea set and the Imari dishes and the framed portrait of the boy's uncle, who had once been a general in the Emperor's army. She smashed the abacus and tossed it into the flames. "From now on," she said, "we are counting on our fingers."

The next day, for the first time ever, she sent the boy and his sister to school with peanut butter and jelly sandwiches in their lunch pails. "No more rice balls," she said. "And if anyone asks, you're Chinese."

The boy had nodded. "Chinese," he whispered. "I'm Chinese."

"And I," said the girl, "am the Queen of Spain."

"In your dreams," said the boy.

"In my dreams," said the girl, "I'm the King."

When the Emperor Was Divine, a novel by Julie Otsuka, p. 73–75

Recommendations

This list includes books considered to be for adult readers as well as books considered to be for young adult readers. These labels are only somewhat useful. Occasionally the young adult books are less challenging, though perhaps equally rewarding, for the reader.

A Very Long Engagement by Sebastien Japrisot won the Prix Interallie in 1991. This nonlinear mystery is a moving and incisive portrait of life in France during and after the First World War.

An ambitious, meticulously researched, novel, The Green Glass Sea by Ellen Klages is set in New Mexico in 1943 and told from the viewpoint of two disenfranchised children at Los Alamos where scientists and mathematicians converge (along with their families) to construct and test the first nuclear bomb. Grades 5–up.

No Pretty Pictures, Caldecott illustrator Anita Lobel's haunting memoir of her traumatic years in Nazi-occupied Poland, is told from the perspective of a child—she is just five when the war begins—who does not fully comprehend what she is witnessing. Grade 6–up.

Private Peaceful by Michael Morpurgo is a slim, stunning, and easily accessible novel written by the author of War Horse. "Exquisitely written vignettes explore bonds of brotherhood that cannot be broken by the physical and psychological wars of the First World War," said Horn Book Magazine. Grade 7–up. Match with the superb photo-essay The War to End All Wars: World War I by Russell Freedman.

Bird in a Box by Andrea Davis Pinkney is a graceful, restrained, and detailed portrait of America's Great Depression, a time when the radio delivered the sound of Ella Fitzgerald and Duke Ellington into living rooms across the country and boxing champion, Joe Lewis, the "Brown Bomber," came to represent so much more than the zenith of a sport. Grade 4–up.

Set on the Laguna Pueblo Reservation in the years immediately following World War II, Ceremony by Leslie Marmon Silko, focuses on Tayo, a young vet of mixed Indian ancestry. The book is Tayo's story of return and redemption. "The novel is very deliberately a ceremony in itself—demanding but confident and beautifully written," said the Boston Globe.

The Book Thief by Markus Zusak is an unsettling, unsentimental, poetic novel, set in World War II and narrated by Death. This is not an easy read, but it is a book that can change a life. Grade 9–up.

We Are the Ship by Kadir Nelson is a sumptuous history of Negro League Baseball from its beginning in the 1920s to 1947 when Jackie Robinson broke the major leagues’ color barrier. Dazzling, almost iconic paintings illustrate the easygoing, conversational, historically detailed text, and all in all the book illuminates more than baseball in the '20s and '30s—it is a history of all of us. Grade 4–up.

The narrator of Ruta Sepetys's Between Shades of Gray, 15-year-old Lina, begins "They took me in my nightgown." In 1941, Stalin is deporting families from Lithuania and imprisoning them in Siberia where daily life is brutal. It is the slim possibility of survival that provides hope. This book is similar to Esther Hautzig's earlier autobiographical novel, Endless Steppe in that it is similarly themed and equally searing. In Endless Steppe, 10-year-old Esther Rudmin is arrested with her family in Poland as "enemies of the people" and exiled to Siberia. Grade 6–up.

Homestead, by Rosina Lippi, is a series of interconnected vignettes beginning in 1909, about life in Rosenau, a small isolated village in the Austrian Alps. The villagers harvest, tend animals, and make cheese. Against this pastoral backdrop are all of life's vicissitudes. The prose is clean and clear, each chapter is seemingly autonomous but as we see an event (over generations) from different characters' points of view, the life of Rosenau becomes increasingly rich and complex. This novel won the 1998 Hemingway Foundation/PEN Award for best first fiction and was short-listed for the 2001 Orange Prize.

Complete List of Titles
  • When the Emperor Was Divine by Julie Otsuka
  • A Very Long Engagement by Sebastien Japrisot
  • The Green Glass Sea by Ellen Klages
  • No Pretty Pictures: A Child of War by Anita Lobel
  • Private Peaceful by Michael Morpurgo
  • The War to End All Wars: World War I by Russell Freedman
  • Bird in a Box by Andrea Davis Pinkney
  • Ceremony by Leslie Marmon Silko
  • The Book Thief by Markus Zusak
  • We Are the Ship: The Story of Negro League Baseball by Kadir Nelson
  • Between Shades of Gray by Ruta Sepetys
  • The Endless Steppe: Growing Up in Siberia by Esther Hautzig
  • Homestead by Rosina Lippi
For more information

See here to search the California literature recommendations. Choose “historical fiction” as one of your search parameters.

This Ask a Master Teacher entry has some other helpful resources for finding historical literature.

International Spy Museum

Description

The International Spy Museum is "the only public museum in the United States solely dedicated to espionage," according to its website, featuring "the largest collection of international espionage artifacts ever placed on public display." The museum works to offer an apolitical view into the world of spies and espionage and to explore the importance of espionage work worldwide, both in the past and the present day.

The museum offers downloadable educator guides, pre- and post-visit materials, workshops for grades 5–12, bus tours, and long-distance web-conferencing-based programs.

Michael Yell on Making Every History Lecture Engaging

Date Published
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Photography, Lecture in Milan Italy, 4 Sept 2011, Francesco Spagnolo, Flickr CC
Article Body

The lecture has fallen on difficult times . . . it relies too heavily on auditory input and makes students passive as opposed to active learners. —Silver, Strong, and Perini (1)

As history teachers we may often use the lecture format, and perhaps many of us had our first excitement about history ignited by an incredible lecture that sparked our interest in the past. But we also know that  for an engaging lesson, we need students to be actively involved in that lesson. They must be actively processing what they are hearing. Because interaction and engagement are the climate to set in our history classes, our focus must be on more than teacher-led lectures consisting of just "teacher talk/students listen." A lot more.

Incorporating two elements into your lecture will make it interactive and engaging for your student.

You may have decided that you are going to use a lecture to impart a certain amount of information to your students. And perhaps you have some slides you wish to have them view, so you have created a PowerPoint presentation. Can the lecture be made more engaging? Can the lecture become less a passive imparting of information and more an interactive experience grappling with that information? Absolutely! Incorporating two elements into your lecture will make it interactive and engaging for your students:

  1. An introduction that taps into students curiosity, involves them, and grabs their attention; and
  2. The use of processing strategies throughout the lecture allowing students to interact with the content, and with each other.
Beginning the Lecture

To begin with, make the students first encounter with your lecture an interactive encounter. Rather than “Okay, take out your notebooks,” you might choose to begin with a Discrepant Event Inquiry. In this strategy (which my students have always termed their favorite), a puzzling statement or story is presented to students which they must figure out using questions that are answerable with a yes or a no. Questions build upon questions and answers build upon answers as students try to figure out the puzzle. Try beginning a lecture on General U.S. Grant with an inquiry such as "Although this person failed at much, this person’s successes ensured his success."

Or perhaps begin your lecture with a Media Hook. In this simple strategy you will select a powerful visual image to show the class. If you have an LCD or Smartboard the image can be made large enough for students to come up and interact with. Imagine the interest generated by beginning a lecture on the Depression with viewing Dorothea Lange’s "Migrant Mother." Use guiding questions to have students identify specific components of the image.

During the Lecture

During the lecture give students time to review, formulate questions about the ideas, and process.

There are many excellent quick-write strategies that can be used to augment note-taking during the lecture.

One quick strategy for processing is a Think-Pair-Share. At particular points, stop lecturing and ask an open-ended question about the material that has been covered. Students are given a short amount of time to think about their answer. Students then pair up to discuss their answer, and a brief whole-class discussion ensues. A variation of this is a Timed-Pair-Share in which students think about the open-ended question and in pairs take turns discussing their ideas, each for a specified period of time. Another strategy for processing is Spencer Kagan’s Numbered-Heads-Together. After numbering off one through four in a group, students put their heads together to discuss. A number is then called; the students with that number in each group must explain their group’s ideas.

And if you are using PowerPoint or other presentation programs during the lecture, pause at a picture and discuss it, and/or listen to a recording. Imagine pausing during a lecture on the Civil War to have students listen to a recording of a reading of the Sullivan Ballou letter from the soundtrack of Ken Burns’s Civil War (there are a number of excellent YouTube clips with this letter and accompanying images).

Finally, there are many excellent quick-write strategies that can be used to augment note-taking during the lecture. One excellent example is Sentence Syntheses. In addition to inserting within a lecture, it is particularly good for closure. In this quick-write, students construct meaningful sentences on ideas from the lecture, using two or three key terms. They then share these sentences. In a lecture on the Constitution, for example, the teacher might select the words separation, Constitution, and branch. Students must use all three words in a sentence that might come out like this: "Separation of powers is the principle in our Constitution of dividing powers between the different branches of government."

Or you might pause and have students respond to a Question All Write (which is exactly what its name states; you as the teacher give your students a question and they all write the answer prior to the classroom discussion). At the end of the lecture, you might ask students to write and share Outcomes Sentences, which, as in a Question All Write, has students responding in writing to a teacher prompt. Students complete the sentence stem I learned that…, or I still wonder why….

A lecture need not be a passive experience for students. It can easily become an interactive experience that will engage them in the ideas you are imparting. Give some of these mini-strategies a try in your next lecture.

Bibliography

1 Harvey F. Silver, Richard W. Strong, and Matthew J. Perin, The Strategic Teacher: Selecting the Right Research-based Strategy for Every Lesson (Alexandria, VA: Association for Supervision and Curriculum Development, 2007).

For more information

Yell recommends several resources for finding quick engaging mini-strategies that can be inserted to make a lecture more interactive:

  • Merrill Harman and Melanie Toth, Inspiring Active Learning (Alexandria, VA: Association for Supervision and Curriculum Development, 2006).
  • Spencer Kagan and Miguel Kagan, Kagan Cooperative Learning (San Clemente, CA: Kagan, 1994).
  • Michael Yell, Geoffrey Scheurman, and Keith Reynolds, A Link to the Past: Engaging Students in the Study of History (Silver Spring, MD: National Council for the Social Studies, 2004).

Check out Yell's past blog entries here at Teachinghistory.org for more strategies, including ideas for teaching with documentary films, using textbooks, and drawing students into history as a mystery.

In a Ask a Master Teacher, we answer the question "How do I mix document-based teaching with lecture-style teaching to try to make sure the students learn the entire curriculum?"

Diana Laufenberg's What If?

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Photo of illustration, Alternate Realities, May 24, 2010, jurvetson, Flickr
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NOTE: Deemed not acceptable for publication

  • What if Ben Franklin died in his electricity experiment?
  • What if Albert Einstein died before the theory of relativity was released?
  • What if Alice Paul and Lucy Burns were assassinated?
  • What if the Selective Service Act from World War I was not ratified?
  • What if Prohibition was not repealed?
  • What if Joseph Kennedy, Jr. lived?
  • What if JFK did not come to a diplomatic resolution to the Cuban Missile Crisis?
  • What if Ronald Reagan did not survive his assassination attempt?
  • What if Britain and the U.S. did not have the Revolutionary War?
  • What if Nat Turner did not get caught?
  • What if Puerto Rico did not become a U.S. territory?
  • What if Amelia Earhart survived her 1937 flight?
  • What if segregation in schools was never overturned?
  • What if Rachel Carson’s book Silent Spring did not "catch on" and DDT was never banned?
  • What if Osama bin Laden died in 1980?
  • What if Bill Gates's middle school never bought a computer terminal and made it available to students?
  • What if al-Qaeda was successful in the car bombing of the Twin Towers in 1993?

This is a sampling of questions asked by my juniors in their final project for American History. Counterfactual or alternate history is a fringe topic amongst academic historians. However, as a class activity it challenges students to understand history as more than a series of inevitable events. The What If? project focuses on the specific engagement of the individual student with a deep investigation of the historical record. The steps that take the student through the exercise are challenging, couched in research, and steeped in creativity.

Student Steps for Executing the "What If?" Unit:
  1. Brainstorm for ideas—think back to the most interesting units of study from the past year as a place to start; what are you most curious about in American history? The goal is to establish the Point of Divergence (POD).
  2. Investigate 2–3 PODs for the project.
  3. Choose one POD and fill out the contract for completing the project.
  4. Receive the graphic organizer that serves as a one-stop shop for writing down the pieces of the project. You will fill this out as you work through the project.
  5. Identify at least three primary source documents that PRECEDE your POD. (This establishes students' understanding of the historical record leading up to their PODs.)
  6. Use the National Archives Primary Source Document Analysis Worksheets to analyze your primary sources.
  7. Brainstorm three NEW events to add to the altered timeline that results after the POD.
  8. Create two primary source documents for each new event, to establish the events as 'real.'
  9. Finally, after they complete these eight steps, students use all the pieces amassed on their graphic organizers to pull together multimedia projects that utilize each piece of their evidence, real and created, in order to represent 2011 as it exists after their PODs. Students then post their work on their blogs and each writes a lengthy reflection. They answer questions including

  • What did you like about this project?
  • What was most challenging?
  • Describe the most interesting fact or event that you investigated.
  • How do the actions of individuals impact the historical record?
  • How do systemic changes impact the historical record?
  • How influential can one decision be in the historical landscape?
  • How could this project be improved?
  • If you had it to do over, what would you change about your process for the project?
Student Responses to the Project

Many times over I hear the students say things like, "You have no IDEA how much I know about this topic." They push back when I try to poke holes in their logic with events from the historical record; they cite primary sources when I need more proof. Their reflections often are the most telling records of the learning that occurs during this process. They write:

The thing that I found most fun about this project, was coincidentally the same thing I thought was the most difficult, and that was the fact that there were so many different possibilities. It was very fun to see how different events related to one another, and how changing one could set off this long domino effect about all of history.Dennis

My favorite part of the actual creating of the project was definitely fabricating primary source documents. I felt so cool, like some kind of all-powerful, primary-source-creating being.Luna

I liked that I had free control to change something in history. It gave me the opportunity to choose something I was passionate about and change it to my liking. On the flip side, it was hard to pick something to change that would give me the outcome I wanted.Ayanna

I really liked the hypothetical part of this benchmark, it left a lot of room for creativity. I enjoyed making my primary source documents and making up a different future for our country. However, topic choice was definitely the most difficult thing for me.Emma

What I like about the project was that it made me do a lot of thinking and I learned a lot of history by going out on my own and researching the information that I needed.Sam

Learning through Challenge

This unit causes my brain to hurt. This project causes my students' brains to hurt. It puzzles, stumps, and perplexes us. Students choose topics poorly but do not realize it until well into the project. I approve a topic that is 'too big' and we are challenged to find a way out as the project comes to a close. There are contracts, organizers, analysis, predictions, and sweat involved in this project. In the end, each student learns. They learn content in an intense and curious manner. They learn skills with an urgency of 'I need to know this right now.' They learn their limitations and challenges in the most instructive of ways. This unit also pushes me in all these ways and more. It pushes me as a teacher and as a constant student of history to be the type of resource they need throughout this project. This is learning in its most messy and beautiful form.

For more information

In Ask a Historian, John Buescher looks at how complicated (and ultimately unanswerable) questions of 'what if? can be (here, for World War II history).

Ask students to 'stop action and assess alternatives,' suggests teacher educator Lori Shaller. This teaching strategy can help students realize that history, as it was happening, presented its participants with constant 'what ifs?'

"Uncoverage" in History Survey Courses

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A middle school student completing a writing assignment. NHEC
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The emphasis in survey courses is on "coverage"—trying to get through vast quantities of material. This can create routines which, according to Lendol Calder, rarely lead students to develop skills as historical readers, writers, and thinkers. As one of the study participants put it, in history survey courses you listen to a lecture, then you read a textbook, then you take a test. And then you do it all over again. Many teachers, however, acknowledge that covering everything is an impossible goal. But if "coverage" is not the aim of survey courses, then what is?

In this article from the Journal of American History, Calder argues for a new way of teaching these courses. Too often, history survey courses focus only on "what happened," without stopping to consider the work that historians do or to inquire into the writing and reading of history. Calder argues that "uncoverage" (a term used by Grant Wiggins and Jay McTighe to describe a way to delve into content instead of just covering it) is naturally suited to history, which is about inquiry, argument, and point of view, and often uses incomplete evidence to construct reasonable stories about the past. Calder claims that plowing through piles of historical facts actually prevents students from connecting with the disciplinary work of history. By emulating the work of historians, students actually retain content better, because they are more engaged in the process of learning and absorbing information.

. . . plowing through piles of historical facts actually prevents students from connecting with the disciplinary work of history.

Although the article focuses on college-level courses, the uncoverage concept could apply just as well to middle- and high-school classes, which are almost always taught as survey courses.

Framing the Course

Calder begins by asking students to consider reasons for studying history, the problems that arise in the pursuit of historical knowledge, and the stories and patterns from the past. After explaining the nature of "doing history," Calder explains that the class will be focusing on particular "problem areas" from the American past such as "Origins of the Cold War" and "1980s Culture Wars." For each problem area, Calder identifies six historical skills students can develop: questioning, connecting, sourcing, making inferences, considering alternate perspectives, and recognizing limits to one’s knowledge. At the heart of his approach are three modes of inquiry that students should learn to employ: the visual, the critical, and the moral.

. . . three modes of inquiry that students should learn to employ: the visual, the critical, and the moral.
Visual Inquiry

Calder tackles each problem area with a visual inquiry into the period. Through films that focus on historical topics and create an environment rich in information, students can become engaged and begin to ask historical questions. This approach "uncovers" the way historians choose topics to focus on, based on what they find interesting or have questions about.

Critical Inquiry

Next, Calder has his students engage in critically examining the problem area. In a structured history workshop, students examine primary documents and construct interpretations about the period. During this phase, Calder emphasizes questioning what doesn’t make sense, drawing connections to prior knowledge, making inferences, and considering alternate perspectives.

Moral Inquiry

Finally, Calder leads his students into what he calls "a moral inquiry" of the problem area. By this time students are primed to begin reading opinionated secondary sources that seem to "pick a side" in the history they tell. Particularly useful are provocative texts that prompt students to consider how they would think or write about interpretations of the past.

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Marginalia, CHNM
In the Classroom
  • If you teach a survey class, it's time to take a step back. Don’t worry about what you need to "cover." Instead, think about what you want to teach.
  • Consider which overarching history lessons students need to know. Ask your students questions like "What is the story of American history?" and "How and why have freedoms expanded (or contracted) over time?"
  • Next, consider the skills you want your students to acquire. Calder hoped his students would gain an understanding of how historians do their work. Perhaps you want students to conduct a conversation about how history is written. Or maybe your students could develop concrete skills such as using evidence to support their claims.
  • Once you’ve decided on your ultimate aims, consider what units of instruction would promote them. You’ll still be covering content, of course, but in the service of setting bigger goals for your students.
  • Leaving out material is hard. But remember, no one can teach everything. Using the "uncoverage" approach, you can explain to students why you’re teaching what you’re teaching.
Sample Application

Instead of asking them to memorize textbook pages or lecture notes, Calder presents his students with big questions about American history, such as:

  • What is the story of American history?
  • Who are Americans?
  • What have we accomplished?
  • How do we judge what we have done?
  • Are things getting better or worse, or are generalized statements like these possible to believe in the first place?

From there Calder asks questions about the process of "doing" history:

  • How do historians know what they claim to know?
  • Why would we want to think the way historians think?

Calder is asking his students to think about why and how they are studying history. These questions about purpose and process are at the heart of "uncovering" history.

For more information

Lendol Calder, with the assistance of Melissa Beaver, created a website to accompany his JAH article. Visit to explore his ideas in greater depth.

Bibliography

Lendol Calder, "Uncoverage: Toward a Signature Pedagogy for the History Survey," The Journal of American History, volume 92, no. 4 (March 2006), pp. 1358-1369. http://jah.oxfordjournals.org/content/92/4/1358.full.

Multiperspectivity: What Is It, and Why Use It?

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Photo, San Francisco, Calif., April 1942. . . , Library of Congress
Question

What is multiperspectivity in history?

Answer

Exploring multiple perspectives (which is known as "multiperspectivity" in parts of Europe) requires incorporating source materials that reflect different views of a historical event. In recent decades scholars and educators have begun to question the validity of singular (one-sided) historical narratives. Instead of just focusing on dominant groups and communities, they recommend employing multiple perspectives. One reason for this stems from increasing diversity and cultural pluralism, since many groups—women, the poor, ethnic minorities, etc.—have been ignored in traditional historical narratives.

. . . many groups—women, the poor, ethnic minorities, etc.—have been ignored in traditional historical narratives.

Another reason is disciplinary. After all, good historians don’t just settle for one perspective on a historical issue—they piece together many (sometimes competing) versions of a story to construct an accurate interpretation. As Ann Low-Beer explains, "In history, multiple perspectives are usual and have to be tested against evidence, and accounted for in judgments and conclusions."

Here's an instance of using multiple perspectives: When studying the voyages of discovery, students would not only learn about explorers like Columbus, but about the peoples who had been "discovered." Historian Jon Wiener, writing in American History 101 in Slate magazine, offers the following example:

In the case of Reconstruction. . . I focus [on] the three most significant [perspectives]: the Northern Radicals, who shaped federal policy and who wanted to bring the former slaves into the economy of the free market, as wage earners, and into the political system, as voters; the Southern planter elite, who wanted to preserve as much of the old plantation labor system as possible; and the former slaves themselves. Their understanding of freedom was, as Eric Foner has written, "shaped by their experiences as slaves." Freedom for them meant freedom to work for themselves—economic autonomy and access to land. This argument shows the freedmen defining their own interests, in conflict with the federal government, which claimed to represent them. Thus, instead of giving students a list of facts and dates to memorize, I would ask them to conceive of what's happening as a three-sided conflict over the meaning of freedom.

. . . instead of giving students a list of facts and dates to memorize, I would ask them to conceive of what's happening as a three-sided conflict over the meaning of freedom.

Consequently, for Wiener, "students end up learning not just about what happened during Reconstruction, but about how history itself gets reconstructed."

If not yet universal, this approach is widely accepted. In its most recent Position Statement, the National Council for the Social Studies in the United States recommended students learn to "think critically, and make personal and civic decisions based on information from multiple perspectives."

So what can a classroom teacher do? Try incorporating primary sources that represent a range of views on a historical issue. Then, ask students to spend some time thinking about why different groups may see the same event in different ways. Oftentimes a different story emerges when those multiple perspectives are put together. The result is enriched historical understanding.

Women Taking History: Women's History Month 2011

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Photo, Woman with camera, White House, Washington, D.C., Apr. 8, 1922, LoC
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African American History Month ends, and Women's History Month begins! Take a glance around the internet, and you'll find plenty of resources for teaching women's history—whether it be the Seneca Falls Convention, heroes of the American Revolution and the Civil War, social activists, First Ladies, workers during the World Wars, jazz and blues stars, or presidential candidates. You'll find photographs of many of these women, too—working in factories, on the campaign trail, helping the wounded, conducting scientific experiments.

But who takes these photographs? Who makes these images that become the records of history? Aren't the people behind the camera as significant as the ones in front of it?

Of course they are, though they can easily be forgotten. When we look at photographs of Amelia Earhart, we rarely ask who took the photo. When we're struck by a picture of New York during 9/11, do we ever ask if it was snapped by a man or a woman?

Explore women's history behind the camera this Women's History Month. What have women chosen to capture on film, as they record and live through history?

Taking Photos and Making History
  • The Kansas Historical Society tells the story of Alice Gardiner Sennrich, a professional photographer early in photography's commercial history. Born in 1878, Sennrich purchased a Kansas photography studio in 1902, and ran it throughout her life, including after her marriage. Recognized by the National Association of Photographers, she was also active in the Photographers Association of Kansas (PAK), an organization that had active female members since its founding. You can hear more about Sennrich in this podcast by the Society.
  • During the Great Depression, the Federal Government gave photographers, both men and women, work documenting the lives of ordinary U.S. citizens and the social conditions of the day. The Library of Congress's American Memory collection From the Great Depression to World War II: Photos from the FSA-OWI preserves more than 150,000 of these photographs. Try browsing the collections' black-and-white and color photos by creator. Look for women's names and work—and remember to check names with only a first initial and a surname! These may be women, too. Giving only a first initial was (and remains) one way to avoid being judged (at least in print) by gender.
  • Photographs aren't always taken as documentation. Sometimes, they're carefully composed as art. The online archive Women Artists of the American West showcases the artwork of 19th- and 20th-century Western women. Photography exhibits include photographs by white women of Pueblo arts and crafts workers (many of them women), taken from 1900 to 1935; modern art photography by Native women; landscape photography by Laura Gilpin (1891–1979); and 1972–1997 lesbian photography (some pages contain nudity). The Women in International Photography Archive, collects essays on more than 25 women photographers.
  • For an example of a modern photographer using her work as part of a political journalistic career, check out Jo Freeman.com. A writer, lawyer, and activist, Freeman's site features her photographs of Democratic and Republican conventions, marches and protests, New York after 9/11, the Chicago riot following Martin Luther King, Jr.'s assassination, and Congresswoman Shirley Chisholm's 1972 campaign for the presidency.

If photographs aren't enough, branch out into art, journalism, fiction and nonfiction writing, and other ways of recording and responding to the world, all meant for the public eye. What have women created and documented? What were their (myriad, uncountable) reasons for crafting "snapshots" and composing reactions? Women make history when they're behind its lens, as well as in front!

Further Resources

Looking for more resources? Take a quiz on women in history, with our weekly quiz archive! See how well you do on quizzes with subjects like women in the West. Search our Website Reviews, as well—we've reviewed and annotated more than 200 websites with women's history content.

If you'd still like more, these organizations feature content and pages created just for Women's History Month:

For more information

Speaking of photographs, the Smithsonian is looking for help identifying women in photographs with missing or incomplete background information. Take a look and see if you can help out!

Finding Local History Resources

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Photo, The old neighborhood. . . , Christopher Frith, 1998, NYPL
Question

I have been unable to find teaching materials and/or curriculum for the teaching of local history. Our small town has a very rich history, including being the place where Lewis and Clark joined together to form their expedition, and the town that is the oldest American town in what was the entire Northwest Territory. It is also the site of the only home that George Rogers Clark ever owned. We also have extensive archaeology of Archaic, Woodland, and Mississippian periods.

We would like to incorporate teaching our town's history into the curriculum of grades K-5, but find no curriculum help or materials to do so.

Answer

Learning history through a local lens can be an engaging and powerful way to study the past. It sounds like your town (in Indiana, I presume?) has a rich history to mine with elementary students. For curricular resources, first try local museums, libraries, and historic sites. Their local collections often have interesting and evocative primary sources and orienting secondary material that can be curricular building blocks.

Some of these local institutions even provide lessons, resources, and field trips designed especially for the K-5 classroom. See this site's Museum and Historic Sites search for locating institutions near your community.

But even without specific curriculum, repositories of historic photographs, documents, maps, and other sources can get you well on your way to creating classroom plans.

Here are some tips for creating local history curricula for the elementary classroom:

Remember your state's standards—these can help you identify important topics, themes, and concepts at each of the grade levels. (Click here to search state standards.)

Timelines and maps are invaluable tools for helping students of all ages study history. From using a timeline to understand photographs that show a changing town landscape to using maps to understand settlement patterns, these tools help young students locate primary sources in concrete ways and read and analyze these sources. Connections between local and regional or national events can also be more transparent for students when timelines and maps are compared. For instance, compare a timeline of national events with a timeline of local events to help students see these connections.

Guiding questions are important. Use them to help students read and look carefully at sources and consider the significance of what they see.

Remember that walking tours can help students engage with the past. Seek out local history experts to help you identify promising sources, stories, and sites.

Use existing curricula and lesson ideas on this site to help you plan questions, activities, and lesson structures. For example, see this teaching guide about reading historic photographs closely and using them as doors into larger historic questions, or this video for a teacher who uses walking tours to help students learn their local colonial history. And don't forget to explore our Primary Source Guides. The entry about the National Parks Service may be especially helpful.

Other national organizations also provide resources for teaching local history. See the Regional Education Resources of the National Archives, National History Day's state pages, and a list of resources from the Library of Congress's American Memory site. Finally, the New England Flow of History project has some teaching ideas and resources that can be helpful.

Please come back and tell us about your successes and challenges—this is a topic that is important to many educators!

National History Day Wins 2011 National Humanities Medal

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Photo, Final preparations, Mar. 6, 2009, Jose Kevo, Flickr
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On February 13th, National History Day (NHD), a year-long, nationwide contest that challenges students to hone their historical thinking, research, and interpretation skills, received the 2011 National Humanities Medal. Presented by the National Endowment for the Humanities, the medal "honors individuals or groups whose work has deepened the nation's understanding of the humanities, broadened our citizens' engagement with the humanities, or helped preserve and expand Americans' access to important resources in the humanities." This marks the first time a K–12 education program has received the medal, according to a press release.

Interested in learning more about the program? Your first stop should be the National History Day website. Then come back to Teachinghistory.org to read what our teacher-writers have to say about their NHD experiences! Eighth-grade teacher Amy Trenkle loves the website and documentary categories, which ask students to practice 21st-century skills in their NHD presentations (read her thoughts). Mike Yell, 7th-grade teacher and former National Council for the Social Studies president, recommends using the program as a differentiation option for self-directed students (read more here).

Are you and your students already involved in NHD? Do they have questions about historical thinking and research? Do you? Remember that anyone can submit questions to Ask a Master Teacher, Ask a Historian, and Ask a Digital Historian here at Teachinghistory.org. In the past, we've answered questions about aligning NHD to state social studies standards and given tips on places to begin research and steps in developing a research topic.

Congratulations, National History Day!