Freedmen's Bureau Online Anonymous (not verified) Fri, 01/25/2008 - 22:21
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Logo, Freedmen's Bureau Online
Annotation

The Bureau of Refugees, Freedmen, and Abandoned Lands, also known as the Freedmen's Bureau, was established by the War Department in 1865 to supervise all relief and education activities for refugees and freedmen after the Civil War. The Bureau was responsible for issuing rations, clothing, and medicine, and had custody of confiscated lands in the former Confederate states and other designated territories. This website contains an extensive collection of Freedmen's Bureau records and reports.

Included are more than 100 transcriptions of reports on murders, riots, and "outrages" (any criminal offense) that occurred in the former Confederate states from 1865 to 1868. There are also 30 links to records and indexes of labor contracts between freedmen and planters between 1865 and 1872; seven links to related sites; six links to marriage records of freedmen, 1861–1872; and more than 100 miscellaneous state record items concerning freedmen.

American Experience: Jonestown: The Life and Death of Peoples Temple

Description

From PBS:

On November 17, 1978, Congressman Leo Ryan traveled to Guyana to investigate the concerns of constituents. Their alarming stories focused on a compound known as Jonestown, a group called the Peoples Temple and its leader, Jim Jones. Within 2 days, Ryan, Jones and over 900 Jonestown settlers were dead; casualties of a mass murder-suicide. American Experience goes beyond the headlines to provide a revealing portrait of Jones and The Peoples Temple.

Law and Society

Description

This lecture, created by the Abraham Lincoln Historical Digitization Project, traces the development of law and legal institutions in Illinois, beginning with early colonization and ending with the mid-1800s. It focuses particularly on the laws dealing with land and property ownership.

Police Heritage Museum [PA]

Description

The Police Heritage Museum presents the history of the police force through the display of artifacts and historic records of police officers, their departments, and the techniques and equipment they used to combat crime and preserve peace and order in their communities.

The museum offers online virtual exhibits, on-site exhibits, and guided tours.

Friends of the James Farm and Museum [MO]

Description

Until 1978, the James farm was owned by the descendents of Frank and Jesse James. Today, a museum has been added to the site, displaying Jesse James and James family artifacts including three of Jesse's guns; the boots he was wearing when he was killed; and the family Bible, with inscriptions written in Zerelda's own hand. The farm and house look much as they did when Zerelda was giving the tours and is fully furnished with items that belonged to the James and Samuel families.

The museum and farm offer exhibits, tours, and research library access.

Yo, Ho, Ho and a . . . Bushel of Oysters?

Quiz Webform ID
22411
date_published
Teaser

Shellfish pirates stole from the rich to feed themselves—and make a little money on the side.

quiz_instructions

With Talk Like a Pirate Day on September 19th, students may be rolling their "Arrs." Popular media focuses on pirates pillaging at sea, but pirates didn't limit themselves to the open ocean. Consider these questions on oyster pirates, who made their living thieving shellfish in America's bays.

Quiz Answer

1. Oyster pirates were at the height of their trade during what years?
a. The 1700s, the Golden Age of piracy
b. The 1800s, prior to the Civil War
c. Approximately 1930 to 1940
d. Approximately 1870 to 1920

Oysters became a high-demand source of protein and nutrition following the Civil War. With the rise of industry and of shipping by rail, canneries and corporate oyster farming operations sprang up on both coasts, eager to supply the working class, and anyone else who wanted the tasty shellfish, with oysters shipped live or canned. In San Francisco, a center of oyster piracy, the boom years of the oyster industry corresponded, unsurprisingly, with those of the oyster industry—both took off in 1870, as the state began allowing major oyster farming operations to purchase the rights to underwater bay "land" (traditionally common property), and petered off in the 1920s, as silt and pollution disrupted the bay's ecosystem.

2. Which famous author spent time as an oyster pirate?
a. Jack London
b. Mark Twain
c. Ernest Hemingway
d. Upton Sinclair

At 15, Jack London bought a boat, the Razzle Dazzle, and joined the oyster pirates of San Francisco Bay to escape work as a child laborer. London wrote about his experiences in his semi-fictional autobiography, John Barleycorn, and used them in his early work, The Cruise of the Dazzler, and in his Tales of the Fish Patrol. The latter tells the story of oyster pirates from law enforcement's perspective—after sailing as an oyster pirate, London switched sides himself, to hunt his former compatriots.

3. What was popular working-class opinion on the oyster pirates?
a. Oyster pirates should be hunted down and captured, as they gave a bad name to common fishermen
b. Oyster pirates meant very little to the working class in bay areas; a few people admired or condemned them, but most people ignored them
c. Oyster pirates were heroes, fighting back against corporate ownership of underwater property
d. Oyster pirates pulled attention from more important issues, such as urban crime rates and public health

The working class romanticized oyster pirates as Robin-Hood-like heroes, fighting back against the new big businesses' private control of what had once been common land. Traditionally, underwater "real estate" was commonly owned—anyone with a boat or oyster tongs could fish or dredge without fear of trespassing. Following the Civil War, states began leasing maritime "land" out to private owners; and the public protested, by engaging in oyster piracy, supporting oyster pirates, scavenging in tidal flats and along the boundaries of maritime property, and, occasionally, engaging in armed uprisings.

4. On April 3, 1883, the comic opera Driven from the Seas; or the Pirate Dredger's Doom played to an appreciative audience at the Norfolk Academy of Music in Virginia. What Chesapeake Bay event did the opera satirize?
a. A successful raid against Chesapeake oyster pirates by Virginia governor William Evelyn Cameron, in 1882
b. The sinking of two dredgers' ships in February 1883, when the dredgers ran against rocks while being chased by overzealous patrol boats
c. The misadventures of a group of drunk oyster pirates arrested for causing a public disturbance in Norfolk in March 1883
d. An unsuccessful raid against Chesapeake oyster pirates by Virginia governor William Evelyn Cameron, in February 1883

The opera satirized Governor William Evelyn Cameron's second raid against oyster pirates in the Chesapeake Bay, on February 27, 1883. Cameron had conducted a very successful raid the previous February, capturing seven boats and 46 dredgers, later pardoning most of them to appease public opinion—which saw the pirates as remorseful, hard-working family men. His second raid, in 1883, went poorly. Almost all of the ships he and his crews chased escaped into Maryland waters, including the Dancing Molly, a sloop manned only by its captain's wife and two daughters (the men had been ashore when the governor started pursuit). The public hailed the pirates as heroes and ridiculed the governor in the popular media—the Lynchberg Advance, for instance, ran a poem comically saluting the failed raid.

For more information

oyster_pirates_ctlm.jpg Oyster piracy highlights the class tensions that sprang up during post-Civil War industrialization. Big business and private ownership began to drive the economy, shaping the lives of the working class and changing long-established institutions and daily patterns. Young people such as Jack London turned to oyster piracy as an escape from the new factory work—and the working class chaffed against the loss of traditional maritime common lands to business owners.

For more on oyster piracy, consider Jack London's fiction on the subject. Full-text versions of The Cruise of the Dazzler, John Barleycorn, and Tales of the Fish Patrol are available at Project Gutenberg, which provides the full text of hundreds of out-of-copyright works.

The Smithsonian's online exhibit On the Water includes a section on the Chesapeake oyster industry, with a mention of oyster pirates.

The Oyster War: A Poem

The oyster war!
The oyster war!
The biggest sight you ever saw;
The Armada sailing up the Bay,
The oyster pirates for to slay.

With cannon, brandy, cards aboard,
They steam from out of Hampton Road,
The Govnor wearing all the while
A Face lit up with many a "smile."

But when the pirates hove in view
Quick to his post each sailor flew!
The squadron, with "Dutch courage" bold,
Sweeps like the wolf upon the fold.

They to the Rappahannock turn
To fight like Bruce at Bannockburn,
And give the oyster-dredgers fits,
Like Bonaparte at Austerlitz.

Sources
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Oyster, 1921
Oyster, 1921
Oyster, 1921
Oyster, 1921
Oyster, 1921
Oyster, 1921
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"Gathering and dressing oysters under difficulties," 1879
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Punishment, Politics, and Culture

Description

From the Amherst College website:

In this seminar, participants "shall read closely, and discuss at length, material ranging from such 'classics' as the Book of Job, Tocqueville's Democracy in America, and Thoreau on civil disobedience, to legal cases, literary treatments of punishment, and film. The range is broad, asking each of us to move out from our areas of specialization to see the subject of punishment through an interdisciplinary lens. Participation in the seminar demands no specialized training in law or jurisprudence."

Contact name
Austin Sarat
Contact email
Registration Deadline
Sponsoring Organization
National Endowment for the Humanities, Amherst College
Phone number
4135422380
Target Audience
K-12
Start Date
Cost
Free; $3900 stipend
Duration
Five weeks
End Date