Martin House Museum

Description

"The Fulton Historical Society is located in this Civil War era home donated to the City by Leonard and Maxine Martin. The Society has taken over the operation of the home as a repository of information and materials relevant to the history of the City of Fulton and its inhabitants. In addition, the Society wishes to preserve the heritage of the community and provide educational opportunities for the purpose of increasing and enriching public knowledge."

The Conspirator in the Classroom

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Today, the 146th anniversary of President Abraham Lincoln’s death, a new historical feature film, The Conspirator, opens.

It is interesting timing for another reason as well. The Conspirator is the first major motion picture to open during the Civil War sesquicentennial and yet it begins with one of the war’s closing chapters: the assassination of President Lincoln. It quickly, however, takes you beyond the events of the assassination and into a less well-known aspect of post-Civil War history.

Directed by Robert Redford, the film focuses on the relationship between the only woman accused in the assassination conspiracy, Mary Surratt, (played by Robin Wright) and her defense attorney, Frederick Aiken (played by James McAvoy). Aiken, a Union war hero, at first does not want to have anything to do with the defense of Surratt. In turn, Surratt does not want to do anything to possibly implicate her son who flees the country after the assassination and is considered a suspect.

Aiken eventually decides that Surratt deserves a fair trial and it is through Aiken that we as an audience wrestle with the central question of the film: Was Mary Surratt complicit in the Lincoln assassination? Like a good teacher, the movie leaves you to decide this for yourself.

Teaching Resources

In conjunction with the film, the producers of The Conspirator developed an Educators’ Page with links to a downloadable Educational Resource Guide (41 pages) and movie poster. Free registration is required.

The guide offers three lessons: Women and the Civil War, Impact of Presidential Assassinations, and Right to a Fair Trial, all geared toward students ages 13 and older.

Classroom Connections

If you are looking for additional ways to use interest in The Conspirator in your classroom, Teachinghistory.org can point you in some good directions.

Let’s start with the big question: What do students learn when watching historical feature films? In this study from the University of British Columbia, researchers found that students often empathize more strongly with the past after seeing a historical film, but they also have difficulty analyzing the film’s historical accuracy. So it is important to provide students with the background knowledge they need in order to analyze a film’s historical accuracy.

Here are a few resources found on Teachinghistory.org related to the Lincoln assassination:

  • For a gripping retelling of the Lincoln assassination, listen to this NPR podcast at Fords’ Theatre with James Swanson, NY Times best-selling author of Manhunt.
  • Find answers to the question of why John Wilkes Booth wanted to assassinate the president in this Ask a Historian Q&A.
  • In another Ask a Historian, explore the question of whether President Lincoln had premonitions of his own death.
  • For information about Mary Surratt, visit the Surratt House Museum.
  • For younger students, this review of the Gilder Lehrman Institute lesson, What Events Led to the Lincoln Assassination?, is suitable for grades 4 and 5.
  • The Chicago Historical Society produced an interesting online exhibit, Wet with Blood, that invites you to join historians and scientists to look at the artifacts related to the Lincoln assassination.
  • Looking for primary source materials related directly to the conspirators’ trial and execution? The Daniel Weinberg Collection at the Indiana Historical Society has over 90 items related to the assassination conspiracy, including the handwritten execution order.

For other resources beyond Teachinghistory.org, the University of Missouri-Kansas City School of Law offers the Trial of the Lincoln Assassination Conspirators that includes images, newspaper articles, and excerpts from the trial transcripts. Your students can compare the primary source material related to the trial to the movie’s version of events.

The Library of Congress’ Teaching with Lincoln has a section of materials related to the assassination, which includes resources for teachers, resources for students, and primary sources.

Films offer a great way to introduce young people to the stories of history and with the right teaching tools they can help engage students in historical inquiry. Try incorporating a few ideas in your next lesson and let us know what works!

Patents as Primary Sources

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Photo, Isaac Singer's 1854 Patent Model...
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Ever tried teaching with technology? No, we don't mean Twitter, Facebook, iPods, cutting-edge interactive whiteboards, or even video and DVD players.

We mean patents.

The U.S. Patents and Trademark Office and Google Patents stockpile millions of patents, dating from 1790 to the present. In a July 2010 Organization for American Historians article, Chemical Heritage Foundation fellow Cai Guise-Richardson suggests ways to mine these historical document collections for classroom use.

Maybe you're studying Eli Whitney's cotton gin. What did the original patent look like? Can students decipher what the device does and how it works from the diagrams alone, or is it unclear? What sort of language does Whitney use to describe his invention, and how does he think it will help society?

Ask your students to think about the technology they encounter every day. Do laptops, MP3 players, cars, phones, household appliances—even toys—ever stop changing? No—there's always a new model or a different brand to buy. Inventions in the past developed in the same way. Try a Google Patent search for "cotton gin" to discover just how many variations and improvements on Whitney's invention eager inventors have developed since 1794, when Whitney first patented his design.

Try an advanced search using a word and a date. In 1901, were there any patents containing the word "genetics?" Probably not. What about in 1954, the year after scientists Watson, Crick, and Franklin discovered the structure of DNA? How about in 1990?

Think of other terms that might show up frequently in patents in different time periods. Is "bomb shelter" more frequent after World War II? How were radioactive substances used before they were proved dangerous? Consider this 1925 patent suggesting that rendering food and water radioactive will help prevent disease and preserve freshness. Do students think we're using any inventions today that we'll wish we hadn't in the future? What sorts of words and phrases do they think would show up frequently in patents today?

Pick a phrase or an invention and start exploring! Refer to Guise-Richardson's article for more suggestions if you have difficulty searching or run dry of ideas.

American Experience: We Shall Remain

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In April 2009, the award-winning PBS series, American Experience launches an immersive look at the Native American experience with the five-episode series We Shall Remain.

Watch the series trailer and film clips to get an idea of content and concept. Actor Benjamin Bratt narrates this documentary that explores how Native peoples valiantly resisted expulsion from their lands and fought the extinction of their culture. The chronological range is impressive—from the Wampanoags of New England in the 1600s who used their alliance with the English to weaken rival tribes, to the bold new leaders of the 1970s who harnessed the momentum of the Civil Rights Movement to forge a pan-Indian identity. We Shall Remain represents a collaboration between Native and non-Native filmmakers and involves Native advisers and scholars at all levels of the project.

A teacher's guide is forthcoming in April and promises to offer techniques to integrate Native American history into the school curricula—including film-specific questions for analysis and comprehension, discussion questions, and classroom activities.

The film website includes additional resources and a bibliography of books and digital resources tied to each episode.

Local PBS stations, libraries, and educational institutions also plan events related to We Shall Remain, and an Event Calendar lists what, when, and where.

Register for Your Virtual Seat: Smithsonian Education Online Lincoln Conference

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Register now for the free Abraham Lincoln: a Smithsonian Education Online Conference, airing February 4–5, 2009. The conference takes place completely over the internet, so tune in from wherever you are. The Smithsonian promises opportunities to meet peers, share information, expand professional networks, and learn from talented colleagues.

Topics include One Life: The Mask of Lincoln conducted by Historian Dave Ward of the National Portrait Gallery; Public and Private Photography During the Civil War with Shannon Perch, Associate Curator at the National Museum of American History; and The Enduring Emancipation: From President Lincoln to President Obama led by Lonnie Bunch, Founding Director of the Smithsonian National Museum of African American History and Culture.

The five 50-minute sessions scheduled for each day will be recorded to accommodate all participant time zones, and schedules will be available online after the conference as well. Each day concludes with a session exploring classroom application of workshop content.

The conference program and speaker biographies are available online to enable you to plan your schedule. Technical information necessary for participation arrives after registration.

Save the Date! National Teach-In on Lincoln!

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The History Channel and the Abraham Lincoln Bicentennial Commission are offering a National Teach-In on the life and legacy of Abraham Lincoln on Thursday, February 12, 2009, at 1:30EST. (The History Channel also publishes a minisite including videos and essays on Lincoln.)

The Teach-In features two Lincoln Scholars: Matthew Pinsker and Harold Holzer. They will share their expertise and answer student questions from throughout the country. Content recommended for middle through high school, with an emphasis on eighth grade.

Questions? Please email lincoln@aetn.com.

Please consult A New Look at Abraham Lincoln and Lincoln Bicentennial for previous articles on classroom resources for the bicentennial.

Keep Your Top Eye Open

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Theodore Parker, Ballous Pictorial, November 6, 1858
Question

I have a copy of a poster from 1851 that warns the “Colored People of Boston” to stay away from constables and policemen as they are required to enforce the Fugitive Slave Law. The last sentence reads, “Keep A Sharp Look Out for Kidnappers and have TOP EYE open.” What is the reference to the “Top Eye”? What does “Top Eye” mean in this case?

Answer

The original of this handbill is in the Boston Public Library’s Rare Book collection. It is part of the papers, manuscripts, and diaries of abolitionist and controversial Unitarian clergyman Theodore Parker, who composed it and had it printed and distributed.

Boston Vigilance Committee

At the time he posted it around Boston, Parker was the head of the Boston Vigilance Committee, a group of white and black abolitionists, eventually numbering more than 200, who agitated in various legal and extra-legal ways to frustrate slaveholding. The committee set up a secret network of operators on the Underground Railroad, who transported escaped slaves through the area. The committee also looked for slave-catchers in Boston who had come north to search for fugitive slaves. Parker and his fellow committee members alerted the sympathetic white and black community in the area, and sometimes threatened the slave-catchers and scared them off, and even rushed the jail to free captured slaves.

The committee’s semi-secretive efforts increased in intensity after the 1850 passage of the Fugitive Slave Act (part of the Compromise of 1850), which specifically required Northern states to remit or return fugitive slaves to their Southern owners. The committee’s collective outrage peaked during the 1851 trial and return to Georgia of escaped slave Thomas Sims (the handbill is from this period), the capture and freeing of fugitive slave Shadrach Minkins in 1851, and the riots during the capture and return under Federal guard of fugitive slave Anthony Burns to Virginia in 1854.

Top Eye Open

Having or keeping your top eye open simply meant keeping a careful watch, no matter what else you were doing. It most often carried the idea that you had to keep a lookout for threatening intruders, enemies, or competitors.

The phrase appears to be an Americanism. I see written evidence for its use, among both uneducated and educated and among both whites and African Americans, as early as 1828 and as late as 1911. Those who used it probably felt it to be a bit unusual because it often appeared with quotation marks around it, as if they understood it as slang.

Today, we would say something like “keep your eyes peeled” or “keep one eye open” or “sleep with one eye open.” When you lie down to sleep, one eye is uppermost and is therefore your “top eye,” the one with the slightly better vantage point. “Top” probably also connoted “best,” so that your “top eye” was the one that could see farther and clearer.

Having or keeping your top eye open simply meant keeping a careful watch, no matter what else you were doing.

John S. Skinner, for example, in an 1828 issue of The American Farmer, counseled his readers, “So that as small sands form the mountain, and economy is said to be wealth, perhaps it would be as well to keep our top-eye open a little sharper towards those smaller items of family expenses.” The satirist John S. Robb, in a backwoods story he published in an 1845 issue of The Spirit of the Times, had one of his rustic characters say: “You, Mike, keep your eye skinned for Ingins, ‘cause ef we git deep in a yard here, without a top eye open, the cussed varmints ‘ll pop on us unawars, and be stickin’ some of thur quills in us—nothing’ like havin’ your eye open and insterments ready."

The phrase was a warning to keep your guard up, but also simply to pay close attention to what was happening so that you could forestall a threat as it arose and even shrewdly turn the situation into a favorable opportunity for your own success or profit.

Theodore Parker’s Use of the Phrase

Theodore Parker certainly understood the phrase in this way. In a speech he gave to the annual meeting of the Massachusetts Anti-Slavery Society in 1853, he said, “I am glad that a ‘top eye’ is open to scrutinize the acts of public men—an eye that never slumbers nor sleeps—an eye that does not spare a friend when he falters more than a foe when he is false; I am glad of that.” And in a letter he wrote in 1854, Parker facetiously chided fellow abolitionist Samuel J. May for having tried to argue that the Bible was a pacifist tract, when there was plenty of evidence to the contrary: “But all this, O father! is a delusion of Satan, who will deceive the very elect if they do not keep a top-eye open and a bright look-out.”

The phrase also had currency among other abolitionists, who used it to describe slaves who carried on with their normal activities, but constantly watched for the moment when they could act by making their escape. The Provincial Freeman in its issue of April 21, 1855, for example, used the phrase:

The cook (a colored man) having his “top eye open,” kept quiet till the steamer had fairly reached New York, then quietly procured a carriage, and apprised the property [that is, a slave onboard] that it was at liberty to assume a more independent air; consequently, it was not unconscious of the value of time; and lo! to the utter amazement of the Mate, it was seen making quick paces in the direction of the carriage.

Abolitionist activist and writer William Still, in his 1872 history, The Underground Rail Road, described the rescue of a slave, Jane Johnson, and her children, using the phrase—“Jane had her ‘top eye open,’ and in that brief space had appealed to the sympathies of a person whom she ventured to trust, saying, ‘I and my children are slaves, and we want liberty!’”

The phrase “keep (or have) your top eye open” had this meaning all during the time it was current, through the first decade of the 20th century.

Another Later Meaning of the Phrase

For about 15 years, from about 1885 to 1900, long after Parker had written his handbill, the phrase briefly developed another meaning before it dropped out of currency altogether. Liberal reformers and spiritual progressives, especially from New England, used it to refer to cultivating a new and higher angle of vision on the world. To keep or have your top eye open meant to look a little deeper into the reasons of things or to look behind the surface of everyday things, to take your eyes off the ground and look into the air, up to heaven, to look there for subtle signs and omens, to be high-minded, to be spiritual rather than materialistic, to be focused on the true and lasting rather than the false, the sensual, and the transitory, on the intuitive rather than the calculating.

Parker’s use of the phrase in 1851 has nothing in it, even implicitly, that connects it to this later meaning. However, the distant origins of the image that this later meaning captures probably lay in Parker’s friend and fellow Transcendentalist Ralph Waldo Emerson’s essay, “Nature,” written in 1836, where he described an “exaltation” he experienced one day at twilight staring into snow puddles: "Standing on the bare ground—my head bathed by the blithe air and uplifted into infinite space—all mean egotism vanishes. I become a transparent eyeball; I am nothing; I see all; the currents of the Universal Being circulate through me; I am part or parcel of God."

"I become a transparent eyeball"

The “top eye” was the “skylight of the soul,” like the oculus at the top of the Pantheon in Rome. It saw, not the waves, but “Him who walks upon the waves,” in the words of ex-Quaker, Temperance worker and suffragist Hannah Whitall Smith. For her, opening one’s top eye was a mystical experience, a religious conversion, a reception of holiness and sanctification into one’s life. In 1883, Smith’s coworker and friend, Frances Elizabeth Willard, the President of the Woman’s Christian Temperance Union, described Mrs. Smith’s home and family:

There is no fear of the “next thing,” because it is the next and not the last. There is no looking back, after the puerile fashion of Lot’s wife, but, with earnest gaze forward and upward, this family group moves forward, blessing and blessed. “Keep your top eye open,” is the mother’s constant motto for her children.

About the same time, Congregationalist lecturer, Joseph Cook, at one of his weekly prayer meetings at Boston’s Tremont Temple, told his audience:

British advanced thought believes in its frontal eye, but not in its coronal eye. This is a defect of the English mind and of the American. When you reach India, in your tour of the globe, you will find people who believe in their coronal eye; who see God in an intuitive way, as Emerson did. … The Scotch have an eye in the dome of their souls; but they have such an immense front window that they are chiefly occupied in gazing out of it. Rarely, except in periods of mighty religious fervor, do they look aloft through the dome. … In general, Scotchmen, Englishmen, and Americans believe in experience, observation, definition, induction, the scientific method, and nothing else. You notice thus one of the defects of Anglo-Saxon advanced thought, that it sees with its front eye, and not with its top eye.

For more information

The Boston Public Library Anti-Slavery Collection.

Archer Taylor, Bartlett Jere Whiting, A Dictionary of American Proverbs and Proverbial Phrases, 1820-1880. Cambridge, Mass.: Belknap Press, 1958.

Bibliography

John S. Robb (pseudo. Solitaire), “Fun with a ‘Bar,’ A Night Adventure on the Missouri,” in Streaks of Squatter Life, and Far-West Scenes, Philadelphia: Carey and Hart, 1846, p. 105. Published first in The Spirit of the Times (New York), Dec 20, 1845.

“Speech of Theodore Parker at the Annual Meeting of the Massachusetts A. S. Society, Friday Evening, Jan. 28, 1853,” The Liberator, Feb 25, 1853, p. 2.

Theodore Parker, correspondence to Samuel J. May, March 1854, in Octavius Brooks Frothingham, Theodore Parker: A Biography, Boston: R. Osgood, 1874, p. 289.

William Still, The Underground Rail Road. Philadelphia: Porter & Coates, 1872, p. 91.

Frances Elizabeth Willard, Woman and Temperance; or, the work and workers of the Woman’s Christian Temperance Union. Hartford: James Betts, 1883, p. 198.

Joseph Cook, “Advanced Thought in England and Scotland,” Christian Advocate, Jan 18, 1883, p. 37.

Innovation and Technology in the 19th Century

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Genius of Electricity, statue by Evelyn Beatrice Longman
Question

How did innovation and technology change life in the 19th century?

Answer

There were two technological innovations that profoundly changed daily life in the 19th century. They were both “motive powers”: steam and electricity. According to some, the development and application of steam engines and electricity to various tasks such as transportation and the telegraph, affected human life by increasing and multiplying the mechanical power of human or animal strength or the power of simple tools.

Those who lived through these technological changes, felt them to be much more than technological innovations. To them, these technologies seemed to erase the primeval boundaries of human experience, and to usher in a kind of Millennial era, a New Age, in which humankind had definitively broken its chains and was able, as it became proverbial to say, to “annihilate time and space.” Even the most important inventions of the 19th century that were not simply applications of steam or electrical power, such as the recording technologies of the photograph and the phonograph, contributed to this because they made the past available to the present and the present to the future.
The 1850 song, “Uncle Sam’s Farm,” written by Jesse Hutchinson, Jr., of the Hutchinson Family Singers, captured this sense that a unique historical rupture had occurred as a result of scientific and social progress:

Our fathers gave us liberty, but little did they dream
The grand results that pour along this mighty age of steam;
For our mountains, lakes and rivers are all a blaze of fire,
And we send our news by lightning on the telegraphic wires.

Apart from the technological inventions themselves, daily life in the 19th century was profoundly changed by the innovation of reorganizing work as a mechanical process, with humans as part of that process. This meant, in part, dividing up the work involved in manufacturing so that each single workman performed only one stage in the manufacturing process, which was previously broken into sequential parts. Before, individual workers typically guided the entire process of manufacturing from start to finish.

This change in work was the division or specialization of labor, and this “rationalization” (as it was conceived to be) of the manufacturing process occurred in many industries before and even quite apart from the introduction of new and more powerful machines into the process. This was an essential element of the industrialization that advanced throughout the 19th century. It made possible the mass production of goods, but it also required the tight reorganization of workers into a “workforce” that could be orchestrated in various ways in order to increase manufacturing efficiency. Individuals experienced this reorganization as conflict: From the viewpoint of individual workers, it was felt as bringing good and bad changes to their daily lives.

On the one hand, it threatened the integrity of the family because people were drawn away from home to work in factories and in dense urban areas. It threatened their individual autonomy because they were no longer masters of the work of their hands, but rather more like cogs in a large machine performing a limited set of functions, and not responsible for the whole.

On the other hand, it made it possible for more and more people to enjoy goods that only the wealthy would have been able to afford in earlier times or goods that had never been available to anyone no matter how wealthy. The rationalization of the manufacturing process broadened their experiences through varied work, travel, and education that would have been impossible before.

For more information

J. D. Bernal, Science and Industry in the Nineteenth Century. Bloomington: Indiana University Press, 1970. First edition published 1953.

Thomas Parke Hughes, American Genesis: A History of the American Genius for Invention. New York: Penguin Books, 1989.

Jack Larkin, The Reshaping of Everyday Life: 1790-1840. New York: Harper Perennial, 1989. First edition published 1988.

Walter Licht, Industrializing America: The Nineteenth Century. Baltimore: Johns Hopkins University Press, 1995.

Carroll Pursell, The Machine in America: A Social History of Technology. Baltimore: Johns Hopkins University Press, 1995.

Stonewall Jackson and the Battle of Chancellorsville

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Stonewall Jackson
Question

Why did Stonewall Jackson think that his army could fight all night long after the Battle of Chancellorsville?

Answer

Confederate General Thomas J. “Stonewall” Jackson was one of the chief architects of the stunning Confederate victory at the battle of Chancellorsville, Virginia, on May 2, 1863. Along with overall Confederate commander Robert E. Lee, Jackson devised a daring plan that divided the numerically inferior southern army and then marched Jackson’s men far around the Union army to strike unsuspecting northern troops on their extreme right flank. Northern soldiers were caught almost completely unawares and quickly succumbed to panic and rout, resulting in one of the most striking tactical victories of the war. Jackson, eager to follow up the initial success by mounting an extremely rare nighttime attack, reconnoitered the Union lines by the light of a full moon the evening of the battle. It was his last act as commander.

Though the men of his corps were undoubtedly exhausted after the day’s fighting, there was reason to believe that they would summon the will for a follow-up attack. Jackson’s men had already proved themselves capable of feats of endurance far beyond what most Civil War-era units could accomplish. During their famed 1862 campaign in Virginia’s Shenandoah Valley, Jackson’s men marched over 400 miles during a four-week stretch (including one 57-mile march in 51 hours) and fought six battles that month, repeatedly confounding Union generals’ attempts to defeat them. That the troops in Jackson’s command managed these feats under extremely difficult conditions—many had poor equipment, insufficient rations, and suffered from dysentery and other chronic conditions—renders their achievements even more remarkable, and helps explain why Jackson’s infantry became known as his “foot cavalry.” Their record as some of the most battle-hardened troops in the Army of Northern Virginia may have led their commander to believe they could renew the attack even after a grueling day of battle. (Jackson also may have anticipated a relative advantage over his Union opponents, whose troops were not only exhausted from the day’s hard fighting but also suffering from low morale due to the chaos of their defeat earlier in the day.)

Night attacks like the one Jackson contemplated at Chancellorsville were extremely rare during the Civil War not because of fatigue but because of the difficulty of fighting in the dark. Even under the best of conditions, Civil War battles were chaotic and confusing affairs: absent modern communications technologies, regiments depended on brightly-colored flags and uniforms to distinguish friend from foe. Even in daylight, troops sometimes mistook friendly regiments for enemy units: the thick, heavy smoke produced by Civil War firearms hung close to the ground, obscuring lines, and in the first years of the war many units on both sides employed nonstandard uniforms. Nighttime amplified these problems, making it nearly impossible to determine the position of friendly and enemy units. The increased threat of so-called “friendly fire” casualties represented a powerful disincentive to mount nighttime operations.

Jackson himself became the best-known Civil War victim of friendly fire. While scouting the Union lines at Chancellorsville by moonlight on horseback with his aides, Confederate pickets mistook his party for northern troops and fired several volleys into the group. Jackson himself was struck by musket balls and mortally wounded: surgeons amputated his left arm in an attempt to save his life, but pneumonia set in and the famous general died eight days after the battle.

For more information

Maps of the Chancellorsville Campaign, in the American Civil War Atlas assembled by West Point.

Explanation of The Battle of Chancellorsville at the website of the Civil War Preservation Trust.

Bibliography

Images:
Print engraving of Stonewall Jackson. Prints and Photographs Division, Library of Congress.

"Battle-field of Chancellorsville Trees shattered by artillery fire on south side of Plank Road near where Gen. Stonewall Jackson was shot," photograph, 1865. Prints and Photographs Division, Library of Congress.

Deserters in the Civil War

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execution of a deserter
Question

I'm researching a Civil War veteran in my family. I've found his muster roll records and there is something that is confusing me. My Civil War ancestor was a private in the Union Army. It says on his records that he deserted on November 5, 1862, and returned on October 27, 1864. It says he was restored to duty (by competent authority) forfeiting all pay for time absent and $10 for transportation by order of General Stanly. How is this possible? I thought all deserters would have been executed.

Answer

This question gets at a central truth about service in the Civil War armies: desertion was common on both sides. It became more frequent later in the war (when more of the soldiers were draftees rather than volunteers, and when the brutal realities of Civil War combat had become more clear), and was more common among Confederate soldiers, especially as they received desperate letters from wives and families urging them to return home as Union armies penetrated further south.

While it is impossible to know with certainty how many soldiers deserted over the course of the conflict, Northern generals reckoned during the war that at least one soldier in five was absent from his regiment; at war’s end, the Union Provost Marshal General estimated that nearly a quarter of a million men had been absent from their units sometime during the war. Estimates for Confederate armies range even higher—perhaps as many as one soldier in three deserted during the course of the war. The Army of Northern Virginia alone lost eight percent of its total strength in a single month during the savage campaign of the summer of 1864.

Officially, desertion constituted a capital offense and was punishable by death. But because of the numbers of soldiers involved, it proved practically as well as politically impossible to execute every deserter who was captured. The armies could not afford the numerical loss of such large numbers of troops; more importantly, as Abraham Lincoln himself noted, people would not stand to see Americans shot by the dozens and twenties. Both armies employed other punishments (branding captured soldiers with a “D” on the hip, was common, for example) rather than execute every deserter they recovered. Both armies did execute some captured deserters—often in highly public ceremonies before the entire regiments, intended to deter other would-be fugitives—but such punishments were unusual.

Only 147 Union deserters were executed during the course of the war. Rather than rely entirely on punitive measures, Union authorities attempted to woo deserters back with offers of amnesty for soldiers who returned to their commands before a specific deadline, frequently pairing that reprieve with threats of increased punishment for those who failed to return before the designated date. Lincoln offered general amnesty to some 125,000 Union soldiers then absent from their regiments in March 1863, provided those soldiers returned to their units.

The prevalence of desertion from the ranks of both armies speaks to an interesting reality about those soldiers’ conception of military obligation. Long mistrustful of professional armies and fiercely protective of individual liberties, many Americans of the mid-nineteenth century (North and South) adhered to a conception of military service as a contractual—one that involved obligations from the state as well as from the citizen-soldier.

For some Civil War volunteers, their service in the army was predicated on specific treatment from their officers and the government. When they believed that the government had not held up its end of the bargain (by failing to provide essential supplies, for example, or by furnishing incompetent leaders) they assumed that the contract had been voided—and their absence, by extension, did not constitute desertion.

Bibliography

Images:
Part of an editorial, "The Deserter," New York Evangelist, September 26, 1861.

"Execution of a Deserter in the Federal Camp, Alexandria," Illustrated London News, January 11, 1862.