Jacob Lawrence: The Migration Series

Annotation

The Jacob Lawrence: The Migration Series is a project of the Phillip Collection to showcase the story and work of the painter Jacob Lawrence (1917-2000) in the context of the Great Migration period (1910-2010) in American history. Lawrence’s art focused on the experience and history of African Americans and was further impacted by his experiences during the Great Depression of the 1930s and after. During the Great Depression, Lawrence worked with the W.P.A., and in the decades that followed, he became one of the most celebrated African American artists who traveled the world and nation. The Migration Series is one of Lawrence’s most famous and impactful bodies of work that showcases the story of the Great Migration that reshaped the racial geographical layout of the nation throughout the 20th century. The Great Migration can be seen in two parts: an exodus from the Southern states during the early 20th century and then a return to those states in the later parts of the 20th century and into the early 21st century. Both mass movements were driven by economic and social hardships, and by the promise of work and personal freedoms. In the early parts of the 20th century, Black Americans did not have the same liberties and work opportunities in the South as they did in the North. Following the Black civil rights movement, a decline in job growth in the North, and the passage of the 1965 Civil Rights Act, Black Americans returned to the South.

Despite its narrow focus, the site readily lends itself to the classroom through its resources and engaging nature. There is an interactive map showing the movement of Black Americans during the migration period of 1910-1970 and the reverse migration of 1980-2010. Videos filled with contemporary commentary connected to the artworks of Jacob Lawrence are also shown, and a playlist with music connected to the overall theme of the project that further engages with the user. Additionally, there is a collection of primary sources, like photos and transcribed letters, showing what life was like during these migrations, shaping the social and cultural framework of the nation. 

This project covers a largely overlooked part of American history in the classroom that did not impact Black Americans in an isolated manner, but the whole of the nation. The Great Migration fits into three main additional subjects already covered: the Black Civil Rights movement of the 1950s and ‘60s, the Interwar Period, and labor history. Often, the experiences and impact of Black Americans during the Interwar Period and labor history are not included to their full depth. This project allows for such inclusions within the class time used to discuss the Interwar Period and labor history, and a deeper understanding of the Black civil rights movement. The Great Migration and the Black civil rights movement are linked and feed from each other in the ebb and flow of people and their ideas across the nation. 

This project can be used to explain the factors that led to the Black civil rights movement of the 1950s and ‘60s within a Civil Rights unit.  Another unit this project works within is the Great Depression; highlighting the movement and experiences of Black Americans in response to the economic hardship of the Depression will allow Black American history to exist outside the silo, or units, covering slavery, the Civil War, and the Black civil rights movement. The Migration Series can be part of a larger effort to correct the over-fixation on white American history in a nation that is known as a melting pot.    

Interactive Exhibit from the American Art Museum

Date Published
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Ross Dickinson, Valley Farms, 1934,  Smithsonian American Art Museum
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Earlier in April, we highlighted a few resources for teaching about the New Deal, but here's one addition well worth checking out.

An exhibition, 1934: A New Deal for Artists, is on view at the Smithsonian American Art Museum and the Renwick Gallery until January 2010, and a multifaceted, online educational website complements this display.

It was the first time the United States government provided direct support to artists.

Curator Elizabeth Broun explains The Public Works of Art Project of the New Deal. "Artists were encouraged to portray 'the American Scene.' With this minimal guidance, they turned to local and regional subjects and created a picture of the country striving to survive through hard work and true grit. They were inspired by the idea that their art would be displayed in public spaces for broad audiences." It was the first time the United States government provided direct support to artists.

The website encourages visitor immersion in the works of art—regional, recognizable subjects—ranging from portraits to cityscapes and images of city life to landscapes and depictions of rural life. The 1934 artists reminded the public of quintessential American values such as hard work, community, and optimism.

An Exhibition Slide Show is open to public comments and shared stories.

A flash presentation takes visitors into a virtual movie theater where virtual curators talk about picturing the 1930s, provide historical context, explanations of individual paintings, and the chance to create movies with personal collections. Movies are created using Digital Storyteller created by primaryaccess.org. (Be forewarned: navigation is a little complex in this component, but well-worth the exploratory effort. It's a good idea to visit How is This Site Organized.)

Mapping 1934 lets visitors see where the exhibition's artworks were painted.

The museum has also created a 1934 Flickr group to share the nearly 400 related artworks and objects from its collection. New images are added each week both by the museum and members of the public who choose to join the group. Comments, stories, and new images are invited and welcome.

Reynolda House Museum of American Art [NC]

Description

The Reynolda House Museum of American Art is located in Winston Salem, North Carolina, and was originally built by Richard Reynolds, founder of the R.J. Reynolds tobacco company. The home was opened as an art museum in 1967, and since then has worked towards its mission of showcasing the very finest American art.

The museum offers galleries, an attached historic house museum, guided and self-guided tours, field trip programs, and summer camps. The website offers a history of the museum, information regarding current collections and exhibits, visitor information, and an events calendar.