North Andover Historical Society, Museum, and Historic Houses

Description

Founded in 1913, the Society is headquartered at the Samuel Dale Stevens Memorial Building. This museum houses the Society's collection of early American furniture and changing exhibits in the Main Gallery; an extensive archive of historic documents, photographs, and maps; a book shop, and staff offices. The 1789 Johnson Cottage, adjacent to the museum, is the last surviving artisan's cottage in North Andover's Old Center. The Cottage shows the life of an average family in the 19th century. The 1715 Parson Barnard House is the Society's other historic house. Visitors will see furnishings that reflect the changes in lifestyle as experienced by four early inhabitants of the house from 1715 through 1830.

The society offers tours, lectures, workshops, research library access, and educational and recreational programs; the museums offer exhibits.

Maine Maritime Museum

Description

The Museum presents visitors with exhibits brimming with art and artifacts; contemporary, interactive areas for children and adults; an historic shipyard with five of the original 19th-century buildings; a Victorian-era shipyard owner's home; an active waterfront; and a life-size sculptural representation of the largest wooden sailing vessel ever built.

The museum offers exhibits, tours, boat cruises, classes, educational programs, research library access, and educational and recreational events.

Confronting the "Official Story" of American History

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"Washington Crossing the Deleware". Emanuel Gottlieb Leutze. 1851 oil on canvas
Article Body

Keith Barton of Indiana University and Linda Levstik of the University of Kentucky wanted to understand the "official" story of American history so often presented in classrooms and textbooks. What happens to aspects of history that don’t fit the way we usually teach U.S. history? And how do students respond?

Barton and Levstik interviewed 48 children, grades 5–8, to see how middle-schoolers understand the significance of particular events. Students were asked to choose from a number of historical events in order to determine which eight to include on a timeline of the last 500 years.

Many students alighted on a central theme in U.S. history: steadily expanding rights and opportunities. While stories like this help structure students' thinking about American history, traditional themes (such as perpetual progress or expanding freedoms) left them ill-equipped to deal with issues like racial inequality or political dissent.

While stories . . . help structure students' thinking about American history, traditional themes . . . left them ill-equipped to deal with issues like racial inequality or political dissent.

This study suggests that middle-grade students may need help grasping the complexities of the past or finding a place for stories that don’t fit common narratives. The authors proposed that teachers expose students to more complex and diverse perspectives by identifying what such narratives leave out. How has progress not been achieved? Where have freedoms not been expanded? What are the exceptions, the outliers, the cases that don’t fit? The researchers believe that students can learn traditional thematic narratives, while at the same time exploring the richness and complexity of history.

Thematic Trends

When Barton and Levstik interviewed the students, they found a core group of themes emerged from the events students chose as the most significant. Stories of national origin, American exceptionality, expanding freedoms, and technological progress consistently appeared among the students' choices. Such themes represented an "official version" of American history that all students seemed to recognize.

Alternative Stories

Some students viewed events as important despite the fact that their themes did not easily fit into the more popular narratives. Racism and sexism directly contradict themes of progress and expanding freedoms. Other events like the Great Depression and the Vietnam War fly in the face of American exceptionality. In both cases, however, students found it challenging to explain why they found these events significant. While students were convinced of the importance of such events, they struggled to reconcile them with common themes of U.S. history.

Two Ideas in Their Minds

American history presents a wide variety of events and themes. Some, like our nation’s heritage regarding race, class, and gender, pose particular challenges. Accustomed to justifying the importance of events by referencing a few common themes, many students find themselves at a loss when confronted by events they know are important, but which don’t seem to fit the stories they are used to hearing. Lacking an overarching framework to help make sense of such events, they develop overly simplistic explanations to reconcile jarring events with the official story. As the sample application below shows, their explanations may put events together, but at the expense of historical accuracy.

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Photomechanical print, Progress, Keppler & Schwarzmann, c. 1901, LoC
In the Classroom
  • Have students create a timeline of important events in American history, asking them to explain why they make particular choices.
  • After students create their timeline, discuss the major themes that arise from their picks. Do they seem to represent an "official" history?
  • Once they have identified common historical themes, ask students to pick out events that don’t fit the "official story." What might explain this lack of fit?
Sample Application

When learning about the Great Depression, one group of students demonstrated a characteristic dilemma. As far as they knew, throughout its history the United States had been on a steady march of economic progress. Consequently, students weren't sure how the Great Depression fit into this story:

  • "It wasn't a good part of history."
  • "It was something to learn from."
  • "It was the first time our country had become really poor."
  • "They realized that they weren’t the god of all countries."
  • "It’s not going to be perfect all the time."

As these quotes demonstrate, students had accumulated a wide range of conceptions about the Great Depression. They knew bad things had happened, but thought these occurred uniformly to all Americans. As a result, they concluded that the nation had been punished for being too prosperous or self-satisfied. They entirely missed the fact that the Great Depression occurred for many specific and complex reasons, and affected different Americans in dramatically diverse ways.

Bibliography

Keith C. Barton and Linda S. Levstik, "'It Wasn’t a Good Part of History': National Identity and Students' Explanations of Historical Significance," Teachers College Record 99, no. 3 (Spring 1998): 478–513.

Stories in History: Is Narrative an American Approach?

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An eigth grade teacher reading a childrens book to her class. NHEC
Article Body

In "A Sociocultural Perspective on Children’s Understanding of Historical Change: Comparative Findings From Northern Ireland and the United States," Keith Barton, a professor at Indiana University, looked at how children in different countries learn history, specifically the role played by narrative.

Barton observed that American students learn the "story" of American history, more often than not, as one of perpetual progress. In Northern Ireland, history is seen as relationships among social institutions over time, not a story about progress.

Barton wondered about the effects of such an approach. To that end he interviewed 121 students, ages 6–12, in four schools across Northern Ireland, asking how and why life had changed over time. Along with classroom observations and collecting data from history-related settings like museums, Barton’s interviews demonstrated how students in a non-American cultural context learn about history.

When he compared these to studies done in the United States, Barton found that American students portray historical change as straightforward, linear, and generally beneficial progress, while the Irish students saw history as either random and ambiguous, or cyclical. The American students studied tended to focus on accomplishments of historical figures, whereas students in Northern Ireland often discussed the role of societal and economic forces.

Narrative in American History

The "story" of history taught to American students frequently takes the form of a "quest-for-freedom" narrative in which life slowly but surely gets better for all Americans. This serves to unite a diverse society, such as is found in the U.S. By contrast, in Northern Ireland, where Protestants and Catholics remain divided, the narrative form creates the potential for opposing sides to take aim at each other. Consequently, in Northern Ireland, the primary emphasis in history is on societal relationships—relationships between different groups, as well as between people and institutions.

The "story" of history taught to American students frequently takes the form of a "quest-for-freedom" narrative in which life slowly but surely gets better for all Americans. This serves to unite a diverse society, such as is found in the U.S.
The Individual in American History

History classes in the United States also tend to focus more on the role of exceptional individuals in driving history forward. In this version of history prominent figures initiate a series of events which follow a causal chain to bring about significant change. For example, the American students learned that the civil rights movement was the product of Martin Luther King, Jr.’s genius rather than a broad range of social and institutional forces. In Northern Ireland, the students focused less on individuals and more on issues relating to social and economic structures. Barton suggests this may be because Americans are more comfortable dealing with individuals and their stories than with issues such as social class and prejudice. Conversely, there are few historical figures taught in Northern Ireland classrooms who don't represent a political position of one kind or another. Thus, while the Northern Irish are comfortable discussing social class, for instance, they have less experience examining the influence of particular individuals.

Progress in American History

Barton's study showed that narratives about American history are frequently positive stories about the triumph of progress: as time passes, technology improves, freedoms expand, and life gets better. In Northern Ireland, stories about progress are much less common. Time goes on and life changes, but they do so in unpredictable ways. Barton argues that while a focus on progress may be positive, giving students a feeling of shared identity and inspiring their belief that Americans can learn from their mistakes, relying solely on such a narrative doesn't acquaint students with the effects of societal forces on individual actions or the diversity that exists at any given time in history.

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Poster, Forging Ahead, Harry Herzog, 1936-1941, Library of Congress
In the Classroom

Help students understand that the passage of time doesn't always bring what is commonly viewed as "progress."

  • Begin with contrasting images—a rural village and a large city—and ask students to explain the relationship between the two.
  • Students will likely explain how the village became the city. This is a good jumping-off point to helping them see that the "story of history" is not always simple or straightforward.
  • Next, explain that villages and cities have often existed simultaneously.
  • Spend some time discussing why and how cities first began to emerge. While urban centers may look like signs of "progress," students should be made aware that there is a more complex relationship between villages and cities.
  • Suggest to students that historical development doesn't occur in a simple progressive sequence, and that historical periods can't be boiled down to a single image. While many people in the past lived in villages, there are also cities that date back thousands of years. And even though today many people reside in cities, villages are far from extinct.
Sample Application

In interviewing students in Northern Ireland, Barton gave them a number of exercises. One asked the students to explain why British students were once caned—hit with a reed or branch—by their teachers, and why the practice ceased. In answering, one third of the students attributed the change to inevitable progress:

Because over time they realized that they should be less strict.

They just found out that it’s really, really bad, and they’re thinking of other people’s feelings now.

In explaining how things change, these students didn't mention collective action or how institutional change can bring about social improvements. However, the rest of the students—two-thirds of those interviewed by Barton—pointed to changing social relations, collective action like strikes and protests, and evolving legal and government institutions:

Because if you cane them, you could get sent to jail. . . it’s against the law to hurt somebody that you don’t know.

New people came in. . . and they made new rules like child abuse, like jails, and all that kind of thing.

For these students, caning ended not because of inevitable progress, or even due to a change in attitude; instead, the changing attitudes themselves led to collective action, that in turn produced new laws and regulations.

Bibliography

Keith Barton, "A Sociocultural Perspective on Children’s Understanding of Historical Change: Comparative Findings From Northern Ireland and the United States," American Educational Research Journal 38, no. 4 (Winter 2001), 881-913.

North Carolina Museum of Natural Sciences

Description

The North Carolina Museum of Natural Sciences brings the public into the exploration of the natural sciences. It also operates the North Carolina Museum of Forestry, which follows the history of forestry in the state.

The museum offers exhibits, programs and guided and self-guided tours for school groups, a Museums in the Schools program for elementary students, professional development for educators, camps, and other recreational and educational events.

Early American Museum [IL]

Description

The Museum collects, preserves, and interprets the history of East Central Illinois, specifically Champaign County, for the education and enjoyment of present and future generations.

The museum offers exhibits, tours, educational programs, and recreational and educational events.

History Museum of Western Virginia [VA]

Description

The History Museum of Western Virginia presents artifacts and information relevant to the history of the western portion of Virginia. The site also operates the circa 1905 Crystal Spring Pumping Station, which provided water-based power for Roanoke, VA.

The museum offers exhibits, interactive curriculum-based outreach programs, interactive curriculum-based programs, and research library access. The pump station is open May through September. Student program topics include immigration, African Americans in the maritime industry, Native American life and leisure, pioneer art, Mali, Civil War soldier life, patriotic symbols, early international conflict, archaeology, rural life, steam locomotives in Southwest Virginia, the work and labor of sharecroppers' children, trade, exploration, and navigation. The website offers a virtual exhibit and a searchable collections database with images.

Captain Salem Avery House [MD]

Description

The Captain Salem Avery House, built circa 1860, served as the home of a local fisherman, known as Captain Avery, and his family. The museum presents the history of the Chesapeake Bay's western shore—with a particular focus on the years between 1850 and the present.

The house offers exhibits and a research library. The library collection includes oral histories. The website offers an activity guide for teachers.

Laura Ingalls Wilder Historic Home and Museum [MO]

Description

The Laura Ingalls Wilder Home and Museum exhibits include artifacts spanning over a century of the pioneer history described in the Little House books. The books, written by Laura Ingalls Wilder (1867-1957), chronicle the author's life in a pioneer family. The life, writings, and career of Rose Wilder Lane (1886-1968), Laura's daughter, are also featured in a section of the museum. Recreations of rooms from Rose's homes, her desks, her manuscripts, and souvenirs from her world travels are also displayed. The museum is located at Rocky Ridge Farm, where Laura Ingalls Wilder wrote her famous novels.

The museum offers period rooms and exhibits. The website offers word finds, book quizzes, and coloring pages.

Heritage Center Museum of Lancaster County [PA]

Description

The Heritage Center Museum of Lancaster County presents the history of life in Lancaster County, Pennsylvania. The museum collection focus is the decorative arts used throughout Lancaster residences. The museum is housed within the 1790s former city hall and Masonic Lodge No. 43. The city hall served as the state capitol building between 1799 and 1812.

The museum offers exhibits, guided tours, an exhibit tour and activity program for students, 45- to 60-minute outreach presentations for students, a self-guided walking tour of Lancaster for students, traveling trunks, teacher professional development workshops, and summer camps. All groups interested in a guided tour must call ahead. Student educational opportunities are curriculum-based.