Why Did It Happen? Making Claims about Cause and Effect

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For more information

Christie, F., & Derewiank, B. (2009). School Discourse: Learning to Write Across the Years of Schooling. New York: Continuum.

As we ask students to become more sophisticated in their historical thinking, we expect them to move from reporting historical events to explaining and interpreting them. Making claims about historical events requires a shift in writing that requires new language tools.

Many students, especially English learners, will require more support in the form of explicit instruction in writing explanations about relationships between events and conditions in history. One central relationship in history is cause and effect.

Mark Smith on Using Constructivist Video Production

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Photography, Mini Coffee's Sidekick, Feb. 26, 2010, davitydave, Flickr
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The best way to use video in teaching history is short student-created segments for direct instruction. This post discusses what a group of teachers at the Education Study Group found works best for at-risk populations.

At my school, the figures are dismal: On the first day of school, you look at 23 students. Seventeen didn't eat breakfast at home, 16 struggle with English, five are designated Special Needs. On the last day of school, you still have 23, but nine of the faces changed without warning at some time during the year, due to high student mobility.

In this environment, the correct use of video can be a lifesaver. In general, a large percentage of at-risk kids learn visually, in short bursts which can be repeated, at will.

I'm not making excuses. To not acknowledge these hard facts would be educational malfeasance. It's where you start—with the student. Untangling these elementary students and teaching them to be lifelong learners of history is the goal, all the while striving to ensure they get what they need to pass NCLB requirements. In this environment, the correct use of video can be a lifesaver. In general, a large percentage of at-risk kids learn visually, in short bursts which can be repeated, at will. The Internet and digital video have made this a wonderful option.

Use of Video for Direct Instruction

When a short (two- to five-minute) video is played in class, we (the Education Study Group) recorded the highest student attention. Use a clip six to eight times in one lesson, and one gets the same attention numbers. This works with video clips from “expert” sources such as Discovery Education and some YouTube and TeacherTube videos, but the attention is heightened if the videos are created by students.

Our research found this is the best time to provide direct instruction. After the facts have been downloaded into your students' brains in this manner, then the discussion, examples, and inferences can be accomplished more easily.

Knowing the critical information is in the videos and online allows students to watch and interact in class, rather than take notes. . .

If the same videos are put online where they can be accessed by the students, those who need to review can repeat the videos over and over. When the direct instruction video is played it triggers the ancillary information provided in class. Conversely, if the videos are of ancillary information and the direct instruction was provided via lecture, less is recalled by review of the videos.

Knowing the critical information is in the videos and online allows students to watch and interact in class, rather than take notes—an important element for success in at-risk populations.

The Value of Constructivist Direct Instruction

Having students construct their own learning of history by building a video is great stuff, but many teachers do it backwards. They teach their regular lesson (lots of words, worksheets, and note taking) and then do something with technology as a "synthesizing" activity. That's not where technology goes. The research of Sugata Mitra and his "Hole in the Wall" experiment showed us that students should work in teams when using technology. In his experiment he placed computers throughout different remote regions of India and children were able to teach themselves to use the equipment, in small groups, without any external instruction. It is the research on which the global “one laptop per child” initiative is based.

There is a palpable difference in a student’s incentives when what they publish can be seen by a massive audience outside their classroom.

In our research, we’ve taken that model and applied it using authentic publishing. We define "authentic publishing" simply by the fact that, once content is published, it can be Googled. There is a palpable difference in a student’s incentives when what they publish can be seen by a massive audience outside their classroom. When publishing information about U.S. history, for a project on the American Revolution for example, students (even very young students) get the added responsibility that people in the United Kingdom will actually be able to read what they write. They take care not to offend their audience. They understand they will be judged against everything out on the Internet, not just against their classmates' or teacher’s expectations. It energizes their writing, and spurs broader research.

Most important, it is completely self-initiated. Students review one another’s work without being directed to do so. They comment on one another’s work using the available tools (almost all online technologies have a comments feature). They learn from one another, and in the process of creation of the project, take those lessons and adapt and apply them to their own work. This collaborative learning is done, for the most part, without it being assigned, or even encouraged (though we do suggest teachers encourage this behavior).

We've done research over the past three years on how students use media at home. We find if they make it and publish it authentically, they review it repeatedly in production, and then at home with friends and family. We've found students watch their own media 25 or 50 times. And they repeatedly watch the media produced by other students in the class.

Wiki Example

In one example, students were given a page to complete in a subject-specific wiki. They were shown the tools and allowed to use whichever media they wished. They worked in teams to accomplish their goals, even though they each had a separate page. The assignment was classical, with a standard rubric that could be used for any writing assignment. Teachers didn’t need to change the assignment parameters from what they would have assigned for a paper and pencil version. It was the medium which changed the paradigm.

What was most telling was students' activity at home. To a student, they would go home and review their page.

What was most telling was students' activity at home. To a student, they would go home and review their page. They would show it to their brothers, their sisters, their friends, and parents. They would then look at the pages of each of the other students in their class. Then they would come in the next day and say something to the effect of, "I've got some new ideas on how to make my page better. Are we going to work on the wiki today?"

This example was a second-grade class with predominately special needs. Imagine the same activity, with worksheets. "A student goes home and reviews their worksheet, shows it to their siblings, friends, and parents. Then reviews the worksheet for everyone else in their class." It would never happen.

On the first day of spring break, it rained. Two students published videos on their pages that day. It's the power of publishing—authentic (Google-able) publishing—which provides the incentive, the power to this learning engine.

Conclusion

Our research illustrates students should construct their own visual media, developing parts of the direct instruction for the lesson. If they publish it authentically, they are motivated to excel due to a larger audience of peers and through competition with classmates. And they voluntarily review the material repeatedly.

Bibliography

Driscoll, Marcy. "How People Learn (and What Technology Might Have to Do With It." Educational Resources Information Center Digest (2002). Accessed September 29, 2011.

Manfra, Meghan McGlinn and Robert M. Coven. "A Digital View of History: Drawing and Discussing Models of Historical Concepts." Social Education 75:2 (2011): 102–106.

Zahn, Carmen, Roy Pea, and Friedrich W. Hesse. "Comparing Simple and Advanced Video Tools as Supports for Complex Collaborative Design Processes." Journal of the Learning Sciences 19:3 (2010): 403–440.

For more information

Ready to start your students filming? To learn more about tools for making and editing digital videos, browse Tech for Teachers and learn about iMovie and Movie Maker, Little Bird Tales, Animoto, and other digital storytelling tools.

This Teaching in Action entry spotlights a video on learning through creating documentaries.

First-grade teacher Jennifer Orr, in her blog entry on using technology, says even early elementary students can create digital videos.

Stop and Source!

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photography, Jonathan with a ball, c. 1957 digitized 23 May 2010, Flickr CC
Question

I am teaching first grade. As part of the lesson I am going to put photographs of families from the 1900s into an album and ask the students how these families are the same or different than their own families. Any suggestions on how to spice this up?

Answer

Before you place photos in an album and make comparisons, use your pictures to introduce an activity called Stop and Source. Sourcing refers to taking inventory of the creator, date, place, and type of a piece of evidence in order to “read” it more accurately. Sourcing is an essential skill for critical analysis and information literacy. As soon as children have books read aloud to them or look at pictures, they can be introduced to the concept that all texts, written or visual, have a creator and a time when they were made.

  1. Choose pictures for which you have some source information such as the date taken, the photographers’ names or where they were taken, etc. You may wish to use pictures from the late 1800s to make a bigger contrast with today.
  2. Project a long ago picture with an overhead or interactive board and ask your students to describe what they see.
  3. Next, project a picture from today and again ask your students to describe what they see.
  4. Ask your students what is different about the pictures.
  5. Ask your students why these things are different.
  6. Next, share the available source information for the pictures with your class, such as:
    • WHO took the picture?
    • WHEN was the picture taken?
    • WHERE was the picture taken?
  7. After you share the source information for each picture, ask your students if the dates are the same or different, if the places and photographers are the same or different, etc. Could differences in time and place that we find in the source information begin to explain some of the differences in the pictures?
  8. To help your students remember to always look for sourcing information when they read a book or look at a picture, teach them to Stop and Source with a kinetic activity. Ask them to stand up, raise a hand to their shoulder, palm out, then push it forward as they say “Stop and Source!” Do this a few times, then return to your activity.
  9. Project another photo and ask your class what to do first. Hopefully they will say “Stop and Source!”
  10. Repeat the comparison of a pair of pictures from long ago and today.

This activity will help your students begin to develop a sourcing habit, and understand that source information helps us “read” pictures accurately.

Bibliography

Wineburg, S. and D. Martin. "Seeing Thinking on the Web." The History Teacher 41(3) (2008).

For more information

The Bringing History Home project's Source, Observe, Contextualize, Corroborate Visual Image Analysis Guide can help guide your students' sourcing.

Or check out this Ask a Master Teacher by Teachinghistory.org on using scrapbooking in the history classroom.

Teaching with Timelines

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Image, Timeline, 21 Sept 2009, George Boyce, Flickr CC
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What Is It?

Throughout a school year or history course, students collectively construct an illustrated timeline of historic events and people they have studied.

Rationale

Researchers have found that students too often encounter little bits and pieces of history out of context and unconnected to larger historic themes (1). Consequently, students don’t develop a sense of historic era and they don’t connect individual events to larger movements and themes (2). These limitations not only affect students’ grasp of history topics; they may also restrict students’ engagement in critical analysis. As a recent middle school study found, "Without proper background knowledge, students have difficulty developing the contexts for historical thinking" (3).

Use [timelines] to categorize similar or related events into themes, eras, and topics, and to help students compare elements in different time periods.

Timelines help students understand the chronology of historic events, and help students situate newly encountered events and figures in relation to those they’ve already studied (4). They provide a visual aid for identifying cause and effect relationships between events, and a visual prompt to activate student prior knowledge. They allow students to recognize how historic events, eras and topics overlap in time. Use them to categorize similar or related events into themes, eras, and topics, and to help students compare elements in different time periods.

All of these purposes are important singly, and collectively they help students develop a long-range understanding of historic chronology.

Description

In this ongoing activity, a timeline is collectively constructed by students. It may be made of butcher paper and covered in student drawings, primary sources, and recipe-sized cards noting laws and events. Or, if fire codes allow, it may be made of rope, with images, dates, and documents hung from paper clips and clothespins. The main classroom timeline may be supplemented by smaller posterboard-sized lines that include only a few elements, such as changes in farming or in environmental regulation over time, or a chronology of legislation related to voting rights and disenfranchisement. But timelines should always be constructed by students so they reflect the students’ own learning.

Teacher Preparations
  1. Cut a long strip of butcher paper. Your class timeline should be displayed     as prominently as possible in your room, and should be easily reached for     adding new elements. If it’s hard to reach, you’ll be less likely to add     elements daily. But if you don’t have space in your classroom for your     timeline, try hanging it in the hallway near your class.
  2. In bold colored marker, place marker dates on the paper. These will be     determined by the course content. If you are teaching 19th- and 20th-    century U.S. history, you may wish to label the timelines with 10 or 20     year increments, or you may wish to only list century markers. Be sure to     leave space for dates before and after the time period your class will     explore, however, as your class will almost certainly encounter events that     precede and follow the designated beginning and conclusion of your unit     explorations.
  3. Decide how the class will display elements on the timeline. Will you ask     for volunteers to illustrate events that go on the line? Will you ask the     class to vote on how they wish to illustrate various elements—with a     student illustration, a copy of a primary source, a historic image or...? Will     you decide each time how an element that goes on the line will be     represented?
In the Classroom
  1. Start your classroom timeline at the beginning of the school year. Add to     it throughout the year.
  2. At the conclusion of an exploration of a significant event or person, ask     the class if they would like to include that person or event on the class     timeline. Tape the representation of the new element to the timeline, with     a date and title prominently visible. When posting a person’s life rather     than a single action by a person, you may wish to list dates of birth and     death.
  3. Every day or two, begin your history study with a review of the timeline.     Settle your students on the floor in front of the line and invite them to do     a silent “walk and talk” of the events on the line. Allow a minute or two     for this activity, and then invite a student to stand and do a walk-and-    talk aloud (see video). The students don’t need to account for every     element on the line; they should just use the elements as prompts to     tell a story about a particular era or theme, or inventory various things     that were happening during the same time period. Let students finish     before correcting any mistakes they may make in their storytelling.
  4. When deciding which elements to put on your timeline, it’s better to err on     the side of generosity than stinginess. The more elements on your line, the     better it reflects your class's learning, at least if you are engaged in rich     history explorations. But don't limit your dates to events you explore in     formal history lessons; include elements from other disciplines as well.     Language arts, science, music, math; if you encounter a historic topic in     one of those areas, add it to the class line. If a student finds something at     home that relates to history, invite them to add it to the line. A dynamic,     full-to-the-brim timeline is a sign of a class that’s engaged in history full-    tilt.
  5. As your class explores history, allow and encourage your students to view     and reference the timeline spontaneously to situate new evidence in     relation to what they’ve already studied, or to infer the timing of a new     historic element for which they have no date.

Watch this video and listen to a student walk and talk her way through her class timeline.

For more information

Lesson plans and units that incorporate timeline activities are available on the Bringing History Home project website. Additional information about using timelines in elementary and college history classrooms is also available on the site.

See this entry about Docs Teach from the National Archives to explore their “Finding a Sequence” timeline tool that allows teachers to create their own document-based timeline activities.

EdTechTeacher overviews online timeline creation tools and techniques.

Bibliography

1 Barton, K. (2002) “Oh, that’s a tricky piece!”: Children, mediated action, and the tools of historical time. The Elementary School Journal, v.103, n.2.

2 Shemilt, D. (2000) The Caliph’s Coin: The currency of narrative frameworks in history teaching. Knowing, Teaching & Learning History, eds. Stearns, P. et. al., New York: New York University Press.

3 Twyman, T., et.al. (2006) Using concepts to frame history content. The Journal of Experimental Education, 74 (4), 331-349.

4 Fillpot, E. (2007, 2008) These findings are from unpublished studies conducted with children in the Bringing History Home K-5 curriculum and professional development project.

Storytelling with Scrapbooks

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Scrapbook, time and eternity, mary bailey, 7 Nov 2010, Flickr CC
Question

I like to scrapbook. How can I incorporate this craft into an elementary classroom (Grades 2-5)?

Answer
Using Scrapbooks

Making scrapbook pages can be a fun activity for students in the elementary grades. You will want to help students understand that, in this case, a scrapbook—like all history—uses pieces of the past to tell a story. Students can make their own scrapbook pages that tell a story and these pages, when bound together, can tell a larger story or multiple stories about the same theme, historical event, or era.

Students could construct pages that tell family history or pages that focus on an historical figure like George Washington, Elizabeth Cady Stanton or César Chávez. Such scrapbooks might integrate photos, portraits, maps, timelines, and age-appropriate primary documents. Another option for scrapbooking is to examine a topic related to local history. Students might construct pages about historic sites in their own community, including important buildings, parks, and graveyards, pages about people from the past who made a difference in their local areas, or pages about daily life in the past. These pages could be bound together and used as a resource for future activities like writing a town history. Naturally, you will want to tailor the assignment’s topic and requirements to the particular age-group that you’re working with, asking older students to use more materials and craft more complete and clear narratives.

Assignment’s Requirements

You’ll want to guide students in terms of what their scrapbooks should include. First, you’ll want to help students understand the kinds of sources they should use. Have a conversation with them about where they might gather the ingredients for a scrapbook page, and consider working with your school librarian to ensure that students have the necessary materials they will need to tell their story—photos and pictures from the internet, old newspapers and magazines, etc. You will also want to help students understand that a scrapbook, like all history, uses pieces of the past to tell a story. Selecting and ordering their materials chronologically, by theme, or in some other manner, will affect the nature of their narrative—and they’ll want to consider this when choosing sources to paste on their page. Consider if you will require specific sources, for example, will they need to include a map? Two photographs?

Students will need coaching in creating titles for their pages and captions for the “scraps” they include on that page. Remind them to use details in those captions and include information about names, dates, and places. Again, consider your students’ abilities in deciding what prose will be required in the assignment, and the choices (e.g., page title) you will leave to them and the choices you will make for them. Your experience with creating scrapbook pages will likely make it easy for you to model how you plan your page and what finished pages look like. This kind of modeling is always helpful for students. We also recommend using the creation of scrapbook pages as a prewriting or presentation assignment, where they put into words the story they have created on their page.

Scrapbooking, in short, can be a useful tool in the history classroom, as long as you take the time to create assignments that focus on understanding the past. Teaching opportunities in the activity include students learning more about the use and selection of evidence to tell a story, and cultivating a deeper understanding of primary sources and the specific historical stories they illustrate. Be sure to define your learning objectives thoughtfully so it is an activity with significant purpose. Try this backwards design model for planning, where those objectives determine the specific shape and nature of the activity that you design.

Jennifer Orr on Integrating History into 1st-grade Instruction

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Photography, Old Telephones and assorted equipment, Chester Paul Sgroi, 23 Dec 2
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As a primary school teacher my focus is on building basic academic skills in ways that are developmentally appropriate for my students. That means we focus most of our time on reading, writing, and math while ensuring that we have chances to play and explore our world.

As one can imagine, this leaves little time for social studies and science. I have standards and objectives to teach in these areas, but they are prioritized below the others. As a result, I look for ways to integrate them into other parts of our day.

Some ways to do so are obvious. When we are working on nonfiction reading skills I carefully choose books about Benjamin Franklin, George Washington, or life in the past. As we explore writing reports I will gently nudge my students towards something about the past that has caught their interest. I stock my classroom library with biographies, history trade books, and historical fiction at appropriate reading levels. I choose read alouds that offer a window into the past, such as Potato: A Tale from the Great Depression by Kate Lied, Train to Somewhere by Eve Bunting, or books from the American Girl or Magic Tree House series.

In addition to those options, I also try to integrate our exploration of history into other areas. One way I do so is to have my students talk to family members and adults in the school about their own histories. Homework might be to ask someone in the family how their experience in school was different from that of my students or what going to the movies was like when they were young. During our morning meeting the next day we’ll talk about what their family members shared with them.

I want to correct misperceptions, expose them to surprising ideas, and generally encourage an interest in understanding how our world has changed over time.

We study data and graphing in math in first grade and I use this as a chance to learn about the past. My students will fan out around the school and interview teachers, administrators, secretaries, lunch room helpers, and custodians about their lives in first grade. They might ask how many channels they had on TV then, did they wear seat belts or ride in car seats, how many telephones were in their house, etc. (I do try to send my students off to interview only those staff members old enough to make a difference here. Our just-out-of-college teachers won’t offer answers different enough to be noticeable.) Then we graph the answers they got from staff members and my students’ answers and look at the differences.

History is fascinating to young children, but it is also very nebulous. They struggle to understand something they can’t see. I try to build it into our days throughout the year to ensure that we are talking about and exploring history as much as possible. I want to correct misperceptions, expose them to surprising ideas, and generally encourage an interest in understanding how our world has changed over time.

For more information

Watch Orr demonstrate integrating history into a lesson that also teaches skills such as reading, ordering, and technology use, in Beyond the Chalkboard.

The Condition of History in Elementary Schools

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In my elementary social studies methods classes, I ask students to share examples of history lessons they observe in their field experiences. Though there are always a few inspiring stories of teachers engaging K–6 students in meaningful historical thinking and creative activities, the vast majority of pre-service teachers report that they observe no social studies whatsoever. Similarly, many of my colleagues teaching in elementary schools report that their principals have explicitly instructed them to no longer teach history in order to focus on test preparation for math and literacy.

Eliminating history from the elementary curriculum is irresponsible and, ultimately, unnecessary.

This focus on student achievement as measured by standardized tests has dramatically narrowed the curriculum (1) and framed the social studies, history included, as a non-essential field of study (2). Whether one thinks of the purpose of public schools as being preparation for jobs, college, democratic citizenship, or some combination of the three, eliminating history from the elementary curriculum is irresponsible and, ultimately, unnecessary.

For even if one acquiesces to a curriculum that is explicitly focused on mathematics and literacy, the best math problems and reading materials are not decontextualized, empty vessels—they are about something real (3). When students practice reading, for example, they can read about history, and when they do calculations, they can use historical data. The choice between teaching math and literacy or teaching history is a false one. Though time is indeed limited and teachers justifiably feel pulled in many directions, the excuse that there “isn’t enough time” is, in the end, a weak one.

For those teachers willing to overcome real and perceived time constraints, they must also contend with state standards and district materials presenting a narrow, reductive, and, at times, erroneous history. I am most familiar with the situation in Virginia. The state’s standards represent a cultural literacy model of canonical facts in lieu of a more progressive “Expanding Horizons” approach (read the Virginia standards here). A recent article by Van Hover, Hicks, Stoddard, and Lisanti (4) details the highly politicized evolution of the “Standards of Learning” and rightly critiques what is now considered natural and normal social studies instruction in the state.

In spite of their many weaknesses, these standards can serve as a foundation upon which to build rich social studies experiences. Stacy Hoeflich, an award-winning teacher in Alexandria, is one fine example of a teacher doing just that (watch her in action by clicking here). More often than not, however, these standards dictate what is taught in restrictive, retrogressive ways and keep teachers from developing curriculum informed by multiple perspectives and connected to the lives and questions of their students.

The standards appear to be neutral and safe rather than what they really are: intensely political and inherently exclusive.

My pre-service teachers, for instance, express anxiety about straying from the standards by including any historical information that may be perceived as “controversial.” Though they acknowledge that lessons celebrating the friendship of Pilgrims and Indians during the first Thanksgiving, Columbus’ “discovery” of America, or Rosa Parks’s spontaneous decision to stay seated represent historical narratives that are (at best) misleading, many of them admit they will continue to teach these myths so as not to upset administrators or outspoken parents. To them, the standards appear to be neutral and safe rather than what they really are: intensely political and inherently exclusive. In addition, many of my students express a lack of confidence in their historical background knowledge and thus plan to rely heavily on district-supplied textbooks and resources. While I empathize with their situation, this is worrisome given the recent report of dozens of errors in textbooks used widely throughout the state (5).

In sum, the condition of history in the elementary classroom is one of great concern. History is rarely included as part of the curriculum and, if it is taught, relies upon a conventional and canonical perspective that ignores historical scholarship and excludes multiple perspectives. Our best hope is that current and future teachers become critical consumers of state standards and district-sponsored materials and see themselves as “smugglers” of good history back into the school day.

Footnotes

1 P.B. Joseph, et al. (2010), "Narrowing the Curriculum," in Cultures of Curriculum, ed. P.B. Joseph (2010): 36–54.

2 G. Bailey, E. Shaw, and Hollifield, D, "The Devaluation of Social Studies in the Elementary Grades," Journal of Social Studies Research, 30(2) (2006):18–29.

3 National Council of Teachers of Mathematics, Principles and Standards of School Mathematics (Reston, VA: NCTM, 2000).

4 S. Van Hover, et al, "From a Roar to a Murmur: Virginia's History & Social Science Standards, 1995 to the Present," Theory and Research in Social Education, 38(1) (2010): 82–115.

5 K. Sieff, "Erroneous History Textbook ‘Our Virginia’ to Be Pulled from Fairfax Schools," Washington Post, January 7, 2011.

Teaser

Our best hope is that current and future teachers become critical consumers of state standards and district-sponsored materials and see themselves as “smugglers” of good history back into the school day.

Jennifer Orr on Teaching Heroes

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drawing, Design drawing for stained glass window showing George Washington, betw
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Early elementary studies in history often focus on specific people. As students mature they are able to explore history over the course of periods of time and consider how certain events impacted other times and people. However, our youngest students do not have the necessary background knowledge and life experience to do so. As a result, early elementary history standards tend to be about individuals from the past.

My 1st graders study George Washington, Benjamin Franklin, Abraham Lincoln, and George Washington Carver, at least according to our state standards. My school district has added Eleanor Roosevelt to that list, one assumes in order to have at least one woman. The standard relates to U.S. leaders and their contributions to our country.

Making them too heroic risks many students today finding them not inspirational but intimidating, or at least unrelated to their own lives.

I don’t think anyone would argue that the above individuals contributed to our country. However, I do think there are concerns with this approach. While heroes taught in this way can be inspirational, I believe we are setting our students up for disappointment in those heroes when they find out they were, in fact, human. In addition, making them too heroic risks many students today finding them not inspirational but intimidating, or at least unrelated to their own lives.

I believe that one of the benefits of studying how individuals have contributed to our country is to show children the possibilities for their future. My students, however, will not see themselves in any of these people. The majority of these individuals lived in prosperous situations, at least as adults. We can study Franklin and Lincoln’s early years with limited financial resources, but they are still white men, and a log cabin doesn’t resonate with a child living in an apartment with two other families. Carver also rose from difficult circumstances, but they are circumstances that are very difficult for young children to understand. My students are mostly first-or second-generation immigrants. They speak another language at home. They will struggle to see similarities between their lives and the individuals we study.

Also, studying individuals through their contributions shows one side of them only. Washington and Franklin certainly did contribute significantly to the development of our country. However, the way they are presented to young children suggests a near perfection to these men, a lack of complexity. In a few years, when they learn more about them, these students will be shocked to learn that Washington owned slaves and that Franklin fathered an illegitimate child, whose mother’s identity is unknown. We teach about Lincoln’s rise from difficult financial circumstances to become president of the United States. Students learn that he abolished slavery. They see him as a savior for an entire group of people without recognizing the complexities of his views on race.

Through the resources we use to study these leaders—books, videos, websites—I can draw out interesting facts that might surprise my students.

As we study these individuals in my 1st-grade classroom we create a data retrieval chart to which we can continually refer. It includes their names, the dates of their lives, their contributions, and other interesting facts. I include the other interesting facts for two reasons. The first is that my students are often fascinated by things that aren’t really contributions and we need a place for those. Second, this is a window of opportunity for me to highlight human aspects of these individuals. Through the resources we use to study these leaders—books, videos, websites—I can draw out interesting facts that might surprise my students. I can point out that George Washington was a slave owner and we can talk a bit about that. We can count how many elections Abraham Lincoln lost on his route to the presidency. We will list on our chart their contributions and many positive or neutral interesting facts, but I will attempt to ensure that the men and women we study are seen as people, people who gave much to our country but who were still human beings.

As teachers we have a responsibility to know more about the individuals we teach than the standards state. While the complexities of people may be more than young students can grasp, we can be more careful about how we present individuals. It is easy to glorify historical figures but we should present them as human beings and look at their achievements through that lens. That will help our students see the possibilities in all they have to offer.

For more information

How can you teach history as both individual and collective, mundane and heroic, organized and chaotic? Professor Linda Levstik says use history book sets that help students think about the actions available to people in history.

Our reprints of Journal of American History film reviews also model breaking down heroic narratives for the seeds of historical truth (check out the reviews of The Aviator and John Adams for looks at how film has simplified two historical figures to create compelling stories).

Monuments and memorials show whom people choose to remember as heroes and how they choose to remember them, according to high school teacher James Percoco in Using Primary Sources.

(And for a less realistic definition of "hero," Rwany Sibaja asks why not teach with superheroes?)

Teachinghistory.org’s AHA Workshop: Teaching the Past in a Digital World

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For those of you who couldn’t make it to Chicago on January 7 for our workshop, “Teaching the Past in a Digital World: New Perspectives for History Education,” at the American Historical Association (AHA) Annual Meeting, you not only missed the balmy 50 degree temperatures (not bad for Chicago in January!), but also quite a few great resources worth sharing. Here’s a recap:

After a welcome by Anne Hyde of Colorado College, I provided a brief overview of Teachinghistory.org. With about half the audience already familiar with the site, I was able to get everyone up to speed and highlight a few new features, including the newly unveiled Favorites tool, as well as the new Spotlight Pages. Responding to a commonly asked question about world history, I highlighted the many teaching materials and best practices that can apply to all historical topics, whether you teach the American or the French Revolution.

From adrenaline to Vimeo, we covered a lot of ground in Chicago.

Fitting for Chicago, Dr. Daniel Graff from the University of Notre Dame introduced ideas and resources to help teachers integrate labor history into their teaching. He provided a packet of primary sources that participants analyzed in small groups and then discussed as a whole group. The workshop helped me see new classroom connections for bringing labor history into discussions about slavery, women’s history, and the civil rights movement.

My colleague, Rwany Sibaja, presented an interactive workshop with handouts on teaching American history with digital tools. He introduced the participants to Vimeo, Prezi, and Animoto among others. I always learn new things from my Teachinghistory.org colleagues (Rwany introduced me to Prezi last year) and you can check out some of his write-ups on various tools in our Tech for Teachers section.

Next up, Paul Kolimas of Homewood Flossmoor High School moderated a session with fellow Homewood Flossmoor High School teachers Jeff Treppa and John Schmidt. They offered a presentation on a “new school” approach to the classic research paper. It was interesting to see how their techniques related back to Teachinghistory.org’s emphasis on historical thinking skills. The audience had lots of questions, so they definitely hit on a popular topic.

Molly Myers of Lindblom Math and Science Academy then turned our attention back to digital tools, focusing her talk on how she uses technology for the 3 c’s: collaboration, communication, and community building. Her presentation helped me see a lot of new possibilities and I particularly loved hearing how Molly turned to Twitter to get input from teachers on #SSChat about how they use digital tools for her presentation.

We ended the workshop with an inspiring talk by Patricia Nelson Limerick, vice-president of the AHA’s Teaching Division and professor at the University of Colorado, Boulder. She titled her talk, “Facing Down Fear: Innovation, Experimentation, and Adrenaline in the Teaching of History.” The talk lived up to the title. She spoke about the importance of trying new things, even things you might fear such as using new technology. She also talked about the importance of personal connections in the classroom (and in life) and raised the question of whether digital tools enhance or distract us from these personal links. She graciously agreed to write up her talk for Teachinghistory.org, so look for her post in the coming weeks.

So from adrenaline to Vimeo, we covered a lot of ground in Chicago. Our next stop? Kansas City for the National Council for History Education conference, March 22-24. Hope to see you there!

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What did we cover at least year's AHA annual meeting? Rwany Sibaja reports on one presentation at our 2011 workshop, "Teaching and Learning History in the Digital Age."