Why Did It Happen? Making Claims about Cause and Effect

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For more information

Christie, F., & Derewiank, B. (2009). School Discourse: Learning to Write Across the Years of Schooling. New York: Continuum.

As we ask students to become more sophisticated in their historical thinking, we expect them to move from reporting historical events to explaining and interpreting them. Making claims about historical events requires a shift in writing that requires new language tools.

Many students, especially English learners, will require more support in the form of explicit instruction in writing explanations about relationships between events and conditions in history. One central relationship in history is cause and effect.

Mark Smith on Using Constructivist Video Production

Date Published
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Photography, Mini Coffee's Sidekick, Feb. 26, 2010, davitydave, Flickr
Article Body

The best way to use video in teaching history is short student-created segments for direct instruction. This post discusses what a group of teachers at the Education Study Group found works best for at-risk populations.

At my school, the figures are dismal: On the first day of school, you look at 23 students. Seventeen didn't eat breakfast at home, 16 struggle with English, five are designated Special Needs. On the last day of school, you still have 23, but nine of the faces changed without warning at some time during the year, due to high student mobility.

In this environment, the correct use of video can be a lifesaver. In general, a large percentage of at-risk kids learn visually, in short bursts which can be repeated, at will.

I'm not making excuses. To not acknowledge these hard facts would be educational malfeasance. It's where you start—with the student. Untangling these elementary students and teaching them to be lifelong learners of history is the goal, all the while striving to ensure they get what they need to pass NCLB requirements. In this environment, the correct use of video can be a lifesaver. In general, a large percentage of at-risk kids learn visually, in short bursts which can be repeated, at will. The Internet and digital video have made this a wonderful option.

Use of Video for Direct Instruction

When a short (two- to five-minute) video is played in class, we (the Education Study Group) recorded the highest student attention. Use a clip six to eight times in one lesson, and one gets the same attention numbers. This works with video clips from “expert” sources such as Discovery Education and some YouTube and TeacherTube videos, but the attention is heightened if the videos are created by students.

Our research found this is the best time to provide direct instruction. After the facts have been downloaded into your students' brains in this manner, then the discussion, examples, and inferences can be accomplished more easily.

Knowing the critical information is in the videos and online allows students to watch and interact in class, rather than take notes. . .

If the same videos are put online where they can be accessed by the students, those who need to review can repeat the videos over and over. When the direct instruction video is played it triggers the ancillary information provided in class. Conversely, if the videos are of ancillary information and the direct instruction was provided via lecture, less is recalled by review of the videos.

Knowing the critical information is in the videos and online allows students to watch and interact in class, rather than take notes—an important element for success in at-risk populations.

The Value of Constructivist Direct Instruction

Having students construct their own learning of history by building a video is great stuff, but many teachers do it backwards. They teach their regular lesson (lots of words, worksheets, and note taking) and then do something with technology as a "synthesizing" activity. That's not where technology goes. The research of Sugata Mitra and his "Hole in the Wall" experiment showed us that students should work in teams when using technology. In his experiment he placed computers throughout different remote regions of India and children were able to teach themselves to use the equipment, in small groups, without any external instruction. It is the research on which the global “one laptop per child” initiative is based.

There is a palpable difference in a student’s incentives when what they publish can be seen by a massive audience outside their classroom.

In our research, we’ve taken that model and applied it using authentic publishing. We define "authentic publishing" simply by the fact that, once content is published, it can be Googled. There is a palpable difference in a student’s incentives when what they publish can be seen by a massive audience outside their classroom. When publishing information about U.S. history, for a project on the American Revolution for example, students (even very young students) get the added responsibility that people in the United Kingdom will actually be able to read what they write. They take care not to offend their audience. They understand they will be judged against everything out on the Internet, not just against their classmates' or teacher’s expectations. It energizes their writing, and spurs broader research.

Most important, it is completely self-initiated. Students review one another’s work without being directed to do so. They comment on one another’s work using the available tools (almost all online technologies have a comments feature). They learn from one another, and in the process of creation of the project, take those lessons and adapt and apply them to their own work. This collaborative learning is done, for the most part, without it being assigned, or even encouraged (though we do suggest teachers encourage this behavior).

We've done research over the past three years on how students use media at home. We find if they make it and publish it authentically, they review it repeatedly in production, and then at home with friends and family. We've found students watch their own media 25 or 50 times. And they repeatedly watch the media produced by other students in the class.

Wiki Example

In one example, students were given a page to complete in a subject-specific wiki. They were shown the tools and allowed to use whichever media they wished. They worked in teams to accomplish their goals, even though they each had a separate page. The assignment was classical, with a standard rubric that could be used for any writing assignment. Teachers didn’t need to change the assignment parameters from what they would have assigned for a paper and pencil version. It was the medium which changed the paradigm.

What was most telling was students' activity at home. To a student, they would go home and review their page.

What was most telling was students' activity at home. To a student, they would go home and review their page. They would show it to their brothers, their sisters, their friends, and parents. They would then look at the pages of each of the other students in their class. Then they would come in the next day and say something to the effect of, "I've got some new ideas on how to make my page better. Are we going to work on the wiki today?"

This example was a second-grade class with predominately special needs. Imagine the same activity, with worksheets. "A student goes home and reviews their worksheet, shows it to their siblings, friends, and parents. Then reviews the worksheet for everyone else in their class." It would never happen.

On the first day of spring break, it rained. Two students published videos on their pages that day. It's the power of publishing—authentic (Google-able) publishing—which provides the incentive, the power to this learning engine.

Conclusion

Our research illustrates students should construct their own visual media, developing parts of the direct instruction for the lesson. If they publish it authentically, they are motivated to excel due to a larger audience of peers and through competition with classmates. And they voluntarily review the material repeatedly.

Bibliography

Driscoll, Marcy. "How People Learn (and What Technology Might Have to Do With It." Educational Resources Information Center Digest (2002). Accessed September 29, 2011.

Manfra, Meghan McGlinn and Robert M. Coven. "A Digital View of History: Drawing and Discussing Models of Historical Concepts." Social Education 75:2 (2011): 102–106.

Zahn, Carmen, Roy Pea, and Friedrich W. Hesse. "Comparing Simple and Advanced Video Tools as Supports for Complex Collaborative Design Processes." Journal of the Learning Sciences 19:3 (2010): 403–440.

For more information

Ready to start your students filming? To learn more about tools for making and editing digital videos, browse Tech for Teachers and learn about iMovie and Movie Maker, Little Bird Tales, Animoto, and other digital storytelling tools.

This Teaching in Action entry spotlights a video on learning through creating documentaries.

First-grade teacher Jennifer Orr, in her blog entry on using technology, says even early elementary students can create digital videos.

Stop and Source!

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photography, Jonathan with a ball, c. 1957 digitized 23 May 2010, Flickr CC
Question

I am teaching first grade. As part of the lesson I am going to put photographs of families from the 1900s into an album and ask the students how these families are the same or different than their own families. Any suggestions on how to spice this up?

Answer

Before you place photos in an album and make comparisons, use your pictures to introduce an activity called Stop and Source. Sourcing refers to taking inventory of the creator, date, place, and type of a piece of evidence in order to “read” it more accurately. Sourcing is an essential skill for critical analysis and information literacy. As soon as children have books read aloud to them or look at pictures, they can be introduced to the concept that all texts, written or visual, have a creator and a time when they were made.

  1. Choose pictures for which you have some source information such as the date taken, the photographers’ names or where they were taken, etc. You may wish to use pictures from the late 1800s to make a bigger contrast with today.
  2. Project a long ago picture with an overhead or interactive board and ask your students to describe what they see.
  3. Next, project a picture from today and again ask your students to describe what they see.
  4. Ask your students what is different about the pictures.
  5. Ask your students why these things are different.
  6. Next, share the available source information for the pictures with your class, such as:
    • WHO took the picture?
    • WHEN was the picture taken?
    • WHERE was the picture taken?
  7. After you share the source information for each picture, ask your students if the dates are the same or different, if the places and photographers are the same or different, etc. Could differences in time and place that we find in the source information begin to explain some of the differences in the pictures?
  8. To help your students remember to always look for sourcing information when they read a book or look at a picture, teach them to Stop and Source with a kinetic activity. Ask them to stand up, raise a hand to their shoulder, palm out, then push it forward as they say “Stop and Source!” Do this a few times, then return to your activity.
  9. Project another photo and ask your class what to do first. Hopefully they will say “Stop and Source!”
  10. Repeat the comparison of a pair of pictures from long ago and today.

This activity will help your students begin to develop a sourcing habit, and understand that source information helps us “read” pictures accurately.

Bibliography

Wineburg, S. and D. Martin. "Seeing Thinking on the Web." The History Teacher 41(3) (2008).

For more information

The Bringing History Home project's Source, Observe, Contextualize, Corroborate Visual Image Analysis Guide can help guide your students' sourcing.

Or check out this Ask a Master Teacher by Teachinghistory.org on using scrapbooking in the history classroom.

Teaching with Timelines

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Image, Timeline, 21 Sept 2009, George Boyce, Flickr CC
Article Body
What Is It?

Throughout a school year or history course, students collectively construct an illustrated timeline of historic events and people they have studied.

Rationale

Researchers have found that students too often encounter little bits and pieces of history out of context and unconnected to larger historic themes (1). Consequently, students don’t develop a sense of historic era and they don’t connect individual events to larger movements and themes (2). These limitations not only affect students’ grasp of history topics; they may also restrict students’ engagement in critical analysis. As a recent middle school study found, "Without proper background knowledge, students have difficulty developing the contexts for historical thinking" (3).

Use [timelines] to categorize similar or related events into themes, eras, and topics, and to help students compare elements in different time periods.

Timelines help students understand the chronology of historic events, and help students situate newly encountered events and figures in relation to those they’ve already studied (4). They provide a visual aid for identifying cause and effect relationships between events, and a visual prompt to activate student prior knowledge. They allow students to recognize how historic events, eras and topics overlap in time. Use them to categorize similar or related events into themes, eras, and topics, and to help students compare elements in different time periods.

All of these purposes are important singly, and collectively they help students develop a long-range understanding of historic chronology.

Description

In this ongoing activity, a timeline is collectively constructed by students. It may be made of butcher paper and covered in student drawings, primary sources, and recipe-sized cards noting laws and events. Or, if fire codes allow, it may be made of rope, with images, dates, and documents hung from paper clips and clothespins. The main classroom timeline may be supplemented by smaller posterboard-sized lines that include only a few elements, such as changes in farming or in environmental regulation over time, or a chronology of legislation related to voting rights and disenfranchisement. But timelines should always be constructed by students so they reflect the students’ own learning.

Teacher Preparations
  1. Cut a long strip of butcher paper. Your class timeline should be displayed     as prominently as possible in your room, and should be easily reached for     adding new elements. If it’s hard to reach, you’ll be less likely to add     elements daily. But if you don’t have space in your classroom for your     timeline, try hanging it in the hallway near your class.
  2. In bold colored marker, place marker dates on the paper. These will be     determined by the course content. If you are teaching 19th- and 20th-    century U.S. history, you may wish to label the timelines with 10 or 20     year increments, or you may wish to only list century markers. Be sure to     leave space for dates before and after the time period your class will     explore, however, as your class will almost certainly encounter events that     precede and follow the designated beginning and conclusion of your unit     explorations.
  3. Decide how the class will display elements on the timeline. Will you ask     for volunteers to illustrate events that go on the line? Will you ask the     class to vote on how they wish to illustrate various elements—with a     student illustration, a copy of a primary source, a historic image or...? Will     you decide each time how an element that goes on the line will be     represented?
In the Classroom
  1. Start your classroom timeline at the beginning of the school year. Add to     it throughout the year.
  2. At the conclusion of an exploration of a significant event or person, ask     the class if they would like to include that person or event on the class     timeline. Tape the representation of the new element to the timeline, with     a date and title prominently visible. When posting a person’s life rather     than a single action by a person, you may wish to list dates of birth and     death.
  3. Every day or two, begin your history study with a review of the timeline.     Settle your students on the floor in front of the line and invite them to do     a silent “walk and talk” of the events on the line. Allow a minute or two     for this activity, and then invite a student to stand and do a walk-and-    talk aloud (see video). The students don’t need to account for every     element on the line; they should just use the elements as prompts to     tell a story about a particular era or theme, or inventory various things     that were happening during the same time period. Let students finish     before correcting any mistakes they may make in their storytelling.
  4. When deciding which elements to put on your timeline, it’s better to err on     the side of generosity than stinginess. The more elements on your line, the     better it reflects your class's learning, at least if you are engaged in rich     history explorations. But don't limit your dates to events you explore in     formal history lessons; include elements from other disciplines as well.     Language arts, science, music, math; if you encounter a historic topic in     one of those areas, add it to the class line. If a student finds something at     home that relates to history, invite them to add it to the line. A dynamic,     full-to-the-brim timeline is a sign of a class that’s engaged in history full-    tilt.
  5. As your class explores history, allow and encourage your students to view     and reference the timeline spontaneously to situate new evidence in     relation to what they’ve already studied, or to infer the timing of a new     historic element for which they have no date.

Watch this video and listen to a student walk and talk her way through her class timeline.

For more information

Lesson plans and units that incorporate timeline activities are available on the Bringing History Home project website. Additional information about using timelines in elementary and college history classrooms is also available on the site.

See this entry about Docs Teach from the National Archives to explore their “Finding a Sequence” timeline tool that allows teachers to create their own document-based timeline activities.

EdTechTeacher overviews online timeline creation tools and techniques.

Bibliography

1 Barton, K. (2002) “Oh, that’s a tricky piece!”: Children, mediated action, and the tools of historical time. The Elementary School Journal, v.103, n.2.

2 Shemilt, D. (2000) The Caliph’s Coin: The currency of narrative frameworks in history teaching. Knowing, Teaching & Learning History, eds. Stearns, P. et. al., New York: New York University Press.

3 Twyman, T., et.al. (2006) Using concepts to frame history content. The Journal of Experimental Education, 74 (4), 331-349.

4 Fillpot, E. (2007, 2008) These findings are from unpublished studies conducted with children in the Bringing History Home K-5 curriculum and professional development project.

Storytelling with Scrapbooks

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Scrapbook, time and eternity, mary bailey, 7 Nov 2010, Flickr CC
Question

I like to scrapbook. How can I incorporate this craft into an elementary classroom (Grades 2-5)?

Answer
Using Scrapbooks

Making scrapbook pages can be a fun activity for students in the elementary grades. You will want to help students understand that, in this case, a scrapbook—like all history—uses pieces of the past to tell a story. Students can make their own scrapbook pages that tell a story and these pages, when bound together, can tell a larger story or multiple stories about the same theme, historical event, or era.

Students could construct pages that tell family history or pages that focus on an historical figure like George Washington, Elizabeth Cady Stanton or César Chávez. Such scrapbooks might integrate photos, portraits, maps, timelines, and age-appropriate primary documents. Another option for scrapbooking is to examine a topic related to local history. Students might construct pages about historic sites in their own community, including important buildings, parks, and graveyards, pages about people from the past who made a difference in their local areas, or pages about daily life in the past. These pages could be bound together and used as a resource for future activities like writing a town history. Naturally, you will want to tailor the assignment’s topic and requirements to the particular age-group that you’re working with, asking older students to use more materials and craft more complete and clear narratives.

Assignment’s Requirements

You’ll want to guide students in terms of what their scrapbooks should include. First, you’ll want to help students understand the kinds of sources they should use. Have a conversation with them about where they might gather the ingredients for a scrapbook page, and consider working with your school librarian to ensure that students have the necessary materials they will need to tell their story—photos and pictures from the internet, old newspapers and magazines, etc. You will also want to help students understand that a scrapbook, like all history, uses pieces of the past to tell a story. Selecting and ordering their materials chronologically, by theme, or in some other manner, will affect the nature of their narrative—and they’ll want to consider this when choosing sources to paste on their page. Consider if you will require specific sources, for example, will they need to include a map? Two photographs?

Students will need coaching in creating titles for their pages and captions for the “scraps” they include on that page. Remind them to use details in those captions and include information about names, dates, and places. Again, consider your students’ abilities in deciding what prose will be required in the assignment, and the choices (e.g., page title) you will leave to them and the choices you will make for them. Your experience with creating scrapbook pages will likely make it easy for you to model how you plan your page and what finished pages look like. This kind of modeling is always helpful for students. We also recommend using the creation of scrapbook pages as a prewriting or presentation assignment, where they put into words the story they have created on their page.

Scrapbooking, in short, can be a useful tool in the history classroom, as long as you take the time to create assignments that focus on understanding the past. Teaching opportunities in the activity include students learning more about the use and selection of evidence to tell a story, and cultivating a deeper understanding of primary sources and the specific historical stories they illustrate. Be sure to define your learning objectives thoughtfully so it is an activity with significant purpose. Try this backwards design model for planning, where those objectives determine the specific shape and nature of the activity that you design.

The Condition of History in Elementary Schools

Article Body

In my elementary social studies methods classes, I ask students to share examples of history lessons they observe in their field experiences. Though there are always a few inspiring stories of teachers engaging K–6 students in meaningful historical thinking and creative activities, the vast majority of pre-service teachers report that they observe no social studies whatsoever. Similarly, many of my colleagues teaching in elementary schools report that their principals have explicitly instructed them to no longer teach history in order to focus on test preparation for math and literacy.

Eliminating history from the elementary curriculum is irresponsible and, ultimately, unnecessary.

This focus on student achievement as measured by standardized tests has dramatically narrowed the curriculum (1) and framed the social studies, history included, as a non-essential field of study (2). Whether one thinks of the purpose of public schools as being preparation for jobs, college, democratic citizenship, or some combination of the three, eliminating history from the elementary curriculum is irresponsible and, ultimately, unnecessary.

For even if one acquiesces to a curriculum that is explicitly focused on mathematics and literacy, the best math problems and reading materials are not decontextualized, empty vessels—they are about something real (3). When students practice reading, for example, they can read about history, and when they do calculations, they can use historical data. The choice between teaching math and literacy or teaching history is a false one. Though time is indeed limited and teachers justifiably feel pulled in many directions, the excuse that there “isn’t enough time” is, in the end, a weak one.

For those teachers willing to overcome real and perceived time constraints, they must also contend with state standards and district materials presenting a narrow, reductive, and, at times, erroneous history. I am most familiar with the situation in Virginia. The state’s standards represent a cultural literacy model of canonical facts in lieu of a more progressive “Expanding Horizons” approach (read the Virginia standards here). A recent article by Van Hover, Hicks, Stoddard, and Lisanti (4) details the highly politicized evolution of the “Standards of Learning” and rightly critiques what is now considered natural and normal social studies instruction in the state.

In spite of their many weaknesses, these standards can serve as a foundation upon which to build rich social studies experiences. Stacy Hoeflich, an award-winning teacher in Alexandria, is one fine example of a teacher doing just that (watch her in action by clicking here). More often than not, however, these standards dictate what is taught in restrictive, retrogressive ways and keep teachers from developing curriculum informed by multiple perspectives and connected to the lives and questions of their students.

The standards appear to be neutral and safe rather than what they really are: intensely political and inherently exclusive.

My pre-service teachers, for instance, express anxiety about straying from the standards by including any historical information that may be perceived as “controversial.” Though they acknowledge that lessons celebrating the friendship of Pilgrims and Indians during the first Thanksgiving, Columbus’ “discovery” of America, or Rosa Parks’s spontaneous decision to stay seated represent historical narratives that are (at best) misleading, many of them admit they will continue to teach these myths so as not to upset administrators or outspoken parents. To them, the standards appear to be neutral and safe rather than what they really are: intensely political and inherently exclusive. In addition, many of my students express a lack of confidence in their historical background knowledge and thus plan to rely heavily on district-supplied textbooks and resources. While I empathize with their situation, this is worrisome given the recent report of dozens of errors in textbooks used widely throughout the state (5).

In sum, the condition of history in the elementary classroom is one of great concern. History is rarely included as part of the curriculum and, if it is taught, relies upon a conventional and canonical perspective that ignores historical scholarship and excludes multiple perspectives. Our best hope is that current and future teachers become critical consumers of state standards and district-sponsored materials and see themselves as “smugglers” of good history back into the school day.

Footnotes

1 P.B. Joseph, et al. (2010), "Narrowing the Curriculum," in Cultures of Curriculum, ed. P.B. Joseph (2010): 36–54.

2 G. Bailey, E. Shaw, and Hollifield, D, "The Devaluation of Social Studies in the Elementary Grades," Journal of Social Studies Research, 30(2) (2006):18–29.

3 National Council of Teachers of Mathematics, Principles and Standards of School Mathematics (Reston, VA: NCTM, 2000).

4 S. Van Hover, et al, "From a Roar to a Murmur: Virginia's History & Social Science Standards, 1995 to the Present," Theory and Research in Social Education, 38(1) (2010): 82–115.

5 K. Sieff, "Erroneous History Textbook ‘Our Virginia’ to Be Pulled from Fairfax Schools," Washington Post, January 7, 2011.

Teaser

Our best hope is that current and future teachers become critical consumers of state standards and district-sponsored materials and see themselves as “smugglers” of good history back into the school day.

Slave Badges

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slave badge
Question

I am attempting to make a lesson plan for 4th graders about slave badges. I was wondering how I could make this lesson tangible for this age group, and how to make the information come across clearly. What types of activities could I use? I also intend to compare slavery and indentured servitude. I would be using SC Standard 4.2 and indicator 4–2.6.

Answer

Slave badges, which served as a kind of work license for slaves in the Charleston area, are unique historical artifacts. As such, beginning a lesson with an image of the artifact—something that can be found with relative ease online—is a great way to raise historical questions.

So, beginning with an image, ask your students what they see. There is much to observe here: a date, a number, a year, a job description. It is made of copper and is 1.5 inches square; there is a hole at the top.

Once students have listed all of their observations, ask them what questions they have. Even 4th graders will likely ask some fundamentally historical questions, like “what was this used for?” or “where was it placed?”

Once students have compiled a list of questions, provide them with the materials that they need to find answers. Whether this means sending them to their textbooks or to excerpts of articles like this from the Smithsonian magazine, students will be motivated to piece together the historical puzzle you have presented.

Bringing them back together as a class, you might ask them to present their findings. If they already know about indentured servitude, this might be a good time to discuss the two systems of bondage in comparison with each other. There are several comparisons of slavery and indentured servitude on the web, including one from the Library of Congress and one from History Now.

You might also ask new questions as a class—“who benefitted from the use of slave badges”—that require a bit more coaching from an adult.

Good luck!

Jennifer Orr on Teaching Heroes

Date Published
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drawing, Design drawing for stained glass window showing George Washington, betw
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Early elementary studies in history often focus on specific people. As students mature they are able to explore history over the course of periods of time and consider how certain events impacted other times and people. However, our youngest students do not have the necessary background knowledge and life experience to do so. As a result, early elementary history standards tend to be about individuals from the past.

My 1st graders study George Washington, Benjamin Franklin, Abraham Lincoln, and George Washington Carver, at least according to our state standards. My school district has added Eleanor Roosevelt to that list, one assumes in order to have at least one woman. The standard relates to U.S. leaders and their contributions to our country.

Making them too heroic risks many students today finding them not inspirational but intimidating, or at least unrelated to their own lives.

I don’t think anyone would argue that the above individuals contributed to our country. However, I do think there are concerns with this approach. While heroes taught in this way can be inspirational, I believe we are setting our students up for disappointment in those heroes when they find out they were, in fact, human. In addition, making them too heroic risks many students today finding them not inspirational but intimidating, or at least unrelated to their own lives.

I believe that one of the benefits of studying how individuals have contributed to our country is to show children the possibilities for their future. My students, however, will not see themselves in any of these people. The majority of these individuals lived in prosperous situations, at least as adults. We can study Franklin and Lincoln’s early years with limited financial resources, but they are still white men, and a log cabin doesn’t resonate with a child living in an apartment with two other families. Carver also rose from difficult circumstances, but they are circumstances that are very difficult for young children to understand. My students are mostly first-or second-generation immigrants. They speak another language at home. They will struggle to see similarities between their lives and the individuals we study.

Also, studying individuals through their contributions shows one side of them only. Washington and Franklin certainly did contribute significantly to the development of our country. However, the way they are presented to young children suggests a near perfection to these men, a lack of complexity. In a few years, when they learn more about them, these students will be shocked to learn that Washington owned slaves and that Franklin fathered an illegitimate child, whose mother’s identity is unknown. We teach about Lincoln’s rise from difficult financial circumstances to become president of the United States. Students learn that he abolished slavery. They see him as a savior for an entire group of people without recognizing the complexities of his views on race.

Through the resources we use to study these leaders—books, videos, websites—I can draw out interesting facts that might surprise my students.

As we study these individuals in my 1st-grade classroom we create a data retrieval chart to which we can continually refer. It includes their names, the dates of their lives, their contributions, and other interesting facts. I include the other interesting facts for two reasons. The first is that my students are often fascinated by things that aren’t really contributions and we need a place for those. Second, this is a window of opportunity for me to highlight human aspects of these individuals. Through the resources we use to study these leaders—books, videos, websites—I can draw out interesting facts that might surprise my students. I can point out that George Washington was a slave owner and we can talk a bit about that. We can count how many elections Abraham Lincoln lost on his route to the presidency. We will list on our chart their contributions and many positive or neutral interesting facts, but I will attempt to ensure that the men and women we study are seen as people, people who gave much to our country but who were still human beings.

As teachers we have a responsibility to know more about the individuals we teach than the standards state. While the complexities of people may be more than young students can grasp, we can be more careful about how we present individuals. It is easy to glorify historical figures but we should present them as human beings and look at their achievements through that lens. That will help our students see the possibilities in all they have to offer.

For more information

How can you teach history as both individual and collective, mundane and heroic, organized and chaotic? Professor Linda Levstik says use history book sets that help students think about the actions available to people in history.

Our reprints of Journal of American History film reviews also model breaking down heroic narratives for the seeds of historical truth (check out the reviews of The Aviator and John Adams for looks at how film has simplified two historical figures to create compelling stories).

Monuments and memorials show whom people choose to remember as heroes and how they choose to remember them, according to high school teacher James Percoco in Using Primary Sources.

(And for a less realistic definition of "hero," Rwany Sibaja asks why not teach with superheroes?)

Historic Place and Interpretation

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Video Clip Title
Looking Past First Reactions
Video Clip Duration
4:37
Transcript Text

Before you do any kind of field trip, you as a teacher have to do your own homework. You have got to do the groundwork and if you continue to go back to the same site, as I do with Gettysburg, it becomes an evolutionary process. And you as an independent learner and an independent thinker develop your own ideas, and you come to then understand that, and you come to recognize, after going back time and time and time again, that this was a place of great trauma—great tragedy—and that only comes to you once you've gotten beyond your initial reading because I think once in your initial reading, you're caught up in the excitement, you're caught up in the drama that history sometimes imposes on the present. And it's when you get beyond that, that you really begin to understand, and that comes with experience.

If I were a teacher, developing a field trip experience for my teachers in my Teaching American History grant program—first I would do the homework, I would make sure it's a site in which you as an individual feel you are competent to deal with as an adult. I would encourage you to do as much reading as possible and particularly a look at the more recent scholarship that's been written about different sites. You'll find that those things that attract you to that particular vignette or that particular story will take on a life of itself for you, so you will get a different experience. So, the experience that I would give at Gettysburg may very well be different from the experience that teacher A, B, or C gives at Gettysburg because you've read different books, you've seen different things, you've brought your own biases to it and you see things differently. And that's kind of the magic of history; that there is no real one certifiable truth. I mean we all know the battle of Gettysburg took place. We all know it was July 1st, 2nd, 3rd, 1863, but what is the meaning of Gettysburg? Did the Union win? Did the Confederacy lose? Was it the turning point in the war? What are the other things? I mean there's questions that always revolve around it. So, you need to be, I think, for best practices, always willing to be open to the fact that your reading, your development is going to lead to more questions and invariably that's what you want your students to do.

One option is to go to the National Park Service and use their Teaching with Historic Places website. I mean, it's a dynamic powerful website that really cuts across all elements of American history in a very rich engaging way for teachers and their students. Every area has a historical memory and I think part of the problem in America has been, that we have so often focused on military history and political history. And it's really been in the last generation that social history has made such important inroads into the interpretation of American history that places like New Bedford, places like the Amoskeag Mill in Manchester, New Hampshire, that places like Butte, Montana, which had a huge mining industry—that these places have a resonance in and of themselves that are important for that local community.

Another way, look for local trails. I mean the United states is dotted with national historical trails. Whether they be short ones from Selma to Montgomery, Alabama, marking the march from Selma to Montgomery in 1965 or they be the Lewis and Clark Trail or they be the Trail of Tears or they be the Nez Perce trail. We have got trails all over the United States—even if you can't do the whole trail you can do part of it and you can make that part of the trail and give it a kind of immediacy for the young people or the young teachers that you are working with. So the environment really, I mean history doesn't happen, and I always tell my students it didn't happen in these four walls; it happened out there and I point out the window.

And again I certainly wouldn't expect teachers to be able to take their students everywhere, but there are places ripe for this and I think one of the great things about the Teaching American History grant program is that there is such an emphasis on training teachers locally. That they can use the local museums, they can use the local cemeteries, they can use the local archives as part of it, and I think that's been one of the geniuses of the Teaching American History program is that it has led teachers in that direction.

Before you do any kind of field trip, you as a teacher have to do your own homework. You have got to do the groundwork and if you continue to go back to the same site, as I do with Gettysburg, it becomes an evolutionary process. And you as an independent learner and an independent thinker develop your own ideas, and you come to then understand that, and you come to recognize, after going back time and time and time again, that this was a place of great trauma—great tragedy—and that only comes to you once you've gotten beyond your initial reading because I think once in your initial reading, you're caught up in the excitement, you're caught up in the drama that history sometimes imposes on the present. And it's when you get beyond that, that you really begin to understand, and that comes with experience.

If I were a teacher, developing a field trip experience for my teachers in my Teaching American History grant program—first I would do the homework, I would make sure it's a site in which you as an individual feel you are competent to deal with as an adult. I would encourage you to do as much reading as possible and particularly a look at the more recent scholarship that's been written about different sites. You'll find that those things that attract you to that particular vignette or that particular story will take on a life of itself for you, so you will get a different experience. So, the experience that I would give at Gettysburg may very well be different from the experience that teacher A, B, or C gives at Gettysburg because you've read different books, you've seen different things, you've brought your own biases to it and you see things differently. And that's kind of the magic of history; that there is no real one certifiable truth. I mean we all know the battle of Gettysburg took place. We all know it was July 1st, 2nd, 3rd, 1863, but what is the meaning of Gettysburg? Did the Union win? Did the Confederacy lose? Was it the turning point in the war? What are the other things? I mean there's questions that always revolve around it. So, you need to be, I think, for best practices, always willing to be open to the fact that your reading, your development is going to lead to more questions and invariably that's what you want your students to do.

One option is to go to the National Park Service and use their Teaching with Historic Places website. I mean, it's a dynamic powerful website that really cuts across all elements of American history in a very rich engaging way for teachers and their students. Every area has a historical memory and I think part of the problem in America has been, that we have so often focused on military history and political history. And it's really been in the last generation that social history has made such important inroads into the interpretation of American history that places like New Bedford, places like the Amoskeag Mill in Manchester, New Hampshire, that places like Butte, Montana, which had a huge mining industry—that these places have a resonance in and of themselves that are important for that local community.

Another way, look for local trails. I mean the United states is dotted with national historical trails. Whether they be short ones from Selma to Montgomery, Alabama, marking the march from Selma to Montgomery in 1965 or they be the Lewis and Clark Trail or they be the Trail of Tears or they be the Nez Perce trail. We have got trails all over the United States—even if you can't do the whole trail you can do part of it and you can make that part of the trail and give it a kind of immediacy for the young people or the young teachers that you are working with. So the environment really, I mean history doesn't happen, and I always tell my students it didn't happen in these four walls; it happened out there and I point out the window.

And again I certainly wouldn't expect teachers to be able to take their students everywhere, but there are places ripe for this and I think one of the great things about the Teaching American History grant program is that there is such an emphasis on training teachers locally. That they can use the local museums, they can use the local cemeteries, they can use the local archives as part of it, and I think that's been one of the geniuses of the Teaching American History program is that it has led teachers in that direction.