Let's Get Folky

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Photography, Coolest Bluegrass Beard, Greg Robbins, 2007, Flickr CC
Question

I need ideas for constructivist lesson plans that teach American history through folk music. Can you help?

Answer

Music can be a great resource for American history teachers. Just like textual primary sources, songs have historical meaning that students have to work to uncover. A song, no less than a presidential address, reflects the time in which it was created, as well as the perspective of its author. Consequently, you’ll want to ask students to consider who wrote the lyrics, what those lyrics mean, who the audience for the song was, and what was going on in the United States at the time. You might want to pair the song with other sources—newspaper clippings, radio addresses, photographs of protests, etc.—that students can piece together to better understand a particular historical era.

PBS’s brief history of American folk music might be a good place to start…

Folk music, of course, is distinct from popular music in one general regard: unlike music created by professional recording artists, folk music is generally made by ordinary people and integrated into everyday life. So, while many well-known artists like Woody Guthrie and Bob Dylan certainly played folk music, it can often be used as a way of better understanding the lives of people frequently left out of history textbooks. PBS’s brief history of American folk music might be a good place to start, establishing the unique nature of the genre and helping you focus your search for resources.

As always when looking for classroom resources, teachinghistory.org can help. Our Teaching in Action section, for instance, includes an example of how a song might be used in the classroom, providing links to videos in which 4th grade students learn about John Brown’s raid on Harper’s Ferry by analyzing the song “John Brown’s Body.”

Our Using Primary Sources section also has some appropriate resources for you. One entry on Making Sense of American Popular Song highlights a website that provides questions to ask when using music in the history classroom, a model interpretation of a popular song, and links to resources. Another entry, on Document Analysis Worksheets, includes a link to the National Archives, which has a special “Sound Recording Analysis Worksheet.”

Beyond the Teachinghistory.org website, you might want to look at some of the other usual suspects for high quality materials and lesson plans.

Beyond the Teachinghistory.org website, you might want to look at some of the other usual suspects for high quality materials and lesson plans. EDSITEment—a project of the National Endowment for the Humanities—is always a good place to look. They have a lesson entitled “Music from Across America” that explores the intersection of music and popular song. The Library of Congress is always a good resource, and they have a full page of links, as well as some specific lesson plans like one on California folk music in the 1930s. Finally, PBS’s American Roots Music website has four lesson plans as well as a bibliography that you might find useful.

There are also some specific music-related sites worth exploring. The Rock and Roll Hall of Fame also has a page of lesson plans dedicated to teaching with music. You might also want to explore Smithsonian Folkways to see what music they have available.

National Council for the Traditional Arts [MD]

Description

The NCTA is is focused on the preservation of folk and traditional arts in the United States, and maintains archives of folk music, dance, crafts, and stories. While national in scope, the National Council for the Tradition Arts (NCTA) is very cognizant of its local corporate responsibility, and so provides a variety of services for the local Maryland and Washington DC area.

The NCTA puts on folk festivals throughout the country, presents traditional art touring programs, and works with local schools to present traditional arts to schoolchildren. The website offers information about all of the programs offered by the NCTA and an events calendar.

Combos and Vocal Groups of the Swing Era

Description

Although big bands, solo vocalists, and jazz soloists dominated the swing era (1920s–1950s), there existed a simultaneous stream of music from small ensembles, vocal and instrumental. Participants will listen to singing groups such as the Andrews Sisters, Ink Spots, and Modernaires. We will hear instrumental combos such as the Benny Goodman Sextet, Modern Jazz Quartet, and the George Shearing Quintet. Finally, participants will sample the folksong revival of the 1950s. No musical training is necessary.

Contact email
Sponsoring Organization
Newberry Library
Phone number
312-255-3700
Start Date
Cost
$180
Course Credit
Seminar participants seeking CPDU credit will receive one hour of credit for each hour of class time.
Duration
Seven weeks
End Date

The John and Ruby Lomax 1939 Southern States Recording Trip

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Annotation

In 1939, John Lomax, Curator of the Library of Congress Archive of American Folk Song, and his wife Ruby Terrill Lomax, embarked on a 6,500-mile journey through the South. During their travels, they recorded more than 700 folk tunes that now are available as audio files on this website. Genres include ballads, blues, children's songs, cowboy songs, fiddle tunes, field hollers, lullabies, play-party songs, spirituals, and work songs.

The site also presents field notes containing personal information on some of the more than 300 performers the Lomaxes recorded, notes on geography and culture, and excerpts from correspondence. More than 50 letters to and from the Lomaxes, 380 photographs, a bibliography of 22 works, and a map are also offered. The site is keyword searchable and can be browsed by subject as well as title, song text, and performer.